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Hangin' On
Songs like
Hangin' On
by
CHASE WRIGHT
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
41% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Melton
Hometown Buzz
115 bpm • G# Maj • 03:26 • -6db
23% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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CHASE WRIGHT
Hangin' On
115 bpm • G Maj • 02:50 • -6db
32% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Take It Slow - Acoustic
116 bpm • F Maj • 02:33 • -7db
47% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Ruediger
Still Thinkin'
116 bpm • A# Maj • 02:58 • -4.79db
15% Popularity • 68% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kyle Clark
Anyone
116 bpm • C Maj • 03:10 • -6db
25% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
36% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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CHASE WRIGHT
Missing You
116 bpm • F# Maj • 02:48 • -4db
48% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kelsey Lamb
When I Remember You
116 bpm • B Maj • 03:15 • -5db
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Roman Alexander
Beautiful Girls
114 bpm • F# Maj • 02:22 • -5.96db
19% Popularity • 69% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Kyle Clark
Out of That Memory
116 bpm • B Maj • 03:14 • -6db
36% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mitchell Tenpenny
Happy and I Hate It
114 bpm • C Maj • 02:34 • -4.9db
50% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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CHASE WRIGHT
Who I Want to Be
116 bpm • A Maj • 03:14 • -5.03db
43% Popularity • 55% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Robyn Ottolini
Tell You Everything - Not Put Together
113 bpm • C# Maj • 03:08 • -6db
26% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
34% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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SixForty1
You Still Keep Me Up
113 bpm • B Maj • 04:02 • -4.55db
25% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Sanders
All Summer Long
113 bpm • G min • 03:28 • -3.29db
30% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Hambrick
Broken Ladder
118 bpm • G Maj • 03:09 • -4.27db
18% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Riggs
When You’re Down
118 bpm • G# Maj • 02:50 • -6db
32% Popularity • 66% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Edwards
8 Months
118 bpm • D Maj • 02:40 • -3db
29% Popularity • 78% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Jon Langston
When You're Lonely
118 bpm • F# Maj • 03:14 • -4.77db
39% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
45% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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High Valley
Do This Life
112 bpm • A Maj • 02:55 • -4.79db
19% Popularity • 58% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kyle Clark
Hair Down
112 bpm • F# Maj • 03:03 • -5.73db
34% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -4.77db
37% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Lily Rose
Breakin' In
112 bpm • E Maj • 02:40 • -6db
28% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Kerr
Have to Be My Hometown
118 bpm • G# Maj • 02:33 • -8db
36% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Peytan Porter
Why We Broke Up
112 bpm • E Maj • 02:56 • -6.62db
26% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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SixForty1
All Night
112 bpm • C Maj • 02:23 • -5db
33% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Mitchell Tenpenny
Obsession
111 bpm • G Maj • 02:24 • -5.58db
38% Popularity • 64% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -5.08db
37% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
36% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Clayton Johnson
God Made Me
111 bpm • A# Maj • 02:43 • -4.83db
26% Popularity • 30% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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CHASE WRIGHT
Never Loved Before
120 bpm • A Maj • 03:03 • -7db
32% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Smithfield
Like I Never Loved You
120 bpm • G min • 02:26 • -7.17db
26% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Hunter & Jordan
Dirty Dancing
120 bpm • B Maj • 02:50 • -5db
18% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Erin Kinsey
Better On Me
120 bpm • C Maj • 02:29 • -4.05db
36% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Hunter Phelps
Whiskey Mode
120 bpm • F Maj • 03:30 • -3.76db
29% Popularity • 62% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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High Valley
Never Not
120 bpm • G# Maj • 02:33 • -5.04db
25% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
49% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Scott
Hell Out Of Me
120 bpm • F# Maj • 03:03 • -4.28db
37% Popularity • 56% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Lee Olsen
Nashville Or Nothing
120 bpm • C Maj • 02:45 • -4.55db
31% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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After Midtown
Party in My Hometown
120 bpm • D Maj • 03:22 • -6.29db
29% Popularity • 56% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Conner Smith
Somewhere In A Small Town
120 bpm • F# Maj • 03:27 • -3db
36% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Levi Hummon
Freaking Out
120 bpm • C# Maj • 02:30 • -4.26db
17% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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SixForty1
Me and Your Memory
120 bpm • D Maj • 03:44 • -4.35db
16% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Mitchell Tenpenny
Still Thinking 'Bout You
120 bpm • E Maj • 02:50 • -5.37db
35% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Payton Smith
Need You to Not
120 bpm • D Maj • 03:05 • -4.15db
27% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Steven Lee Olsen
The Woods
120 bpm • C Maj • 02:36 • -5.48db
24% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
36% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Erin Kinsey
Reason For Leaving
110 bpm • C# min • 03:15 • -4db
32% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jordan Davis
Need To Not
110 bpm • G Maj • 03:02 • -5.69db
51% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Melton
Close Enough
110 bpm • A# Maj • 02:56 • -5.36db
28% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Payton Smith
Run Girl
121 bpm • D Maj • 03:11 • -4.5db
15% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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CHASE WRIGHT
What She Sees in Me
109 bpm • A Maj • 02:39 • -7.54db
32% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Mitchell Tenpenny
Miss You Cause I'm Drinking
109 bpm • A# Maj • 03:29 • -4.63db
31% Popularity • 66% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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SixForty1
Not Me Missing You
122 bpm • F# Maj • 03:04 • -5.36db
14% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Murphy Elmore
Talk You Into Stayin'
122 bpm • A# min • 03:27 • -5.59db
24% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsey Lamb
They Never Loved You
122 bpm • F Maj • 03:28 • -4.31db
23% Popularity • 51% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
35% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
48% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Salemtown
Effortless
108 bpm • G Maj • 03:24 • -7.73db
9% Popularity • 34% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Melton
Every Last Little Bit
108 bpm • G Maj • 02:58 • -6db
26% Popularity • 59% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
42% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
34% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ross
Love Never Looked Like Us
108 bpm • G# min • 03:19 • -5.3db
38% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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CHASE WRIGHT
Tonight I Wanna Cry
123 bpm • F Maj • 03:32 • -12.37db
43% Popularity • 39% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Roads Below
First Line
107 bpm • B Maj • 03:07 • -8db
15% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Canaan Cox
End Up In a Song
123 bpm • F# min • 02:28 • -8.07db
31% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Kerr
Same Team
107 bpm • B Maj • 02:54 • -6.49db
16% Popularity • 73% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
26% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Roman Alexander
One Tequila
107 bpm • D Maj • 03:05 • -4.54db
26% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Melton
Old
124 bpm • G Maj • 03:03 • -6.2db
28% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
40% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Ruediger
Only So Many
124 bpm • E Maj • 03:44 • -5.98db
19% Popularity • 70% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Kerr
You Are This Town
125 bpm • B Maj • 03:12 • -7.1db
19% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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CB30
Now We're Talkin'
106 bpm • G Maj • 02:34 • -4.23db
22% Popularity • 65% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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SixForty1
Never Gets Old
125 bpm • B Maj • 02:44 • -5db
16% Popularity • 60% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
40% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Kyle Clark
Tonight I Do
125 bpm • A# Maj • 02:43 • -4.55db
36% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Todd Cameron
Just Add You
125 bpm • B Maj • 03:13 • -3.98db
25% Popularity • 49% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Seth Alley
One Last
125 bpm • A# Maj • 02:51 • -4.58db
20% Popularity • 64% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Tenille Arts
Missing You
126 bpm • G# Maj • 02:57 • -5.8db
35% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Edwards
Hard Feelings
105 bpm • G Maj • 03:37 • -5.24db
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Van Houten
Kiss Her
105 bpm • G# Maj • 02:52 • -3db
29% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Mitchell Tenpenny
Losers
105 bpm • D Maj • 02:48 • -5.66db
34% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Canaan Smith
Down in Flames
105 bpm • F# Maj • 02:38 • -4.02db
29% Popularity • 58% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Ashley Cooke
Gettin' Somewhere
126 bpm • E Maj • 03:16 • -6.63db
35% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Sanders
I Wanna Be Somebody
126 bpm • F# Maj • 03:32 • -3.03db
21% Popularity • 60% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Kyle Clark
Hope It's Hot Out (Acoustic)
126 bpm • D# Maj • 02:47 • -5.55db
40% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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George Birge
Whiskey Side
126 bpm • G# Maj • 02:45 • -4.95db
29% Popularity • 62% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Lily Rose
Whole Lotta Hometowns
127 bpm • D Maj • 03:15 • -6db
27% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Hangin' On