Songs like Hard Being Alive (feat. chloe moriondo) by Oscar Scheller
Based on a tempo of (+/- 10%) and a similar genre
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Scoobert Doobert
I'm an Idiot
160 bpm • F# Maj • 03:07 • -7.83db
10% Popularity • 75% Danceability • 59% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
10% Popularity • 75% Danceability • 59% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
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meija
Nothing
160 bpm • G Maj • 04:02 • -7.37db
15% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Oscar Scheller
Hard Being Alive
160 bpm • F Maj • 02:56 • -4.37db
15% Popularity • 57% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Molly Burman
Happy Things
158 bpm • F# Maj • 03:39 • -12.22db
28% Popularity • 57% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Good Luck Finding Iris
Fool for You
162 bpm • G min • 02:38 • -8db
33% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Besphrenz
better off alone
158 bpm • G# Maj • 03:18 • -10.12db
29% Popularity • 62% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
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Oscar Scheller
Nightmare Blunt Rotation
160 bpm • C Maj • 03:11 • -4.62db
23% Popularity • 35% Danceability • 89% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
23% Popularity • 35% Danceability • 89% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
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Wafia
Flowers & Superpowers
164 bpm • E Maj • 02:45 • -6.31db
33% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Connie Constance
Monty Python
164 bpm • B min • 03:17 • -10.97db
27% Popularity • 66% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 66% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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flowerovlove
Saturday Yawning
156 bpm • F Maj • 02:28 • -9db
36% Popularity • 77% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 77% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Yaeger
Nosebleed
165 bpm • G# Maj • 03:35 • -2.75db
12% Popularity • 53% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 53% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Atlas
Crime of Passion
165 bpm • A Maj • 04:02 • -7.79db
33% Popularity • 60% Danceability • 68% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
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Oscar Scheller
Deadbeat
156 bpm • C Maj • 01:56 • -5.36db
10% Popularity • 63% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 63% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Palmas
Bad Dream
155 bpm • B min • 03:06 • -7.28db
35% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Wallice
Wisdom Tooth
155 bpm • A Maj • 02:36 • -4.13db
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Wild
PIE
166 bpm • G Maj • 02:56 • -7.65db
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Matilda Mann
Bloom
166 bpm • F min • 02:46 • -7.08db
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
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MICHELLE
UNBOUND
166 bpm • B Maj • 02:41 • -6.47db
33% Popularity • 74% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 74% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Dreamer Boy
Best of Me
166 bpm • B Maj • 02:37 • -6.17db
22% Popularity • 56% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 56% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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MAX RAD
Roll Out
154 bpm • F# min • 03:10 • -7.58db
17% Popularity • 72% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
17% Popularity • 72% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Thomas Headon
Nobody Has To Know
154 bpm • A Maj • 03:06 • -4.23db
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Sfven
backseat
154 bpm • F# Maj • 03:17 • -8db
27% Popularity • 72% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 72% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Newport
Shooting Star
153 bpm • A Maj • 02:34 • -7.85db
21% Popularity • 56% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 35% Positiveness
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Ritt Momney
Escalator
153 bpm • C Maj • 02:26 • -8.4db
42% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
42% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
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Claud
If I Were You
153 bpm • C# Maj • 02:51 • -9db
41% Popularity • 73% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 73% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Deb Never
Funky
167 bpm • C# min • 03:34 • -7.02db
32% Popularity • 56% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 56% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Havelock
Sativa
168 bpm • C min • 03:30 • -5.32db
16% Popularity • 75% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 75% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Larkins
Are We Having Any Fun Yet?
168 bpm • C# min • 03:17 • -5.04db
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Newport
Mr. Angel
168 bpm • C Maj • 04:00 • -7db
39% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Headon
UrbanAngel1999
168 bpm • F Maj • 03:10 • -11.71db
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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bennytheghost
Supersonic
168 bpm • A# Maj • 02:29 • -8db
30% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Wallice
Off the Rails
168 bpm • C# Maj • 02:20 • -4.21db
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Blu DeTiger
Toast with the Butter
152 bpm • C Maj • 03:26 • -5.79db
28% Popularity • 65% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 65% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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ISADORA
Kill Your Local Indie Softboy
168 bpm • G Maj • 03:54 • -8.68db
30% Popularity • 51% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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spill tab
Grade A
152 bpm • A Maj • 01:46 • -8.6db
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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BLOXX
Coming Up Short
151 bpm • D Maj • 03:15 • -4.6db
35% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Ruby Waters
Casamigos
170 bpm • D# min • 02:26 • -6.93db
32% Popularity • 58% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 58% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Devon
BULLETS
170 bpm • C Maj • 03:38 • -9db
36% Popularity • 56% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 56% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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fanclubwallet
What's Up
170 bpm • E Maj • 02:21 • -6.16db
26% Popularity • 62% Danceability • 68% Energy • 27% Liveness
46% Instrumentalness • 82% Positiveness
26% Popularity • 62% Danceability • 68% Energy • 27% Liveness
46% Instrumentalness • 82% Positiveness
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Litany
Adult Movies
150 bpm • C Maj • 03:15 • -4.84db
41% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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GRAE
Permanent Maniac
150 bpm • A# min • 03:10 • -6.9db
23% Popularity • 64% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 64% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 64% Positiveness
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Cosmo's Midnight
A Million Times
150 bpm • F# Maj • 03:39 • -7.37db
25% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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JAWNY
Super Bad Mantra
150 bpm • E min • 02:50 • -2.48db
48% Popularity • 62% Danceability • 88% Energy • 84% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 62% Danceability • 88% Energy • 84% Liveness
0% Instrumentalness • 63% Positiveness
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HONEYMOAN
Gym Song
150 bpm • C Maj • 03:20 • -7db
30% Popularity • 66% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 66% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Teenage Priest
Cool To You
171 bpm • C# min • 03:17 • -6.2db
42% Popularity • 62% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 58% Positiveness
42% Popularity • 62% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 58% Positiveness
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Sfven
there for you
171 bpm • A Maj • 02:52 • -8.29db
33% Popularity • 30% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 30% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Dirty Nice
Supreme Ultimate Woman
172 bpm • F# Maj • 03:00 • -2.41db
12% Popularity • 73% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 73% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Cain Culto
WITCHYMAN
148 bpm • G Maj • 02:56 • -9.83db
36% Popularity • 79% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 79% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Sophia Bel
You're Not Real You're Just a Ghost
173 bpm • F Maj • 03:12 • -7.94db
24% Popularity • 57% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 57% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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The Aces
801
148 bpm • G min • 03:34 • -6.76db
40% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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NoMBe
Think About You
147 bpm • C Maj • 03:12 • -10.32db
16% Popularity • 44% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 44% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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Oliver Malcolm
Skywalker
174 bpm • C min • 04:02 • -6.97db
31% Popularity • 62% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 62% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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FLING
That's Nice
175 bpm • D Maj • 03:11 • -7db
27% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Verzache
All I Need
146 bpm • A Maj • 03:23 • -5.33db
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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April
Hotel
146 bpm • B min • 02:46 • -7.85db
17% Popularity • 63% Danceability • 68% Energy • 39% Liveness
1% Instrumentalness • 62% Positiveness
17% Popularity • 63% Danceability • 68% Energy • 39% Liveness
1% Instrumentalness • 62% Positiveness
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Thomas Headon
How Do I Know?
176 bpm • C# min • 03:18 • -5.12db
31% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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spill tab
Velcro
145 bpm • E Maj • 03:12 • -6.98db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Gus Dapperton
Sober Up
145 bpm • F Maj • 03:38 • -5.23db
28% Popularity • 51% Danceability • 93% Energy • 8% Liveness
28% Instrumentalness • 76% Positiveness
28% Popularity • 51% Danceability • 93% Energy • 8% Liveness
28% Instrumentalness • 76% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lady Gaga
Plastic Doll - Ashnikko Remix
145 bpm • C# Maj • 02:29 • -4db
49% Popularity • 67% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 67% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Sunshine State
Cliff Drive
145 bpm • C# Maj • 03:12 • -6.46db
29% Popularity • 60% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 60% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Oscar Welsh
SW3
144 bpm • E min • 03:23 • -6.64db
13% Popularity • 78% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 78% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Sfven
don't jump the gun
178 bpm • F# Maj • 02:35 • -5db
28% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Jordana
Doubt of Revival
180 bpm • G Maj • 03:34 • -8.82db
18% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Oscar Scheller
Hollywood Sign
180 bpm • E Maj • 03:14 • -7.78db
10% Popularity • 59% Danceability • 48% Energy • 19% Liveness
53% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 48% Energy • 19% Liveness
53% Instrumentalness • 46% Positiveness
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Love Fame Tragedy
5150
180 bpm • C Maj • 03:09 • -5.63db
38% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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I Don't Speak French
Stay Together for the Kids
180 bpm • A Maj • 02:34 • -6.37db
28% Popularity • 60% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 60% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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morgen
Fine By Me
180 bpm • C Maj • 02:29 • -8.07db
22% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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bennytheghost
Tightrope
141 bpm • D Maj • 02:20 • -5.38db
37% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Wallice
Little League
142 bpm • G Maj • 02:49 • -7.35db
29% Popularity • 55% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
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Tayo Sound
Yes or No (Demo)
182 bpm • F min • 03:37 • -6.1db
18% Popularity • 55% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 55% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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ooi
Twins
140 bpm • A Maj • 03:12 • -8.87db
35% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Gus Dapperton
My Say So
140 bpm • D Maj • 03:03 • -5.11db
31% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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spill tab
PISTOLWHIP
140 bpm • C Maj • 02:05 • -7db
39% Popularity • 45% Danceability • 54% Energy • 55% Liveness
13% Instrumentalness • 62% Positiveness
39% Popularity • 45% Danceability • 54% Energy • 55% Liveness
13% Instrumentalness • 62% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tayo Sound
Two Left Feet
139 bpm • C# min • 02:48 • -5.61db
20% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Dayglow
Something
140 bpm • C min • 01:54 • -5db
50% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Litany
Bedroom
185 bpm • F# Maj • 03:06 • -8db
57% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Sfven
sipping on tea
138 bpm • A min • 02:41 • -7.42db
17% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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MyKey
Kneepads
138 bpm • D Maj • 02:35 • -5.64db
33% Popularity • 77% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 77% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Orlando
Kanye Owns the Moon
138 bpm • C Maj • 03:36 • -13.6db
22% Popularity • 88% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 88% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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JAWNY
4Tounce
138 bpm • A Maj • 02:48 • -5.79db
39% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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pizzagirl
dennis
186 bpm • F# Maj • 03:42 • -5.26db
20% Popularity • 42% Danceability • 71% Energy • 77% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 42% Danceability • 71% Energy • 77% Liveness
0% Instrumentalness • 83% Positiveness
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Ritt Momney
Set The Table
138 bpm • F Maj • 03:15 • -5.62db
30% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Cards
Left Behind the Gold
136 bpm • G# min • 02:29 • -2.82db
30% Popularity • 71% Danceability • 91% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
30% Popularity • 71% Danceability • 91% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Tayo Sound
Forwards & Backwards
136 bpm • E Maj • 02:58 • -6db
25% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Circa Waves
Move to San Francisco
136 bpm • A Maj • 03:01 • -5.22db
37% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
