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Goodbye Until Tomorrow / I Could Never Rescue You
Songs like
Goodbye Until Tomorrow / I Could Never Rescue You
by
Sherie Rene Scott
Based on a tempo of (+/- 10%) and a similar genre
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Sherie Rene Scott
Goodbye Until Tomorrow / I Could Never R...
117 bpm • F Maj • 07:27 • -13db
28% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Adam Pascal
Elaborate Lives
117 bpm • F# Maj • 04:29 • -12db
32% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Bob Martin
As We Stumble Along - Reprise
116 bpm • F Maj • 02:35 • -10db
28% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
35% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
36% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Baldwin
Motherhood
118 bpm • G# Maj • 01:40 • -9.04db
26% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Adam Pascal
Elaborate Lives (Reprise)
116 bpm • C Maj • 04:23 • -10.3db
27% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Sherie Rene Scott
5 Years Time
118 bpm • C Maj • 03:55 • -7.43db
6% Popularity • 82% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 84% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
32% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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The Fantasticks New Off-Broadway Cast
Much More
119 bpm • E min • 02:42 • -7.54db
18% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Judy Kaye
The Night that Goldman Spoke at Union Sq...
115 bpm • G Maj • 03:24 • -9.01db
24% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Tveit
Aftershocks
120 bpm • F# min • 01:47 • -19db
33% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Keala Settle
I Didn't Plan It
120 bpm • F# Maj • 02:39 • -3.94db
48% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Sherie Rene Scott
This Is Why We Do This
115 bpm • A Maj • 04:42 • -5.94db
0% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Matthew James Thomas
Love Song
114 bpm • A# Maj • 02:29 • -12.96db
30% Popularity • 50% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Lynn Ahrens
Notice Me, Horton - Original Broadway Ca...
114 bpm • F Maj • 03:07 • -14.52db
37% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa Howard
Jenny's Blues
114 bpm • G# Maj • 03:06 • -5.95db
15% Popularity • 47% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
29% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Brian D'Arcy James
Let Me Drown
113 bpm • D Maj • 04:11 • -5db
25% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Sherie Rene Scott
I Am an Animal
114 bpm • G Maj • 03:07 • -6.88db
1% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Natasha Richardson
Cabaret
121 bpm • A Maj • 04:14 • -9.36db
38% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Pascal
Not Me
113 bpm • G# Maj • 03:45 • -9.59db
30% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Krieger
Side Show: Who Will Love Me As I Am? - V...
113 bpm • G# Maj • 02:51 • -13db
19% Popularity • 39% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Norbert Leo Butz
If I Didn't Believe in You
121 bpm • A# Maj • 04:59 • -13.07db
30% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mandy Gonzalez
Sunrise
113 bpm • G Maj • 04:08 • -14.07db
39% Popularity • 39% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sherie Rene Scott
Love over Gold
113 bpm • D Maj • 06:09 • -11.88db
0% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
45% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Rose
Rose's Turn
121 bpm • F min • 04:19 • -5db
34% Popularity • 63% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Steven Pasquale
Wondering
112 bpm • C Maj • 03:51 • -10db
30% Popularity • 34% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lindsay Mendez
Give Way
122 bpm • G# Maj • 03:21 • -10.81db
26% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
45% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sherie Rene Scott
Lovesick
121 bpm • F# Maj • 03:16 • -6.85db
28% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Ethan Slater
Raised by Wolves
122 bpm • D Maj • 03:07 • -5.73db
5% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kooman & Dimond
The Temp and the Receptionist
112 bpm • G# Maj • 04:47 • -5.43db
15% Popularity • 47% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Lilli Cooper
There Was John
122 bpm • E Maj • 04:07 • -15db
25% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sunday in the Park with George Ensemble
It's Hot Up Here
112 bpm • C Maj • 04:28 • -12.97db
23% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Marissa Jaret Winokur
I Can Hear the Bells
112 bpm • C Maj • 04:04 • -5.78db
35% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Sherie Rene Scott
Life During Wartime
113 bpm • G min • 05:24 • -8.43db
7% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
35% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Audra McDonald
The Glamorous Life
112 bpm • C Maj • 03:50 • -9.67db
19% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Heidi Blickenstaff
Secondary Characters
111 bpm • C Maj • 02:25 • -7.24db
27% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
23% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Pascal
You'll See
111 bpm • C Maj • 02:14 • -5.69db
46% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Sherie Rene Scott
Why
121 bpm • A# Maj • 02:45 • -12db
1% Popularity • 44% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Norbert Leo Butz
Get Me to the Church on Time
124 bpm • D Maj • 05:19 • -7db
22% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Brooks Ashmanskas
She Cries
111 bpm • C Maj • 04:49 • -10.56db
20% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Emma, Lucy
In His Eyes
111 bpm • A# Maj • 04:01 • -9db
35% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Kooman & Dimond
To Excess
124 bpm • G# Maj • 05:02 • -8db
23% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Sherie Rene Scott
Moments of Pleasure
111 bpm • A# Maj • 04:35 • -12.69db
1% Popularity • 43% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Taye Diggs
Come with Me
110 bpm • B Maj • 02:47 • -5.58db
17% Popularity • 41% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Original Cast of Amélie
When The Booth Goes Bright
110 bpm • F Maj • 03:05 • -8db
24% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jeff Bowen
An Original Musical
124 bpm • D Maj • 03:54 • -9db
15% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Anna Kendrick
A Miracle Would Happen / When You Come H...
124 bpm • D Maj • 05:19 • -7.43db
36% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
28% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sherie Rene Scott
Honky Cat
124 bpm • C Maj • 04:53 • -12db
0% Popularity • 72% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
22% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Stark Sands
Charlie's Soliloquy
110 bpm • F# Maj • 01:17 • -17.96db
30% Popularity • 68% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kooman & Dimond
Blue Horizon
110 bpm • C Maj • 03:25 • -6db
24% Popularity • 54% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Idina Menzel
What the F**k?
110 bpm • A Maj • 02:50 • -10db
29% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Mandy Patinkin
Where in the World
110 bpm • G# min • 01:35 • -12.17db
22% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Patina Miller
Magic to Do
125 bpm • A Maj • 04:35 • -7.36db
41% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
30% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Ethan Slater
Every Day
109 bpm • C Maj • 03:42 • -6.77db
5% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jeff Bowen
Part of It All
109 bpm • A# Maj • 03:04 • -8db
18% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rosario Dawson
Finale A
126 bpm • G Maj • 01:20 • -12.69db
38% Popularity • 49% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Heidi Blickenstaff
I'm Your Man
109 bpm • C min • 02:45 • -7.63db
23% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
37% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
19% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ethan Slater
Make a Fire
109 bpm • B Maj • 03:09 • -8.62db
5% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kate Baldwin
A Stranger
126 bpm • A Maj • 02:31 • -11db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sherie Rene Scott
Oh, Sean
127 bpm • C# Maj • 04:55 • -6.52db
1% Popularity • 39% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
23% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Derek Klena
Dreamer in Disguise
108 bpm • G# Maj • 01:39 • -17.96db
34% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jeff Bowen
Two Nobodies in New York
127 bpm • C Maj • 02:50 • -9.2db
21% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Mandy Gonzalez
Everything I Know
107 bpm • G# Maj • 03:56 • -11.33db
37% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Original Cast of Amélie
Halfway
127 bpm • C Maj • 03:01 • -10.7db
22% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sherie Rene Scott
Mona Lisas and Mad Hatters
127 bpm • A# Maj • 04:26 • -13.1db
1% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
27% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
23% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
22% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
28% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Lindsay Mendez
Bless the Lord
128 bpm • D Maj • 03:05 • -8db
33% Popularity • 42% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Orfeh
Ireland - Reprise
128 bpm • D Maj • 00:55 • -8.72db
42% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Anneliese Van Der Pol
Cute Boys with Short Haircuts
128 bpm • E Maj • 04:20 • -10db
19% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Sherie Rene Scott
Honestly
107 bpm • F# min • 04:36 • -8.4db
1% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Liz Callaway
Meadowlark (The Baker's Wife)
129 bpm • E Maj • 05:31 • -8.37db
27% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
25% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
30% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Kate Baldwin
A Sorta Love Song
106 bpm • G Maj • 03:36 • -11db
9% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
27% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Whitney Bashor
Another Life
130 bpm • D Maj • 05:17 • -10db
29% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
32% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sherie Rene Scott
Come Down in Time
130 bpm • B min • 04:27 • -12.97db
1% Popularity • 38% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Julie Andrews
Putting It Together
131 bpm • D Maj • 03:36 • -16db
21% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Idina Menzel
Here I Go
131 bpm • E Maj • 03:06 • -8.21db
22% Popularity • 36% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Goodbye Until Tomorrow / I Could Never Rescue You