Songs like Guilty by Lady Wray
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Garzón-Montano
Golden Wings
91 bpm • A min • 04:27 • -11db
36% Popularity • 84% Danceability • 56% Energy • 9% Liveness
65% Instrumentalness • 36% Positiveness
36% Popularity • 84% Danceability • 56% Energy • 9% Liveness
65% Instrumentalness • 36% Positiveness
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Menahan Street Band
Make the Road By Walking
91 bpm • A# min • 03:03 • -8.39db
51% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
51% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
60% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Mayfield
Tripping Out
91 bpm • C Maj • 07:02 • -9.91db
39% Popularity • 77% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
39% Popularity • 77% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
51% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Mayer Hawthorne
Just Ain't Gonna Work Out
91 bpm • E Maj • 02:30 • -5db
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Africa Express
Morals
92 bpm • A# min • 03:13 • -9.56db
47% Popularity • 73% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 73% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Lady Wray
Guilty (Instrumental)
91 bpm • F min • 03:27 • -9.7db
9% Popularity • 60% Danceability • 59% Energy • 11% Liveness
71% Instrumentalness • 43% Positiveness
9% Popularity • 60% Danceability • 59% Energy • 11% Liveness
71% Instrumentalness • 43% Positiveness
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Hiatus Kaiyote
Get Sun
90 bpm • G Maj • 05:37 • -6.53db
46% Popularity • 33% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 33% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Soul Scratch
Kiss Me in the Morning
90 bpm • A min • 03:15 • -10.37db
19% Popularity • 66% Danceability • 32% Energy • 14% Liveness
14% Instrumentalness • 39% Positiveness
19% Popularity • 66% Danceability • 32% Energy • 14% Liveness
14% Instrumentalness • 39% Positiveness
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Saun & Starr
Look Closer (Can't You See the Signs?)
92 bpm • A# Maj • 03:45 • -7db
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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NEIL FRANCES
Show Me the Right
90 bpm • D min • 03:24 • -7.51db
64% Popularity • 68% Danceability • 80% Energy • 8% Liveness
40% Instrumentalness • 69% Positiveness
64% Popularity • 68% Danceability • 80% Energy • 8% Liveness
40% Instrumentalness • 69% Positiveness
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Swamp Dogg
Good, Better, Best
90 bpm • A# min • 02:50 • -11.72db
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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Aaron Taylor
Lay My Troubles Down
92 bpm • C# Maj • 04:28 • -6.45db
44% Popularity • 80% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
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Betty Wright
Old Songs
90 bpm • G# Maj • 05:34 • -7.6db
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Cleo Sol
Promises
92 bpm • C# Maj • 04:24 • -13.76db
60% Popularity • 80% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
60% Popularity • 80% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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NEIL FRANCES
Teardrops
92 bpm • B Maj • 03:18 • -8db
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
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Margo & Mac
It's So Easy
90 bpm • F# Maj • 02:36 • -4db
44% Popularity • 84% Danceability • 57% Energy • 3% Liveness
6% Instrumentalness • 96% Positiveness
44% Popularity • 84% Danceability • 57% Energy • 3% Liveness
6% Instrumentalness • 96% Positiveness
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Leon Bridges
Shy
92 bpm • G# min • 03:14 • -5.39db
60% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
60% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Devonté Hynes
Feelin' Lovely
90 bpm • D min • 03:51 • -6db
45% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Hiatus Kaiyote
Nakamarra
92 bpm • G# Maj • 04:35 • -6.77db
56% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 55% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Noname
Rainforest
92 bpm • F# min • 02:42 • -10.93db
52% Popularity • 53% Danceability • 54% Energy • 38% Liveness
1% Instrumentalness • 68% Positiveness
52% Popularity • 53% Danceability • 54% Energy • 38% Liveness
1% Instrumentalness • 68% Positiveness
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Gotts Street Park
Got To Be Good
90 bpm • F Maj • 02:39 • -9.12db
64% Popularity • 72% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
64% Popularity • 72% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Monophonics
Say You Love Me
90 bpm • A min • 04:22 • -8db
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Eunice Collins
At the Hotel (Mixed)
90 bpm • B min • 03:38 • -11.8db
47% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Noname
Self
92 bpm • D# Maj • 01:34 • -7db
58% Popularity • 81% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 81% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Pip Millett
Love The Things You Do
92 bpm • F# Maj • 03:53 • -8.9db
48% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Bastien Keb
Pick Up
90 bpm • E min • 03:37 • -9.86db
36% Popularity • 63% Danceability • 78% Energy • 8% Liveness
16% Instrumentalness • 55% Positiveness
36% Popularity • 63% Danceability • 78% Energy • 8% Liveness
16% Instrumentalness • 55% Positiveness
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Yaya Bey
alright
93 bpm • F# Maj • 03:08 • -10.48db
42% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sharon Jones & The Dap-Kings
Come and Be a Winner
93 bpm • D min • 02:56 • -8.15db
63% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Oroza
The Otherside
93 bpm • F# min • 03:49 • -7.06db
41% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Jalen Ngonda
If You Don't Want My Love
93 bpm • B min • 02:26 • -5.77db
70% Popularity • 60% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
70% Popularity • 60% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Fields & The Expressions
Precious Love
89 bpm • F Maj • 04:38 • -6.76db
36% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
36% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
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Terrace Martin
From My Heart And My Soul
93 bpm • B min • 02:32 • -9.68db
58% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Amber Mark
What If
93 bpm • C# Maj • 03:35 • -6db
51% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 48% Positiveness
51% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 48% Positiveness
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Free Nationals
Shibuya
93 bpm • E min • 02:16 • -7.02db
69% Popularity • 76% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 81% Positiveness
69% Popularity • 76% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 81% Positiveness
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Kadhja Bonet
Mother Maybe
93 bpm • C# min • 04:15 • -6.24db
29% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ivy Sole
Dream Girl
93 bpm • A Maj • 02:49 • -16db
45% Popularity • 62% Danceability • 37% Energy • 15% Liveness
28% Instrumentalness • 42% Positiveness
45% Popularity • 62% Danceability • 37% Energy • 15% Liveness
28% Instrumentalness • 42% Positiveness
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Cleo Sol
23
89 bpm • D Maj • 05:06 • -13.76db
49% Popularity • 62% Danceability • 37% Energy • 13% Liveness
68% Instrumentalness • 26% Positiveness
49% Popularity • 62% Danceability • 37% Energy • 13% Liveness
68% Instrumentalness • 26% Positiveness
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Terrace Martin
From My Heart and My Soul
93 bpm • B min • 02:30 • -6.81db
53% Popularity • 70% Danceability • 54% Energy • 11% Liveness
16% Instrumentalness • 62% Positiveness
53% Popularity • 70% Danceability • 54% Energy • 11% Liveness
16% Instrumentalness • 62% Positiveness
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Holy Hive
Hypnosis
93 bpm • A# Maj • 03:51 • -7.21db
47% Popularity • 58% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
47% Popularity • 58% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
52% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
52% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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The Dip
State Line
89 bpm • B Maj • 02:52 • -6.64db
60% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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PYJÆN
Gold Plated
93 bpm • F Maj • 03:35 • -11.35db
43% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lady Wray
They Won't Hang Around
93 bpm • C Maj • 03:53 • -5.26db
24% Popularity • 74% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 74% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Pip Millett
Heavenly Mother
88 bpm • B min • 03:59 • -7.87db
51% Popularity • 87% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 49% Positiveness
51% Popularity • 87% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 49% Positiveness
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Holy Hive
Broom
93 bpm • F# min • 02:15 • -8db
51% Popularity • 68% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
51% Popularity • 68% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
32% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Arlo Parks
Green Eyes
88 bpm • F min • 03:18 • -6.96db
54% Popularity • 63% Danceability • 74% Energy • 13% Liveness
2% Instrumentalness • 90% Positiveness
54% Popularity • 63% Danceability • 74% Energy • 13% Liveness
2% Instrumentalness • 90% Positiveness
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Oscar Jerome
Sun For Someone
94 bpm • C Maj • 05:03 • -10db
38% Popularity • 74% Danceability • 65% Energy • 11% Liveness
64% Instrumentalness • 60% Positiveness
38% Popularity • 74% Danceability • 65% Energy • 11% Liveness
64% Instrumentalness • 60% Positiveness
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Lady Wray
Guilty (Demo Version)
89 bpm • G Maj • 02:26 • -5.84db
17% Popularity • 62% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 62% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Lianne La Havas
Green & Gold
94 bpm • G Maj • 04:38 • -8.46db
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Duncan
Lone Ranger
94 bpm • G min • 03:04 • -10.98db
48% Popularity • 71% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
48% Popularity • 71% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Anderson .Paak
Celebrate
94 bpm • C Maj • 03:46 • -7db
50% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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Joy Crookes
No Hands
94 bpm • F min • 02:11 • -9.22db
64% Popularity • 75% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 75% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Khruangbin
C-Side
94 bpm • B min • 04:43 • -10.13db
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
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Flamingosis
Believe in Me
88 bpm • G# Maj • 04:05 • -12db
51% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Lianne La Havas
Read My Mind
94 bpm • E min • 04:48 • -9.62db
47% Popularity • 65% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 65% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Son Little
drummer
94 bpm • G# Maj • 03:08 • -6.8db
33% Popularity • 81% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 78% Positiveness
33% Popularity • 81% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 78% Positiveness
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Oscar Jerome
Sun For Someone - Edit
94 bpm • C Maj • 03:28 • -9.42db
33% Popularity • 76% Danceability • 66% Energy • 18% Liveness
7% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 66% Energy • 18% Liveness
7% Instrumentalness • 72% Positiveness
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Moonchild
Back to Me
94 bpm • C# min • 03:43 • -11.51db
40% Popularity • 88% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
40% Popularity • 88% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Stimulator Jones
Soon Never Comes
88 bpm • A# min • 04:08 • -8db
45% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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ELIZA
Livid
88 bpm • E min • 04:29 • -10db
44% Popularity • 84% Danceability • 19% Energy • 37% Liveness
19% Instrumentalness • 28% Positiveness
44% Popularity • 84% Danceability • 19% Energy • 37% Liveness
19% Instrumentalness • 28% Positiveness
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Gotts Street Park
Favourite Kind Of Girl
94 bpm • A Maj • 04:37 • -10db
52% Popularity • 65% Danceability • 68% Energy • 10% Liveness
35% Instrumentalness • 60% Positiveness
52% Popularity • 65% Danceability • 68% Energy • 10% Liveness
35% Instrumentalness • 60% Positiveness
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Monophonics
La La La Love Me
88 bpm • F# min • 03:20 • -6db
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Aaron Taylor
Easy
88 bpm • G min • 03:20 • -5.86db
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Robert Glasper
Afro Blue - 9th Wonder's Blue Light Base...
88 bpm • F min • 05:07 • -10db
45% Popularity • 82% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 82% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Joomanji
Spread Too Thin
88 bpm • F# Maj • 04:45 • -9.5db
45% Popularity • 40% Danceability • 46% Energy • 38% Liveness
60% Instrumentalness • 64% Positiveness
45% Popularity • 40% Danceability • 46% Energy • 38% Liveness
60% Instrumentalness • 64% Positiveness
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DOPE LEMON
Home Soon
94 bpm • D Maj • 02:57 • -7.5db
61% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
61% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
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Lee Fields & The Expressions
Love Prisoner
95 bpm • G min • 04:08 • -5.36db
18% Popularity • 54% Danceability • 58% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
18% Popularity • 54% Danceability • 58% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
37% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Jalen Ngonda
Just Like You Used To
87 bpm • E Maj • 03:09 • -6.49db
56% Popularity • 55% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 55% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lady Wray
Sweet Lady
87 bpm • G Maj • 03:17 • -5db
24% Popularity • 44% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 44% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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D'Angelo
Feel Like Makin' Love
87 bpm • C Maj • 06:22 • -9.51db
54% Popularity • 91% Danceability • 20% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
54% Popularity • 91% Danceability • 20% Energy • 9% Liveness
49% Instrumentalness • 52% Positiveness
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Willie West
I'm Still a Man (Lord Have Mercy)
87 bpm • C Maj • 04:11 • -9.16db
32% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Erykah Badu
Appletree
95 bpm • G Maj • 04:25 • -10.53db
62% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
44% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
44% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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Amber Mark
Mixer
95 bpm • A Maj • 03:12 • -5.54db
60% Popularity • 70% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 70% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Free Nationals
On Sight
95 bpm • D min • 04:09 • -8db
57% Popularity • 71% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 71% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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D'Angelo
I Found My Smile Again (Radio Edit)
95 bpm • C Maj • 04:00 • -7.94db
52% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Duncan
The Keys
95 bpm • C Maj • 03:37 • -12.09db
60% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
60% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Joesef
Limbo
87 bpm • F Maj • 03:44 • -7.73db
40% Popularity • 36% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 36% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Arlo Parks
Too Good - Unknown Mortal Orchestra Remi...
95 bpm • G# Maj • 03:55 • -6db
49% Popularity • 77% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 77% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
47% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Donny Hathaway
Love, Love, Love
95 bpm • G# Maj • 03:22 • -7.78db
55% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Lady Wray
In Love (Don't Mess Things Up) (Instrume...
95 bpm • A min • 02:17 • -10.78db
7% Popularity • 83% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 43% Positiveness
7% Popularity • 83% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 43% Positiveness
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Lianne La Havas
Can't Fight
87 bpm • F# min • 03:10 • -9.21db
57% Popularity • 74% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
57% Popularity • 74% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Otis Junior
When It's Sweet
87 bpm • A min • 02:40 • -5.67db
47% Popularity • 82% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 82% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
62% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Yaw
Where Would You Be
95 bpm • E min • 04:14 • -10db
42% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Saun & Starr
Sunshine (You're Blowin' My Cool)
96 bpm • F min • 04:02 • -5.76db
39% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
