Songs like Good Lord by Birds Of Tokyo
Based on a tempo of (+/- 10%) and a similar genre
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
44% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Noiseworks
Hot Chilli Woman
157 bpm • A Maj • 03:23 • -6db
39% Popularity • 47% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 47% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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1927
You'll Never Know
158 bpm • D Maj • 03:40 • -3.8db
40% Popularity • 52% Danceability • 90% Energy • 30% Liveness
3% Instrumentalness • 84% Positiveness
40% Popularity • 52% Danceability • 90% Energy • 30% Liveness
3% Instrumentalness • 84% Positiveness
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Morgan Evans
Diamonds
158 bpm • D Maj • 02:52 • -5db
44% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Birds Of Tokyo
Brace
158 bpm • D# Maj • 04:48 • -5.15db
31% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
47% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Grinspoon
Chemical Heart
154 bpm • C Maj • 04:39 • -7.41db
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Kisschasy
Hey Jealousy - 2008 Digital Remaster
154 bpm • F# min • 03:43 • -4.65db
26% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Kelly
Dumb Things
154 bpm • C Maj • 02:31 • -5.61db
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Morgan Evans
Diamonds - Intl Mix
158 bpm • D Maj • 02:52 • -5db
26% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Evermore
Can You Hear Me?
152 bpm • A Maj • 06:43 • -6.09db
12% Popularity • 45% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 45% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Birds Of Tokyo
Discoloured
158 bpm • G min • 04:17 • -7.65db
21% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Amy Shark
Mess Her Up - Single Edit
160 bpm • G Maj • 03:25 • -4.48db
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Darling Brando
Beat Up Guitar
152 bpm • B Maj • 03:36 • -6.57db
18% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Slowly Slowly
Skinny Love - triple j Like a Version
150 bpm • B Maj • 03:47 • -10db
34% Popularity • 22% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 22% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 15% Positiveness
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The Herd
Bodies - triple j Like a Version
162 bpm • D min • 04:10 • -6db
25% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Mitch James
Be Somebody
162 bpm • C# min • 03:04 • -5db
30% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Luca Brasi
Clothes I Slept In
150 bpm • C# min • 03:38 • -4db
32% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 48% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Birds Of Tokyo
Superglue
150 bpm • C Maj • 03:27 • -5.92db
28% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Allday
Big Yellow Taxi - triple j Like A Versio...
150 bpm • E Maj • 02:49 • -8.28db
37% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Taxiride
AFTERGLOW
149 bpm • G Maj • 04:07 • -6.3db
18% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Kisschasy
Do-Do's And Whoa-Oh's
149 bpm • D Maj • 03:31 • -4.26db
40% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Birds Of Tokyo
Never Going Back
150 bpm • F Maj • 04:35 • -5.43db
22% Popularity • 25% Danceability • 72% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
22% Popularity • 25% Danceability • 72% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
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Hilltop Hoods
Fire & Grace
164 bpm • F min • 03:49 • -7db
38% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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D Minor
Concrete Pillow
164 bpm • C min • 03:31 • -6.54db
21% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Evermore
Light Surrounding You
164 bpm • D# Maj • 03:50 • -7db
50% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Bachelor Girl
Permission To Shine
164 bpm • A Maj • 04:16 • -6db
32% Popularity • 47% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 47% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Kelly
To Her Door
164 bpm • G Maj • 03:16 • -7db
59% Popularity • 51% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 51% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Birds Of Tokyo
Never Going Back - Single Edit
150 bpm • C Maj • 03:30 • -4.89db
24% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Slowly Slowly
Safety Switch
148 bpm • F# Maj • 02:50 • -5db
28% Popularity • 56% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 56% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Thundamentals
I Miss You
148 bpm • B Maj • 03:25 • -7db
44% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Ricki-Lee
Not Too Late
165 bpm • A# Maj • 03:41 • -3db
29% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Birds Of Tokyo
Off Kilter
164 bpm • D Maj • 02:33 • -7.1db
17% Popularity • 42% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 42% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Motor Ace
Keeping Secrets
166 bpm • D# Maj • 04:36 • -5db
24% Popularity • 41% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 41% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
34% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Vanessa Amorosi
This Is Who I Am
146 bpm • A Maj • 03:25 • -2db
41% Popularity • 58% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Grinspoon
Lost Control
167 bpm • C Maj • 03:29 • -5.66db
46% Popularity • 46% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 46% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Birds Of Tokyo
Empire
148 bpm • F Maj • 03:27 • -5.88db
28% Popularity • 45% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 45% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Dave Dobbyn
Welcome Home
167 bpm • G# Maj • 03:50 • -6.97db
43% Popularity • 29% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 29% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Kelly
Firewood And Candles
167 bpm • A# Maj • 02:56 • -5.42db
38% Popularity • 40% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 40% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Thundamentals
21 Grams
146 bpm • D# Maj • 04:01 • -3.19db
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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The Angels
Am I Ever Gonna See Your Face Again
167 bpm • E Maj • 03:22 • -3.17db
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Bachelor Girl
Buses and Trains - Radio Edit
168 bpm • D Maj • 03:41 • -7.29db
44% Popularity • 46% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 46% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
38% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Reece Mastin
Shut Up & Kiss Me
145 bpm • G# Maj • 03:24 • -2.15db
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Alex Lloyd
Brand New Day
168 bpm • B Maj • 04:06 • -5.18db
17% Popularity • 34% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 34% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Thundamentals
Everybody But You
168 bpm • A min • 03:34 • -7.99db
41% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Birds Of Tokyo
Lanterns - Single Version
168 bpm • C Maj • 03:56 • -6.86db
29% Popularity • 41% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
29% Popularity • 41% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
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Bachelor Girl
I'm Just A Girl
168 bpm • G Maj • 03:54 • -6db
24% Popularity • 52% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 52% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Baby Animals
How Do I Make You
168 bpm • G# Maj • 02:15 • -4db
24% Popularity • 43% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 43% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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nomad
Oh My My
144 bpm • F# Maj • 03:00 • -5.5db
36% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Getaway Plan
Where the City Meets the Sea
144 bpm • F# min • 03:35 • -4.68db
45% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Birds Of Tokyo
Russian Roulette - Acoustic / Strings
169 bpm • E Maj • 03:55 • -5.98db
19% Popularity • 24% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 24% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Kelly
From Little Things Big Things Grow
169 bpm • B Maj • 06:53 • -8.66db
44% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Christine Anu
Island Home
170 bpm • D Maj • 04:12 • -8db
39% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Motor Ace
Carry On
170 bpm • G# Maj • 04:24 • -8db
34% Popularity • 35% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 35% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Grinspoon
Better Off Alone
170 bpm • G Maj • 03:53 • -5.48db
40% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Birds Of Tokyo
Lanterns
168 bpm • C Maj • 04:22 • -8db
52% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
52% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
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Tonight Alive
Affirmation - triple j Like A Version
170 bpm • C# Maj • 04:40 • -7.83db
24% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Busted
Radio
170 bpm • G min • 04:03 • -8.14db
33% Popularity • 45% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 45% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Killing Heidi
Superman/Supergirl
171 bpm • D Maj • 03:35 • -5.4db
26% Popularity • 33% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 33% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
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Brad Cox
Give Me Tonight
142 bpm • E Maj • 03:41 • -4.91db
46% Popularity • 47% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 47% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Birds Of Tokyo
Wild Eyed Boy
144 bpm • D min • 03:00 • -4.57db
17% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Alex Lloyd
Beautiful
171 bpm • D# min • 03:22 • -3db
29% Popularity • 41% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 41% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Kisschasy
Strings And Drums
142 bpm • G# Maj • 03:12 • -2.05db
25% Popularity • 48% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 48% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Keith Urban
My Wave
142 bpm • C# Maj • 03:32 • -6db
40% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The McClymonts
Don't Wish It All Away
142 bpm • G Maj • 03:56 • -4db
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Birds Of Tokyo
Without Me - triple j Like A Version
143 bpm • C# Maj • 03:24 • -11db
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Marlisa
Stand By You
172 bpm • G Maj • 03:12 • -2db
38% Popularity • 51% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 51% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Mitch James
Bird In A Hurricane
173 bpm • G Maj • 02:52 • -8.98db
0% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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1927
Compulsory Hero
141 bpm • F Maj • 04:37 • -5db
39% Popularity • 50% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 50% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Killing Heidi
Outside Of Me
141 bpm • D Maj • 04:05 • -5.53db
22% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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Birds Of Tokyo
Silhouettic
172 bpm • E min • 03:24 • -4db
32% Popularity • 31% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 31% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Dragon
Young Years
140 bpm • G Maj • 03:58 • -11.84db
46% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Dean Lewis
Need You Now
140 bpm • B Maj • 03:32 • -6.04db
42% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Judah Kelly
Count On Me
140 bpm • D Maj • 02:58 • -3.61db
31% Popularity • 58% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Germein
Talking
140 bpm • G# min • 03:30 • -7.39db
18% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Birds Of Tokyo
My Darling My Son
174 bpm • C# Maj • 03:36 • -5db
21% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Australian Crawl
Things Don't Seem - Remastered
174 bpm • D Maj • 03:57 • -5db
47% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Tyne-James Organ
Hold Me Back
174 bpm • C Maj • 04:06 • -4.83db
22% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Triple One
Time After Time - triple j Like A Versio...
140 bpm • G# Maj • 04:18 • -8.81db
43% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Hilltop Hoods
What Becomes Of Us
174 bpm • G min • 03:24 • -6.9db
33% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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D Minor
Homerun
140 bpm • B Maj • 03:43 • -7.74db
16% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Eves Karydas
Wildest Ones
140 bpm • F# Maj • 04:04 • -10.33db
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
