Songs like Guillaume Tell, Act I: Act I: Goire, Honneur au fils de Tell (Chorus, Jemmy, Hedwige) by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
135 bpm • C Maj • 10:52 • -18db
24% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Gioachino Rossini
Introduction, Theme and Variations for C...
135 bpm • A# Maj • 03:59 • -23db
16% Popularity • 28% Danceability • 4% Energy • 17% Liveness
42% Instrumentalness • 13% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 17% Liveness
42% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
Oberon, J.306: Ouvertüre
131 bpm • D Maj • 08:58 • -19db
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 4, D...
133 bpm • G Maj • 08:42 • -16.46db
9% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Jacques Offenbach
La belle Hélène: Overture
138 bpm • E Maj • 08:31 • -19.19db
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 2 i...
138 bpm • G Maj • 04:55 • -14.77db
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
I Puritani / Act 2: Cinta di fiori
129 bpm • G# Maj • 05:01 • -16.87db
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Petite messe solennelle: Credo
135 bpm • B Maj • 04:11 • -21.43db
16% Popularity • 27% Danceability • 12% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Gustav Holst
Holst: The Planets, Op. 32: IV. Jupiter,...
127 bpm • C min • 04:48 • -12db
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
37% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
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Vincenzo Bellini
Norma: Sinfonia
140 bpm • G Maj • 06:08 • -17.53db
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
133 bpm • F Maj • 05:49 • -18db
18% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
18% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
The Hebrides Overture, Op. 26, MWV P7 "F...
126 bpm • D Maj • 10:22 • -20db
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
136 bpm • G Maj • 01:48 • -12.42db
11% Popularity • 52% Danceability • 70% Energy • 23% Liveness
60% Instrumentalness • 17% Positiveness
11% Popularity • 52% Danceability • 70% Energy • 23% Liveness
60% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Luigi Denza
Funiculì, funiculÃ
126 bpm • F Maj • 02:46 • -13.48db
36% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
36% Popularity • 48% Danceability • 30% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 6...
144 bpm • E Maj • 01:19 • -21db
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
34% Popularity • 54% Danceability • 24% Energy • 41% Liveness
19% Instrumentalness • 97% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Ehi, Fiorello?
132 bpm • G Maj • 02:57 • -18.57db
5% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Vincenzo Bellini
Norma: Overture
144 bpm • G Maj • 05:32 • -16db
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Stabat Mater: 5. Eja Mater fons amoris
136 bpm • F Maj • 04:51 • -25.48db
15% Popularity • 17% Danceability • 2% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
Carnival Overture, Op. 92
145 bpm • D Maj • 08:49 • -15db
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
146 bpm • C Maj • 10:16 • -17.61db
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: XI. Cruc...
132 bpm • G# Maj • 03:18 • -24.42db
17% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Norma: Ouverture
146 bpm • G Maj • 05:17 • -16db
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: Cavatina...
136 bpm • G Maj • 07:29 • -17.89db
11% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:53 • -15.39db
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
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Richard Wagner
Das Liebesverbot: Overture
120 bpm • G Maj • 08:52 • -13.92db
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Carl Orff
Carmina Burana: II. Fortune plango vulne...
120 bpm • A min • 02:49 • -22.71db
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia: La calunnia è ...
131 bpm • D Maj • 04:26 • -17db
12% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
► Preview
Jacques Offenbach
Orphee aux enfers (Orpheus in the Underw...
151 bpm • D Maj • 02:25 • -18.37db
39% Popularity • 62% Danceability • 25% Energy • 22% Liveness
91% Instrumentalness • 80% Positiveness
39% Popularity • 62% Danceability • 25% Energy • 22% Liveness
91% Instrumentalness • 80% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Hou, hou, hou,...
149 bpm • A Maj • 04:35 • -18.83db
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Johann Strauss I
Strauss Party
118 bpm • G Maj • 03:25 • -5.91db
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 43% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude To Act III
120 bpm • G Maj • 03:18 • -16db
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
36% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
36% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Gioachino Rossini
Stabat Mater: 10. Amen
131 bpm • G min • 05:58 • -17db
16% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
16% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Jacques Offenbach
Orpheus in the Underworld: Cancan
152 bpm • D Maj • 02:41 • -17.97db
39% Popularity • 37% Danceability • 57% Energy • 66% Liveness
1% Instrumentalness • 54% Positiveness
39% Popularity • 37% Danceability • 57% Energy • 66% Liveness
1% Instrumentalness • 54% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: X. Credo...
131 bpm • B Maj • 04:14 • -22.52db
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
115 bpm • A Maj • 10:27 • -20db
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Franz Schubert
Die Forelle, D. 550
166 bpm • C# Maj • 02:13 • -25.04db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
138 bpm • G Maj • 01:58 • -15.2db
5% Popularity • 44% Danceability • 25% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 44% Danceability • 25% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
168 bpm • E min • 03:38 • -17.19db
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Sylvia: Pizzicato
159 bpm • D# Maj • 01:45 • -39.22db
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
169 bpm • D Maj • 02:58 • -18.35db
24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Franz Schubert
Die Forelle, Op. 32, D. 550
176 bpm • B Maj • 02:02 • -21db
24% Popularity • 36% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
24% Popularity • 36% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
175 bpm • F min • 06:40 • -20db
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Les oise...
178 bpm • G# Maj • 05:29 • -20db
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: XII. Et ...
129 bpm • B Maj • 04:51 • -22db
17% Popularity • 31% Danceability • 14% Energy • 20% Liveness
4% Instrumentalness • 18% Positiveness
17% Popularity • 31% Danceability • 14% Energy • 20% Liveness
4% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: II. Walzer
180 bpm • G Maj • 03:50 • -19.05db
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
178 bpm • G min • 01:21 • -27.44db
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: Walzer
182 bpm • A Maj • 01:13 • -20db
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
