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Good Beer
Songs like
Good Beer
by
Seaforth
Based on a tempo of (+/- 10%) and a similar genre
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
50% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Josh Melton
Take Your Breath Away
91 bpm • G Maj • 02:54 • -6.05db
35% Popularity • 64% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Canaan Cox
Long Way Home
91 bpm • B Maj • 03:16 • -4.96db
47% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Ryan Hurd
What If I Never Get Over You
91 bpm • B Maj • 03:22 • -6db
45% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Wonderin’ Bout The Wind
91 bpm • F# Maj • 03:02 • -5.63db
65% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
44% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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SixForty1
Started Right Here
91 bpm • D Maj • 02:45 • -4.35db
28% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Evans
Over For You
91 bpm • E Maj • 03:05 • -8.97db
59% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Parmalee
Just the Way
91 bpm • A Maj • 03:13 • -5.03db
46% Popularity • 58% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
62% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
68% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Trea Landon
Loved by a Country Boy
90 bpm • F Maj • 03:12 • -2.63db
44% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Doleac
Til Dawn Do Us Part
90 bpm • G# Maj • 02:58 • -4.83db
39% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jordan Davis
A Little Lime
92 bpm • G# Maj • 02:39 • -5.51db
60% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
70% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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CHASE WRIGHT
Why Should We
92 bpm • G# min • 02:50 • -6db
49% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Seaforth
Magic
92 bpm • G Maj • 03:25 • -6.44db
28% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
45% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Jordan Fletcher
Rather Be Broke
90 bpm • F min • 02:37 • -8.93db
30% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Stell
One Of Us
90 bpm • C Maj • 03:02 • -3.34db
51% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
60% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Kerr
Pick up Where We Left Off
90 bpm • A Maj • 02:50 • -7.88db
21% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
37% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Tenille Townes
Girl Who Didn't Care
90 bpm • E Maj • 03:12 • -4.85db
44% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Adam Hambrick
Sunshine State of Mind
93 bpm • E Maj • 03:14 • -4.91db
34% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Ryan Hurd
June, July, August
92 bpm • B Maj • 03:01 • -4.64db
40% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Morgan Wallen
Blame It On Me
93 bpm • G Maj • 02:42 • -4.59db
61% Popularity • 63% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Josh Ross
Before I Loved You
93 bpm • A Maj • 02:28 • -5db
58% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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James Barker Band
Meet Your Mama
93 bpm • A# Maj • 02:58 • -4db
44% Popularity • 52% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
45% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Death Row
93 bpm • D Maj • 03:51 • -7.64db
47% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
63% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Lindsay Ell
Right On Time
94 bpm • F Maj • 03:06 • -4.76db
45% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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High Valley
Whatever It Takes
94 bpm • A# Maj • 02:48 • -5db
42% Popularity • 57% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
45% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Rich
Thinkin' We're In Love
88 bpm • C Maj • 03:48 • -5.7db
39% Popularity • 51% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
51% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Wallen
865
88 bpm • G# Maj • 03:10 • -5.25db
72% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jordan Davis
Part Of It
88 bpm • G# Maj • 03:08 • -5db
61% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Griffin
Summer on It
88 bpm • A# Maj • 02:48 • -5.48db
23% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
49% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Seaforth
Love That - Reimagined
95 bpm • D# Maj • 03:11 • -6.3db
21% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
35% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
49% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
61% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Griffin
Mama's Boy
87 bpm • C# Maj • 03:16 • -6.49db
43% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Doleac
Meet Me in the City
87 bpm • G Maj • 02:56 • -6db
38% Popularity • 50% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Seaforth
Been Better
95 bpm • G min • 02:50 • -4.54db
34% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Conner Smith
Didn't Go Too Far
96 bpm • C# Maj • 02:47 • -3.24db
43% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsea Ballerini
LOVE IS A COWBOY
96 bpm • F# Maj • 02:43 • -7db
59% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
66% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Levi Hummon
Good Taste
96 bpm • A Maj • 02:37 • -5.83db
36% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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MacKenzie Porter
Seeing Other People
96 bpm • C# Maj • 03:02 • -4db
40% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Danielle Bradbery
Shallow
96 bpm • G Maj • 03:27 • -4.19db
45% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Parmalee
Greatest Hits
96 bpm • G min • 03:04 • -5.48db
42% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Roman Alexander
Better In A Car
86 bpm • C Maj • 03:14 • -4.79db
26% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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John King
Ain't Missing You
96 bpm • A min • 03:24 • -6.33db
14% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Teddy Robb
Whiskey Can't
97 bpm • A Maj • 02:52 • -5.15db
31% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
61% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
54% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
41% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
44% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Rayne Johnson
Laid Back
97 bpm • G# Maj • 03:20 • -5db
40% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Wallen
More Surprised Than Me
85 bpm • F# Maj • 02:37 • -6.05db
66% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
63% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
55% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Niko Moon
ALL THAT WE NEED
98 bpm • B min • 02:37 • -6.06db
50% Popularity • 90% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Dallas Smith
One Too
85 bpm • C Maj • 03:21 • -7.18db
32% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
56% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other
98 bpm • D Maj • 02:41 • -4db
47% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
68% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Hubbard
Tough
98 bpm • F Maj • 03:06 • -5db
47% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Wallen
Quittin’ Time
84 bpm • F Maj • 03:44 • -8.49db
63% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Ashley Cooke
getting into
84 bpm • C Maj • 02:49 • -5.55db
41% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Noah Schnacky
Wherever You Are
99 bpm • C Maj • 02:28 • -3.87db
34% Popularity • 66% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Sam Grow
Without You
84 bpm • A# Maj • 02:57 • -4.37db
49% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Callista Clark
It’s ‘Cause I Am
99 bpm • A# min • 02:46 • -5db
40% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Seaforth
Used to It
84 bpm • F Maj • 03:26 • -6db
30% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
45% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Reklaws
Where I'm From
83 bpm • F Maj • 03:31 • -4.15db
44% Popularity • 32% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Danielle Bradbery
A Special Place
83 bpm • C Maj • 02:54 • -4db
51% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
71% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
35% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
52% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Tenille Arts
Right Guy Wrong Time
83 bpm • F# Maj • 03:39 • -7.21db
38% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
39% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Kerr
Thought This Through
100 bpm • F Maj • 02:52 • -7.29db
25% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
70% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
51% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Hubbard
Me For Me
100 bpm • F# Maj • 02:54 • -5.84db
58% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
31% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
58% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Kerr
I Go Back to You
83 bpm • A Maj • 03:17 • -7.43db
20% Popularity • 52% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Melton
One Day
82 bpm • A Maj • 02:45 • -5db
39% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
62% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Danielle Bradbery
Break My Heart Again
82 bpm • C Maj • 03:21 • -8db
38% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
70% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Levi Hummon
Wedding Dress
102 bpm • C min • 03:08 • -16.17db
37% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Lily Rose
I'd Be You
102 bpm • C# min • 02:58 • -4.13db
43% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Good Beer