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Guts
Songs like
Guts
by
Spike Fuck
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Malkmus
Come Get Me
110 bpm • B Maj • 02:29 • -4db
25% Popularity • 54% Danceability • 84% Energy • 75% Liveness
17% Instrumentalness • 33% Positiveness
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The Slingers
Streets of Tokyo
110 bpm • E min • 04:28 • -5.56db
31% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Spike Fuck
Guts
110 bpm • C# Maj • 06:08 • -11.41db
23% Popularity • 61% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 17% Positiveness
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Alex Maas
Special
110 bpm • A# Maj • 02:40 • -17.84db
21% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nancy
7ft Tall Post-Suicidal Feel Good Blues
110 bpm • E Maj • 03:36 • -3.13db
30% Popularity • 38% Danceability • 92% Energy • 12% Liveness
84% Instrumentalness • 40% Positiveness
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Tracy Bryant
Forever Certain
110 bpm • E min • 02:57 • -6.41db
29% Popularity • 60% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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Tomorrows Tulips
Anywhere
110 bpm • A Maj • 01:21 • -12.92db
22% Popularity • 81% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
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PC Worship
River Running Sideways
110 bpm • B Maj • 03:05 • -6.45db
14% Popularity • 61% Danceability • 90% Energy • 10% Liveness
50% Instrumentalness • 90% Positiveness
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Bonny Doon
Relieved
110 bpm • D Maj • 03:22 • -6.97db
2% Popularity • 43% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Cate Le Bon
Here It Comes Again
110 bpm • C Maj • 03:24 • -9.77db
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
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Sonny & The Sunsets
Secret Plot
110 bpm • C Maj • 03:12 • -6.36db
29% Popularity • 65% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Scott & Charlene's Wedding
Boundary Line
111 bpm • G Maj • 03:54 • -7.45db
17% Popularity • 61% Danceability • 68% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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Cory Hanson
Ordinary People
109 bpm • A# min • 03:26 • -9.42db
20% Popularity • 30% Danceability • 42% Energy • 16% Liveness
54% Instrumentalness • 26% Positiveness
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Jack Ladder
Hurtsville
109 bpm • D Maj • 07:02 • -10.62db
12% Popularity • 51% Danceability • 46% Energy • 30% Liveness
4% Instrumentalness • 27% Positiveness
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The Ocean Party
Rain On Tin
109 bpm • F# Maj • 05:13 • -11db
17% Popularity • 47% Danceability • 35% Energy • 17% Liveness
35% Instrumentalness • 23% Positiveness
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Grand Salvo
In the Water
109 bpm • F# Maj • 09:57 • -11db
8% Popularity • 68% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Lewsberg
Cold Light of Day
111 bpm • A Maj • 04:38 • -8db
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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GracieHorse
What I'm Missing
109 bpm • F Maj • 04:17 • -9.05db
18% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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A. Savage
Phantom Limbo
111 bpm • C Maj • 03:53 • -7db
33% Popularity • 54% Danceability • 55% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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Jack Ladder
Beautiful Sound
109 bpm • A Maj • 05:01 • -8db
13% Popularity • 50% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 25% Positiveness
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Smog
I Was A Stranger
108 bpm • E Maj • 03:23 • -14.26db
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Lower Plenty
Bondi's Dead
112 bpm • B min • 02:56 • -8.17db
8% Popularity • 66% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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RVG
IBM
108 bpm • D Maj • 03:21 • -4db
11% Popularity • 56% Danceability • 75% Energy • 10% Liveness
16% Instrumentalness • 76% Positiveness
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Caitlin Harnett & The Pony Boys
Make You Feel Blue
108 bpm • G Maj • 03:23 • -9db
30% Popularity • 44% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 73% Positiveness
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Lael Neale
Every Star Shivers in the Dark
108 bpm • B Maj • 05:32 • -5.73db
35% Popularity • 46% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Gregor
Wish You Saw
112 bpm • A Maj • 02:22 • -10.14db
10% Popularity • 76% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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Yuzo Iwata
Gigolo
112 bpm • D Maj • 06:40 • -6.19db
20% Popularity • 45% Danceability • 82% Energy • 11% Liveness
85% Instrumentalness • 72% Positiveness
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Jacuzzi Boys
No Seasons
108 bpm • D Maj • 01:21 • -9.03db
42% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Spacemen 3
Ode To Street Hassle
112 bpm • F# Maj • 04:45 • -11.2db
31% Popularity • 48% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
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Bill Callahan
Diamond Dancer
108 bpm • G# min • 04:00 • -7db
34% Popularity • 72% Danceability • 56% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Spike Fuck
Kind Hearts
108 bpm • C Maj • 05:17 • -5.6db
34% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Preoccupations
Oxygen Feed
112 bpm • B Maj • 03:50 • -8.8db
27% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Quality Used Cars
Ripoff Merchant
108 bpm • C Maj • 05:32 • -9.25db
13% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Dry Cleaning
Phone Scam
112 bpm • B min • 03:05 • -5.46db
28% Popularity • 64% Danceability • 76% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
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Purling Hiss
Follow You Around
112 bpm • D Maj • 03:45 • -6.21db
20% Popularity • 44% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Caitlin Harnett & The Pony Boys
5am
113 bpm • C Maj • 02:52 • -6db
19% Popularity • 42% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
37% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Leah Senior
Graves
113 bpm • G min • 03:37 • -7.48db
14% Popularity • 61% Danceability • 67% Energy • 15% Liveness
10% Instrumentalness • 50% Positiveness
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Oog Bogo
Plastic
107 bpm • E Maj • 03:00 • -7.84db
16% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Cut Worms
Song of the Highest Tower
107 bpm • F Maj • 06:53 • -6.41db
41% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Workhorse
No Photographs
113 bpm • D Maj • 04:11 • -6.95db
10% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Death Valley Girls
The Universe
113 bpm • D Maj • 04:33 • -4.52db
27% Popularity • 34% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
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The Slingers
Down to the Bone
107 bpm • E min • 04:40 • -6.33db
26% Popularity • 67% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Crack Cloud
Swish Swash
107 bpm • B Maj • 04:56 • -3db
14% Popularity • 71% Danceability • 77% Energy • 6% Liveness
88% Instrumentalness • 56% Positiveness
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Alex Cameron
Real Bad Lookin'
107 bpm • D Maj • 04:33 • -8db
38% Popularity • 96% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
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Oh, Rose
You've Got Fire
107 bpm • G Maj • 02:42 • -9.49db
16% Popularity • 64% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Exploded View
Summer Came Early
107 bpm • D Maj • 03:26 • -9.24db
31% Popularity • 52% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
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Jack Ladder
Dumb Love
107 bpm • C Maj • 05:14 • -9db
12% Popularity • 58% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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Damaged Bug
Goodby Sunball
107 bpm • F Maj • 01:37 • -15.13db
28% Popularity • 36% Danceability • 24% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
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The County Liners
Maria
107 bpm • G Maj • 04:44 • -6.76db
9% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Emma Russack
POB
114 bpm • A min • 02:50 • -12db
19% Popularity • 79% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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Cory Hanson
Paper Fog
113 bpm • C Maj • 04:29 • -11.22db
27% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
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The Feelies
When Company Comes
114 bpm • G Maj • 02:16 • -11db
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
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Pink Mountaintops
I (fuck) Mountains
114 bpm • A# min • 04:42 • -15.27db
40% Popularity • 68% Danceability • 26% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
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Twerps
Who Are You
114 bpm • G Maj • 05:11 • -5.92db
19% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Crystal Stilts
Nature Noir
114 bpm • A# Maj • 02:48 • -7.53db
30% Popularity • 60% Danceability • 76% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
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Dry Cleaning
Goodnight
106 bpm • F Maj • 02:37 • -4.44db
34% Popularity • 47% Danceability • 82% Energy • 12% Liveness
21% Instrumentalness • 45% Positiveness
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Jon McKiel
Deeper Shade
114 bpm • F# Maj • 03:41 • -11.07db
19% Popularity • 67% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 85% Positiveness
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A. Savage
Eyeballs
114 bpm • D Maj • 02:54 • -9.49db
36% Popularity • 73% Danceability • 77% Energy • 35% Liveness
2% Instrumentalness • 96% Positiveness
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Peter Bibby
Goodbye Johnny
114 bpm • G Maj • 04:06 • -6.28db
20% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Automatic
Electrocution
114 bpm • A# min • 02:30 • -6.58db
40% Popularity • 72% Danceability • 72% Energy • 14% Liveness
19% Instrumentalness • 20% Positiveness
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Cate Le Bon
Perfume Days
114 bpm • C Maj • 04:03 • -7.04db
16% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Workhorse
Rode A River
106 bpm • E min • 03:15 • -8.86db
20% Popularity • 67% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 67% Positiveness
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Jackie Cohen
Maddy
114 bpm • A min • 04:43 • -6.88db
13% Popularity • 64% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Dougie Poole
High School Gym
106 bpm • D# Maj • 04:10 • -8.34db
31% Popularity • 84% Danceability • 62% Energy • 13% Liveness
49% Instrumentalness • 83% Positiveness
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Half Japanese
Miracles Happen Every Day
114 bpm • C Maj • 02:20 • -15.39db
33% Popularity • 61% Danceability • 36% Energy • 8% Liveness
40% Instrumentalness • 45% Positiveness
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Black Lips
Apocalypse Love
114 bpm • A# Maj • 04:33 • -6.38db
16% Popularity • 53% Danceability • 82% Energy • 15% Liveness
8% Instrumentalness • 37% Positiveness
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Dead Moon
A Miss of You
114 bpm • C Maj • 02:47 • -8.89db
29% Popularity • 63% Danceability • 44% Energy • 8% Liveness
14% Instrumentalness • 65% Positiveness
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Workhorse
Dreamhorse
106 bpm • E min • 04:22 • -9.88db
15% Popularity • 47% Danceability • 62% Energy • 16% Liveness
18% Instrumentalness • 68% Positiveness
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Bonny Doon
Where Do You Go?
106 bpm • B Maj • 02:08 • -10.99db
36% Popularity • 65% Danceability • 58% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Ulrika Spacek
No. 1 Hum
115 bpm • G# Maj • 04:30 • -12.14db
24% Popularity • 72% Danceability • 60% Energy • 25% Liveness
33% Instrumentalness • 57% Positiveness
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The Goon Sax
Home Haircuts
105 bpm • D Maj • 03:42 • -6.8db
10% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Blake Scott
Bullfloat Zen
115 bpm • F Maj • 04:08 • -10.86db
20% Popularity • 85% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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Parquet Courts
N Dakota
115 bpm • F Maj • 02:19 • -9.88db
36% Popularity • 66% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Workhorse
Chain
115 bpm • A min • 03:31 • -7.8db
18% Popularity • 45% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 66% Positiveness
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The Slingers
The Cruellest Cut
105 bpm • C Maj • 05:29 • -6db
27% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Shilpa Ray
Heteronormative Horseshit Blues
115 bpm • D# Maj • 04:42 • -5.97db
31% Popularity • 54% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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The Brian Jonestown Massacre
(David Bowie I Love You) Since I Was Six
116 bpm • A# Maj • 03:23 • -7db
26% Popularity • 20% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Dick Stusso
I Am Not the Girl You Used to Know
116 bpm • A Maj • 01:49 • -4.85db
30% Popularity • 45% Danceability • 84% Energy • 34% Liveness
96% Instrumentalness • 40% Positiveness
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Dick Diver
Water Damage
116 bpm • D Maj • 03:54 • -7.3db
19% Popularity • 64% Danceability • 48% Energy • 9% Liveness
21% Instrumentalness • 40% Positiveness
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Jackie Cohen
Bold
116 bpm • F# min • 03:55 • -6db
35% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
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Spike Fuck
Junkie Logic
116 bpm • A Maj • 04:56 • -7.62db
29% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Goon Sax
Sweaty Hands
116 bpm • D min • 04:25 • -6.93db
15% Popularity • 73% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Brian Jonestown Massacre
We Never Had a Chance
116 bpm • F Maj • 06:11 • -7.51db
16% Popularity • 54% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Ulrika Spacek
Mimi Pretend
116 bpm • B Maj • 05:32 • -7.09db
27% Popularity • 62% Danceability • 79% Energy • 9% Liveness
79% Instrumentalness • 24% Positiveness
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Dick Diver
Gap Life
116 bpm • C Maj • 03:05 • -6.91db
11% Popularity • 68% Danceability • 53% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
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Bitch Prefect
Bad Decisions
116 bpm • C Maj • 03:17 • -5.68db
12% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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BODEGA
Charlie
116 bpm • D# min • 02:32 • -6.37db
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Gregor
I Look Devastated
103 bpm • C Maj • 05:05 • -8.62db
14% Popularity • 85% Danceability • 53% Energy • 2% Liveness
12% Instrumentalness • 90% Positiveness
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The Monochrome Set
Inside Your Heart
117 bpm • F Maj • 02:28 • -12.37db
31% Popularity • 77% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 78% Positiveness
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PAINT
Daily Gazette
117 bpm • F Maj • 02:37 • -7.78db
18% Popularity • 64% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 86% Positiveness
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Eddy Current Suppression Ring
I Can Be a Jerk
117 bpm • A Maj • 02:32 • -6db
19% Popularity • 61% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Brigid Dawson and The Mothers Network
The Fool
103 bpm • D min • 04:04 • -9.89db
22% Popularity • 63% Danceability • 53% Energy • 17% Liveness
32% Instrumentalness • 44% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Bonny Doon
Saw a Light
118 bpm • D Maj • 05:28 • -12.53db
30% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Caitlin Harnett & The Pony Boys
Bad Man
118 bpm • G Maj • 03:20 • -8.99db
16% Popularity • 44% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 44% Positiveness
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BODEGA
Treasures Of The Ancient World
118 bpm • F# Maj • 03:07 • -8.63db
21% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Bnny
Take That Back
118 bpm • E min • 02:05 • -9.49db
41% Popularity • 59% Danceability • 78% Energy • 21% Liveness
68% Instrumentalness • 78% Positiveness
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Guts