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Goodbye Delores
Songs like
Goodbye Delores
by
Jeff Russo
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Russo
Vanya's Orchestra II
62 bpm • A# min • 01:12 • -13.72db
28% Popularity • 27% Danceability • 36% Energy • 17% Liveness
85% Instrumentalness • 32% Positiveness
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Henry Jackman
Rage and Serenity
62 bpm • F min • 02:05 • -16.23db
31% Popularity • 10% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Tyler Bates
Family History
61 bpm • A min • 03:48 • -17.65db
20% Popularity • 6% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Federico Jusid
I Fear Nothing
63 bpm • D min • 03:36 • -15.93db
12% Popularity • 19% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
Waltz for John and Mary
61 bpm • C Maj • 01:07 • -23.56db
28% Popularity • 39% Danceability • 3% Energy • 6% Liveness
13% Instrumentalness • 55% Positiveness
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Alex Heffes
I'm Sadie
63 bpm • D min • 02:13 • -23.97db
12% Popularity • 17% Danceability • 5% Energy • 40% Liveness
93% Instrumentalness • 4% Positiveness
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Jeff Russo
Goodbye Delores
62 bpm • G min • 01:46 • -18.48db
17% Popularity • 36% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Max Richter
Never Goodbye
63 bpm • A min • 07:35 • -16.65db
35% Popularity • 14% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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John Ottman
You're Not One of Them
61 bpm • A min • 02:20 • -22.37db
28% Popularity • 10% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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David Buckley
Sleep Well, John
63 bpm • G min • 02:49 • -24.88db
24% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Wildebeest (Episode 1 - Volcanoes)
63 bpm • A min • 03:51 • -16.28db
10% Popularity • 9% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Joseph Trapanese
Arctic
61 bpm • E min • 05:42 • -20.63db
17% Popularity • 6% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Murray Gold
Trenzalore / The Long Song / I Am Inform...
63 bpm • A Maj • 04:03 • -11.4db
34% Popularity • 13% Danceability • 31% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Imhotep
63 bpm • G# Maj • 04:16 • -21.58db
36% Popularity • 6% Danceability • 15% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Daniel Pemberton
The End Of A Dream
64 bpm • E min • 05:06 • -14.27db
21% Popularity • 6% Danceability • 16% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Jeff Russo
Vanya and Sissy Kiss
64 bpm • C min • 01:49 • -27.96db
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Nathan Johnson
Man or Beast
64 bpm • D Maj • 03:28 • -17.33db
15% Popularity • 23% Danceability • 13% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Playing Beltik
60 bpm • C Maj • 03:10 • -26.62db
39% Popularity • 35% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Mike Higham
Squirrel Rescue
60 bpm • F min • 02:31 • -15.26db
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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Javier Navarrete
Meadows
64 bpm • B min • 03:13 • -18.42db
10% Popularity • 11% Danceability • 10% Energy • 46% Liveness
6% Instrumentalness • 4% Positiveness
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Andrew Lockington
I Want to Go to Mars
64 bpm • C Maj • 06:03 • -21.25db
15% Popularity • 6% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Russo
Hazel and Cha-Cha
60 bpm • D# Maj • 01:38 • -24.95db
10% Popularity • 22% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
New Horizons
64 bpm • G min • 03:49 • -21.72db
23% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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David Julyan
The Descent
65 bpm • C# min • 04:54 • -18.45db
21% Popularity • 11% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 3% Positiveness
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Pinar Toprak
New Room
65 bpm • D min • 01:12 • -24.44db
29% Popularity • 55% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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David Arnold
Unveiling the Bride
58 bpm • G min • 03:00 • -23.33db
1% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Javier Navarrete
Front Titles (Inkheart)
66 bpm • B min • 03:17 • -20.12db
13% Popularity • 18% Danceability • 7% Energy • 36% Liveness
34% Instrumentalness • 7% Positiveness
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Christopher Lennertz
Moby Dick
67 bpm • A min • 02:49 • -26.43db
19% Popularity • 19% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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John Murphy
Les Misérables
67 bpm • E min • 01:20 • -21.73db
22% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Henry Jackman
End of the Line
67 bpm • E min • 02:51 • -22.98db
35% Popularity • 22% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
40% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
44% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Jeff Russo
The Long Road Home (Paint Cans)
68 bpm • D min • 02:15 • -22.46db
19% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Mychael Danna
96 to 3
68 bpm • E Maj • 01:08 • -30.02db
13% Popularity • 54% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Murray Gold
Can I Come With You?
57 bpm • G min • 01:38 • -20.77db
30% Popularity • 21% Danceability • 12% Energy • 17% Liveness
98% Instrumentalness • 8% Positiveness
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Bear McCreary
Sophia
57 bpm • C min • 03:09 • -17.18db
24% Popularity • 6% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Joseph Trapanese
Hope for the Future
68 bpm • F Maj • 02:10 • -22.42db
31% Popularity • 17% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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David Buckley
A Kind Word and a Friendly Face
68 bpm • A min • 02:28 • -19.93db
29% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Duncan
Wyatt And Lucy
69 bpm • A min • 02:35 • -21db
19% Popularity • 13% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Mike Higham
The Augusta
69 bpm • D min • 05:24 • -16db
20% Popularity • 12% Danceability • 27% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Russo
Main Titles - Why Are We Here
69 bpm • C Maj • 04:56 • -17.55db
21% Popularity • 18% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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John Ottman
The New King / Stories
55 bpm • A min • 04:17 • -11.96db
10% Popularity • 15% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Lucas King
Anakin's Dark Deeds
69 bpm • A min • 09:54 • -33db
29% Popularity • 6% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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David Buckley
The Throne Room of the King of Dreams
69 bpm • F# min • 05:01 • -23.21db
21% Popularity • 6% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Danny Bensi and Saunder Jurriaans
Cameron
55 bpm • A min • 01:34 • -21.96db
15% Popularity • 54% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Jeff Russo
Race to the Moon (Piano Suite)
69 bpm • F min • 06:11 • -22.36db
19% Popularity • 43% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Rachel Portman
Love Is Divine
70 bpm • D min • 01:21 • -12db
11% Popularity • 20% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
25% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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John Paesano
La Familia Vega
71 bpm • A min • 03:25 • -19.05db
8% Popularity • 9% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Niall Byrne
Sofia's Theme
70 bpm • C Maj • 01:02 • -26.85db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Jeff Russo
Young Ben’s Funeral
69 bpm • C min • 03:25 • -31.06db
10% Popularity • 22% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Erase the Past
72 bpm • G# Maj • 02:19 • -20.87db
31% Popularity • 7% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Rachel Portman
Katya's Letter
71 bpm • C min • 04:59 • -29.49db
8% Popularity • 14% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Take It, It's Yours
53 bpm • B min • 02:07 • -13.74db
44% Popularity • 24% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Drum & Lace
This Was a Poet
73 bpm • D Maj • 02:14 • -17.94db
24% Popularity • 17% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Randy Newman
Shouting and Shopping
73 bpm • F Maj • 01:40 • -19.48db
19% Popularity • 9% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Jeff Russo
End Credits (Lizzie Suite)
70 bpm • A Maj • 05:10 • -23.29db
10% Popularity • 11% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Brian Tyler
The Butler's Sonatina
73 bpm • G min • 01:02 • -30db
10% Popularity • 37% Danceability • 2% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
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Ludwig Göransson
Ancestral Plane
73 bpm • D min • 04:27 • -23.59db
37% Popularity • 9% Danceability • 3% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Nicholas Britell
I'm Cruella
73 bpm • E min • 04:20 • -18.85db
28% Popularity • 18% Danceability • 13% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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John Lunn
The Trenchards
73 bpm • D# min • 04:56 • -18.9db
11% Popularity • 12% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Jeff Russo
Sweet Brutal Suite
72 bpm • D Maj • 03:12 • -26.76db
11% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Brian Tyler
Requiem
73 bpm • C min • 02:53 • -19.91db
28% Popularity • 13% Danceability • 11% Energy • 19% Liveness
87% Instrumentalness • 3% Positiveness
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Andrew Lockington
Morning
74 bpm • A min • 01:22 • -22db
27% Popularity • 19% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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David Buckley
The Houses of Secrets & Mysteries
74 bpm • C Maj • 05:20 • -26db
22% Popularity • 7% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Torin Borrowdale
The Locke Lullaby
74 bpm • C# Maj • 02:43 • -35.48db
25% Popularity • 15% Danceability • 1% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Jeff Russo
Edith's Theme
74 bpm • D min • 03:16 • -28.79db
37% Popularity • 16% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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John Paesano
Goodbye
74 bpm • F Maj • 07:38 • -24.15db
29% Popularity • 7% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Evgueni Galperine
Marie
74 bpm • E min • 02:29 • -20db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Philip Glass
The Illusionist
74 bpm • G min • 02:24 • -17db
24% Popularity • 11% Danceability • 17% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
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Chris Egan
Remember Where You Came From
74 bpm • C# Maj • 04:07 • -16.64db
10% Popularity • 18% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Maurizio Malagnini
Impossible Love
75 bpm • C# min • 01:32 • -21db
16% Popularity • 23% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Her Name Is Alina Starkov
75 bpm • D Maj • 02:57 • -21db
29% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Mother
75 bpm • C Maj • 01:59 • -21.91db
31% Popularity • 8% Danceability • 6% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
#SherlockLives
75 bpm • E min • 02:49 • -17db
24% Popularity • 11% Danceability • 23% Energy • 25% Liveness
77% Instrumentalness • 7% Positiveness
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Mark Isham
Leaving Storybrooke
76 bpm • E min • 03:33 • -11.83db
24% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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David Hirschfelder
You're Not the Cursed One
76 bpm • D min • 02:00 • -24.58db
10% Popularity • 11% Danceability • 3% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
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Bear McCreary
Ava and Michael
76 bpm • B min • 02:25 • -23.55db
8% Popularity • 21% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Dominik Scherrer
A Girl Has Died
76 bpm • D min • 01:12 • -15.3db
11% Popularity • 31% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Daniel Pemberton
Fields Of London
75 bpm • C Maj • 01:10 • -11.03db
33% Popularity • 16% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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David Arnold
War
76 bpm • C min • 03:18 • -25.57db
29% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
We Will Be Memories
76 bpm • C Maj • 02:55 • -14.46db
24% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
"...You a Yankees Fan?"
76 bpm • F# min • 01:57 • -26db
16% Popularity • 15% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Atli Örvarsson
First Day in Court
76 bpm • C# Maj • 06:19 • -24db
7% Popularity • 23% Danceability • 10% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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James Gosling
Freya
76 bpm • C# Maj • 06:32 • -20.18db
24% Popularity • 14% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Brian Tyler
Choices
76 bpm • A min • 03:34 • -21.08db
10% Popularity • 7% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Oli Langford
Adagio in E Major for Violin and Orchest...
77 bpm • E Maj • 01:23 • -19.56db
13% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Mark Isham
Harnessed to Your Heart
77 bpm • D Maj • 06:46 • -18.55db
19% Popularity • 7% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Goodbye Delores