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Goss: Praise, My Soul, the King of Heaven
Songs like
Goss: Praise, My Soul, the King of Heaven
by
John Goss
Based on a tempo of (+/- 10%) and a similar genre
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St. Michael's Singers
All Things Bright and Beautiful
100 bpm • A Maj • 04:22 • -16.68db
12% Popularity • 21% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Choir of King's College, Cambridge
Coventry Carol
100 bpm • G Maj • 02:12 • -28.14db
33% Popularity • 16% Danceability • 7% Energy • 11% Liveness
39% Instrumentalness • 18% Positiveness
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John Goss
Goss: Praise, My Soul, the King of Heave...
100 bpm • D Maj • 02:55 • -20.35db
25% Popularity • 18% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Huddersfield Choral Society
Thine be the glory
101 bpm • A# Maj • 03:07 • -15.93db
20% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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George Ratcliffe Woodward
Psalm 89: My song shall be alway of the ...
101 bpm • D Maj • 10:58 • -32.16db
3% Popularity • 23% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Walford Davies
God Be in My Head
100 bpm • F# min • 01:17 • -34.2db
9% Popularity • 16% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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George Frideric Handel
And He Shall Purify
101 bpm • G min • 02:23 • -23.21db
15% Popularity • 40% Danceability • 20% Energy • 30% Liveness
5% Instrumentalness • 54% Positiveness
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London Philharmonic Orchestra
For Unto Us A Child Is Born
99 bpm • G Maj • 04:09 • -14.48db
21% Popularity • 48% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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Trad. English
Who Would True Valor See
101 bpm • D# Maj • 02:19 • -24.92db
11% Popularity • 14% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Huddersfield Choral Society
How shall I sing that majesty
101 bpm • D# Maj • 02:39 • -19.67db
10% Popularity • 18% Danceability • 21% Energy • 29% Liveness
19% Instrumentalness • 25% Positiveness
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William Henry Monk
Abide with Me
99 bpm • D# Maj • 04:06 • -25.64db
17% Popularity • 14% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Monks Gate "He Who Would Valiant Be"
99 bpm • D# Maj • 02:12 • -16.39db
19% Popularity • 16% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 15% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 3: No. 53, Chorus. ...
99 bpm • D Maj • 06:36 • -12.51db
29% Popularity • 30% Danceability • 29% Energy • 9% Liveness
83% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: IX. ...
98 bpm • A# Maj • 01:19 • -18.27db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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The Tabernacle Choir at Temple Square
For Unto Us a Child Is Born
98 bpm • G Maj • 04:13 • -18.78db
27% Popularity • 29% Danceability • 16% Energy • 33% Liveness
58% Instrumentalness • 32% Positiveness
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John Ireland
My song is love unknown (Love Unknown)
98 bpm • D# Maj • 03:27 • -24.08db
30% Popularity • 23% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 20% Positiveness
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John Rutter
All Bells in Paradise
98 bpm • D Maj • 05:07 • -20.85db
27% Popularity • 14% Danceability • 15% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Peter Cornelius
The Three Kings (Arr. Ivor Atkins)
102 bpm • G Maj • 02:17 • -27.95db
13% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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George Frideric Handel
I Know That My Redeemer Liveth
102 bpm • E Maj • 06:10 • -32.22db
3% Popularity • 20% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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The Cathedral Singers
Jesu, Joy of Man's Desiring
102 bpm • G Maj • 03:39 • -13.31db
27% Popularity • 15% Danceability • 18% Energy • 13% Liveness
60% Instrumentalness • 13% Positiveness
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Traditional
O Come, O Come, Emmanuel! (Veni Emmanuel...
98 bpm • E min • 04:17 • -22.38db
29% Popularity • 13% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Alexander Reinagle
St. Peter "How Sweet the Name of Jesus S...
102 bpm • D# Maj • 02:31 • -25.28db
9% Popularity • 20% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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The Choir Of Westminster Abbey
I Would Be True ("Air from County Derry"...
102 bpm • G min • 01:26 • -25.53db
16% Popularity • 26% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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The Tabernacle Choir at Temple Square
Worthy Is the Lamb That Was Slain
98 bpm • D Maj • 07:20 • -14.31db
24% Popularity • 20% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
102 bpm • F# min • 01:57 • -14.38db
23% Popularity • 21% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Friedrich Filitz
Mannheim "Lead Us, Heavenly Father, Lead...
97 bpm • E Maj • 01:51 • -21.44db
15% Popularity • 24% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Traditional
Traditional / Arr. Willcocks: I Saw Thre...
103 bpm • A# Maj • 01:36 • -24.73db
29% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Henry John Gauntlett
Once In Royal David's City
97 bpm • G# Maj • 03:56 • -19.15db
1% Popularity • 14% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Cantate Domino
97 bpm • F Maj • 02:09 • -19.68db
21% Popularity • 17% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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The Tabernacle Choir at Temple Square
Deep River
97 bpm • C# Maj • 04:35 • -19.91db
19% Popularity • 12% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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George Frideric Handel
Worthy Is Lamb That Was Slain…Amen
103 bpm • D Maj • 07:09 • -15.31db
2% Popularity • 32% Danceability • 27% Energy • 12% Liveness
34% Instrumentalness • 26% Positiveness
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Henry Thomas Smart
Regent Square "Light's Abode, Celestial ...
97 bpm • A# Maj • 03:36 • -19.01db
4% Popularity • 17% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Boris Ord
Adam Lay Ybounden
97 bpm • D Maj • 01:24 • -23.57db
12% Popularity • 26% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
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John Rutter
The Lord is my shepherd
103 bpm • D min • 05:17 • -28.89db
19% Popularity • 19% Danceability • 4% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
The First Noel
97 bpm • D Maj • 04:47 • -17.99db
20% Popularity • 17% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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The Tabernacle Choir at Temple Square
Jesu, Joy of Man's Desiring
96 bpm • G Maj • 03:36 • -15.67db
18% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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George Frideric Handel
Glory To God In The Highest - Live
104 bpm • D Maj • 01:57 • -17.59db
11% Popularity • 34% Danceability • 12% Energy • 43% Liveness
15% Instrumentalness • 26% Positiveness
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John Henry Hopkins
We three kings of Orient are (Arr. Marti...
104 bpm • A Maj • 03:07 • -20.8db
23% Popularity • 27% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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The Sixteen
Messiah: Part 1, For unto us a child is ...
104 bpm • F# Maj • 04:01 • -15.01db
20% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ralph Vaughan Williams
Come down O love divine
96 bpm • D Maj • 03:22 • -21.55db
10% Popularity • 13% Danceability • 23% Energy • 11% Liveness
30% Instrumentalness • 13% Positiveness
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Andrew Carter
A Maiden Most Gentle (Live)
104 bpm • G Maj • 03:03 • -25.42db
26% Popularity • 20% Danceability • 13% Energy • 12% Liveness
53% Instrumentalness • 10% Positiveness
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The King's Singers
Born on a New Day
96 bpm • A# Maj • 02:49 • -26.39db
17% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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George Frideric Handel
For Unto Us A Child Is Born - Live
104 bpm • G Maj • 03:57 • -19.45db
13% Popularity • 42% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
The Tabernacle Choir at Temple Square
Hallelujah
104 bpm • D Maj • 03:58 • -14.58db
29% Popularity • 36% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Huw Watkins
Carol Eliseus
96 bpm • C min • 02:19 • -29.09db
23% Popularity • 16% Danceability • 8% Energy • 10% Liveness
17% Instrumentalness • 7% Positiveness
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Huddersfield Choral Society
Crown him with many crowns
96 bpm • D# Maj • 03:04 • -15.13db
29% Popularity • 20% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
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Patrick Appleford
Living Lord "Lord Jesus Christ"
105 bpm • D Maj • 02:37 • -23.87db
10% Popularity • 22% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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The Sixteen
Messiah: Part 2, Hallelujah! (Chorus)
105 bpm • C# Maj • 03:57 • -11.97db
18% Popularity • 31% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Worcester Cathedral Choir
Joy To the World
95 bpm • D Maj • 01:32 • -22.14db
35% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ralph Vaughan Williams
For all the Saints
105 bpm • G Maj • 05:47 • -19.07db
11% Popularity • 16% Danceability • 25% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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The Tabernacle Choir at Temple Square
Hallelujah Chorus
105 bpm • C Maj • 03:57 • -15.32db
11% Popularity • 26% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 3: 51. Chorus: Wor...
105 bpm • C# Maj • 07:31 • -18.65db
18% Popularity • 28% Danceability • 18% Energy • 3% Liveness
8% Instrumentalness • 20% Positiveness
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Boris Ord
Adam lay ybounden
95 bpm • C min • 01:11 • -23.02db
3% Popularity • 28% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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English Traditional
Herefordshire Carol (Arr. Ralph Vaughan ...
95 bpm • A min • 02:42 • -30.59db
13% Popularity • 16% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 12% Positiveness
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Anonymous
Come, Thou Holy Spirit Come
106 bpm • B min • 03:32 • -21.03db
9% Popularity • 19% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Herbert Howells
A Spotless Rose
105 bpm • A Maj • 03:08 • -31.36db
24% Popularity • 20% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 7% Positiveness
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John Bacchus Dykes
Holy, Holy, Holy! Lord God Almighty! (Ni...
94 bpm • D Maj • 03:12 • -23.8db
22% Popularity • 16% Danceability • 14% Energy • 37% Liveness
1% Instrumentalness • 9% Positiveness
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Hubert Parry
Parry: Psalm LXXXIV: O how Amiable Are T...
106 bpm • E Maj • 03:39 • -24.38db
13% Popularity • 20% Danceability • 10% Energy • 14% Liveness
6% Instrumentalness • 11% Positiveness
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Boris Ord
Adam lay ybounden - 1971 Remastered Vers...
105 bpm • D Maj • 01:16 • -19.65db
7% Popularity • 26% Danceability • 25% Energy • 18% Liveness
22% Instrumentalness • 20% Positiveness
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The Guilford Cathedral Choir
Hills Of The North Rejoice
94 bpm • C min • 02:46 • -18.22db
8% Popularity • 17% Danceability • 15% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
The New English Hymnal: No. 197, For All...
94 bpm • G Maj • 05:31 • -22.89db
12% Popularity • 12% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
94 bpm • G Maj • 03:35 • -20db
35% Popularity • 20% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Choir of King's College, Cambridge
Once In Royal David's City
94 bpm • G Maj • 05:32 • -23.38db
21% Popularity • 11% Danceability • 10% Energy • 13% Liveness
25% Instrumentalness • 7% Positiveness
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Aled Jones
Silent Worship
107 bpm • A Maj • 02:19 • -14.92db
11% Popularity • 45% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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George Frideric Handel
Ev'ry Valley Shall Be Exalted - Tenor
107 bpm • E Maj • 03:21 • -26.71db
8% Popularity • 45% Danceability • 11% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Huddersfield Choral Society
Be thou my vision
93 bpm • E Maj • 02:49 • -19.05db
23% Popularity • 23% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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Philip Ledger
I saw three ships (Arr. Philip Ledger)
93 bpm • A Maj • 01:50 • -23.69db
13% Popularity • 35% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Anonymous
All Creatures of Our God and King (Arr. ...
108 bpm • D# Maj • 04:13 • -10.72db
12% Popularity • 17% Danceability • 34% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
► Preview
Clement Cotterill Scholefield
Scholefield / Arr. Rutter: The Day Thou ...
93 bpm • G# Maj • 03:23 • -20.61db
22% Popularity • 18% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
93 bpm • E Maj • 01:55 • -21db
36% Popularity • 36% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 53% Positiveness
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George Frideric Handel
Messiah, HWV 56: Hallelujah Chorus
107 bpm • D Maj • 03:46 • -12.66db
15% Popularity • 31% Danceability • 38% Energy • 23% Liveness
70% Instrumentalness • 37% Positiveness
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Henry John Gauntlett
Gauntlett: Once in Royal David's City (A...
109 bpm • G Maj • 05:14 • -21.11db
12% Popularity • 19% Danceability • 14% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: V. Agnus Dei (Duke Dobing, flut...
92 bpm • F Maj • 06:16 • -32.3db
22% Popularity • 11% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
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The Scottish Festival Singers
We Plough The Fields and Scatter
92 bpm • G# Maj • 03:00 • -12.24db
15% Popularity • 17% Danceability • 23% Energy • 7% Liveness
60% Instrumentalness • 25% Positiveness
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Traditional
Down by the Sally Gardens
92 bpm • D Maj • 02:49 • -33.35db
15% Popularity • 11% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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London Philharmonic Orchestra
XXXVII. Hallelujah
92 bpm • D Maj • 04:20 • -14.33db
14% Popularity • 35% Danceability • 29% Energy • 17% Liveness
65% Instrumentalness • 25% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 1: Every Valley Sh...
93 bpm • E Maj • 03:47 • -15db
18% Popularity • 32% Danceability • 27% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
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John Stainer
Cross of Jesus "Come, Thou Long Expected...
92 bpm • G Maj • 01:49 • -26.79db
14% Popularity • 20% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Edgar Pettman
The Angel Gabriel From Heaven Came (arr....
109 bpm • A min • 02:58 • -27.8db
23% Popularity • 24% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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St. Michael's Singers
All Glory Laud And Honour
109 bpm • C Maj • 03:48 • -17.1db
18% Popularity • 19% Danceability • 22% Energy • 9% Liveness
52% Instrumentalness • 18% Positiveness
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Orlando Gibbons
Gibbons: Drop, Drop, Slow Tears
91 bpm • F Maj • 01:21 • -32.36db
25% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
110 bpm • C# Maj • 02:37 • -33.12db
15% Popularity • 27% Danceability • 1% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: For unto us a ch...
108 bpm • F# Maj • 03:52 • -16.07db
35% Popularity • 51% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: For All the Saints "Si...
110 bpm • G Maj • 05:07 • -20.85db
12% Popularity • 22% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Arthur Sullivan
Onward Christian Soldiers
110 bpm • D# Maj • 05:02 • -23.48db
12% Popularity • 19% Danceability • 7% Energy • 30% Liveness
85% Instrumentalness • 20% Positiveness
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Academy of St Martin in the Fields Chorus
Sussex Carol (On Christmas Night)
91 bpm • G Maj • 01:30 • -17.75db
38% Popularity • 38% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
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Stralsund Gesangbuch
Praise to the Lord, the Almighty, the Ki...
91 bpm • G Maj • 03:14 • -19db
31% Popularity • 13% Danceability • 20% Energy • 23% Liveness
70% Instrumentalness • 15% Positiveness
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Boris Ord
Adam lay ybounden
110 bpm • D Maj • 01:13 • -24.85db
7% Popularity • 24% Danceability • 18% Energy • 21% Liveness
66% Instrumentalness • 35% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: No. 2, Recit. Co...
108 bpm • E Maj • 06:23 • -20.06db
36% Popularity • 31% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Millicent D. Kingham
Benson "God Is Working His Purpose Out"
91 bpm • G Maj • 03:27 • -21.9db
13% Popularity • 18% Danceability • 14% Energy • 14% Liveness
49% Instrumentalness • 28% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
91 bpm • C Maj • 02:39 • -29.49db
6% Popularity • 18% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Vivaldi: Dixit Dominus in D Major, RV 59...
110 bpm • G# Maj • 03:01 • -15.03db
21% Popularity • 41% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Carl Orff
No. 21 - In trutina from Carmina Burana ...
91 bpm • F Maj • 02:05 • -28.68db
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Alleluia Ye Sons
110 bpm • E Maj • 02:19 • -19.81db
20% Popularity • 31% Danceability • 10% Energy • 12% Liveness
72% Instrumentalness • 19% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
93 bpm • D Maj • 04:26 • -12.59db
14% Popularity • 34% Danceability • 39% Energy • 30% Liveness
23% Instrumentalness • 28% Positiveness
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Traditional
The First Noel (Arr. Philip Ledger & Joh...
110 bpm • D Maj • 04:53 • -21.24db
13% Popularity • 24% Danceability • 18% Energy • 11% Liveness
21% Instrumentalness • 23% Positiveness
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Robat Arwyn
Benedictus
110 bpm • G# Maj • 03:27 • -14db
22% Popularity • 22% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Boys & Men Of The Choir Of The Cathedral & Abbey Church Of St Alban
Here I am, Lord
110 bpm • G Maj • 02:59 • -28.62db
17% Popularity • 18% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Huddersfield Choral Society
For all the saints
111 bpm • G Maj • 03:14 • -16.98db
20% Popularity • 22% Danceability • 21% Energy • 26% Liveness
59% Instrumentalness • 30% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: II. Blagos...
90 bpm • C Maj • 05:52 • -41.45db
21% Popularity • 10% Danceability • 1% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
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Goss: Praise, My Soul, the King of Heaven