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HALF HEARTED
Songs like
HALF HEARTED
by
We Three
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Stewart
he never will
130 bpm • G# Maj • 02:51 • -4.92db
62% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
33% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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We Three
Insomniac
130 bpm • C Maj • 02:56 • -4.66db
28% Popularity • 80% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Laine
Did You Call Me Last Night
130 bpm • B min • 03:42 • -8.5db
35% Popularity • 68% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Caleb Hearn
She's Everything That I've Ever Wanted
130 bpm • E Maj • 03:24 • -10.43db
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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We Three
Hell As Well
130 bpm • D Maj • 03:11 • -5.52db
52% Popularity • 54% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kyle Hume
alive (it's a lie) - demo
130 bpm • G# Maj • 02:06 • -6db
59% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Natalie Jane
Kind of Love
130 bpm • B Maj • 03:38 • -6db
45% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Reagan Beem
It's Okay - Acoustic
130 bpm • D Maj • 02:52 • -6.14db
36% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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We Three
HALF HEARTED
130 bpm • E Maj • 03:52 • -10db
55% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Britton
HAUNTED
131 bpm • D min • 03:38 • -13.41db
45% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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We Three
Half Hearted - Radio Edit
130 bpm • E Maj • 02:43 • -9.57db
29% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Jane
seeing you with other girls
132 bpm • A Maj • 02:57 • -7.23db
54% Popularity • 64% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Sampson
Like the Rain
132 bpm • A Maj • 03:10 • -10.18db
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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We Three
Fire Away
128 bpm • A# Maj • 02:39 • -6.7db
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Alexander Stewart
if you only knew
128 bpm • C Maj • 02:42 • -10.66db
68% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Warren
Yard Sale
127 bpm • C Maj • 02:54 • -6.07db
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Fischer
What Other People Say
127 bpm • G Maj • 03:15 • -8.08db
48% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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gavn!
lift you up (someone else)
126 bpm • B min • 02:40 • -12.19db
45% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Camylio
strangers
125 bpm • C Maj • 02:52 • -10.08db
51% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Ashley Kutcher
When You're Not Okay
135 bpm • F Maj • 02:31 • -7db
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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We Three
couch
125 bpm • D Maj • 02:49 • -7.06db
26% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Matt Hansen
lifejacket
125 bpm • D Maj • 03:23 • -6.43db
59% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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JESSIA
Next Time
135 bpm • C Maj • 03:17 • -9db
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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We Three
OVERDOSE
125 bpm • A# Maj • 03:47 • -7.32db
35% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
73% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jessie Murph
If I Died Last Night
124 bpm • C# min • 02:44 • -8.02db
64% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Kyle Hume
Better Off Without Me
124 bpm • G# Maj • 03:16 • -7.62db
51% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Caleb Hearn
Little Bit Better
137 bpm • G# min • 03:47 • -9.38db
75% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Song House
Honest
137 bpm • F Maj • 02:51 • -9.3db
44% Popularity • 42% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Tate McRae
she's all i wanna be - Acoustic
138 bpm • F# Maj • 03:18 • -12db
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Taylor Acorn
Do That Again - Demo Version
138 bpm • A# Maj • 03:27 • -11.74db
40% Popularity • 64% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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We Three
30,000 Ft
138 bpm • A# Maj • 02:57 • -6.34db
39% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Andi
Can't Break Up
138 bpm • E Maj • 02:41 • -5.32db
47% Popularity • 68% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Camylio
ghost me
122 bpm • C Maj • 03:22 • -12.31db
39% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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We Three
Kissin' When We're Mad
122 bpm • E Maj • 03:05 • -7db
40% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Britton
To My Younger Self
139 bpm • G# min • 02:52 • -10.38db
55% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
51% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Cooper
This Room
140 bpm • A Maj • 03:36 • -10.44db
33% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
56% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Zevia
till death frees me
140 bpm • A# Maj • 02:46 • -11db
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kyle Hume
i can't text you - demo
120 bpm • F# Maj • 02:17 • -5.68db
57% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ashley Singh
Keep Me - Acoustic
120 bpm • G min • 02:43 • -8db
43% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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We Three
If I Loved A Boy
120 bpm • E Maj • 03:48 • -3.98db
39% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Warren
Before You Leave Me
120 bpm • E Maj • 02:56 • -5.38db
83% Popularity • 70% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
47% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Nolan
One Night
120 bpm • B min • 03:25 • -8.14db
46% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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We Three
mid July
120 bpm • C Maj • 03:02 • -6.07db
26% Popularity • 78% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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HALF HEARTED