Songs like Guardians of the Frickin' Galaxy by Tyler Bates
Based on a tempo of (+/- 10%) and a similar genre
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Rupert Gregson-Williams
Permission To Come Aboard
146 bpm • C# Maj • 02:16 • -14.01db
21% Popularity • 32% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
21% Popularity • 32% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Hunted
146 bpm • C Maj • 01:58 • -12db
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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Nick Arundel
Sorry, Boys
145 bpm • G# Maj • 01:49 • -16.57db
25% Popularity • 46% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
25% Popularity • 46% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
Agent Zero Comes For Logan
147 bpm • A# Maj • 03:06 • -18.16db
13% Popularity • 31% Danceability • 63% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
13% Popularity • 31% Danceability • 63% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Michael Giacchino
Spider-Man: Homecoming Suite
145 bpm • F Maj • 06:12 • -14.19db
39% Popularity • 20% Danceability • 27% Energy • 15% Liveness
70% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 27% Energy • 15% Liveness
70% Instrumentalness • 6% Positiveness
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Scott Michael Smith
Obi-Wan's Lightsaber
145 bpm • D Maj • 01:30 • -18.92db
29% Popularity • 74% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 97% Positiveness
29% Popularity • 74% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 97% Positiveness
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Segun Akinola
The Spy Master
145 bpm • G Maj • 05:51 • -17.18db
15% Popularity • 28% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Nick Arundel
Wham. Gotcha!
145 bpm • B min • 03:28 • -14.28db
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Jared Moreno Luna
Ant-Man and The Wasp - Main Theme
145 bpm • G Maj • 02:28 • -11.96db
17% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
17% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Christophe Beck
Theme from Ant-Man
145 bpm • F min • 02:46 • -8.96db
41% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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Harald Kloser
Tidal Wave
145 bpm • F Maj • 03:14 • -18.35db
20% Popularity • 26% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
20% Popularity • 26% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Pinar Toprak
Trapped
144 bpm • C min • 03:19 • -17.16db
12% Popularity • 13% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Segun Akinola
My Beautiful Ghost Monument
144 bpm • A Maj • 03:53 • -17.97db
19% Popularity • 22% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 22% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jamie Evans Music
Ahsoka Teaser Trailer - Epic Version
148 bpm • A Maj • 01:53 • -10.83db
21% Popularity • 17% Danceability • 54% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 54% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
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John Debney
Black Widow Kicks Ass
144 bpm • G Maj • 02:11 • -15db
23% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
23% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
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Christopher Lennertz
The Resolute
144 bpm • D Maj • 03:17 • -16.82db
10% Popularity • 20% Danceability • 28% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 28% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Japanese Retake The Ridge
144 bpm • A min • 04:36 • -12.94db
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Segun Akinola
Sonic Screwdriver
144 bpm • G Maj • 01:06 • -16.3db
27% Popularity • 40% Danceability • 46% Energy • 16% Liveness
81% Instrumentalness • 11% Positiveness
27% Popularity • 40% Danceability • 46% Energy • 16% Liveness
81% Instrumentalness • 11% Positiveness
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Blake Neely
London 2166 / Set a Course
144 bpm • E min • 02:51 • -18db
14% Popularity • 16% Danceability • 14% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 14% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Tyler Bates
Two-Time-Galaxy Savers
143 bpm • G Maj • 03:01 • -7.79db
18% Popularity • 26% Danceability • 72% Energy • 19% Liveness
87% Instrumentalness • 15% Positiveness
18% Popularity • 26% Danceability • 72% Energy • 19% Liveness
87% Instrumentalness • 15% Positiveness
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Hesham Nazih
Full Moon Fight
149 bpm • E min • 02:13 • -15.9db
27% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
27% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
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Pinar Toprak
More Problems
143 bpm • A# min • 08:15 • -12.21db
19% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
19% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Suited And Booted
143 bpm • G# Maj • 04:25 • -10db
22% Popularity • 17% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Segun Akinola
The Doctor
144 bpm • G Maj • 03:25 • -21.57db
18% Popularity • 32% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 32% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Tyler Bates
Ego
142 bpm • C Maj • 02:47 • -7.25db
25% Popularity • 17% Danceability • 69% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 17% Danceability • 69% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Alexandre Desplat
Obliviate
150 bpm • C Maj • 03:02 • -19db
51% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
51% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Pemberton
My Name is.. Peter B. Parker
150 bpm • F Maj • 00:52 • -9.39db
29% Popularity • 51% Danceability • 57% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
29% Popularity • 51% Danceability • 57% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
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Segun Akinola
You Really Need to Get Out of Those Clot...
144 bpm • D Maj • 02:22 • -23.31db
14% Popularity • 40% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 40% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Laura Karpman
Main Title
150 bpm • D# Maj • 01:07 • -9.12db
30% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
30% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
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Steve Jablonsky
Soccent Attack
150 bpm • D Maj • 02:07 • -14.22db
36% Popularity • 48% Danceability • 63% Energy • 14% Liveness
93% Instrumentalness • 24% Positiveness
36% Popularity • 48% Danceability • 63% Energy • 14% Liveness
93% Instrumentalness • 24% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
30% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
30% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
48% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Benjamin Wallfisch
Into the Singularity
142 bpm • C Maj • 00:59 • -10.35db
20% Popularity • 14% Danceability • 38% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 38% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Segun Akinola
Activate Everything
150 bpm • F Maj • 06:11 • -16.02db
8% Popularity • 24% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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John Frizzell
The Rescue
142 bpm • G Maj • 03:05 • -19.62db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Tyler Bates
Guardians United
151 bpm • G# Maj • 02:46 • -9.91db
27% Popularity • 38% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
27% Popularity • 38% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Michael Kamen
Death Camp
141 bpm • A# Maj • 03:04 • -14.76db
15% Popularity • 14% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Mark Mothersbaugh
Arena Fight
141 bpm • G# Maj • 03:32 • -12db
22% Popularity • 28% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 28% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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John Murphy
Naming
140 bpm • A# Maj • 02:25 • -16.75db
22% Popularity • 14% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
22% Popularity • 14% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Tyler Bates
The Ballad of the Nova Corps. (Instrumen...
152 bpm • G# Maj • 01:48 • -14db
25% Popularity • 12% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
25% Popularity • 12% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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John Debney
Mayhem In Monaco
140 bpm • E min • 07:25 • -13.02db
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Nick Arundel
I Think You Should Do As He Says
140 bpm • C min • 02:35 • -12db
34% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
34% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
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Christopher Drake
Assassins
140 bpm • D Maj • 02:41 • -10.73db
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Steve Jablonsky
Prime Versus Bee
140 bpm • E min • 02:45 • -12.07db
28% Popularity • 34% Danceability • 76% Energy • 7% Liveness
80% Instrumentalness • 13% Positiveness
28% Popularity • 34% Danceability • 76% Energy • 7% Liveness
80% Instrumentalness • 13% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
43% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
43% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Tyler Bates
Busted
152 bpm • G min • 01:34 • -19.16db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Laura Karpman
A Prince Goes Home
140 bpm • D min • 01:03 • -13.1db
17% Popularity • 16% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
39% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Steve Jablonsky
You're a Soldier Now
140 bpm • D min • 03:27 • -15db
39% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
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Harry Gregson-Williams
Deadpool
139 bpm • A Maj • 04:09 • -18.21db
11% Popularity • 27% Danceability • 34% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 34% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Tyler Bates
Showtime, A-holes
152 bpm • G# Maj • 01:27 • -11db
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Joel P West
Zhe Zhi
139 bpm • F min • 02:55 • -29.81db
24% Popularity • 14% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Pinar Toprak
Entering Enemy Territory
139 bpm • C# Maj • 03:33 • -17.7db
19% Popularity • 21% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
47% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Christopher Lennertz
Peggy Remembers Cap
139 bpm • G# Maj • 01:51 • -14.66db
23% Popularity • 31% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
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Tyler Bates
Sorry for Your Loss
139 bpm • A# Maj • 01:01 • -20.32db
8% Popularity • 14% Danceability • 16% Energy • 19% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 16% Energy • 19% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Craig Armstrong
Favela Escape
139 bpm • C# min • 03:35 • -16db
24% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
24% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
► Preview
Rupert Gregson-Williams
The Legend Of Atlan
139 bpm • G# Maj • 01:57 • -17.36db
22% Popularity • 14% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Alan Silvestri
Totally Fine
139 bpm • G min • 04:29 • -31.02db
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
John Murphy
Mantis and the Abelisk
138 bpm • A# min • 01:10 • -8.45db
19% Popularity • 14% Danceability • 44% Energy • 29% Liveness
99% Instrumentalness • 15% Positiveness
19% Popularity • 14% Danceability • 44% Energy • 29% Liveness
99% Instrumentalness • 15% Positiveness
► Preview
John Debney
To the River
138 bpm • F Maj • 03:04 • -19.37db
14% Popularity • 16% Danceability • 29% Energy • 19% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 19% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Tyler Bates
Groot Cocoon
139 bpm • G# Maj • 02:29 • -13.27db
29% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
27% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Johan Söderqvist
The Fear of Everything
138 bpm • F min • 02:37 • -12.78db
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
► Preview
Benjamin Wallfisch
Sounds About Right, Bruce
155 bpm • C# Maj • 04:16 • -12.9db
21% Popularity • 26% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Michael Kamen
The Eye Of The Storm
138 bpm • E min • 02:31 • -13.3db
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Daniel Pemberton
Miles Morales Returns
156 bpm • G Maj • 03:45 • -9.36db
42% Popularity • 17% Danceability • 74% Energy • 33% Liveness
92% Instrumentalness • 15% Positiveness
42% Popularity • 17% Danceability • 74% Energy • 33% Liveness
92% Instrumentalness • 15% Positiveness
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Tyler Bates
Space Chase
154 bpm • D Maj • 03:20 • -7.7db
16% Popularity • 24% Danceability • 82% Energy • 39% Liveness
82% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 82% Energy • 39% Liveness
82% Instrumentalness • 10% Positiveness
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Harry Gregson-Williams
Adamantium
156 bpm • C Maj • 04:17 • -21.23db
16% Popularity • 17% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
16% Popularity • 17% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Blake Neely
Closing The Wormhole
137 bpm • G min • 04:43 • -12.13db
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Scott Michael Smith
Leia
136 bpm • D Maj • 01:24 • -21.36db
27% Popularity • 56% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
27% Popularity • 56% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
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Segun Akinola
Home Sweet Home
136 bpm • E min • 01:25 • -30.16db
17% Popularity • 15% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Spider Training
156 bpm • D Maj • 01:23 • -11db
30% Popularity • 41% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
30% Popularity • 41% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 27% Positiveness
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Henry Jackman
Lemurian Star
136 bpm • C min • 03:06 • -21db
38% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
38% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Tyler Bates
Groot Expectations
136 bpm • G Maj • 01:57 • -23.13db
14% Popularity • 57% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
14% Popularity • 57% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Brian Tyler
Thor, Son of Odin
136 bpm • D Maj • 01:52 • -11.39db
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Clinton Shorter
Hammerlock
157 bpm • E min • 01:49 • -13db
34% Popularity • 18% Danceability • 56% Energy • 14% Liveness
73% Instrumentalness • 11% Positiveness
34% Popularity • 18% Danceability • 56% Energy • 14% Liveness
73% Instrumentalness • 11% Positiveness
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Christopher Drake
Main Titles - Batman: Under The Red Hood
136 bpm • A Maj • 02:43 • -16.05db
26% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Shut it Down
157 bpm • A min • 01:15 • -10.59db
30% Popularity • 24% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 37% Positiveness
30% Popularity • 24% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 37% Positiveness
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Laura Karpman
Ms. Marvel Suite
135 bpm • B min • 04:29 • -8.47db
25% Popularity • 35% Danceability • 70% Energy • 14% Liveness
29% Instrumentalness • 34% Positiveness
25% Popularity • 35% Danceability • 70% Energy • 14% Liveness
29% Instrumentalness • 34% Positiveness
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Rupert Gregson-Williams
Wonder Woman's Wrath
158 bpm • A Maj • 04:06 • -12.92db
48% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Thomas Wander
The Last Dive
136 bpm • E min • 03:16 • -14.63db
16% Popularity • 33% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 33% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Hesham Nazih
Summon the Suit
135 bpm • E Maj • 02:16 • -16db
32% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
