Songs like Good Morning Heartache by José James
Based on a tempo of (+/- 10%) and a similar genre
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Patches Stewart
We Be Getting' Down
87 bpm • C Maj • 05:26 • -8.71db
8% Popularity • 76% Danceability • 56% Energy • 14% Liveness
11% Instrumentalness • 75% Positiveness
8% Popularity • 76% Danceability • 56% Energy • 14% Liveness
11% Instrumentalness • 75% Positiveness
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Gare Du Nord
Sea Of Love
87 bpm • F min • 03:42 • -11db
34% Popularity • 82% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
34% Popularity • 82% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
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Ntjam Rosie
A nye’e fo’o ma - Home Cooking Versi...
87 bpm • C Maj • 02:53 • -13.32db
25% Popularity • 63% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 68% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 68% Positiveness
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Sérgio Mendes
Somewhere in the Hills (O Morro Nao Tem ...
87 bpm • A min • 04:00 • -8db
23% Popularity • 75% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
23% Popularity • 75% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Alina Engibaryan
I'll Be Around
87 bpm • C Maj • 03:44 • -10.68db
11% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Prince
Dear Mr. Man
87 bpm • G# min • 04:14 • -6.38db
39% Popularity • 87% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 87% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Marlena Shaw
Feel Like Making Love
87 bpm • D Maj • 05:02 • -13.36db
35% Popularity • 58% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
35% Popularity • 58% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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The Crusaders
Soul Shadows
87 bpm • F min • 08:16 • -20db
24% Popularity • 68% Danceability • 29% Energy • 7% Liveness
12% Instrumentalness • 83% Positiveness
24% Popularity • 68% Danceability • 29% Energy • 7% Liveness
12% Instrumentalness • 83% Positiveness
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D'Angelo
Feel Like Makin' Love
87 bpm • C Maj • 06:22 • -9.51db
53% Popularity • 91% Danceability • 20% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
53% Popularity • 91% Danceability • 20% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
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Jéssica Pina
Beauty
88 bpm • F min • 04:07 • -9.37db
26% Popularity • 65% Danceability • 50% Energy • 11% Liveness
8% Instrumentalness • 82% Positiveness
26% Popularity • 65% Danceability • 50% Energy • 11% Liveness
8% Instrumentalness • 82% Positiveness
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Andy Allo
People Pleaser
86 bpm • F# min • 05:32 • -4.71db
28% Popularity • 75% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 75% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Prince
Look At Me, Look At U
87 bpm • G Maj • 03:27 • -6.23db
30% Popularity • 70% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 70% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Zara McFarlane
Mama Done
88 bpm • E min • 03:47 • -12.31db
16% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Taylor
Easy
88 bpm • G min • 03:20 • -5.86db
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Silje Nergaard
Cocco Bello
86 bpm • D min • 05:49 • -10.74db
29% Popularity • 54% Danceability • 48% Energy • 60% Liveness
5% Instrumentalness • 24% Positiveness
29% Popularity • 54% Danceability • 48% Energy • 60% Liveness
5% Instrumentalness • 24% Positiveness
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Trombone Shorty
Be My Lady
88 bpm • D Maj • 03:31 • -5.56db
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 74% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Bria Skonberg
Blackout
86 bpm • F min • 05:24 • -8.83db
15% Popularity • 64% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
15% Popularity • 64% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
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Lack Of Afro
Wait for Me
88 bpm • F Maj • 03:14 • -5db
36% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Takuya Kuroda
Rising Son
86 bpm • C# Maj • 04:43 • -10db
39% Popularity • 83% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
39% Popularity • 83% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
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Carmen Lundy
Everything I Need
86 bpm • D min • 06:32 • -9.93db
12% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Ida Sand
Eyes On The Prize
86 bpm • F Maj • 03:33 • -10.34db
36% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
36% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Sandra Nkaké
Fairy Tales
88 bpm • A# min • 02:54 • -9.22db
22% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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J.A.M
L.O.V.E.J.A.M featuring Jose James
89 bpm • A# min • 02:25 • -16.13db
16% Popularity • 71% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 39% Positiveness
16% Popularity • 71% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 39% Positiveness
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Martina Gebhardt
A New Beginning
89 bpm • F# Maj • 05:08 • -12.87db
12% Popularity • 65% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 53% Positiveness
12% Popularity • 65% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 53% Positiveness
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New Cool Collective
Villechaize
88 bpm • F Maj • 05:00 • -10.4db
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 48% Positiveness
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 48% Positiveness
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John Pizzarelli
Canto Casual
89 bpm • G Maj • 06:03 • -8.93db
20% Popularity • 54% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 65% Positiveness
20% Popularity • 54% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 65% Positiveness
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Lady Blackbird
It'll Never Happen Again
85 bpm • F# Maj • 03:38 • -10.18db
40% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dr Rubberfunk
A Little Blahzay
89 bpm • D Maj • 03:30 • -9.29db
37% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Micatone
Shake It Baby
89 bpm • B min • 04:45 • -11.05db
29% Popularity • 67% Danceability • 65% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
29% Popularity • 67% Danceability • 65% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
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Mayer Hawthorne
Breakfast in Bed
89 bpm • F Maj • 04:07 • -6.23db
15% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Das Sound Kollektiv
Nothing Can Tear Us Apart
85 bpm • G Maj • 03:55 • -9.13db
31% Popularity • 69% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 69% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Metropolitan Jazz Affair
You Can Dig
85 bpm • F# min • 04:28 • -9.02db
19% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Andra Day
Mississippi Goddam
85 bpm • G min • 03:38 • -6.37db
34% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Mop Mop
Blue Soul
85 bpm • D min • 05:13 • -9db
30% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Avery*Sunshine
See You When I Get There
85 bpm • A# min • 06:37 • -8.99db
24% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tanika Charles
Tell Me Something
85 bpm • C Maj • 03:04 • -5.62db
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Remy Shand
Rocksteady
85 bpm • G Maj • 03:36 • -10db
46% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Esperanza Spalding
I Know You Know
89 bpm • D min • 03:45 • -11.48db
50% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
50% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Metropolitan Jazz Affair
Swagger
85 bpm • E min • 04:05 • -11.66db
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
33% Instrumentalness • 51% Positiveness
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
33% Instrumentalness • 51% Positiveness
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Michelle David & The True-tones
Yes I Am
89 bpm • E Maj • 03:56 • -9db
23% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Camilla George
Here but I'm Gone
85 bpm • B Maj • 04:37 • -10.52db
12% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Yazmin Lacey
I'll Never Stop Loving You
85 bpm • A# Maj • 04:57 • -10.89db
24% Popularity • 44% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 44% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Leo Sidran
Speak to Me in Spanish
85 bpm • E min • 03:56 • -11.94db
13% Popularity • 74% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 74% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Izo FitzRoy
Shadowlands
90 bpm • C min • 04:45 • -11.59db
16% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jéssica Pina
Made in CV
90 bpm • E min • 04:33 • -10.1db
32% Popularity • 62% Danceability • 63% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
32% Popularity • 62% Danceability • 63% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
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The RH Factor
Poetry
90 bpm • C Maj • 05:48 • -10db
44% Popularity • 75% Danceability • 50% Energy • 30% Liveness
10% Instrumentalness • 40% Positiveness
44% Popularity • 75% Danceability • 50% Energy • 30% Liveness
10% Instrumentalness • 40% Positiveness
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Gare Du Nord
You're My Medicine
90 bpm • G min • 04:14 • -10db
38% Popularity • 65% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 75% Positiveness
38% Popularity • 65% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 75% Positiveness
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The Bahama Soul Club
Grinning In Your Face
90 bpm • F Maj • 03:51 • -7.7db
38% Popularity • 71% Danceability • 65% Energy • 26% Liveness
5% Instrumentalness • 64% Positiveness
38% Popularity • 71% Danceability • 65% Energy • 26% Liveness
5% Instrumentalness • 64% Positiveness
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Ben Williams
Voice Of Freedom (For Mandela)
90 bpm • E Maj • 04:44 • -14.39db
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
34% Instrumentalness • 62% Positiveness
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
34% Instrumentalness • 62% Positiveness
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Madrid De Los Austrias
Más Amor
90 bpm • F min • 04:25 • -5.73db
45% Popularity • 76% Danceability • 90% Energy • 16% Liveness
90% Instrumentalness • 41% Positiveness
45% Popularity • 76% Danceability • 90% Energy • 16% Liveness
90% Instrumentalness • 41% Positiveness
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Hidden Jazz Quartett
Luvlite
90 bpm • C# Maj • 04:44 • -10.35db
20% Popularity • 80% Danceability • 40% Energy • 28% Liveness
43% Instrumentalness • 39% Positiveness
20% Popularity • 80% Danceability • 40% Energy • 28% Liveness
43% Instrumentalness • 39% Positiveness
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Malia
Wonderland
90 bpm • B min • 03:56 • -12.83db
13% Popularity • 67% Danceability • 42% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
13% Popularity • 67% Danceability • 42% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
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Gare Du Nord
Ride On
90 bpm • D Maj • 03:46 • -9db
28% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Takuya Kuroda
Call
84 bpm • F# min • 09:14 • -12.48db
24% Popularity • 37% Danceability • 53% Energy • 17% Liveness
71% Instrumentalness • 33% Positiveness
24% Popularity • 37% Danceability • 53% Energy • 17% Liveness
71% Instrumentalness • 33% Positiveness
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Meshell Ndegeocello
The Way
90 bpm • E min • 04:58 • -6.99db
35% Popularity • 73% Danceability • 84% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
35% Popularity • 73% Danceability • 84% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Richard Bona
Please Don't Stop
90 bpm • F min • 03:59 • -10.42db
41% Popularity • 72% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 72% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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![Bad On You (Bonus) [featuring Anthony Hamilton] cover art](https://i.scdn.co/image/ab67616d00001e026bbc49d4fc4548eb5e82b411)
Sy Smith
Bad On You (Bonus)
90 bpm • A# min • 05:12 • -7.2db
29% Popularity • 85% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
29% Popularity • 85% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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Jehro
Last Too Long
84 bpm • C Maj • 03:53 • -8db
30% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Gare Du Nord
Tom's Song
90 bpm • C min • 04:06 • -10.26db
29% Popularity • 72% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
29% Popularity • 72% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
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Izo FitzRoy
Everybody Knows This Ain't Right
84 bpm • C min • 04:07 • -5.85db
36% Popularity • 67% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 67% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lady Blackbird
Blackbird
90 bpm • C Maj • 04:00 • -16.33db
31% Popularity • 39% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
31% Popularity • 39% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Camille Bertault
Ma muse
84 bpm • C Maj • 03:39 • -10.71db
20% Popularity • 70% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 17% Positiveness
20% Popularity • 70% Danceability • 35% Energy • 13% Liveness
10% Instrumentalness • 17% Positiveness
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Ronny Jordan
Floor & More
91 bpm • A# min • 05:04 • -7.69db
34% Popularity • 78% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 70% Positiveness
34% Popularity • 78% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 70% Positiveness
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Joseph Malik
Soul Blues
83 bpm • G# min • 04:35 • -10.21db
20% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Katharine Timoney
Don't Fret
83 bpm • E min • 03:26 • -7.6db
7% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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José James
Better Off Dead
91 bpm • A# min • 04:49 • -8.4db
20% Popularity • 80% Danceability • 55% Energy • 11% Liveness
4% Instrumentalness • 94% Positiveness
20% Popularity • 80% Danceability • 55% Energy • 11% Liveness
4% Instrumentalness • 94% Positiveness
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Takuya Kuroda
Everybody Loves The Sunshine
83 bpm • F min • 09:25 • -11.24db
51% Popularity • 82% Danceability • 32% Energy • 9% Liveness
27% Instrumentalness • 44% Positiveness
51% Popularity • 82% Danceability • 32% Energy • 9% Liveness
27% Instrumentalness • 44% Positiveness
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Alex Grenier
Pyramide
83 bpm • D Maj • 04:27 • -7.64db
17% Popularity • 70% Danceability • 52% Energy • 12% Liveness
60% Instrumentalness • 62% Positiveness
17% Popularity • 70% Danceability • 52% Energy • 12% Liveness
60% Instrumentalness • 62% Positiveness
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Ronny Jordan
Keep Your Head Up
83 bpm • F min • 04:41 • -6.59db
38% Popularity • 85% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 85% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Florian Pellissier Quintet
What a Difference a Day Makes
92 bpm • A# Maj • 02:57 • -15db
17% Popularity • 68% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 68% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Torsten Goods
Brutal Truth
91 bpm • G# Maj • 04:40 • -7.91db
12% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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José James
On & On
83 bpm • B min • 05:57 • -10.19db
26% Popularity • 36% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 36% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ntjam Rosie
L'amour
92 bpm • G Maj • 04:34 • -10.09db
11% Popularity • 71% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Izo FitzRoy
Liftin' Me
82 bpm • G# Maj • 03:52 • -9.68db
36% Popularity • 55% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 55% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Remy Shand
The Mind's Eye
92 bpm • D# Maj • 06:11 • -10db
28% Popularity • 79% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 79% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mica Millar
More Than You Give Me
92 bpm • F min • 02:52 • -7.49db
52% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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John Scofield
Just Don't Want To Be Lonely
92 bpm • F Maj • 05:07 • -11.27db
37% Popularity • 76% Danceability • 61% Energy • 9% Liveness
84% Instrumentalness • 87% Positiveness
37% Popularity • 76% Danceability • 61% Energy • 9% Liveness
84% Instrumentalness • 87% Positiveness
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Dojo Cuts
In This Moment
92 bpm • B Maj • 02:55 • -9.44db
31% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Somi
House of the Rising Sun
92 bpm • G Maj • 03:45 • -9.23db
26% Popularity • 70% Danceability • 61% Energy • 12% Liveness
33% Instrumentalness • 63% Positiveness
26% Popularity • 70% Danceability • 61% Energy • 12% Liveness
33% Instrumentalness • 63% Positiveness
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Kim Hoorweg
No Reason Why
82 bpm • D min • 02:51 • -10.48db
12% Popularity • 74% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 74% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Remy Shand
The Way I Feel
92 bpm • A min • 05:01 • -5db
39% Popularity • 65% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 65% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Stacey Kent
Make It Up
93 bpm • D# Maj • 04:59 • -10.56db
23% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Rai Thistlethwayte
Chase the Clouds
92 bpm • F# Maj • 05:47 • -12.06db
22% Popularity • 72% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 72% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Dojo Cuts
Easy to Come Home
92 bpm • E min • 03:33 • -8db
60% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
60% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Alessia Piermarini
Cryin' Kid
93 bpm • G Maj • 05:30 • -12.45db
9% Popularity • 62% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 33% Positiveness
9% Popularity • 62% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 33% Positiveness
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Esperanza Spalding
Black Gold
82 bpm • A# Maj • 05:16 • -11.72db
32% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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John Pizzarelli
Heart Of The Country
93 bpm • A min • 03:11 • -11.56db
25% Popularity • 66% Danceability • 37% Energy • 17% Liveness
2% Instrumentalness • 63% Positiveness
25% Popularity • 66% Danceability • 37% Energy • 17% Liveness
2% Instrumentalness • 63% Positiveness
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Gare Du Nord
Marvin & Miles
93 bpm • G min • 03:51 • -10db
40% Popularity • 79% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 79% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mica Millar
Heaven Knows
81 bpm • B Maj • 05:23 • -7.32db
36% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mop Mop
Loa Chant Sara Sayed
93 bpm • A# min • 03:47 • -9db
47% Popularity • 80% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 80% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Williams
A Better Woman
93 bpm • C Maj • 03:04 • -8.99db
32% Popularity • 57% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 57% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Ida Sand
It Is to Know
81 bpm • G min • 03:49 • -10.44db
22% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Courtney Pine
In Another Time
93 bpm • G min • 03:15 • -13.25db
17% Popularity • 55% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 55% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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George Duke
It's On
93 bpm • F min • 06:11 • -12.14db
38% Popularity • 74% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 68% Positiveness
38% Popularity • 74% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 68% Positiveness
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Joo Kraus
Leaves
93 bpm • F min • 04:14 • -9.74db
31% Popularity • 63% Danceability • 57% Energy • 17% Liveness
14% Instrumentalness • 58% Positiveness
31% Popularity • 63% Danceability • 57% Energy • 17% Liveness
14% Instrumentalness • 58% Positiveness
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Lady Blackbird
Five Feet Tall
81 bpm • A# Maj • 03:20 • -10.42db
43% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Sands
Sunday Mornings
93 bpm • A# min • 07:29 • -12db
21% Popularity • 45% Danceability • 33% Energy • 24% Liveness
91% Instrumentalness • 30% Positiveness
21% Popularity • 45% Danceability • 33% Energy • 24% Liveness
91% Instrumentalness • 30% Positiveness
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Mayer Hawthorne
Cosmic Love
81 bpm • F# Maj • 03:13 • -9.25db
18% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
