Songs like Good King Wencelas by Westminster Cathedral Choir
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: Agnus Dei
128 bpm • F Maj • 02:34 • -17.66db
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorian Chant
Alma Redemptoris Mater
128 bpm • D Maj • 02:32 • -24.83db
14% Popularity • 27% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Maria Mater Gratiae, Op. 47/2
128 bpm • D# Maj • 02:37 • -23.28db
2% Popularity • 21% Danceability • 9% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 9% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Grieving Mother
128 bpm • D# min • 04:15 • -28db
18% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Jubilate Deo omnis terra, LV 854
128 bpm • G# Maj • 01:44 • -22.64db
9% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Coro De La Abadía De San Florián Y La Iglesia De Santa Rita
Sederunt Príncipes
128 bpm • E Maj • 03:04 • -16db
23% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Lucien Deiss, CSSp
Antiphons from the Advent Liturgy
128 bpm • G# Maj • 03:58 • -25db
23% Popularity • 21% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Dominican House of Studies
In omnem terram (Chant)
127 bpm • F# Maj • 01:04 • -21.58db
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Tantum Ergo, Op. 65/2
127 bpm • E Maj • 02:50 • -26.08db
2% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
Rejoice O Virgin
129 bpm • A Maj • 01:10 • -20.78db
26% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
26% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
38% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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The Orthodox Church Music Ensemble
How Great
129 bpm • G Maj • 04:09 • -23.98db
9% Popularity • 19% Danceability • 8% Energy • 22% Liveness
27% Instrumentalness • 10% Positiveness
9% Popularity • 19% Danceability • 8% Energy • 22% Liveness
27% Instrumentalness • 10% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Стихиры Триоди постно...
127 bpm • F Maj • 02:17 • -19.07db
14% Popularity • 25% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 25% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Pérotin
Mass for the Nativity of the Virgin: I. ...
130 bpm • F min • 09:22 • -22.12db
10% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: V. Benedictu...
130 bpm • G# min • 02:40 • -20.86db
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Alleluia "Assumpta est Maria"
130 bpm • D# Maj • 02:27 • -25.43db
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Stirps Iesse
O salutaris Hostia
130 bpm • D Maj • 01:03 • -29.69db
34% Popularity • 25% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 25% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Johannes Brahms
2 Motets, Op. 74: No. 1b, Lasset uns uns...
130 bpm • F Maj • 00:56 • -21.94db
0% Popularity • 20% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
0% Popularity • 20% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Gabriel Fauré
Requiem Op. 48
130 bpm • G min • 04:40 • -21.86db
2% Popularity • 18% Danceability • 10% Energy • 12% Liveness
19% Instrumentalness • 7% Positiveness
2% Popularity • 18% Danceability • 10% Energy • 12% Liveness
19% Instrumentalness • 7% Positiveness
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St. Symeon Orthodox Church Octet
Hypakoe of Pascha
130 bpm • C Maj • 01:30 • -16.22db
16% Popularity • 22% Danceability • 11% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
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Gregorian Chants
Missa Kyrie fons bonitatisV. Agnus Dei
130 bpm • D# Maj • 01:50 • -16db
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Popule meus Improperie (Karfreitag)
130 bpm • F Maj • 06:30 • -19db
23% Popularity • 22% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Francisco Guerrero
Ave virgo sanctissima
130 bpm • F# min • 04:58 • -21.81db
7% Popularity • 18% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Felice Anerio
Christus factus est
130 bpm • G min • 02:38 • -28.52db
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Stirps Iesse
Pange lingua
126 bpm • B min • 03:07 • -20.92db
23% Popularity • 24% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
36% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
O Maria vitae via
131 bpm • D# Maj • 05:23 • -28db
29% Popularity • 21% Danceability • 5% Energy • 15% Liveness
10% Instrumentalness • 4% Positiveness
29% Popularity • 21% Danceability • 5% Energy • 15% Liveness
10% Instrumentalness • 4% Positiveness
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Cantores 'Regina Caeli'
Creator Of The Stars
131 bpm • C Maj • 02:01 • -27.25db
10% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Great Canon Of St. Andrew Of Crete O...
125 bpm • B min • 01:24 • -22.98db
18% Popularity • 19% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 19% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Gabriel Fauré
Requiem Op. 48
131 bpm • A# Maj • 03:14 • -31.97db
7% Popularity • 16% Danceability • 2% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Jane Hawes
Windham/Kedron - the First Word
131 bpm • E min • 02:34 • -18.33db
3% Popularity • 25% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Canto Al...
131 bpm • F Maj • 02:38 • -23db
23% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
23% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
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Ambrosian Chant,
Cantus Officiorum: Responsorium: Tenebra...
131 bpm • D# Maj • 03:48 • -25db
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
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Dominican House of Studies
Gaudeamus omnes in Domino
131 bpm • F# Maj • 03:06 • -21.26db
20% Popularity • 21% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 21% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Monks Of The Benedictine Abbey
Hodie Christus Natus Est
131 bpm • A min • 01:02 • -21db
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
43% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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St. Innocent's Academy
Come Bless the Lord
125 bpm • C Maj • 02:35 • -20.73db
12% Popularity • 21% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Jane Hawes
North Port - the Fifth Word
132 bpm • A min • 02:32 • -19.59db
1% Popularity • 24% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Bogorodice, Devo, Radujsa
124 bpm • F Maj • 02:24 • -24.96db
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Dominican House of Studies
The Right Hand of the Lord
132 bpm • D# min • 01:00 • -19.51db
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Cantarte Regensburg
Anbetung Dem Kreuz: Crucem Tuam
132 bpm • B min • 02:31 • -19.45db
31% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
John Sheppard
In manus tuas II & III: In manus tuas II...
132 bpm • F Maj • 03:18 • -35db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Gregorian Chant
Medieval teaching aid: Ut queant laxis
124 bpm • F Maj • 01:06 • -32.7db
6% Popularity • 34% Danceability • 1% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 34% Danceability • 1% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
132 bpm • A min • 06:37 • -19.58db
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Litany of the Saints
132 bpm • F Maj • 03:26 • -28.46db
8% Popularity • 23% Danceability • 6% Energy • 16% Liveness
57% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 16% Liveness
57% Instrumentalness • 6% Positiveness
► Preview
Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Cantarte Regensburg
Offertorium: Ave Maria
132 bpm • A min • 02:19 • -18.09db
34% Popularity • 24% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 14% Positiveness
34% Popularity • 24% Danceability • 12% Energy • 14% Liveness
35% Instrumentalness • 14% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
45% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Antifona...
133 bpm • G Maj • 03:33 • -29.09db
25% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gregorian Chants
Miss De Angelis: I. Kyrie
133 bpm • D Maj • 01:53 • -18.12db
25% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
25% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
The Benedictine Nuns of St. Cecilia's Abbey
O Filii Et Filiae
133 bpm • G min • 03:34 • -19.14db
29% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
22% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
St. Symeon Orthodox Church Octet
The Forty (Lord, Have Mercy) [Kiev-Peche...
133 bpm • C# Maj • 01:05 • -17.73db
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Pro Cantione Antiqua
Victimae paschali laudes
133 bpm • A min • 01:34 • -24.32db
12% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
O sacrum convivium
133 bpm • C min • 02:43 • -22.67db
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Choeur des moines de l'abbaye Notre Dame de Fontgombault
Les Vêpres: Hymne "Ave maris Stella"
123 bpm • D Maj • 03:07 • -27.04db
24% Popularity • 22% Danceability • 7% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
24% Popularity • 22% Danceability • 7% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
► Preview
Dominican House of Studies
O quam gloriosum
133 bpm • A Maj • 01:59 • -23db
22% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
22% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
► Preview
Pro Cantione Antiqua
Attende Domine
123 bpm • D# Maj • 03:33 • -27.18db
15% Popularity • 28% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Choir Of St. Abuscus
Collegerunt Antiphona (Palmsonntag)
134 bpm • D# Maj • 06:09 • -17db
21% Popularity • 22% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Stirps Iesse
Alleluia 'o filii et filiae'
123 bpm • A min • 04:16 • -19.78db
15% Popularity • 28% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Pavel Chesnokov
Let My Prayer Be Set Forth in Thy Sight ...
134 bpm • A# min • 07:31 • -23.15db
9% Popularity • 17% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Gregorian Chant
Kyrie: Orbis factor
134 bpm • D Maj • 01:58 • -20.89db
22% Popularity • 23% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 23% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Vytautas Miškinis
Angelis suis Deus
134 bpm • A min • 03:51 • -33.53db
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
Hymn Of Incarnation
134 bpm • C Maj • 01:57 • -19db
15% Popularity • 18% Danceability • 27% Energy • 25% Liveness
8% Instrumentalness • 8% Positiveness
15% Popularity • 18% Danceability • 27% Energy • 25% Liveness
8% Instrumentalness • 8% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Kondak Akafista St. Blz.
134 bpm • E min • 01:48 • -23db
21% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Concordi laetitia
134 bpm • G# Maj • 02:15 • -27db
25% Popularity • 21% Danceability • 4% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
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Kamil Przygrodzki
Introibo ad altare Dei
122 bpm • C min • 03:20 • -15.54db
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem Op. 48
134 bpm • D Maj • 03:45 • -27.31db
9% Popularity • 16% Danceability • 4% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Gloria
134 bpm • A Maj • 03:11 • -20db
33% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Te Joseph
122 bpm • F# min • 02:37 • -23.13db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Schola Gregoriana Mediolanensis & Giovanni Vianini
Sit Gloria Domini
135 bpm • D Maj • 01:19 • -22db
17% Popularity • 18% Danceability • 11% Energy • 13% Liveness
54% Instrumentalness • 7% Positiveness
17% Popularity • 18% Danceability • 11% Energy • 13% Liveness
54% Instrumentalness • 7% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
135 bpm • F Maj • 01:31 • -20db
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Monks And Choirboys Of Downside Abbey
Thou Knowest Lord The Secret Of Our Hear...
135 bpm • G min • 02:04 • -22db
29% Popularity • 18% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Pro Cantione Antiqua
Tibi Domine derelictus est pauper
135 bpm • C# Maj • 05:13 • -25.75db
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness