Songs like Guys Like You by Taylor Acorn
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Thomas Rhett
When We’re 80
95 bpm • C# min • 02:56 • -4.81db
38% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Taylor Acorn
Shapeshifting
95 bpm • F Maj • 03:16 • -3db
55% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Dan + Shay
Round the Clock
95 bpm • G Maj • 03:22 • -6.58db
37% Popularity • 58% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 58% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Griffin
Good Company
95 bpm • D# Maj • 02:53 • -4.25db
14% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Bryce Mauldin
I Broke Up with You
95 bpm • A Maj • 03:00 • -7.25db
32% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Roads Below
Good When It's Gone
95 bpm • C Maj • 03:18 • -9.56db
14% Popularity • 60% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 60% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
48% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Acorn
Guys Like You
95 bpm • D# Maj • 03:34 • -5db
35% Popularity • 57% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Griffin
Sake of the Summer
95 bpm • C# min • 03:30 • -5.14db
15% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Seaforth
Love That - Reimagined
95 bpm • D# Maj • 03:11 • -6.3db
20% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kylie Morgan
Bridesmaids
94 bpm • D# Maj • 02:50 • -2.07db
51% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Maddie & Tae
Ain't There Yet
96 bpm • E min • 03:29 • -5.41db
31% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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John King
Try Saying Goodbye
94 bpm • F Maj • 03:01 • -7.08db
28% Popularity • 54% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 54% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Acorn
Famous Last Words
96 bpm • E Maj • 02:50 • -4.55db
40% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Doleac
Wake Up Beautiful
96 bpm • B Maj • 02:53 • -5.31db
30% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Ryan Kinder
Doing Fine
96 bpm • B Maj • 02:31 • -7.31db
23% Popularity • 64% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 64% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Dreamed You Did
94 bpm • G# Maj • 02:50 • -4.72db
41% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Temecula Road
Hoping
94 bpm • A# Maj • 03:25 • -5.83db
13% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Acorn
Your Body Is a Wonderland
94 bpm • E Maj • 03:37 • -6.72db
40% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kane Brown
Homesick - First Dance Version
97 bpm • G# Maj • 03:19 • -6.82db
35% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Lady A
Pictures
97 bpm • C Maj • 02:58 • -5.83db
37% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Would You Love Me
97 bpm • C# Maj • 02:50 • -4.84db
37% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
American
97 bpm • C# Maj • 03:03 • -6.44db
27% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Acorn
Something Tonight
97 bpm • D Maj • 03:14 • -4.11db
39% Popularity • 58% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 58% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Canaan Cox
Lie
93 bpm • F min • 03:37 • -5.89db
28% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lauren Duski
Runnin' (to You)
97 bpm • C# min • 03:03 • -5.73db
21% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lady A
What If I Never Get Over You
93 bpm • C Maj • 03:26 • -5.15db
64% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
64% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Trent Harmon
First Five Minutes
93 bpm • D Maj • 02:46 • -4.76db
20% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Temecula Road
What If I Kissed You
93 bpm • C# Maj • 03:40 • -5.34db
21% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Taylor Acorn
Certified Depressant
98 bpm • F# Maj • 02:49 • -4.6db
53% Popularity • 57% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 57% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Thomas Rhett
Cardboard Heart
98 bpm • A Maj • 02:45 • -5.02db
26% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other
98 bpm • D Maj • 02:41 • -4db
45% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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CB30
Like It's a Bad Thing
98 bpm • G Maj • 02:55 • -5.45db
14% Popularity • 63% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 63% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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John King
Never Wanna Be
92 bpm • C# min • 02:40 • -4.4db
13% Popularity • 62% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 62% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Dan + Shay
Lately
92 bpm • C Maj • 04:03 • -6db
48% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Maddie & Tae
New Dog Old Tricks
92 bpm • B Maj • 03:09 • -4.88db
29% Popularity • 61% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 61% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Taylor Edwards
Mean To Me
98 bpm • F Maj • 03:01 • -7db
28% Popularity • 62% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Riggs
Run
92 bpm • B min • 02:42 • -4.72db
36% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Doleac
SOLO
92 bpm • D# Maj • 02:49 • -6.7db
29% Popularity • 61% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Lose It - Acoustic
92 bpm • E min • 03:03 • -5.31db
31% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Livy Jeanne
Wrong for You
92 bpm • G# Maj • 02:45 • -5.38db
14% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Taylor Acorn
Left You Instead
92 bpm • F Maj • 03:00 • -4.39db
35% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Mirenda
I Got You
92 bpm • G Maj • 02:50 • -5.19db
36% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Haley & Michaels
Got You Covered
92 bpm • G# Maj • 02:59 • -5.05db
10% Popularity • 53% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 53% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Dan + Shay
All Nighter
98 bpm • E Maj • 03:23 • -4.03db
39% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alee
Don’t Make Me Miss You
91 bpm • E Maj • 03:11 • -5.62db
15% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Canaan Cox
Long Way Home
91 bpm • B Maj • 03:16 • -4.96db
45% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
43% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Hannah Ellis
Friends Like These
91 bpm • F# Maj • 03:24 • -5db
19% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Rhett
Gateway Love
91 bpm • C Maj • 03:26 • -7.08db
34% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Schneider
Two Black X's
91 bpm • C# Maj • 03:14 • -5.67db
47% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Haley & Michaels
All Out
100 bpm • D Maj • 02:55 • -5.41db
15% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
15% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
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LOCASH
It’s Only Midnight
100 bpm • A Maj • 02:54 • -4.83db
43% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Edwards
Catch Myself
100 bpm • D Maj • 02:55 • -6.09db
29% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
34% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
Almost
100 bpm • C Maj • 03:11 • -6db
40% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Currington
Bring It On Over
100 bpm • C Maj • 03:02 • -4.58db
46% Popularity • 70% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 70% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Chase Bryant
Hell If I Know
100 bpm • G# Maj • 02:49 • -5.64db
41% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Post Monroe
Coke & Rum
100 bpm • C Maj • 02:48 • -6.36db
17% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Erin Kinsey
I Ain't Crazy
100 bpm • C Maj • 02:56 • -4.18db
57% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Davis
Singles You Up - Stripped
100 bpm • G Maj • 03:00 • -5.13db
28% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Barefoot
100 bpm • F# Maj • 03:00 • -4.59db
35% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Jay Allen
Sounds Good to Me
100 bpm • B Maj • 02:47 • -2.95db
21% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Seth Alley
Be Yourself
100 bpm • B Maj • 03:19 • -6.77db
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
29% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Roads Below
Bonfire
100 bpm • G# Maj • 03:15 • -4.92db
23% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jaden Michaels
Behave
90 bpm • F# Maj • 03:31 • -4.88db
18% Popularity • 43% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 43% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ingrid Andress
Anything But Love
90 bpm • D Maj • 03:32 • -7.33db
28% Popularity • 51% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 51% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Temecula Road
Fades
90 bpm • C# Maj • 03:07 • -4db
24% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Walker County
Someone's Someone
90 bpm • F# Maj • 02:51 • -6db
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Cale Dodds
All Over
90 bpm • B Maj • 02:51 • -4.98db
26% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Roads Below
Good At It
90 bpm • C# min • 03:01 • -4.5db
18% Popularity • 55% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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John Gurney
That's How You Got It
90 bpm • E Maj • 03:04 • -4.22db
36% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Andrew Hyatt
Didn't Know Me
90 bpm • C Maj • 02:43 • -6.4db
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Rager
The Wrong Ones
90 bpm • G Maj • 02:49 • -6db
29% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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David Fanning
Unbreakable
90 bpm • F# min • 02:44 • -6.39db
14% Popularity • 54% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 54% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Don’t Threaten Me With A Good Time
101 bpm • C# Maj • 03:35 • -4.67db
38% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Jordan Davis
Trouble Town
101 bpm • C# Maj • 03:04 • -4.82db
43% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jillian Jacqueline
Tragic
89 bpm • B min • 02:41 • -4.3db
15% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Alexandra Kay
We Wouldn't Be Us
102 bpm • F# Maj • 03:16 • -5.85db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Taylor Acorn
Red White
102 bpm • E Maj • 02:42 • -5.2db
26% Popularity • 65% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 65% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
32% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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ALISSA GRIFFITH
Glasses
102 bpm • G min • 03:38 • -7.25db
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
