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Halt the Wagons
Songs like
Halt the Wagons
by
Kate Rusby
Based on a tempo of (+/- 10%) and a similar genre
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Kate Rusby
A Rose in April - Remastered 2022 (25th ...
172 bpm • D Maj • 05:45 • -10.19db
11% Popularity • 31% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Josienne Clarke and Ben Walker
Forever And More
172 bpm • A# Maj • 02:50 • -11.84db
22% Popularity • 33% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Karine Polwart
Ophelia
172 bpm • D# Maj • 05:53 • -13.95db
19% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Salt House
Mountain of Gold
172 bpm • D Maj • 04:57 • -12.73db
17% Popularity • 22% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Nancy Kerr
Oh England What Seeds
172 bpm • F Maj • 02:53 • -9.89db
17% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Niamh Farrell
Farewell Song
173 bpm • C Maj • 04:19 • -14.2db
14% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Adolph Montanye
Wrong Ways
173 bpm • G Maj • 02:38 • -11.43db
8% Popularity • 30% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Josienne Clarke and Ben Walker
Let No Man Steal Your Thyme
170 bpm • E min • 03:14 • -11.08db
23% Popularity • 37% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Karine Polwart
Daisy
171 bpm • A# Maj • 03:27 • -8.13db
29% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Ruth Notman
Young Brian of the Sussex Wold
174 bpm • E Maj • 03:22 • -6.79db
13% Popularity • 54% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Kate Rusby
The Cobbler's Daughter
170 bpm • C Maj • 02:38 • -9.54db
16% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Spiers & Boden
Bold Sir Rylas
170 bpm • C Maj • 04:20 • -5.67db
18% Popularity • 39% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Daphne's Flight
Lay Fallow
169 bpm • A min • 04:26 • -13.1db
10% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Declan O'Rourke
Buried in the Deep
175 bpm • D# Maj • 04:42 • -15db
11% Popularity • 33% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Karine Polwart
Talk to Me of Mendocino
173 bpm • F# Maj • 03:17 • -16.3db
18% Popularity • 38% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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The Full English
Man in the Moon
175 bpm • C Maj • 04:06 • -11.69db
20% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Kate Rusby
The Wild Goose
170 bpm • A# Maj • 04:24 • -10.66db
18% Popularity • 17% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Josienne Clarke and Ben Walker
A Simple Refrain
169 bpm • D Maj • 02:02 • -15.91db
33% Popularity • 19% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Salt House
William and Elsie
176 bpm • C Maj • 04:24 • -13.05db
17% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Barry Coope
Now Is the Cool of the Day
176 bpm • B min • 03:55 • -8.89db
18% Popularity • 56% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Show Of Hands
Hallows' Eve
168 bpm • F Maj • 03:18 • -8.89db
19% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Albion Band
Adieu to Old England
168 bpm • A Maj • 04:52 • -9.18db
16% Popularity • 26% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Eddi Reader
Of A' the Airts
168 bpm • A Maj • 04:46 • -12.72db
14% Popularity • 19% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Claire Hastings
Come Spend a While Wi’ Me
176 bpm • G Maj • 05:53 • -10.68db
13% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jackie Oates
Death and the Lady
168 bpm • A Maj • 03:20 • -10.61db
27% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jim Causley
Pride of the Moor
177 bpm • E Maj • 03:45 • -8db
11% Popularity • 36% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Julie Matthews
Devil's Heart
167 bpm • C Maj • 03:50 • -13.22db
13% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Danú
Farewell, Farewell
177 bpm • F Maj • 03:21 • -14.07db
19% Popularity • 32% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Karan Casey
Sailing Off to the Yankee Land
167 bpm • D# Maj • 04:05 • -10.58db
13% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ruth Notman
Bold Fisherman
177 bpm • C Maj • 04:45 • -11.39db
12% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Eliza Carthy
Bushes & Briars
166 bpm • D# min • 02:49 • -16.75db
29% Popularity • 38% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Kate Rusby
Big Brave Bill
178 bpm • C# Maj • 03:42 • -8.55db
18% Popularity • 55% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Niamh Parsons
A Kiss in the Morning Early
178 bpm • A Maj • 02:55 • -11db
14% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Honey and The Bear
The Suffolk Hero
165 bpm • D Maj • 04:12 • -9.11db
7% Popularity • 48% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 47% Positiveness
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Siobhan Miller
One Too Many Mornings
180 bpm • C Maj • 02:30 • -15db
35% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Merry Hell
Lean on Me, Love
180 bpm • E Maj • 04:07 • -10db
13% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Karan Casey
Roger The Miller
163 bpm • B Maj • 04:14 • -7.83db
15% Popularity • 50% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Rusby
The Farmer's Toast
166 bpm • C# Maj • 04:23 • -9.46db
14% Popularity • 27% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Fay Hield
Jenny Wren
181 bpm • D# Maj • 02:58 • -9db
19% Popularity • 40% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Gnoss
Sun That Hugs the Ocean
163 bpm • E Maj • 03:26 • -10.64db
29% Popularity • 49% Danceability • 59% Energy • 8% Liveness
11% Instrumentalness • 33% Positiveness
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Thea Gilmore
Grandam Gold
164 bpm • A# Maj • 03:01 • -8.98db
24% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Karine Polwart
Lark in the Clear Air
162 bpm • D Maj • 02:57 • -18.02db
22% Popularity • 62% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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June Tabor
The Dark End of the Street
183 bpm • G Maj • 02:50 • -11.88db
18% Popularity • 20% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kate Rusby
Old Man Time - Remastered 2022 (25th Ann...
165 bpm • C Maj • 03:51 • -9.26db
12% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Heidi Talbot
Here We Go 1, 2, 3
161 bpm • G# Maj • 04:26 • -8.76db
12% Popularity • 34% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Lady Maisery
Order and Chaos
162 bpm • A# Maj • 04:04 • -17db
19% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Show Of Hands
The Blue Cockade
184 bpm • D Maj • 06:01 • -11db
16% Popularity • 34% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 23% Positiveness
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Aoife Scott
All Along the Wild Atlantic Way
160 bpm • A Maj • 03:49 • -13db
28% Popularity • 58% Danceability • 30% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Ninebarrow
Prickle-eye Bush
186 bpm • F Maj • 04:56 • -10db
14% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Rusby
Crazy Man Michael
164 bpm • C min • 04:57 • -9.46db
13% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Salt House
Headwater
187 bpm • F Maj • 03:22 • -13.27db
24% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Claire Hastings
Fair Weather Beggar
187 bpm • A# Maj • 04:28 • -8db
11% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nancy Kerr
Light Rolls Home
158 bpm • A Maj • 03:35 • -9.64db
12% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Karine Polwart
Rivers Run
157 bpm • D Maj • 03:10 • -9.37db
30% Popularity • 56% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Eleanor Shanley
Child of Mine
157 bpm • C Maj • 03:17 • -8.69db
19% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Kate Rusby
Planets
162 bpm • A Maj • 04:10 • -14.25db
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Barry Coope
Unison in Harmony
188 bpm • G# Maj • 02:41 • -13.04db
13% Popularity • 57% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Megson
Generation Rent
156 bpm • C# Maj • 03:47 • -6.98db
21% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Julie Fowlis
Biodh an Deoch Seo 'n Là imh Mo Rùin
190 bpm • E Maj • 03:46 • -11.58db
33% Popularity • 35% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rachael McShane
The Molecatcher
156 bpm • D Maj • 04:28 • -8.32db
24% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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West Of Eden
The Bee That Stung
155 bpm • C Maj • 03:50 • -10.7db
6% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kate Rusby
If I Had a Boat
160 bpm • A# Maj • 04:33 • -12.38db
22% Popularity • 56% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 28% Positiveness
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Spell Songs
Charm on, Goldfinch
156 bpm • F Maj • 04:29 • -11.68db
22% Popularity • 39% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Breabach
Winter Winds
154 bpm • F Maj • 03:59 • -11.01db
24% Popularity • 46% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Julie Fowlis
A Phiuthrag 's a Phiuthar
154 bpm • F# Maj • 04:34 • -12.26db
35% Popularity • 20% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Langford
The Unbearable Lightness of Being
154 bpm • D Maj • 03:16 • -12.47db
19% Popularity • 52% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Ewan McLennan
Jock Stewart
152 bpm • B Maj • 02:55 • -12.1db
30% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kate Rusby
Benjamin Bowmaneer
157 bpm • C Maj • 03:49 • -9.08db
27% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kitty Macfarlane
Dawn & Dark
154 bpm • F# Maj • 02:40 • -15.43db
30% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ninebarrow
The Hour of the Blackbird
152 bpm • A# Maj • 02:43 • -13.65db
16% Popularity • 55% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Katherine Priddy
Still Winter, Still Waiting
152 bpm • D# Maj • 03:11 • -10.14db
27% Popularity • 22% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Josienne Clarke and Ben Walker
It Would Not Be A Rose
151 bpm • C min • 03:22 • -11.44db
26% Popularity • 46% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Jim Moray
Sweet England
150 bpm • C Maj • 03:55 • -8.45db
10% Popularity • 38% Danceability • 43% Energy • 17% Liveness
8% Instrumentalness • 10% Positiveness
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Emma Langford
The Winding Way Down to Kells Bay
150 bpm • A Maj • 04:03 • -9.68db
31% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Changing Room
A River Runs Between
150 bpm • E min • 03:03 • -7.94db
8% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Caladh Nua
Song - Beeswing
150 bpm • D Maj • 04:45 • -9.54db
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Salt House
Union of Crows
198 bpm • G Maj • 03:43 • -13.63db
22% Popularity • 31% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Rusby
Pace Egging Song
149 bpm • C Maj • 03:40 • -8.6db
13% Popularity • 61% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Cathie Ryan
In the Wishing Well
148 bpm • A# Maj • 03:21 • -8.23db
16% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Siobhan Miller
All Is Not Forgotten
148 bpm • B Maj • 04:52 • -12.59db
20% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 40% Positiveness
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Kasim Steijaert
Glory To You
148 bpm • F# min • 03:59 • -12.24db
21% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Show Of Hands
Cousin Jack
148 bpm • E min • 06:50 • -8.61db
29% Popularity • 32% Danceability • 61% Energy • 88% Liveness
0% Instrumentalness • 29% Positiveness
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Waterson:Carthy
Raggle Taggle Gipsies
148 bpm • D Maj • 04:26 • -10db
15% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Rusby
The Squire and the Parson
147 bpm • C Maj • 03:41 • -10.1db
11% Popularity • 56% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Cathie Ryan
Be Like the Sea
146 bpm • A Maj • 04:01 • -8.61db
14% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Declan O'Rourke
Mary Kate
205 bpm • D Maj • 04:44 • -13db
13% Popularity • 30% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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John Tams
Amelia
203 bpm • F Maj • 04:14 • -18.11db
14% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Show Of Hands
Hambledon Fair
206 bpm • F Maj • 04:02 • -13.26db
14% Popularity • 30% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Halt the Wagons