Songs like GotItBad by St. Paul & The Broken Bones
Based on a tempo of (+/- 10%) and a similar genre
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The Burroughs
Love and Unity
114 bpm • A min • 03:26 • -5.23db
20% Popularity • 86% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 86% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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The Motet
Highly Compatible
114 bpm • F min • 06:05 • -6.48db
30% Popularity • 77% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 77% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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St. Paul & The Broken Bones
GotItBad
114 bpm • C# min • 04:50 • -6.16db
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
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Matt Duncan
Lighthouse
114 bpm • A# Maj • 03:11 • -10db
28% Popularity • 83% Danceability • 30% Energy • 8% Liveness
16% Instrumentalness • 51% Positiveness
28% Popularity • 83% Danceability • 30% Energy • 8% Liveness
16% Instrumentalness • 51% Positiveness
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Greyhounds
Devil's Eyes
113 bpm • B Maj • 03:22 • -7.92db
23% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Marcus King Band
This Ol' Cowboy
113 bpm • D Maj • 05:57 • -7db
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Leon Bridges
If It Feels Good (Then It Must Be)
115 bpm • G# Maj • 03:14 • -5.29db
57% Popularity • 78% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Black Joe Lewis & The Honeybears
Get Yo Shit
113 bpm • B min • 02:47 • -4db
43% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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St. Paul & The Broken Bones
Burning Rome
115 bpm • F Maj • 04:04 • -7db
28% Popularity • 52% Danceability • 34% Energy • 22% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 22% Liveness
32% Instrumentalness • 35% Positiveness
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Ripe
Five in the Morning
115 bpm • E min • 03:10 • -6db
46% Popularity • 75% Danceability • 75% Energy • 7% Liveness
41% Instrumentalness • 81% Positiveness
46% Popularity • 75% Danceability • 75% Energy • 7% Liveness
41% Instrumentalness • 81% Positiveness
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Sonny Cleveland
Schoolyard King
115 bpm • B min • 04:05 • -4.43db
21% Popularity • 82% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 82% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Turkuaz
On the Run
115 bpm • G min • 03:20 • -4.92db
32% Popularity • 70% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 63% Positiveness
32% Popularity • 70% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 63% Positiveness
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Circles Around The Sun
Money’s No Option
113 bpm • F Maj • 05:19 • -5db
31% Popularity • 65% Danceability • 68% Energy • 6% Liveness
53% Instrumentalness • 32% Positiveness
31% Popularity • 65% Danceability • 68% Energy • 6% Liveness
53% Instrumentalness • 32% Positiveness
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Zach Gill
Joy (Goodbye Guilty Pleasures)
115 bpm • F min • 05:15 • -8db
32% Popularity • 84% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 84% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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St. Paul & The Broken Bones
The Last Dance
115 bpm • D Maj • 03:24 • -6.17db
34% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
34% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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Sure Sure
This Must Be The Place
115 bpm • F Maj • 03:39 • -10.54db
61% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Busty and the Bass
Up Top
115 bpm • G Maj • 04:37 • -5.91db
49% Popularity • 83% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 83% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Krasno
Jezebel
113 bpm • G Maj • 03:34 • -9.55db
31% Popularity • 77% Danceability • 74% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 74% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
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The Motet
Supernova
115 bpm • C min • 06:34 • -5.7db
26% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Black Pumas
Confines
113 bpm • A min • 03:09 • -8.41db
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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St. Paul & The Broken Bones
LivWithoutU
115 bpm • D# Maj • 05:28 • -6db
39% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
39% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
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Vulfpeck
Game Winner
113 bpm • A# Maj • 03:32 • -7.15db
41% Popularity • 67% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 67% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
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Pimps of Joytime
Lesson
115 bpm • A# min • 04:10 • -8db
21% Popularity • 68% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
21% Popularity • 68% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Bahamas
So Free
113 bpm • A Maj • 07:57 • -8.68db
37% Popularity • 86% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
37% Popularity • 86% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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The Dip
When You Lose Someone
112 bpm • E Maj • 03:25 • -5.77db
49% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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St. Paul & The Broken Bones
Brain Matter
113 bpm • B Maj • 03:57 • -6.61db
27% Popularity • 72% Danceability • 75% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
27% Popularity • 72% Danceability • 75% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
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Vulfpeck
Baby I Don’t Know Oh Oh
113 bpm • G Maj • 03:28 • -6db
45% Popularity • 64% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 64% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Sure Sure
Fat Lady
116 bpm • F Maj • 02:51 • -8db
40% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Son Little
belladonna
116 bpm • F# min • 03:15 • -11db
43% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Ripe
Goon Squad
116 bpm • G# Maj • 05:16 • -7db
40% Popularity • 81% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 81% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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The Motet
So High
112 bpm • A# Maj • 04:02 • -8db
33% Popularity • 79% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 79% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Devon Gilfillian
High
116 bpm • A# min • 03:07 • -4.29db
43% Popularity • 75% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 75% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Sir Woman
Can't Stay Mad
112 bpm • B min • 02:59 • -8.18db
30% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Your Smith
The Spot
112 bpm • E Maj • 02:51 • -6.96db
48% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Franc Moody
Dance Moves
116 bpm • A# min • 03:21 • -8db
51% Popularity • 82% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 73% Positiveness
51% Popularity • 82% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 73% Positiveness
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Ripe
Passerby
112 bpm • G Maj • 04:02 • -6db
39% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Cory Wong
Work It Out
116 bpm • C# min • 05:39 • -6.44db
33% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 86% Positiveness
33% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 86% Positiveness
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Euforquestra
Road Funk
112 bpm • G Maj • 04:20 • -4db
24% Popularity • 75% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 75% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Fritz
Stuck in Between
112 bpm • F min • 06:48 • -3.18db
24% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Free Union
Good Life
116 bpm • G Maj • 03:20 • -11.29db
22% Popularity • 79% Danceability • 50% Energy • 36% Liveness
7% Instrumentalness • 73% Positiveness
22% Popularity • 79% Danceability • 50% Energy • 36% Liveness
7% Instrumentalness • 73% Positiveness
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Matt Duncan
Somewhere in Between
112 bpm • G min • 03:49 • -11.05db
32% Popularity • 77% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
32% Popularity • 77% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Leon Bridges
Bad Bad News
112 bpm • F min • 03:27 • -6.15db
63% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
63% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jamestown Revival
Midnight Hour
112 bpm • A Maj • 03:30 • -4.67db
52% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Tedeschi Trucks Band
Part of Me
112 bpm • G Maj • 04:06 • -8.33db
53% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Marcus King Band
Ain’t Nothin’ Wrong With That
112 bpm • G Maj • 03:48 • -6db
43% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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St. Paul & The Broken Bones
Sanctify
112 bpm • G Maj • 05:55 • -8.42db
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
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Cbdb
Mumble Bull
112 bpm • D Maj • 04:53 • -7db
31% Popularity • 63% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 63% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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The Jack Moves
Nasty
117 bpm • C# min • 03:06 • -4.12db
33% Popularity • 85% Danceability • 70% Energy • 11% Liveness
16% Instrumentalness • 71% Positiveness
33% Popularity • 85% Danceability • 70% Energy • 11% Liveness
16% Instrumentalness • 71% Positiveness
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Lake Street Dive
Call off Your Dogs
111 bpm • D Maj • 03:25 • -8db
45% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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After Funk
Face in the Crowd
117 bpm • C# Maj • 03:45 • -4.79db
23% Popularity • 68% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 68% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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The Marcus King Band
How Long
111 bpm • A# Maj • 05:21 • -8.27db
41% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
41% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
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Ripe
Little Lighter
117 bpm • C Maj • 03:49 • -5.58db
45% Popularity • 79% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 79% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Hush Moss
Clear
117 bpm • F min • 04:02 • -6.93db
34% Popularity • 76% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
34% Popularity • 76% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Eli "Paperboy" Reed
99 Cent Dreams
111 bpm • C Maj • 03:35 • -11db
35% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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AM & Shawn Lee
You Are in My System
111 bpm • G# Maj • 04:57 • -11db
20% Popularity • 75% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 75% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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St. Paul & The Broken Bones
Bruised Fruit
117 bpm • D min • 05:46 • -9.92db
22% Popularity • 42% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Goose
So Ready
111 bpm • E min • 04:35 • -6.79db
49% Popularity • 80% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 80% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Sonny Cleveland
You've Got Me Running in Circles
111 bpm • G Maj • 02:50 • -7.11db
59% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Maktub
So Tired
111 bpm • F min • 03:18 • -6db
30% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Monophonics
High off Your Love
118 bpm • B min • 04:18 • -7.17db
20% Popularity • 59% Danceability • 85% Energy • 17% Liveness
2% Instrumentalness • 81% Positiveness
20% Popularity • 59% Danceability • 85% Energy • 17% Liveness
2% Instrumentalness • 81% Positiveness
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Vulfpeck
Darwin Derby
118 bpm • A# Maj • 03:15 • -6.43db
45% Popularity • 82% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 82% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Alabama Shakes
Shoegaze
118 bpm • C# min • 02:59 • -5.31db
43% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
43% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
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Michael Kiwanuka
Money
118 bpm • E min • 04:51 • -9.65db
55% Popularity • 77% Danceability • 42% Energy • 3% Liveness
7% Instrumentalness • 64% Positiveness
55% Popularity • 77% Danceability • 42% Energy • 3% Liveness
7% Instrumentalness • 64% Positiveness
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The Motet
Contagious
110 bpm • C# Maj • 05:02 • -4.94db
9% Popularity • 79% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
9% Popularity • 79% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Jackie Venson
Keep On
110 bpm • B Maj • 03:59 • -5db
40% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
40% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
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Matt Duncan
Who Are You on Your Own?
110 bpm • G min • 03:36 • -10.26db
28% Popularity • 77% Danceability • 50% Energy • 4% Liveness
69% Instrumentalness • 59% Positiveness
28% Popularity • 77% Danceability • 50% Energy • 4% Liveness
69% Instrumentalness • 59% Positiveness
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Schwey
Sh’qweyla
110 bpm • B min • 03:02 • -5db
43% Popularity • 84% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 84% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Record Company
Rita Mae Young
110 bpm • D Maj • 04:21 • -5.21db
49% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Leon Bridges
Twistin' & Groovin'
118 bpm • C# min • 04:11 • -6.73db
47% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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T Bird and the Breaks
Justine
110 bpm • C Maj • 02:19 • -5db
34% Popularity • 80% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 80% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Neal Francis
She's A Winner
109 bpm • C Maj • 05:06 • -6.53db
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kat Wright
Feelin' Strong
119 bpm • G min • 03:32 • -5.83db
20% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Greyhounds
What's on Your Mind (OurVinyl Sessions)
109 bpm • F min • 04:07 • -8.09db
31% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Pigeons Playing Ping Pong
F.U.
109 bpm • E min • 04:41 • -6.33db
40% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Lotus
Sodium Vapor
109 bpm • G# Maj • 05:23 • -6db
37% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Son Little
The River
109 bpm • E min • 04:34 • -6db
35% Popularity • 69% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sir Woman
Making Love
109 bpm • B Maj • 03:21 • -8db
55% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kat Wright
Come Dance
119 bpm • F min • 04:02 • -4.92db
27% Popularity • 70% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 70% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Lake Street Dive
I Want You Back
119 bpm • D Maj • 04:19 • -9db
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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St. Paul & The Broken Bones
Ghost In Smoke
120 bpm • G# min • 04:20 • -11.21db
17% Popularity • 55% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 23% Positiveness
17% Popularity • 55% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 23% Positiveness
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Gary Clark Jr.
Pearl Cadillac
120 bpm • D# min • 05:05 • -6.29db
45% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Wood Brothers
I Got Loaded
109 bpm • A Maj • 04:03 • -9db
50% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Turkuaz
Mister Man
120 bpm • A# Maj • 03:46 • -5.93db
22% Popularity • 72% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
22% Popularity • 72% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
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Mathien
Wurlitzer Crowley
120 bpm • A Maj • 03:24 • -9.44db
36% Popularity • 86% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 86% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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The Dip
Sleep On It
120 bpm • F# Maj • 03:02 • -7.37db
51% Popularity • 40% Danceability • 52% Energy • 66% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 40% Danceability • 52% Energy • 66% Liveness
0% Instrumentalness • 85% Positiveness
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St. Paul & The Broken Bones
Hunter And His Hounds
120 bpm • G# Maj • 03:44 • -5.8db
11% Popularity • 64% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 64% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Son Little
Bread & Butter
120 bpm • E min • 02:53 • -7.5db
26% Popularity • 84% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 84% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Umphrey's McGee
Can't Rock My Dream Face
120 bpm • C Maj • 04:30 • -9.27db
44% Popularity • 81% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 81% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Leon Bridges
You Don't Know
120 bpm • A min • 02:52 • -3.84db
52% Popularity • 86% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 86% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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The Revivalists
Fade Away
120 bpm • F# Maj • 05:14 • -7.18db
43% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
43% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
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Nathaniel Rateliff & The Night Sweats
Mellow Out
120 bpm • B min • 03:32 • -7.82db
47% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
47% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Turkuaz
If I Ever Fall Asleep
120 bpm • F# min • 05:38 • -7.21db
19% Popularity • 71% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 71% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Busty and the Bass
Closer
108 bpm • A min • 04:15 • -5.81db
36% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Anderson .Paak
Put Me Thru
108 bpm • F min • 02:40 • -3.72db
55% Popularity • 73% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 73% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Dawes
Feed The Fire
121 bpm • C Maj • 05:57 • -5.86db
21% Popularity • 70% Danceability • 65% Energy • 23% Liveness
1% Instrumentalness • 84% Positiveness
21% Popularity • 70% Danceability • 65% Energy • 23% Liveness
1% Instrumentalness • 84% Positiveness
