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Good Neighbor
Songs like
Good Neighbor
by
Lynda Carter
Based on a tempo of (+/- 10%) and a similar genre
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Kerry Marx
Beautiful Dreamer
93 bpm • C Maj • 03:36 • -7.13db
0% Popularity • 54% Danceability • 36% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
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Lynda Carter
Good Neighbor
93 bpm • D min • 03:35 • -11.22db
43% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Roy Brown
Butcher Pete, Pt. 1
92 bpm • D# min • 02:26 • -6.21db
36% Popularity • 76% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Mitch Woods and His Rocket 88‘S
Swingin' At The Savoy
92 bpm • E min • 03:37 • -6.41db
21% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Gerhard Trede
Jolly Days
94 bpm • D min • 01:43 • -11.53db
28% Popularity • 58% Danceability • 58% Energy • 24% Liveness
5% Instrumentalness • 87% Positiveness
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Odetta
Battle Hymn Of The Republic
94 bpm • D Maj • 03:54 • -18.29db
14% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Red McKenzie
Murder in the Moonlight (It's Love in th...
94 bpm • A min • 02:59 • -11.32db
11% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
32% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Roy Brown
Butcher Pete Pt. 1
92 bpm • D# min • 02:28 • -8.16db
28% Popularity • 75% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:21 • -12db
43% Popularity • 71% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Jack Wall
Snakeskin Boots
94 bpm • F min • 03:01 • -7db
47% Popularity • 67% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Lynda Carter
I'm So Lonesome I Could Cry
92 bpm • A# Maj • 03:07 • -13.18db
2% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Midge Williams
Lazy Bones
95 bpm • G min • 03:33 • -17.45db
8% Popularity • 59% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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The Atomic Fireballs
Starve a Fever
95 bpm • C Maj • 03:45 • -3.2db
18% Popularity • 72% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Crosby
Sing to Me
92 bpm • A# Maj • 02:24 • -14db
24% Popularity • 40% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 24% Positiveness
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Roy Brown
Butcher Pete (Part 1)
91 bpm • D# min • 02:32 • -12.58db
18% Popularity • 76% Danceability • 57% Energy • 29% Liveness
2% Instrumentalness • 91% Positiveness
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Lincoln Grounds
Little Bit Of Rock
95 bpm • B min • 02:44 • -7.52db
36% Popularity • 66% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 94% Positiveness
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Claudia Brücken
Guilty
95 bpm • A Maj • 02:14 • -17.74db
32% Popularity • 68% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 63% Positiveness
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The New Morty Show
Ladies Man
95 bpm • G# Maj • 03:19 • -7.6db
25% Popularity • 64% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Gaylords
Chow Mein
95 bpm • D min • 02:16 • -8.82db
19% Popularity • 86% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Crosby
Happy Times
91 bpm • A min • 02:45 • -13.36db
38% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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Pearce-Pickering Barrelhouse Jazz Band
Sweet Ginger Green
91 bpm • F Maj • 03:02 • -11.17db
28% Popularity • 68% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
35% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Reddie & Abel
The Axeman's Jazz
95 bpm • D Maj • 03:55 • -14.07db
32% Popularity • 57% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
7% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Bob Crosby & The Bob Cats
Don't Call Me Boy
96 bpm • D# Maj • 03:03 • -11.78db
36% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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The Atomic Fireballs
Flowers in the Sand
96 bpm • F# Maj • 02:43 • -2.62db
22% Popularity • 64% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Matthews
No Good
95 bpm • D Maj • 04:14 • -14.63db
19% Popularity • 45% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Roy Fox
Old Man Of The Mountain
96 bpm • F min • 03:01 • -17.5db
6% Popularity • 66% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 87% Positiveness
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Roy Brown
Butcher Pete, Pt. 2
90 bpm • D# min • 02:43 • -7.9db
10% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Lynda Carter
I'm the One You're Looking For
96 bpm • E Maj • 03:25 • -12.91db
42% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Cole Porter
You're The Top
90 bpm • D# Maj • 03:27 • -10.65db
23% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
24% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Miracle Of Sound
Going Nuclear
90 bpm • G Maj • 01:59 • -10.08db
24% Popularity • 67% Danceability • 67% Energy • 32% Liveness
84% Instrumentalness • 87% Positiveness
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Henry Hall
The Broken Record
96 bpm • F Maj • 03:02 • -14.92db
10% Popularity • 72% Danceability • 25% Energy • 45% Liveness
51% Instrumentalness • 52% Positiveness
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Roy Brown
Butcher Pete, Pt. 2
90 bpm • D# min • 02:41 • -7.44db
21% Popularity • 69% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Lynda Carter
Fantasy Man
96 bpm • A min • 04:40 • -8.64db
3% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bill Elliott Swing Orchestra
Mildred, Won't You Behave?
96 bpm • C Maj • 03:43 • -8.14db
27% Popularity • 69% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Ruth Etting
Love Me or Leave Me
96 bpm • D Maj • 03:20 • -10.76db
24% Popularity • 53% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Atomic Fireballs
Calypso King
96 bpm • C# Maj • 02:45 • -2.65db
24% Popularity • 69% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Nat King Cole
I'm Shooting High
97 bpm • C min • 01:33 • -9.47db
25% Popularity • 51% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bert Weedon
Roundhouse Rock
97 bpm • E Maj • 02:47 • -11.81db
42% Popularity • 40% Danceability • 75% Energy • 25% Liveness
86% Instrumentalness • 76% Positiveness
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Connie Boswell
I Cover the Waterfront
97 bpm • G Maj • 02:59 • -16.04db
16% Popularity • 40% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
40% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Christof Dejean
Slow Sax
97 bpm • C Maj • 02:39 • -12.15db
25% Popularity • 72% Danceability • 35% Energy • 23% Liveness
82% Instrumentalness • 54% Positiveness
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Billie Holiday
Night and Day - Take 1
97 bpm • G# Maj • 02:57 • -14.05db
31% Popularity • 41% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Red McKenzie
The Trouble With Me Is You
97 bpm • D min • 02:32 • -9.18db
21% Popularity • 85% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 82% Positiveness
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Frankie Carle and His Orchestra
One More Tomorrow
89 bpm • A Maj • 03:20 • -11.96db
31% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Don Meehan and the Dave Carey Orchestra
Hello My Baby
89 bpm • D Maj • 01:17 • -10db
36% Popularity • 66% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Dick Walter Big Band
Cobwebs and Rainbows
89 bpm • F Maj • 04:40 • -21.29db
30% Popularity • 18% Danceability • 8% Energy • 8% Liveness
18% Instrumentalness • 7% Positiveness
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Indigo Swing
Pink Cadillac
89 bpm • G# Maj • 02:22 • -10.04db
30% Popularity • 71% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Kerry Marx
Danny Boy
89 bpm • C Maj • 03:55 • -8.32db
0% Popularity • 22% Danceability • 26% Energy • 28% Liveness
85% Instrumentalness • 19% Positiveness
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Lynda Carter
Put the Gun Down
98 bpm • C# Maj • 03:19 • -2.88db
11% Popularity • 69% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Doris Day
Confess
98 bpm • F min • 03:00 • -12.63db
17% Popularity • 63% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Ruth Etting
After You've Gone
88 bpm • F Maj • 02:50 • -10db
23% Popularity • 50% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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EA Games Soundtrack
The Saboteur Theme
88 bpm • D min • 01:36 • -12.43db
27% Popularity • 37% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Ray Smith
Right Behind You Baby - Remastered 2022
88 bpm • A min • 02:25 • -4.09db
44% Popularity • 51% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Kerry Marx
Edelweiss
88 bpm • G Maj • 03:32 • -7.19db
0% Popularity • 40% Danceability • 27% Energy • 10% Liveness
55% Instrumentalness • 27% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
18% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Lynda Carter
Jessie's Song
99 bpm • E Maj • 03:29 • -8.38db
1% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ruth Etting
Shine On, Harvest Moon
98 bpm • F min • 02:49 • -11db
32% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Danny Kaye
Tongue Twisters
99 bpm • C Maj • 02:17 • -8.2db
18% Popularity • 65% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
26% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
20% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Sergey Neiss
Today I'm Facing the World
100 bpm • G# Maj • 01:47 • -11.2db
15% Popularity • 28% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Lynda Carter
Where did our love go
99 bpm • C Maj • 03:42 • -9.07db
1% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kerry Marx
Kumbaya
100 bpm • E Maj • 03:26 • -7.67db
0% Popularity • 71% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Lincoln Grounds
Red Cadillac
100 bpm • F Maj • 02:50 • -7.6db
13% Popularity • 70% Danceability • 59% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Bob Crosby
Let'S Go Around Together
100 bpm • C Maj • 02:28 • -13.25db
21% Popularity • 57% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Chick Webb
Midnite in a Madhouse (Alternate Take)
100 bpm • G min • 02:36 • -8.5db
21% Popularity • 65% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
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The Atomic Fireballs
Drink Drank Drunk
101 bpm • F# Maj • 02:56 • -2.24db
28% Popularity • 68% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Charles Kaley and His Orchestra
(What Do We Do On a) Dew-Dew-Dewey Day
101 bpm • F Maj • 02:38 • -9db
24% Popularity • 78% Danceability • 39% Energy • 20% Liveness
85% Instrumentalness • 91% Positiveness
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Lynda Carter
You send me
101 bpm • C min • 03:46 • -8.08db
2% Popularity • 42% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Perry Como
I'm Always Chasing Rainbows
86 bpm • E Maj • 03:04 • -17.63db
22% Popularity • 34% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
40% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Ray Noble & His Orchestra
All I Do Is Dream Of You
102 bpm • G# Maj • 02:44 • -17.18db
11% Popularity • 79% Danceability • 27% Energy • 30% Liveness
39% Instrumentalness • 90% Positiveness
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Kitty Kallen
The Wonder Of You
102 bpm • G Maj • 03:14 • -15.07db
20% Popularity • 55% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Pearce-Pickering Barrelhouse Jazz Band
Don't You Leave Me Here
102 bpm • A# Maj • 04:08 • -13.06db
13% Popularity • 58% Danceability • 38% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
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Lynda Carter
Let's Stay Together
101 bpm • F Maj • 04:38 • -11.93db
3% Popularity • 67% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Warren Smith
Uranium Rock
102 bpm • D Maj • 02:07 • -6.5db
41% Popularity • 52% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Crosby & The Bob Cats
When My Dream Boat Comes Home
86 bpm • A# Maj • 02:29 • -11.96db
28% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
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Annette Hanshaw
I've Got a Feeling I'm Falling
85 bpm • A min • 02:55 • -11.92db
27% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Mitchell
My Heart Cries For You
102 bpm • G# Maj • 02:46 • -14db
23% Popularity • 44% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Tennessee Ernie Ford
Dark As A Dungeon
102 bpm • F Maj • 02:46 • -19.26db
21% Popularity • 63% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Lynda Carter
Put On a Show
102 bpm • D min • 03:43 • -9.09db
2% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Warren Smith
Uranium Rock
102 bpm • D Maj • 02:08 • -9.1db
37% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Al Hibbler
After The Lights Go Down Low
84 bpm • G Maj • 02:33 • -7.8db
9% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Atomic Fireballs
Swing Sweet Pussycat
103 bpm • A min • 03:09 • -3.14db
31% Popularity • 59% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Roy Brown
Mighty Mighty Man
103 bpm • C Maj • 02:32 • -10.91db
35% Popularity • 69% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
24% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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The Pied Pipers
Easy Street
84 bpm • C# Maj • 02:45 • -12.68db
15% Popularity • 66% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Irving Aaronson and His Commanders
Let's Misbehave
104 bpm • G Maj • 02:52 • -13db
34% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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J.E. Sawyer
Home on the Wastes
104 bpm • E Maj • 02:31 • -15.36db
32% Popularity • 52% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Four Charms
Sausage Rock
104 bpm • G# Maj • 02:28 • -7.45db
23% Popularity • 60% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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George Formby
Happy Go Lucky Me
104 bpm • G Maj • 02:16 • -11.06db
16% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sheldon Allman
Rocket to the Moon
104 bpm • D Maj • 01:31 • 1.12db
15% Popularity • 70% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Matthieu Boré
I Love To Singa
104 bpm • G# Maj • 01:39 • -14.17db
25% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Crosby
I Don'T Know Whether to Laugh or Cry ove...
104 bpm • C min • 01:48 • -11.44db
30% Popularity • 72% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 79% Positiveness
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Lynda Carter
Choo Choo
83 bpm • D Maj • 02:36 • -4.34db
5% Popularity • 70% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Ella Mae Morse
Pig Foot Pete
83 bpm • G Maj • 02:54 • -4.64db
15% Popularity • 77% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Good Neighbor