Songs like Halaji Tara / Duha Chhand by Alap Desai
Based on a tempo of (+/- 10%) and a similar genre
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Kavita Raam
Lagan Tumse Laga Baithe
73 bpm • G# Maj • 05:57 • -7.38db
39% Popularity • 39% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 39% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Prem Prakash Dubey
Kunjika Stotram
74 bpm • F# min • 04:27 • -7.89db
45% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jagjit
Ooh Palanhare
74 bpm • F# Maj • 06:49 • -7db
37% Popularity • 42% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 42% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Dhruv Sharma
Radhe Tere Charno Ki
74 bpm • F# min • 05:49 • -11.15db
39% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mohit Lalwani
Shree Hanuman Chalisa
74 bpm • F# Maj • 07:23 • -13.82db
41% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Nikhil Verma
Krishna Krishna
71 bpm • G# min • 02:07 • -8.25db
50% Popularity • 31% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 31% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Maanya Arora
Govind Bhajle
75 bpm • B min • 04:52 • -11.71db
31% Popularity • 52% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 52% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Rekha Bhardwaj
Aarti (Tumre Bhavan Mein)
75 bpm • D Maj • 02:59 • -12.38db
46% Popularity • 26% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 26% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Alap Desai
Bodana Nu Gaadu
75 bpm • G# Maj • 08:17 • -8.43db
2% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dhruv Sharma
Radhika Gori Se
75 bpm • F# Maj • 04:17 • -10.35db
50% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Abhay Jodhpurkar
Adi Tuch Anti Tuch Swami
75 bpm • D# Maj • 04:38 • -7.43db
44% Popularity • 29% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 29% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Aditya Sharma
Aadi Anant Shiva
75 bpm • D min • 08:04 • -13.36db
48% Popularity • 52% Danceability • 44% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 52% Danceability • 44% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
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Amitabh Bachchan
Karpurgauram
71 bpm • D# Maj • 01:25 • -14db
58% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chetna
O Kanha Ab Toh Murli
76 bpm • C Maj • 04:06 • -6.13db
59% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
59% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Alap Desai
Ek Kabutar
76 bpm • C# Maj • 04:36 • -8.37db
0% Popularity • 32% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 32% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sachin Limaye
Guru Brahma Guru Vishnu
76 bpm • C# Maj • 01:27 • -14.21db
38% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Pujya Prembhushanji Maharaj
Sita Ram Sita Ram Kahiye
76 bpm • F min • 07:06 • -8.41db
46% Popularity • 43% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 43% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Osman Mir
Duha Chhand
76 bpm • G# Maj • 03:56 • -4.86db
2% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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SHRI PREM PRAKASH DUBEY
Siddha Kunjika Stotram
76 bpm • F# min • 04:15 • -7db
39% Popularity • 48% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 48% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Mukesh Bagda
Dena Ho to Deejiye
76 bpm • C# Maj • 07:20 • -2.93db
43% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Rishi Nityapragya
Hari Sundar Nand Mukunda
77 bpm • G Maj • 07:32 • -11.22db
23% Popularity • 50% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 50% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Seven
Shree Suktham
69 bpm • G Maj • 03:40 • -10db
41% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Minakshi Mazumdar
Shiva Suvarnamala Stuti
77 bpm • C# Maj • 03:14 • -6db
34% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Anjali Jain
Shani Dev Mantra
69 bpm • D# Maj • 05:27 • -4db
36% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Shri Ram Mantra
Shloka
78 bpm • C# Maj • 01:06 • -16db
49% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Nirmalya Roy
Karpur Gauram Karunavtaram
78 bpm • A# min • 07:39 • -8.01db
55% Popularity • 59% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
55% Popularity • 59% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Alap Desai
Chhand
79 bpm • G# Maj • 02:21 • -5.09db
2% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Anil Hanslas
He Ram Tum Bade Dayalu Ho
79 bpm • G min • 06:27 • -11db
28% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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ISKCON Bangalore
Sri Venkatesha Stotram
67 bpm • D Maj • 05:29 • -15.16db
42% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
42% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Govind Krsna Das
Radharani Lage
79 bpm • G Maj • 06:21 • -12.24db
32% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Dhruv Sharma
Door Nagri
80 bpm • E min • 04:09 • -8.26db
34% Popularity • 51% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 51% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Nirmalya Roy
OM NAMOH BHAGVATE VASUDEVAYA
79 bpm • C# Maj • 06:18 • -8.2db
28% Popularity • 43% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 43% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Alap Desai
Kalyani Re Maa
79 bpm • F min • 01:30 • -7.8db
2% Popularity • 54% Danceability • 55% Energy • 84% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 54% Danceability • 55% Energy • 84% Liveness
0% Instrumentalness • 96% Positiveness
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Sooryagayathri
Payoji Maine - Recreated Version
80 bpm • D Maj • 05:28 • -6.68db
28% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Upasana Mehta
Kon Kehta Hai Bhagwan Aate Nhi
80 bpm • D# Maj • 04:45 • -5.77db
48% Popularity • 67% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 67% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Rakesh Kala
Ram Siya Ram
80 bpm • F Maj • 09:56 • -4db
49% Popularity • 64% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 64% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Parasdham Bhakti
Saiyam Ki Baat Nirali
80 bpm • F# Maj • 04:23 • -9.25db
3% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 58% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kavita Raam
Raghupati Raghav Raja Ram Original
80 bpm • D Maj • 04:11 • -4.79db
57% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Alap Desai
Garbe Ramvane Gori Nisari Re Aaj
80 bpm • F Maj • 07:11 • -7.65db
0% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Prathamesh Laghate
Shree Gajanan Maharaj Bavani
80 bpm • G Maj • 06:04 • -12.24db
27% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Upasana Mehta
Shyama Aan Baso Vrindawan Mein
80 bpm • C# min • 08:59 • -5.03db
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sanatana Sankirtan
Krishna Ratan Dhan Paayo
80 bpm • F# Maj • 05:42 • -7.93db
45% Popularity • 58% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 58% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Dhruv Sharma
Mere Man Mein Baso Nandlaal
80 bpm • D# Maj • 03:45 • -19.05db
32% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Trisha Parui
Radhe Krishna Radhe Krishna
66 bpm • G min • 06:12 • -7.02db
29% Popularity • 30% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 30% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Alap Desai
Om Namah Shivaay
80 bpm • F# min • 03:36 • -7.8db
0% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Acyuta Gopi
Bhajman Radhe Radhe
80 bpm • C# Maj • 03:40 • -8.41db
31% Popularity • 59% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Morari Bapu
Shree Vrundavan Radhe Radhe
81 bpm • C# Maj • 02:08 • -8db
46% Popularity • 26% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 26% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Prem Prakash Dubey
Pratah Kalin Surya Aradhana Mantra
81 bpm • F# Maj • 01:19 • -11.82db
55% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nandlal Chhanga
Radha Raman
81 bpm • G Maj • 04:14 • -10.19db
32% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Manjeera Ganguly
Om Kleem Krishanaya Namaha 108 Times (Sh...
81 bpm • G min • 05:34 • -9.22db
27% Popularity • 60% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Prathamesh Laghate
Shri Datta Bavani
81 bpm • D min • 05:59 • -13db
29% Popularity • 78% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 78% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Mridul Krishna Sastri Ji
Mujhe Charno Se Lagale
81 bpm • F# Maj • 05:11 • -9.62db
18% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kanchhan Srivas
Kanha Kahan Ho
81 bpm • D min • 04:24 • -8.18db
57% Popularity • 46% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 46% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Rakesh Kala
Raghu Pati Raghav Raja Ram
82 bpm • F# Maj • 05:19 • -6db
46% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Abhanga Repost
Pundalik Varde
82 bpm • C Maj • 02:52 • -6.63db
30% Popularity • 43% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 43% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Babla Mehta
Bheja Hai Bulawa Tune Sheranwaliye
82 bpm • E min • 05:25 • -9.08db
52% Popularity • 49% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 49% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Asha Bhosle
Sarvamangala Mangalye
82 bpm • B Maj • 00:55 • -5.16db
44% Popularity • 52% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 52% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Mridul Krishna Sastri Ji
Gobind Mero Hai
82 bpm • F# Maj • 04:40 • -10.58db
19% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Tanu Rawat
Bas Teri Hai Radha
82 bpm • E min • 03:16 • -10db
48% Popularity • 53% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 53% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Parasdham Bhakti
Hey Mara Nath Taaro Aa Sath
83 bpm • F# Maj • 04:26 • -14.35db
2% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Payal Dev
Kaun Kehte Hain Bhagwan Aate Nahi (Achyu...
83 bpm • D Maj • 04:54 • -3db
60% Popularity • 39% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 39% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Dhruv Sharma
Mere Giniyo Na Apradh
82 bpm • A Maj • 01:36 • -14.27db
46% Popularity • 54% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 54% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ravindra Jain
Mangal Bhavan Amangal Hari - Version 1
83 bpm • G min • 08:25 • -7.68db
52% Popularity • 46% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 46% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Palak Muchhal
Vaishnav Jan To
83 bpm • G# min • 04:38 • -7.94db
27% Popularity • 47% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 47% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Devashri Golambare
Hare Krishna Hare Rama Kirtan
83 bpm • C# Maj • 09:30 • -6.98db
40% Popularity • 34% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 34% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Govind Krsna Das
Shree Radhe - 1 Min Music
83 bpm • G# Maj • 01:04 • -8.36db
41% Popularity • 46% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 46% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Meditating Spirit
Saraswati Vidya Mantra
64 bpm • D Maj • 03:38 • -12.87db
31% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alap Desai
Aashiyaane Ki Baat
84 bpm • A Maj • 05:25 • -9.21db
0% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Anjali Jain
Shyama Aan Baso Vrindavan Mein
85 bpm • C# min • 04:34 • -8.88db
44% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Niranjan Pandya
Vande Shiv Stuti
85 bpm • F min • 01:05 • -15db
42% Popularity • 45% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 45% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Jaya Kishori ji
Ek Nazar Kripa Ki
85 bpm • D Maj • 08:32 • -5db
39% Popularity • 44% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 44% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Madhvi Madhukar
Shri Krishnashtakam
85 bpm • F min • 06:19 • -6.88db
33% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sandesh Shandilya
Achyutam Keshavam
85 bpm • C# Maj • 07:37 • -14db
46% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Alap Desai
Madhurashtakam
85 bpm • C# Maj • 07:54 • -6.38db
0% Popularity • 45% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 45% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Abhilasha Chellam
Madhurashtakam - Adharam Madhuram
85 bpm • G# min • 04:21 • -11.38db
34% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Maanya Arora
Om Jai Jagdish Hare
86 bpm • D Maj • 05:24 • -13.03db
38% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Aishwarya Majmudar
Banwaari Krishna Muraari
86 bpm • G Maj • 03:49 • -4.59db
48% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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M Vee
Hey Dukh Bhanjan (LoFi)
86 bpm • G# Maj • 04:27 • -11.03db
35% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Vikram Hazra
Nikunj Mein Biraje
87 bpm • G# min • 05:54 • -7db
32% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Alap Desai
Kise Apna Kahein
86 bpm • E Maj • 05:30 • -7.27db
0% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Ravindra Jain
Mangal Bhavan Amangal Hari - Version 2
86 bpm • C Maj • 00:58 • -6.89db
42% Popularity • 44% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 44% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Maanya Arora
Achyutam Keshavam
86 bpm • D Maj • 04:53 • -13db
44% Popularity • 59% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 59% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Vinod Rathod
Kabhi Pyase Ko Paani Pilaya Nahin - Nirg...
87 bpm • C# min • 07:52 • -4.04db
26% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Kailash Kher
Shiv Lingashtkam
88 bpm • E min • 03:17 • -7.85db
36% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Vikram Hazra
Dena Ho To Dijiye
88 bpm • D Maj • 10:17 • -14db
32% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Nandlal Chhanga
Radha Rani Shyam Diwani
88 bpm • F# Maj • 04:20 • -10.58db
34% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Alap Desai
Nayi Nazmein
87 bpm • D# min • 05:26 • -7.51db
0% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Rakesh Kala
Meethe Rash Se Bhari Radha Rani Lage
88 bpm • F min • 08:27 • -4.68db
49% Popularity • 43% Danceability • 72% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 43% Danceability • 72% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Prem Prakash Dubey
Golvallawaaha Swaha
88 bpm • F# min • 01:10 • -6.79db
56% Popularity • 62% Danceability • 60% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 62% Danceability • 60% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
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Anjali Jain
Kabhi Ram Banke Kabhi Sham Banke
88 bpm • B min • 07:48 • -12db
51% Popularity • 57% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 57% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Shailendra Bharti
Navkar Mantra
89 bpm • F Maj • 03:50 • -11.09db
42% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Chitra Singh
Muraliya Baje Jamuna Re Teer
89 bpm • F Maj • 05:21 • -12db
15% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Alap Desai
Tab Raghupati
88 bpm • D# min • 01:26 • -8.36db
0% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Susmirata Dawalkar
Ya Kundendu
89 bpm • C Maj • 02:11 • -14.92db
52% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Prem Prakash Dubey
Krishnaya Vasudevaya
89 bpm • F# min • 01:36 • -7.51db
48% Popularity • 56% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 56% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 15% Positiveness
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Seven
Krishnashtakam
90 bpm • G Maj • 06:49 • -11.84db
41% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Dhruv Sharma
Radha Rani - Bhajan Mashup
90 bpm • D Maj • 09:04 • -15.24db
55% Popularity • 65% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 65% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Saloni Thakor
Hari Om Namo Narayana
90 bpm • E Maj • 09:01 • -3db
34% Popularity • 51% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 51% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
