Songs like Halls Adorned with Bossa Nova by Geoffrey Gascoyne
Based on a tempo of (+/- 10%) and a similar genre
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Geoffrey Gascoyne
Guitar Groover
75 bpm • G min • 03:41 • -11.73db
0% Popularity • 71% Danceability • 36% Energy • 7% Liveness
96% Instrumentalness • 56% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 7% Liveness
96% Instrumentalness • 56% Positiveness
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Johnny Mathis
Chances Are
75 bpm • A Maj • 03:13 • -12.44db
10% Popularity • 36% Danceability • 35% Energy • 93% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 36% Danceability • 35% Energy • 93% Liveness
0% Instrumentalness • 14% Positiveness
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King Pleasure
Parker's Mood
75 bpm • A# Maj • 02:49 • -16.22db
10% Popularity • 68% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 68% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Dianne Reeves
I've Got My Eyes On You
75 bpm • A# Maj • 02:04 • -11.94db
24% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The DeMarco Sisters
Time Didn't Change a Thing
76 bpm • A# Maj • 02:55 • -12.06db
6% Popularity • 42% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 42% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ritchie Everett
The Hipcat Swagger
74 bpm • F Maj • 01:59 • -7.94db
13% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Gerald Wilson
You Better Change Your Way Of Lovin' (19...
74 bpm • F Maj • 03:13 • -11.08db
11% Popularity • 42% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 42% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Jeri Southern
It's De-Lovely
74 bpm • A# Maj • 02:09 • -15.52db
43% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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TrackTribe
Modern Attempt
74 bpm • D Maj • 02:43 • -23.9db
22% Popularity • 47% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 34% Positiveness
22% Popularity • 47% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 34% Positiveness
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Jade Vincent
Impossible
73 bpm • F Maj • 03:24 • -15.7db
12% Popularity • 30% Danceability • 21% Energy • 79% Liveness
15% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 21% Energy • 79% Liveness
15% Instrumentalness • 16% Positiveness
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Lopé
You Look Lovely
77 bpm • F# min • 01:58 • -13.1db
17% Popularity • 66% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 66% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Alan Moorhouse
Moonlight Magic
73 bpm • C# Maj • 03:32 • -18db
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
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The Orange Bird Blues Band
Backwood Blues
77 bpm • C Maj • 01:44 • -9.6db
32% Popularity • 39% Danceability • 69% Energy • 57% Liveness
23% Instrumentalness • 77% Positiveness
32% Popularity • 39% Danceability • 69% Energy • 57% Liveness
23% Instrumentalness • 77% Positiveness
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Oliver Jones
Lovely Lauren
73 bpm • A# Maj • 04:57 • -25.48db
12% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Geoffrey Gascoyne
Full of Wonder
73 bpm • C# Maj • 02:46 • -10.62db
1% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Don Cherry
Band of Gold
78 bpm • G Maj • 02:24 • -11db
16% Popularity • 44% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 44% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Ethan Hawke
I've Never Been in Love Before
72 bpm • A# Maj • 04:05 • -20.64db
14% Popularity • 50% Danceability • 2% Energy • 13% Liveness
8% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 2% Energy • 13% Liveness
8% Instrumentalness • 27% Positiveness
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Roger Suen
Leaving Blue Bayou
78 bpm • E min • 01:46 • -17.88db
13% Popularity • 40% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
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Lionel Newman
How To Marry A Millionaire: New York
78 bpm • G# Maj • 02:31 • -10.89db
10% Popularity • 45% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
10% Popularity • 45% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
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Jeff Meegan
So Much To Live For Today
72 bpm • C Maj • 02:59 • -7.07db
11% Popularity • 53% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 53% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Conal Fowkes
You Do Something to Me
78 bpm • C min • 02:00 • -12db
34% Popularity • 50% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
34% Popularity • 50% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
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Wesly Thomas
Smoke Break
78 bpm • E min • 03:26 • -11.08db
7% Popularity • 58% Danceability • 41% Energy • 12% Liveness
56% Instrumentalness • 42% Positiveness
7% Popularity • 58% Danceability • 41% Energy • 12% Liveness
56% Instrumentalness • 42% Positiveness
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Mary Lou Williams
Libra
72 bpm • F Maj • 02:11 • -25.33db
16% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
16% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Earl Grant
Not One Minute More
78 bpm • C# Maj • 02:48 • -13.38db
23% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Almost Here
I Won't Give You Up
79 bpm • E Maj • 03:20 • -15.26db
31% Popularity • 59% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 14% Positiveness
31% Popularity • 59% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 14% Positiveness
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Mongo Santamaria
Get The Money
79 bpm • D min • 03:25 • -14.37db
28% Popularity • 71% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 92% Positiveness
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David Lindup
Midnight Serenade
71 bpm • D# Maj • 04:14 • -17.94db
9% Popularity • 34% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
9% Popularity • 34% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Jeff Russo
For All Jazz-Kind
79 bpm • A# min • 04:02 • -20.63db
21% Popularity • 62% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
21% Popularity • 62% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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The Platters
Enchanted
79 bpm • D# Maj • 02:51 • -13.82db
31% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 38% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Kevin Spacey
The Curtain Falls
79 bpm • D# Maj • 03:41 • -11.27db
21% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dorothy Dandridge
Stay With It
80 bpm • D Maj • 02:37 • -7db
16% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Ritchie Everett
By the Wayside
80 bpm • D# Maj • 02:10 • -7.85db
9% Popularity • 26% Danceability • 24% Energy • 5% Liveness
22% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 24% Energy • 5% Liveness
22% Instrumentalness • 8% Positiveness
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Geoffrey Gascoyne
Smooth Talker
80 bpm • A# min • 02:42 • -13.15db
0% Popularity • 67% Danceability • 36% Energy • 15% Liveness
3% Instrumentalness • 53% Positiveness
0% Popularity • 67% Danceability • 36% Energy • 15% Liveness
3% Instrumentalness • 53% Positiveness
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Frank Sark
Magic In Your Eyes
80 bpm • C# Maj • 01:46 • -15.05db
7% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Gene Austin
Did You Ever See a Dream Walking (Altern...
80 bpm • D# min • 02:52 • -16.59db
13% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nat Gonella
It's a Pair of Wings for Me
80 bpm • A min • 03:26 • -10db
17% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Ivy-Rose Lyon
Just Got Eyes for You
80 bpm • A min • 02:59 • -4.55db
14% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Lopé
On the Balcony
80 bpm • D Maj • 01:59 • -11db
14% Popularity • 68% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 67% Positiveness
14% Popularity • 68% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 67% Positiveness
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Geoffrey Gascoyne
Cool Five Pack
80 bpm • A min • 03:25 • -12.22db
1% Popularity • 62% Danceability • 30% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
1% Popularity • 62% Danceability • 30% Energy • 11% Liveness
43% Instrumentalness • 43% Positiveness
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Susanna Bartilla
I'm Through With Love
70 bpm • A# Maj • 04:18 • -12.87db
12% Popularity • 56% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 56% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Acker Bilk
Stranger on the Shore
80 bpm • A# Maj • 03:09 • -12.77db
17% Popularity • 36% Danceability • 21% Energy • 17% Liveness
74% Instrumentalness • 25% Positiveness
17% Popularity • 36% Danceability • 21% Energy • 17% Liveness
74% Instrumentalness • 25% Positiveness
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The City of Prague Philharmonic Orchestra
Night Piece for Saxophone and Orchestra
70 bpm • F Maj • 08:03 • -13.82db
17% Popularity • 23% Danceability • 32% Energy • 13% Liveness
40% Instrumentalness • 8% Positiveness
17% Popularity • 23% Danceability • 32% Energy • 13% Liveness
40% Instrumentalness • 8% Positiveness
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Quartetto Cetra
Crapa pelata
81 bpm • G# Maj • 02:40 • -12.95db
3% Popularity • 57% Danceability • 33% Energy • 17% Liveness
82% Instrumentalness • 57% Positiveness
3% Popularity • 57% Danceability • 33% Energy • 17% Liveness
82% Instrumentalness • 57% Positiveness
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Connie Conway
Too Lovely To Forget
81 bpm • F Maj • 03:34 • -16.36db
11% Popularity • 49% Danceability • 6% Energy • 79% Liveness
73% Instrumentalness • 43% Positiveness
11% Popularity • 49% Danceability • 6% Energy • 79% Liveness
73% Instrumentalness • 43% Positiveness
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Geoffrey Gascoyne
Not Gonna Lie
80 bpm • C min • 03:14 • -11.07db
24% Popularity • 58% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 58% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Russ Morgan
So Tired
81 bpm • G# Maj • 03:38 • -12db
19% Popularity • 22% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
19% Popularity • 22% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Selectracks
Nice Day in Shanty Town
69 bpm • D# Maj • 02:29 • -13.31db
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Dick Haymes
You'll Never Know
81 bpm • D min • 02:25 • -19.36db
22% Popularity • 54% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 14% Positiveness
22% Popularity • 54% Danceability • 7% Energy • 13% Liveness
23% Instrumentalness • 14% Positiveness
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The Fly Guy Five
Weekly
69 bpm • F Maj • 03:06 • -16.3db
17% Popularity • 62% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
17% Popularity • 62% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
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Brice Davoli
Love Me True
69 bpm • G min • 04:26 • -8.62db
10% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Geoffrey Gascoyne
Obrigado
80 bpm • F Maj • 03:25 • -13.39db
2% Popularity • 66% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
2% Popularity • 66% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Roy Orbison
Mama
81 bpm • C Maj • 03:01 • -11.58db
10% Popularity • 41% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
10% Popularity • 41% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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Glenn Miller Orchestra
Moonlight Serenade
82 bpm • D# Maj • 03:18 • -16db
28% Popularity • 42% Danceability • 14% Energy • 20% Liveness
79% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 14% Energy • 20% Liveness
79% Instrumentalness • 19% Positiveness
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Nocturnal Spirits
Unimaginable
69 bpm • F# Maj • 03:08 • -9.8db
8% Popularity • 45% Danceability • 29% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
8% Popularity • 45% Danceability • 29% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
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Johnnie Ray
Cry
82 bpm • G Maj • 02:51 • -12db
8% Popularity • 33% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 33% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Ellis Drane and his Jazz Orchestra
That's Life - Instrumental Version
82 bpm • E min • 02:49 • -10db
25% Popularity • 38% Danceability • 62% Energy • 42% Liveness
92% Instrumentalness • 57% Positiveness
25% Popularity • 38% Danceability • 62% Energy • 42% Liveness
92% Instrumentalness • 57% Positiveness
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Geoffrey Gascoyne
City Swinger
70 bpm • G# Maj • 05:32 • -9.96db
1% Popularity • 60% Danceability • 38% Energy • 21% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 38% Energy • 21% Liveness
84% Instrumentalness • 34% Positiveness
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Al Martino
To Each His Own
82 bpm • C# Maj • 03:20 • -17.78db
28% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Sivo Band
My Love Lingers On
69 bpm • E Maj • 03:00 • -16db
10% Popularity • 38% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
10% Popularity • 38% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
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Stéphane Huguenin
I Do the Best I Can
68 bpm • C Maj • 02:13 • -9.75db
18% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Nocturnal Spirits
Greene St
83 bpm • F Maj • 04:50 • -10.58db
32% Popularity • 76% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 32% Positiveness
32% Popularity • 76% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 32% Positiveness
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Heinz Kiessling
Cool Daddy Charm
83 bpm • C min • 03:02 • -9.4db
9% Popularity • 42% Danceability • 72% Energy • 9% Liveness
77% Instrumentalness • 92% Positiveness
9% Popularity • 42% Danceability • 72% Energy • 9% Liveness
77% Instrumentalness • 92% Positiveness
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Geoffrey Gascoyne
Midnight Ballad
82 bpm • G# Maj • 03:02 • -14.38db
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
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Mark Allaway
Midnight Cruise
83 bpm • F min • 02:10 • -10.2db
18% Popularity • 55% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
18% Popularity • 55% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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Ritchie Everett
Where to Next
68 bpm • C Maj • 02:23 • -9.94db
11% Popularity • 63% Danceability • 31% Energy • 22% Liveness
23% Instrumentalness • 41% Positiveness
11% Popularity • 63% Danceability • 31% Energy • 22% Liveness
23% Instrumentalness • 41% Positiveness
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Paul Rothman
Pink Deville
83 bpm • C Maj • 02:34 • -19db
24% Popularity • 78% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 78% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Morgan
Lullaby
83 bpm • G# Maj • 01:31 • -30.12db
20% Popularity • 48% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
20% Popularity • 48% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
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The Drifters
Quando, Quando, Quando
84 bpm • A# Maj • 02:44 • -8.92db
28% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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John Cameron
West Side Blues
67 bpm • F Maj • 02:28 • -14db
12% Popularity • 32% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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Eddy Howard
Wrap Your Troubles in Dreams (And Dream ...
84 bpm • D min • 03:28 • -17.34db
4% Popularity • 46% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 46% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Stéphane Huguenin
Stay by My Side
67 bpm • A# Maj • 02:19 • -11db
44% Popularity • 50% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 50% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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John Lunn
Am I Blue
84 bpm • A# min • 03:18 • -12.91db
14% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chet Baker Quartet
I Fall In Love Too Easily - 1953 Version
84 bpm • D# Maj • 02:06 • -16.56db
30% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 60% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Helen Merrill
Anything Goes
85 bpm • F Maj • 03:07 • -17db
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
47% Popularity • 43% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Geoffrey Gascoyne
Walking and Talking
85 bpm • F Maj • 02:29 • -11.41db
1% Popularity • 74% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
1% Popularity • 74% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
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Will Grove-White
I Can't Stop Crying (As Featured In "Sta...
85 bpm • A min • 02:56 • -19db
23% Popularity • 59% Danceability • 8% Energy • 11% Liveness
11% Instrumentalness • 28% Positiveness
23% Popularity • 59% Danceability • 8% Energy • 11% Liveness
11% Instrumentalness • 28% Positiveness
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Raya Yarbrough
Requiem for a Ladybug
84 bpm • G min • 02:38 • -8.53db
11% Popularity • 59% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 59% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Vinton
P.S I Love You
85 bpm • D# Maj • 02:19 • -19.17db
33% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Dresage
Perfect Day
86 bpm • D# Maj • 04:58 • -10.35db
35% Popularity • 44% Danceability • 39% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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William Ross
Frank Snoring
86 bpm • C Maj • 03:50 • -12.64db
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
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Redeemin'
Some Catalan Mysteries
87 bpm • F Maj • 02:17 • -14db
33% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
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Nocturnal Spirits
If I Had One Wish
65 bpm • C Maj • 04:07 • -14.06db
25% Popularity • 34% Danceability • 19% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
25% Popularity • 34% Danceability • 19% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
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Werner Tautz
Honeymoon Swoon
87 bpm • G# Maj • 02:32 • -10.77db
29% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
29% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
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Parry Music
Love's Obsession
87 bpm • G Maj • 03:00 • -15.45db
8% Popularity • 22% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Johnny Hodges
After Hours on Dream Street
64 bpm • C min • 03:08 • -13.13db
14% Popularity • 48% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Percy Faith & His Orchestra & Chorus
Theme from "A Summer Place"
87 bpm • C min • 02:35 • -19db
16% Popularity • 41% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Donna Byrne
Twilight Serenade by Moonlight
88 bpm • C# Maj • 03:16 • -16.59db
4% Popularity • 55% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 55% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Anders Johan Greger Lewen
Last Dance in Paris
88 bpm • G Maj • 02:15 • -15.42db
24% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
24% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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William Ross
Toblerone
88 bpm • A Maj • 01:09 • -17.38db
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
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Joel Evans & Friends
Make the Night Last
88 bpm • G# Maj • 05:22 • -12.49db
12% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Andrews Sisters
I Can Dream, Can't I? - 1949 Single Vers...
88 bpm • A min • 02:38 • -10db
30% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Glenn Miller Orchestra
Falling Leaves
88 bpm • C Maj • 03:12 • -17.6db
14% Popularity • 48% Danceability • 4% Energy • 16% Liveness
48% Instrumentalness • 40% Positiveness
14% Popularity • 48% Danceability • 4% Energy • 16% Liveness
48% Instrumentalness • 40% Positiveness
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Hal David
We May Never Pass This Way Again
88 bpm • G# Maj • 03:20 • -7db
9% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jesse O'Mahoney
Better to Miss You
89 bpm • A# Maj • 02:32 • -19db
24% Popularity • 67% Danceability • 14% Energy • 12% Liveness
52% Instrumentalness • 44% Positiveness
24% Popularity • 67% Danceability • 14% Energy • 12% Liveness
52% Instrumentalness • 44% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Geert Hellings
The Antwerp Stomp
89 bpm • G# Maj • 01:35 • -16.92db
8% Popularity • 56% Danceability • 35% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
8% Popularity • 56% Danceability • 35% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Orchestra Heinz Kiessling
Warm 'n' cuddly
89 bpm • G Maj • 03:02 • -12db
14% Popularity • 43% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 54% Positiveness
14% Popularity • 43% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 54% Positiveness
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Rich Ruttenberg, Joel Hamilton & Jerry Kalaf
No More Dues
89 bpm • F min • 08:54 • -21.52db
19% Popularity • 49% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
19% Popularity • 49% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
