Songs like Green & Gold by Lianne La Havas
Based on a tempo of (+/- 10%) and a similar genre
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Lianne La Havas
Read My Mind
94 bpm • E min • 04:48 • -9.62db
47% Popularity • 65% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 65% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Joy Crookes
No Hands
94 bpm • F min • 02:11 • -9.22db
63% Popularity • 75% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Khruangbin
C-Side
94 bpm • B min • 04:43 • -10.13db
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
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John Mayer
Moving On and Getting Over
94 bpm • F# min • 04:25 • -9.02db
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
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Two Another
Coming Alive
94 bpm • A min • 03:55 • -4.15db
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Moonchild
Back to Me
94 bpm • C# min • 03:43 • -11.51db
40% Popularity • 88% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
40% Popularity • 88% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Lianne La Havas
Wonderful
94 bpm • C# min • 04:16 • -13.61db
35% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kings of Convenience
Catholic Country
94 bpm • D min • 03:01 • -12db
56% Popularity • 80% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 80% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Gotts Street Park
Favourite Kind Of Girl
94 bpm • A Maj • 04:37 • -10db
52% Popularity • 65% Danceability • 68% Energy • 10% Liveness
35% Instrumentalness • 60% Positiveness
52% Popularity • 65% Danceability • 68% Energy • 10% Liveness
35% Instrumentalness • 60% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Whitest Boy Alive
Intentions
94 bpm • C Maj • 03:39 • -6.63db
23% Popularity • 88% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
23% Popularity • 88% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
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Tok Tok Tok
Walk on the wild side
95 bpm • C Maj • 04:38 • -20.11db
47% Popularity • 73% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
47% Popularity • 73% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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Lianne La Havas
Green & Gold
94 bpm • G Maj • 04:38 • -8.46db
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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Ivy Sole
Dream Girl
93 bpm • A Maj • 02:49 • -16db
43% Popularity • 62% Danceability • 37% Energy • 15% Liveness
28% Instrumentalness • 42% Positiveness
43% Popularity • 62% Danceability • 37% Energy • 15% Liveness
28% Instrumentalness • 42% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Erykah Badu
Appletree
95 bpm • G Maj • 04:25 • -10.53db
61% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Amber Mark
Mixer
95 bpm • A Maj • 03:12 • -5.54db
60% Popularity • 70% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 70% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Lianne La Havas
Green & Gold - Solo
94 bpm • E min • 03:54 • -9db
33% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ben L'Oncle Soul
The Good Life
95 bpm • C# Maj • 04:11 • -7.69db
50% Popularity • 74% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
50% Popularity • 74% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Two Another
Shouldn't Have Done That
93 bpm • G Maj • 04:25 • -9db
40% Popularity • 79% Danceability • 39% Energy • 13% Liveness
12% Instrumentalness • 34% Positiveness
40% Popularity • 79% Danceability • 39% Energy • 13% Liveness
12% Instrumentalness • 34% Positiveness
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D'Angelo
Sugah Daddy
93 bpm • C# Maj • 05:02 • -11.42db
44% Popularity • 79% Danceability • 55% Energy • 4% Liveness
27% Instrumentalness • 68% Positiveness
44% Popularity • 79% Danceability • 55% Energy • 4% Liveness
27% Instrumentalness • 68% Positiveness
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Amber Mark
What If
93 bpm • C# Maj • 03:35 • -6db
50% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 48% Positiveness
50% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 48% Positiveness
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PJ Morton
How Deep Is Your Love - Live
93 bpm • B Maj • 03:30 • -10.85db
61% Popularity • 42% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 42% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 52% Positiveness
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Emily King
Good Friend
96 bpm • E min • 02:38 • -9.86db
30% Popularity • 44% Danceability • 54% Energy • 34% Liveness
7% Instrumentalness • 19% Positiveness
30% Popularity • 44% Danceability • 54% Energy • 34% Liveness
7% Instrumentalness • 19% Positiveness
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Dojo Cuts
Easy to Come Home
92 bpm • E min • 03:33 • -8db
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Celeste
Love Is Back
96 bpm • E min • 04:16 • -4.97db
52% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Pip Millett
Love The Things You Do
92 bpm • F# Maj • 03:53 • -8.9db
47% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Lianne La Havas
Ghost
92 bpm • G min • 03:43 • -15.53db
37% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Arlo Parks
Too Good
96 bpm • F min • 03:41 • -5.16db
61% Popularity • 72% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 72% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Son Little
Blue Magic (Waikiki)
96 bpm • C# min • 03:33 • -9.21db
39% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Dojo Cuts
Sometimes It Hurts
92 bpm • E min • 05:07 • -10db
38% Popularity • 66% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 68% Positiveness
38% Popularity • 66% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 68% Positiveness
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Hiatus Kaiyote
Nakamarra
92 bpm • G# Maj • 04:35 • -6.77db
56% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Melody Gardot
It Gonna Come - FKJ Remix
96 bpm • G Maj • 03:44 • -8.7db
40% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Lianne La Havas
Green & Gold - Live from Spotify, London
92 bpm • E min • 04:54 • -8.4db
15% Popularity • 54% Danceability • 45% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 54% Danceability • 45% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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LEISURE
Got It Bad
96 bpm • B Maj • 03:25 • -10.05db
50% Popularity • 79% Danceability • 47% Energy • 7% Liveness
8% Instrumentalness • 53% Positiveness
50% Popularity • 79% Danceability • 47% Energy • 7% Liveness
8% Instrumentalness • 53% Positiveness
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Polo & Pan
Canopée
96 bpm • F min • 04:36 • -6.56db
65% Popularity • 70% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
65% Popularity • 70% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Raveena
Sweet Time
96 bpm • C Maj • 04:11 • -9.47db
54% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Two Another
Aiming Up
92 bpm • G min • 03:50 • -7.57db
48% Popularity • 86% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 86% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Leon Bridges
Shy
92 bpm • G# min • 03:14 • -5.39db
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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NEIL FRANCES
Teardrops
92 bpm • B Maj • 03:18 • -8db
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
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Cleo Sol
Promises
92 bpm • C# Maj • 04:24 • -13.76db
59% Popularity • 80% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
59% Popularity • 80% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Phony Ppl
Why iii Love The Moon.
92 bpm • C# Maj • 05:31 • -7.93db
57% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Corinne Bailey Rae
Put Your Records On
96 bpm • A Maj • 03:35 • -7.84db
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Aaron Taylor
Lay My Troubles Down
92 bpm • C# Maj • 04:28 • -6.45db
43% Popularity • 80% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
43% Popularity • 80% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
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Ben L'Oncle Soul
Fly Me To The Moon
92 bpm • G min • 03:50 • -5.56db
42% Popularity • 73% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 73% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Maxwell
Ascension (Don't Ever Wonder) - Remaster...
96 bpm • C Maj • 05:45 • -10.31db
63% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
63% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Quadron
LFT
96 bpm • A min • 03:29 • -6.5db
35% Popularity • 73% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 73% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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LION BABE
Treat Me Like Fire
92 bpm • F# Maj • 04:10 • -7.69db
50% Popularity • 67% Danceability • 65% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
50% Popularity • 67% Danceability • 65% Energy • 60% Liveness
1% Instrumentalness • 32% Positiveness
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Unknown Mortal Orchestra
Necessary Evil
96 bpm • A Maj • 05:17 • -7.22db
51% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
51% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
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St Germain
Sure Thing
96 bpm • C Maj • 06:20 • -12.24db
56% Popularity • 77% Danceability • 45% Energy • 21% Liveness
70% Instrumentalness • 56% Positiveness
56% Popularity • 77% Danceability • 45% Energy • 21% Liveness
70% Instrumentalness • 56% Positiveness
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Lady Wray
Do It Again
96 bpm • B min • 03:59 • -8db
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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FKJ
Better Give U Up
92 bpm • B min • 04:16 • -6.92db
61% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
61% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Kings of Convenience
Mrs. Cold
97 bpm • D# Maj • 03:06 • -13db
59% Popularity • 77% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 68% Positiveness
59% Popularity • 77% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 68% Positiveness
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Nick Mulvey
Unconditional
97 bpm • F# min • 03:44 • -7.04db
48% Popularity • 59% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 59% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Jorja Smith
Where Did I Go?
97 bpm • F Maj • 03:11 • -9.85db
54% Popularity • 71% Danceability • 59% Energy • 8% Liveness
17% Instrumentalness • 36% Positiveness
54% Popularity • 71% Danceability • 59% Energy • 8% Liveness
17% Instrumentalness • 36% Positiveness
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Kraak & Smaak
Stumble
91 bpm • G min • 04:30 • -11.39db
62% Popularity • 66% Danceability • 55% Energy • 6% Liveness
56% Instrumentalness • 22% Positiveness
62% Popularity • 66% Danceability • 55% Energy • 6% Liveness
56% Instrumentalness • 22% Positiveness
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Solange
Cranes in the Sky
97 bpm • F# Maj • 04:10 • -5.97db
63% Popularity • 72% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 72% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Melody Gardot
It Gonna Come
91 bpm • G Maj • 05:25 • -11db
36% Popularity • 67% Danceability • 50% Energy • 35% Liveness
15% Instrumentalness • 37% Positiveness
36% Popularity • 67% Danceability • 50% Energy • 35% Liveness
15% Instrumentalness • 37% Positiveness
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FKJ
Instant Need
91 bpm • A# min • 04:30 • -7.98db
58% Popularity • 77% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 57% Positiveness
58% Popularity • 77% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 57% Positiveness
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Two Another
Hoping You Changed
91 bpm • G Maj • 03:41 • -6.76db
48% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lou Berry
Blue Sky
91 bpm • C min • 05:10 • -12.32db
43% Popularity • 59% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 25% Energy • 37% Liveness
1% Instrumentalness • 24% Positiveness
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Lord Echo
Thinking Of You
97 bpm • A# Maj • 07:00 • -9.38db
54% Popularity • 72% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 72% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Solange
Don't Touch My Hair
91 bpm • C Maj • 04:17 • -7.06db
51% Popularity • 82% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 82% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Corinne Bailey Rae
Trouble Sleeping
91 bpm • F min • 03:28 • -6.91db
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sinéad Harnett
No Other Way
91 bpm • D# min • 03:19 • -8.48db
43% Popularity • 76% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 76% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Emily King
Down
91 bpm • E Maj • 04:41 • -13.62db
32% Popularity • 39% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 39% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Mayer Hawthorne
Just Ain't Gonna Work Out
91 bpm • E Maj • 02:30 • -5db
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
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Lianne La Havas
No Room for Doubt
98 bpm • C min • 04:05 • -16db
41% Popularity • 48% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 48% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Joy Crookes
Bad Feeling
98 bpm • E min • 03:26 • -5.73db
37% Popularity • 80% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 80% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Leela James
Music
98 bpm • C# Maj • 04:05 • -7db
44% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jamie Woon
Sharpness
98 bpm • F# min • 03:27 • -7.87db
52% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
52% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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RIMON
Grace
98 bpm • F min • 03:25 • -9.24db
44% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Pip Millett
June
98 bpm • C min • 02:48 • -6.86db
46% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Emily King
The Switch
98 bpm • G Maj • 02:39 • -14.15db
31% Popularity • 82% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 82% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Fatima
Biggest Joke Of All
98 bpm • B min • 05:25 • -8.58db
33% Popularity • 88% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 88% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Raveena
No Better
90 bpm • D Maj • 04:02 • -10.48db
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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Jordan Mackampa
What Am I
90 bpm • A Maj • 04:09 • -11db
48% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Lianne La Havas
Final Form
90 bpm • E min • 04:10 • -9.27db
23% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Moonchild
Cure
90 bpm • C# Maj • 04:06 • -13.27db
42% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Lucy Rose
Strangest Of Ways
90 bpm • B min • 03:26 • -13.12db
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Poppy Ajudha
David's Song - Tom Misch Remix
90 bpm • A# min • 04:12 • -5.76db
40% Popularity • 77% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
40% Popularity • 77% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Lily Moore
In-between
90 bpm • G# Maj • 02:39 • -6.17db
50% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Vulfpeck
Back Pocket
90 bpm • D Maj • 03:01 • -7.74db
66% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
66% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Corby
Monday
90 bpm • F# Maj • 04:08 • -7.14db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Lady Wray
Money
98 bpm • C Maj • 03:43 • -6db
30% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Joesef
Comedown
90 bpm • A Maj • 04:20 • -9.83db
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Raveena
Johnny It's the Last Time
99 bpm • A Maj • 03:13 • -7.59db
42% Popularity • 75% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 75% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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FKJ
Vibin' Out
89 bpm • D# Maj • 05:11 • -11.42db
62% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Arlo Parks
Hope
99 bpm • C# min • 04:30 • -9db
52% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Matt Corby
Talk It Out
89 bpm • B Maj • 03:10 • -4.09db
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
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The New Mastersounds
Your Love Is Mine - Radio Edit
99 bpm • D Maj • 04:00 • -7.58db
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Esperanza Spalding
I Know You Know
89 bpm • D min • 03:45 • -11.48db
50% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
50% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Mayer Hawthorne
Breakfast in Bed
89 bpm • F Maj • 04:07 • -6.23db
10% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Jonathan Jeremiah
Happiness
89 bpm • B Maj • 03:01 • -10db
49% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
