Songs like Haathon Ki Chand Lakeeron Ka - Reprise by Suresh Wadkar
Based on a tempo of (+/- 10%) and a similar genre
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Shradhey Gaurav Krishna Goswami Ji
Mere man hey gayo lata pata
136 bpm • C# Maj • 10:01 • -3.42db
34% Popularity • 67% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 67% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
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Bihari Ji
Mero Mann Hai Gayo Lata Pata
136 bpm • C# Maj • 09:37 • -3.93db
42% Popularity • 66% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 66% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 83% Positiveness
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Mohammed Aziz
Sitam Hampe Karle
135 bpm • F Maj • 04:40 • -10.59db
24% Popularity • 47% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 47% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Salma Agha
Mujhe Log Kehte Hain Kadmon Ki Dhool
136 bpm • C# Maj • 05:57 • -7db
31% Popularity • 42% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 42% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Govind Krsna Das
Krishna Bhajan Mashup
137 bpm • F# min • 06:09 • -7.35db
41% Popularity • 68% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 68% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Suresh Wadkar
Omkar Swarupa
137 bpm • F# Maj • 07:25 • -12.17db
50% Popularity • 45% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 45% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Rahul Deshpande
Surat Piya Ki
137 bpm • C Maj • 03:16 • -7db
36% Popularity • 36% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 36% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Bappi Lahiri
Yaad Aa Raha Hai
134 bpm • D# Maj • 06:22 • -11.34db
35% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Talat Aziz
Aaina Mujhse Mere
138 bpm • F# min • 06:23 • -11db
32% Popularity • 37% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 37% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Salma Agha
Kehna Na Tum Yeh Kisi Se
134 bpm • F min • 06:05 • -8.76db
46% Popularity • 30% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 30% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Shabbir Kumar
Teri Meherbaniyan
138 bpm • A# min • 07:01 • -9.28db
37% Popularity • 33% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 33% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Suresh Wadkar
Devachiye Dwari
135 bpm • D Maj • 05:12 • -10.6db
31% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Mohammed Rafi
Chand Mera Dil Chandni Ho Tum, Pt. 2
138 bpm • A min • 02:57 • -13.69db
37% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Usha Mangeshkar
Ganpati Raya Padate Mi Paya
133 bpm • D min • 05:24 • -8db
34% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Sudesh Bhosle
Hridayi Vasant Phulatana
139 bpm • F# min • 06:45 • -10db
40% Popularity • 30% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 30% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 91% Positiveness
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Talat Mahmood
Jaye To Jaye Kahan, From ''Taxi Driver''
140 bpm • G min • 03:27 • -16db
37% Popularity • 43% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 50% Positiveness
37% Popularity • 43% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 50% Positiveness
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Jaya Kishori
Kishori Kuch Aisa Intzam Ho Jaaye
140 bpm • C Maj • 05:33 • -15.71db
48% Popularity • 53% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 53% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Suresh Wadkar
Sai Mantra
134 bpm • A Maj • 03:46 • -13.17db
28% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Mohammed Rafi
Yeh Reshmi Zulfen
134 bpm • F Maj • 05:20 • -6.87db
29% Popularity • 46% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Madhavas Rock Band
Kanhaiya Kanhaiya Pukara Karenge
140 bpm • D# Maj • 07:46 • -7.97db
47% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Sudhir Phadke
Dehachi Tijori, Pt. 1
132 bpm • D Maj • 03:15 • -21db
19% Popularity • 49% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
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Mridul Krishna Sastri Ji
Radhey Radhey Japa Karo
132 bpm • C# Maj • 09:59 • -7.91db
18% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Jitendra Abhisheki
Tarana
140 bpm • F# min • 01:32 • -10.47db
38% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Suresh Wadkar
Manuja Jaag Jara
134 bpm • G Maj • 05:18 • -7.53db
29% Popularity • 42% Danceability • 77% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 42% Danceability • 77% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
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Geeta Dutt
Sun Sun Sun Sun Zalima
132 bpm • F# min • 02:52 • -5.22db
20% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 72% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Ghulam Ali
Chupke Chupke Raat Din Aansoon Bahanayaa...
132 bpm • A# min • 07:49 • -16.15db
38% Popularity • 57% Danceability • 29% Energy • 8% Liveness
45% Instrumentalness • 72% Positiveness
38% Popularity • 57% Danceability • 29% Energy • 8% Liveness
45% Instrumentalness • 72% Positiveness
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Sudesh Bhosle
Hi Dosti Tutayachi Naay (Happy Version)
132 bpm • B Maj • 03:48 • -10.55db
30% Popularity • 68% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Bappi Lahiri
Yaar Bina Chain Kanha Ray
131 bpm • E Maj • 04:33 • -11db
58% Popularity • 82% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 82% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Rahul Deshpande
Ghei Chhand Makarand
140 bpm • A min • 02:54 • -5.87db
34% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Suresh Wadkar
Ganesh Atharvashirsha by Suresh Wadkar
132 bpm • D Maj • 09:43 • -5.53db
28% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kishore Kumar
Kate Nahin Kat Te
131 bpm • G# Maj • 06:37 • -10db
54% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Altaf Raja
Meri Yaad Aayee
141 bpm • G# min • 09:28 • -14db
44% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Mohammed Rafi
Maine Poochha Chand Se
131 bpm • C# Maj • 05:07 • -8.02db
55% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Maithili Thakur
Namami Shamishaan Nirvaan Rupam (Shiv Ru...
141 bpm • D# Maj • 07:25 • -7.65db
38% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Salma Agha
Faza Bhi Hai Jawan, Pt. 3
142 bpm • A Maj • 05:49 • -9db
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
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Suresh Wadkar
Guru Parmatma Pareshu
139 bpm • D Maj • 04:04 • -10.37db
29% Popularity • 44% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 44% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Govind Krsna Das
Tera Shukriya hai
130 bpm • F Maj • 07:19 • -9db
42% Popularity • 63% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 63% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Javed Ali
Aisi Laagi Lagan Meera Ho Gayi Magan
142 bpm • C min • 04:32 • -10.42db
53% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Pankaj Udhas
Aadmi Khilona Hai, Pt. 1
143 bpm • A# Maj • 01:35 • -12db
51% Popularity • 40% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 40% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Ram Naam Ke Heerey Moti Main Bikhraun Ga...
143 bpm • G min • 09:07 • -6.58db
32% Popularity • 50% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 50% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Mahendra Kapoor
Ha Khel Sawalyancha
143 bpm • G# Maj • 04:19 • -14db
12% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Suresh Wadkar
Main Hi Main Hoon
130 bpm • G min • 04:54 • -12.49db
14% Popularity • 35% Danceability • 65% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 35% Danceability • 65% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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Vandana Bhardwaj
Radha Dhundh Rahi Kisi Ne Mera Shyam Dek...
130 bpm • C Maj • 08:40 • -5.63db
43% Popularity • 78% Danceability • 78% Energy • 37% Liveness
1% Instrumentalness • 81% Positiveness
43% Popularity • 78% Danceability • 78% Energy • 37% Liveness
1% Instrumentalness • 81% Positiveness
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Nikhil Verma
Koi Jaye Jo Vrindavann
144 bpm • D# Maj • 03:21 • -9.41db
51% Popularity • 34% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 34% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Kishore Kumar
Kitne Bhi Tu Karle Sitam
129 bpm • G Maj • 04:36 • -7.28db
42% Popularity • 60% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 60% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Pankaj Udhas
Jeeye to Jeeye Kaise
129 bpm • C Maj • 03:29 • -11.97db
47% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Jatin-Lalit
Pyar Ke Liye
144 bpm • F Maj • 05:05 • -8.43db
62% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Laxmikant–Pyarelal
Saanj Dhale Gagan Tale Hum Kitane Ekaki
128 bpm • B Maj • 04:13 • -7db
36% Popularity • 61% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 61% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Lata Mangeshkar
Majye Rani Majye Moga
144 bpm • F# Maj • 05:21 • -12db
7% Popularity • 37% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 37% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Usha Mangeshkar
Vatali Ghadi Chadi Yujhyavina
128 bpm • G Maj • 05:46 • -12db
3% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Suresh Wadkar
Pahile Nabi Tula
144 bpm • F min • 06:36 • -8.65db
43% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Lakhbir Singh Lakkha
Amrit Ki Barse Badariya
128 bpm • C# Maj • 06:48 • -3.06db
41% Popularity • 50% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 50% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Ghulam Ali
Woh Nahi Mera Magar (Male)
128 bpm • D# Maj • 06:18 • -7.72db
42% Popularity • 69% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 69% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Pankaj Udhas
Aadmi Khilona Hai, Pt. 2 (With Jhankar B...
145 bpm • A# Maj • 01:37 • -7db
43% Popularity • 52% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 52% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Anuradha Paudwal
Suni Suni Ankhiyon Mein
145 bpm • G Maj • 05:09 • -7.32db
31% Popularity • 47% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 47% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Salma Agha
Faza Bhi Hai Jawan, Pt. 1
145 bpm • G# Maj • 04:02 • -8.46db
25% Popularity • 29% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 29% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Suresh Wadkar
Man Ha Mogara
128 bpm • C# Maj • 07:00 • -10db
24% Popularity • 45% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 45% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Lakhbir Singh Lakkha
Ram Na Milenge Hanuman Ke Bina
145 bpm • G min • 06:38 • -6.68db
56% Popularity • 75% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 75% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Lata Mangeshkar
Husn Pahadon Ka
127 bpm • A Maj • 05:25 • -11db
17% Popularity • 42% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ghulam Ali
Chamakte Chaand Ko
144 bpm • F min • 08:36 • -17.17db
46% Popularity • 24% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 24% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Mehdi Hassan
Pyar Bhare Do Sharmile Nain
146 bpm • G min • 06:38 • -13.25db
34% Popularity • 25% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 25% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Salma Agha
Faza Bhi Hai Jawan, Pt. 2
146 bpm • A# Maj • 05:07 • -6.74db
15% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jubin Nautiyal
Govind Bolo
127 bpm • D Maj • 02:30 • -11db
58% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bappi Lahiri
Jano Meri Jano (Sad)
146 bpm • B min • 01:58 • -10db
41% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Pushpa Paagdharey
Itni Shakti Hamein Dena Data
126 bpm • C# min • 04:59 • -10.28db
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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Altaf Raja
Tumhe Kya Batayein
126 bpm • G min • 07:47 • -11db
45% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Shradhey Gaurav Krishna Goswami Ji
Banke bihari mujhko dena sahara
126 bpm • F# min • 09:04 • -6.53db
25% Popularity • 69% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 69% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Abhijeet
Waada Raha Sanam
126 bpm • C Maj • 06:07 • -8.72db
59% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Amitabh Bachchan
Jahan Chaar Yaar Mil Jayen
126 bpm • G Maj • 06:36 • -12.88db
22% Popularity • 56% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 56% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Gaurav Krishna Goswami
Aayo Nand Gaon Se Holi Khelan Natvar Nan...
126 bpm • F min • 07:49 • -5.55db
43% Popularity • 60% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 60% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Hridaynath Mangeshkar
Laajun Hasane
147 bpm • C# Maj • 05:51 • -14db
13% Popularity • 37% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
13% Popularity • 37% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Suresh Wadkar
Ag Ag Mahsi
125 bpm • F Maj • 06:25 • -13db
0% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Asha Bhosle
Tumse Milke
148 bpm • F Maj • 05:13 • -5.31db
52% Popularity • 49% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 49% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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R. D. Burman
Agar Tum Na Hote - Male Version
125 bpm • F min • 04:09 • -5.57db
55% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Ghulam Ali
Itna Toota Hun Ke Chhune Se
125 bpm • A min • 08:37 • -10.01db
39% Popularity • 36% Danceability • 45% Energy • 31% Liveness
13% Instrumentalness • 44% Positiveness
39% Popularity • 36% Danceability • 45% Energy • 31% Liveness
13% Instrumentalness • 44% Positiveness
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Vinod Rathod
Koi Na Koi Chahiye
124 bpm • B min • 06:23 • -11.12db
61% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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S. P. Balasubrahmanyam
Bahut Pyar Karte Hai - Male Version
124 bpm • E min • 03:05 • -12.07db
50% Popularity • 50% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 50% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Suresh Wadkar
Surmai Shaam
148 bpm • D Maj • 05:50 • -13db
11% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Kumar Vishu
Nand Ghar Anand Bhaye Jai Kanhaiya Lal K...
150 bpm • F Maj • 09:55 • -11.66db
40% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bijendra Chauhan
Shri Shyam Stuti
150 bpm • C# min • 01:57 • -2.44db
53% Popularity • 72% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 72% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jaya Kishori
Ji Lenge Sarkar
150 bpm • D Maj • 06:12 • -3.34db
43% Popularity • 58% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 58% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Mohammed Aziz
Aaj Kal Yaad Kuch Aur Rehta Nahin
123 bpm • D Maj • 06:28 • -9.3db
47% Popularity • 49% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 49% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Chetna
Hey Gopal Krishna Karu Aarti Teri
123 bpm • A# min • 03:36 • -8db
42% Popularity • 72% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 72% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Suresh Wadkar
Aga Aga Pori Faslis Ga
148 bpm • G Maj • 04:24 • -10.11db
30% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Pujya Prembhushanji Maharaj
Aate Hai Raghunandan Sajwa Do Dwar Dwar
151 bpm • G Maj • 04:16 • -7.2db
45% Popularity • 36% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 36% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Rakesh Kala
Govind Mero Hai Gopal Mero Hai
151 bpm • E Maj • 10:38 • -4.74db
31% Popularity • 44% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 44% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Lakhbir Singh Lakkha
Pyara Saja Hai Tera Dwar
122 bpm • C# Maj • 06:40 • -3.36db
53% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Maithili Thakur
Raam Ko Dekh Kar Shri Janak
122 bpm • E min • 07:01 • -7.2db
44% Popularity • 47% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 47% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Satish Dehra
Shiv Rudrashtakam
121 bpm • B Maj • 05:19 • -6db
54% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Rahul Deshpande
Kaivalya Gaan
120 bpm • A# Maj • 05:50 • -3.89db
30% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Babla Mehta
Aa Maa Aa Tujhe Dil Ne Pukara
119 bpm • A min • 07:27 • -11db
42% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Suresh Wadkar
Ram Teri Ganga Maili
155 bpm • D# Maj • 05:55 • -8.88db
15% Popularity • 32% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 32% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Lakhbir Singh Lakkha
Bhole Girjapati
152 bpm • F Maj • 09:49 • -11db
37% Popularity • 44% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 44% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Shaan
Dono Nibhayein Apna Dharam
156 bpm • C min • 02:57 • -5db
31% Popularity • 47% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 47% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
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Maithili Thakur
Shayam chanda hai shyama chakori
152 bpm • F min • 06:38 • -8.72db
35% Popularity • 31% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 31% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Pankaj Udhas
Chhupana Bhi Nahin Aata
157 bpm • D# Maj • 05:22 • -11.82db
61% Popularity • 39% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 39% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Sudesh Bhosle
Jai Dev Jai Dev Jai Mangal
117 bpm • G Maj • 04:37 • -9.22db
40% Popularity • 75% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 75% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Jatin-Lalit
Pyaar To Hona Hi Tha
117 bpm • A Maj • 03:07 • -5.76db
56% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
