Songs like Good Rockin' Tonight by Wanda Jackson
Based on a tempo of (+/- 10%) and a similar genre
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The Jetaways
Live It Up
166 bpm • A Maj • 02:30 • -6db
22% Popularity • 45% Danceability • 87% Energy • 33% Liveness
38% Instrumentalness • 88% Positiveness
22% Popularity • 45% Danceability • 87% Energy • 33% Liveness
38% Instrumentalness • 88% Positiveness
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Wanda Jackson
Good Rockin' Tonight
166 bpm • F Maj • 02:55 • -6.56db
11% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Glen Glenn
Laurie Ann
166 bpm • D# Maj • 02:45 • -9.74db
18% Popularity • 62% Danceability • 70% Energy • 33% Liveness
53% Instrumentalness • 90% Positiveness
18% Popularity • 62% Danceability • 70% Energy • 33% Liveness
53% Instrumentalness • 90% Positiveness
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Billy Lee Riley
Flyin' Saucers Rock 'n' Roll - Remastere...
165 bpm • D Maj • 02:02 • -8.97db
37% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Midnight Dynamos
Baby Come Back
167 bpm • F# Maj • 02:49 • -11db
16% Popularity • 43% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 43% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Clarence "Frogman" Henry
Loving Cajun Style
167 bpm • F Maj • 01:58 • -10.74db
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Collins Kids
Hot Rod - Remastered
167 bpm • E Maj • 01:51 • -7db
21% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
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Wanda Jackson
Let's Have A Party
167 bpm • E Maj • 02:11 • -8.56db
53% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
53% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Luman
Whenever You're Ready
167 bpm • G Maj • 02:05 • -9db
14% Popularity • 62% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Lee Riley
Flying Saucer Rock'n Roll
167 bpm • D Maj • 02:02 • -4.58db
27% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Skip Rats
A Woman Like You
167 bpm • E Maj • 02:41 • -5db
8% Popularity • 44% Danceability • 99% Energy • 33% Liveness
28% Instrumentalness • 96% Positiveness
8% Popularity • 44% Danceability • 99% Energy • 33% Liveness
28% Instrumentalness • 96% Positiveness
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Ruby Ann
Knocked out No Love
164 bpm • A Maj • 01:51 • -6.1db
18% Popularity • 65% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 65% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 98% Positiveness
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The Buckaroos
Once More
168 bpm • B min • 02:19 • -7db
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Danny & The Juniors
Back to the Hop
168 bpm • A# Maj • 02:08 • -9db
30% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Pat Capocci
Coast to Coast
163 bpm • B min • 02:37 • -7.58db
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
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Wayne Walker
Bo Bo Ska Diddle Daddle
163 bpm • C min • 02:17 • -5db
24% Popularity • 45% Danceability • 80% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
24% Popularity • 45% Danceability • 80% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
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Ruby Ann
Got the Feeling
164 bpm • C Maj • 02:21 • -5.44db
16% Popularity • 62% Danceability • 85% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
16% Popularity • 62% Danceability • 85% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
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Wanda Jackson
Slippin' And Slidin'
169 bpm • D Maj • 02:11 • -5.14db
19% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Jerry Reed
When I Found You
170 bpm • A Maj • 02:29 • -6.14db
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Janis Martin
Cracker Jack
163 bpm • G# Maj • 02:08 • -4db
15% Popularity • 53% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Go Cat Go
Who Was That Cat
162 bpm • E min • 03:03 • -5.9db
16% Popularity • 65% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 65% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Bellfuries
Rebound
170 bpm • E Maj • 02:03 • -4db
30% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Ruby Ann
I'm Gonna Have Myself a Ball
168 bpm • E min • 02:01 • -8.13db
14% Popularity • 52% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
14% Popularity • 52% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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Huelyn Duvall
Pucker Paint
170 bpm • G Maj • 02:10 • -5.83db
29% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Preston
Feel So Fine
170 bpm • G Maj • 02:09 • -11.88db
24% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Don Gibson
Sweet, Sweet Girl
162 bpm • E Maj • 02:07 • -13.94db
20% Popularity • 63% Danceability • 59% Energy • 17% Liveness
6% Instrumentalness • 98% Positiveness
20% Popularity • 63% Danceability • 59% Energy • 17% Liveness
6% Instrumentalness • 98% Positiveness
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The Collins Kids
Party
170 bpm • D Maj • 01:37 • -10db
28% Popularity • 52% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 52% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Janis Martin
All Right Baby
170 bpm • A Maj • 01:38 • -5.14db
24% Popularity • 35% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 35% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Big Bopper
Little Red Riding Hood
162 bpm • C min • 02:12 • -6db
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Wanda Jackson
Whole Lot Of Shakin' Goin' On
170 bpm • B min • 02:46 • -7.36db
15% Popularity • 54% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Buzz Campbell
Rockabilly Heart
170 bpm • F# Maj • 03:38 • -4db
20% Popularity • 45% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 45% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Campi
Rockabilly Man
162 bpm • D# Maj • 02:52 • -1.63db
15% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Collins Kids
Party - Remastered
170 bpm • D Maj • 01:39 • -7.16db
13% Popularity • 49% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 49% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Sanford Clark
Modern Romance
171 bpm • C Maj • 02:01 • -8.39db
22% Popularity • 53% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Mickey Hawks
Screamin' Mimi Jeanie
170 bpm • F Maj • 01:47 • -7.82db
17% Popularity • 37% Danceability • 94% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
17% Popularity • 37% Danceability • 94% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
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Wanda Jackson
There's A Party Goin' On
162 bpm • B min • 02:06 • -4.39db
27% Popularity • 52% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 52% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Restless
Ice cold
171 bpm • E min • 03:14 • -11db
16% Popularity • 33% Danceability • 86% Energy • 28% Liveness
13% Instrumentalness • 80% Positiveness
16% Popularity • 33% Danceability • 86% Energy • 28% Liveness
13% Instrumentalness • 80% Positiveness
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Hillbilly Hellcats
I Never Thought
161 bpm • D Maj • 02:45 • -8db
36% Popularity • 50% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 50% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Cave Catt Sammy
Gonna Rock And Roll
171 bpm • A Maj • 02:38 • -6.04db
11% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Narvel Felts
Pink And Black Days - Studio
171 bpm • G min • 02:19 • -8.01db
9% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Wanda Jackson
Bye Bye Baby
171 bpm • C Maj • 02:10 • -6.37db
11% Popularity • 50% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 50% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Sleepy LaBeef
Tore Up
171 bpm • F Maj • 01:54 • -4.2db
16% Popularity • 40% Danceability • 94% Energy • 13% Liveness
5% Instrumentalness • 91% Positiveness
16% Popularity • 40% Danceability • 94% Energy • 13% Liveness
5% Instrumentalness • 91% Positiveness
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Andy Lee Lang
We Wanna Boogie
172 bpm • C Maj • 02:41 • -5db
29% Popularity • 53% Danceability • 77% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
29% Popularity • 53% Danceability • 77% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
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Big Sandy & His Fly-Rite Boys
Love That Man
172 bpm • A Maj • 02:46 • -5.67db
15% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Hillbilly Hellcats
Rockabilly Rebel
172 bpm • G Maj • 02:29 • -7.33db
34% Popularity • 44% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 44% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Albert Lee & Hogan's Heroes
Back In The USA
160 bpm • C Maj • 03:23 • -2db
35% Popularity • 54% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 54% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 96% Positiveness
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Ronnie Dawson
Mac Attack
173 bpm • C Maj • 02:46 • -6.4db
16% Popularity • 62% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 62% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
20% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Chrome Daddies
I Only Cheated On Her
159 bpm • D min • 02:46 • -7db
9% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
9% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Sharpe
Monkey's Uncle
159 bpm • D Maj • 02:23 • -5db
15% Popularity • 60% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 60% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Various Artists
Bop To Be - Billy Swan
173 bpm • A Maj • 02:31 • -9db
13% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Lee Riley
Rockin' On A UFO
159 bpm • D Maj • 02:13 • -6.33db
17% Popularity • 60% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 60% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Wanda Jackson
Baby Loves Him - Remastered
173 bpm • D Maj • 02:02 • -5.62db
15% Popularity • 46% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 46% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Janis Martin
As Long As I'm Movin'
173 bpm • A Maj • 03:18 • -5.37db
17% Popularity • 55% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 55% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Carl Mann
Mona Lisa
173 bpm • C Maj • 02:26 • -6.48db
34% Popularity • 37% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 37% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Evans
The Joint's Really Jumping
174 bpm • G# Maj • 01:50 • -5.43db
14% Popularity • 33% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 33% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Smith
Rockin' Little Angel
158 bpm • C Maj • 02:18 • -5db
27% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Dawson
Good at Being Bad
174 bpm • C Maj • 02:25 • -6.69db
21% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Troubled Three
The Train Kept-A-Rollin'
158 bpm • F Maj • 02:21 • -4.42db
21% Popularity • 56% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 56% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Big Joe Turner
Lipstick, Powder and Paint
158 bpm • A# Maj • 02:29 • -6db
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Rockin' Bonnie and the Rot Gut Shots
I Wanna Make Love
174 bpm • C Maj • 02:33 • -8db
11% Popularity • 56% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
11% Popularity • 56% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Charlie Feathers
Bottle To The Baby
174 bpm • D min • 02:19 • -9.03db
17% Popularity • 60% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 60% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Lee Riley
Red Hot - Remastered 2022
174 bpm • C Maj • 02:29 • -9.34db
42% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie Bond
Tore up
174 bpm • D Maj • 01:54 • -5db
18% Popularity • 52% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 52% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Dwight Pullen
Sunglasses After Dark
174 bpm • E min • 02:08 • -10.61db
30% Popularity • 29% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 29% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Chrome Daddies
The Beer Tastes Better
158 bpm • B min • 01:54 • -9db
16% Popularity • 60% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 60% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Blasters
Marie Marie
175 bpm • G Maj • 02:05 • -8.12db
29% Popularity • 43% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 43% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Don Woody
Bird Dog
175 bpm • E Maj • 02:21 • -4db
20% Popularity • 60% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 60% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Wild Wax Combo
Josephine
158 bpm • A Maj • 02:12 • -8.85db
16% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Lee Riley
(My Gal Is) Red Hot
175 bpm • C Maj • 02:30 • -4.99db
17% Popularity • 33% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 33% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Baymoore & The Bandits
A-V8 Boogie
175 bpm • B min • 02:24 • -5db
28% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Feathers
Bottle to the Baby
175 bpm • F Maj • 02:24 • -7db
28% Popularity • 56% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 56% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Oscar McLollie
Hey Boy Hey Girl
157 bpm • C Maj • 02:41 • -10.95db
16% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Teardrop Trio
Stay True Baby
175 bpm • E Maj • 02:30 • -5db
14% Popularity • 59% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Janis Martin
Wham Bam Jam
175 bpm • F min • 02:26 • -4.59db
15% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Mickey Hawks
Bip Bop Boom
176 bpm • A# Maj • 01:37 • -9db
23% Popularity • 32% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 94% Positiveness
23% Popularity • 32% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 94% Positiveness
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Billy Lee Riley
Goodnight Irene
156 bpm • C Maj • 02:58 • -7db
29% Popularity • 55% Danceability • 73% Energy • 97% Liveness
21% Instrumentalness • 96% Positiveness
29% Popularity • 55% Danceability • 73% Energy • 97% Liveness
21% Instrumentalness • 96% Positiveness
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Ray Campi
How Low Can You Feel
177 bpm • G Maj • 03:01 • -3db
10% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Pep Torres
Nikki-Nikki
178 bpm • A Maj • 02:57 • -1.91db
11% Popularity • 46% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 46% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Sleepy LaBeef
Good Rockin' Boogie
178 bpm • A Maj • 01:52 • -8.08db
31% Popularity • 52% Danceability • 86% Energy • 26% Liveness
82% Instrumentalness • 97% Positiveness
31% Popularity • 52% Danceability • 86% Energy • 26% Liveness
82% Instrumentalness • 97% Positiveness
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Janis Martin
Little Bit
176 bpm • A# Maj • 02:13 • -3.68db
19% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sparkle Moore
Rock-a-Bop
178 bpm • E Maj • 02:14 • -7db
25% Popularity • 59% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 59% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Rock with Me Baby
156 bpm • A Maj • 02:13 • -9.01db
24% Popularity • 39% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 39% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Ray Campi
How Low Do You Feel?
178 bpm • G Maj • 03:01 • -6db
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Warren Smith
Red Cadillac And A Black Moustache
154 bpm • D Maj • 02:40 • -10.56db
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jets
Looking Pretty Good
179 bpm • C Maj • 02:42 • -10.95db
22% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Janis Martin
Barefoot Baby
177 bpm • C Maj • 02:14 • -3.7db
25% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Big Bopper
White Lightnin'
154 bpm • E Maj • 02:14 • -7db
37% Popularity • 69% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 69% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Dean Beard
Rakin' And Scrapin'
180 bpm • G Maj • 02:19 • -9.1db
12% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Hillbilly Moon Explosion
Rock'n'Roll Girl
153 bpm • F min • 02:59 • -5.68db
22% Popularity • 60% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 60% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Ronnie Self
Rocky Road Blues
153 bpm • D Maj • 02:29 • -10.9db
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Wild Bob Burgos And His Houserockers
Can't Stop Rockin'
180 bpm • A Maj • 02:07 • -10.41db
9% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Jetaways
Rockin' the Night Away
180 bpm • D min • 02:53 • -4db
32% Popularity • 40% Danceability • 85% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 40% Danceability • 85% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Williams
Slow Down
181 bpm • D Maj • 02:46 • -13db
33% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Blasters
Rock and Roll Will Stand
181 bpm • A Maj • 02:38 • -7.16db
17% Popularity • 29% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 29% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
