Songs like Hardline by Julien Baker
Based on a tempo of (+/- 10%) and a similar genre
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Leith Ross
Orlando
122 bpm • G# Maj • 04:35 • -15.39db
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
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Better Oblivion Community Center
Dominos
122 bpm • B Maj • 04:32 • -11.87db
37% Popularity • 60% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 60% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Julien Baker
Hardline
122 bpm • F Maj • 03:51 • -6.6db
44% Popularity • 44% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 44% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Tasha
Bed Song 1
122 bpm • B Maj • 03:59 • -12.66db
30% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Searows
Crybaby
122 bpm • D Maj • 04:01 • -17.92db
44% Popularity • 52% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
44% Popularity • 52% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Maya Hawke
By Myself
122 bpm • A# min • 02:26 • -14.81db
42% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
42% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
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Bess Atwell
Olivia, in a Separate Bed
121 bpm • F Maj • 03:47 • -12.52db
30% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 28% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Snail Mail
Madonna
123 bpm • A# min • 02:53 • -6.89db
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Mountains Like Wax
A Lover's Plea (Act II)
123 bpm • A# Maj • 04:58 • -9.04db
17% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Florist
The Fear of Losing This
123 bpm • C Maj • 03:53 • -21db
53% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
53% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Searows
I Can and I Will
121 bpm • A Maj • 06:29 • -14.16db
46% Popularity • 40% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
46% Popularity • 40% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Suki Waterhouse
My Mind
123 bpm • B Maj • 03:10 • -11db
54% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
54% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
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Bess Atwell
Time Comes in Roses
123 bpm • F Maj • 03:11 • -12.9db
47% Popularity • 45% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 45% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Christian Lee Hutson
Rubberneckers
121 bpm • C# Maj • 03:28 • -10db
35% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
35% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
50% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Julien Baker
Good News
124 bpm • E Maj • 03:31 • -9.95db
39% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
39% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Sufjan Stevens
John My Beloved
120 bpm • G Maj • 05:04 • -23.02db
51% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Odie Leigh
Nine Lives
120 bpm • F Maj • 03:47 • -11.41db
40% Popularity • 41% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Ethel Cain
American Teenager
120 bpm • E Maj • 04:18 • -5.01db
70% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Chinese Satellite
120 bpm • A# Maj • 03:37 • -9.93db
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Tomberlin
Hours
120 bpm • D Maj • 04:07 • -13db
33% Popularity • 58% Danceability • 45% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
33% Popularity • 58% Danceability • 45% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
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Julien Baker
Happy to Be Here
124 bpm • C Maj • 04:16 • -9.67db
38% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Miel
Early Hours
120 bpm • D Maj • 03:17 • -10.47db
17% Popularity • 45% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 45% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
37% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Florist
Blue Mountain Road
120 bpm • D Maj • 03:39 • -22.95db
37% Popularity • 62% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
37% Popularity • 62% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tomberlin
I'm Not Scared
124 bpm • F Maj • 04:52 • -10.09db
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Runnner
Monochrome
120 bpm • A min • 03:19 • -9.24db
23% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Julien Baker
Hurt Less
124 bpm • E Maj • 03:59 • -8.92db
40% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Searows
Haunted
124 bpm • D# Maj • 04:29 • -15.01db
43% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Lee Hutson
Seven Lakes
120 bpm • D# Maj • 04:03 • -10.92db
21% Popularity • 34% Danceability • 24% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
21% Popularity • 34% Danceability • 24% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Jensen McRae
Machines
120 bpm • D Maj • 04:31 • -9.42db
38% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Tomberlin
born again runner
124 bpm • G# Maj • 05:18 • -15.33db
24% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
24% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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The Ophelias
Neil Young on High
120 bpm • D Maj • 03:07 • -9.41db
20% Popularity • 27% Danceability • 34% Energy • 17% Liveness
43% Instrumentalness • 20% Positiveness
20% Popularity • 27% Danceability • 34% Energy • 17% Liveness
43% Instrumentalness • 20% Positiveness
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Julien Baker
Highlight Reel
124 bpm • A Maj • 03:36 • -7.97db
37% Popularity • 51% Danceability • 67% Energy • 12% Liveness
11% Instrumentalness • 25% Positiveness
37% Popularity • 51% Danceability • 67% Energy • 12% Liveness
11% Instrumentalness • 25% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Haley Heynderickx
Slow Talkin'
125 bpm • B Maj • 04:00 • -10.88db
40% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bleachers
Burn Your Life Down
125 bpm • C Maj • 02:40 • -18.44db
35% Popularity • 41% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
35% Popularity • 41% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
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Sidney Gish
Persephone
125 bpm • B Maj • 03:24 • -16.44db
40% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Mountains Like Wax
A Lover's Plea (Act I)
125 bpm • B Maj • 03:57 • -9.86db
17% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Half Waif
Fabric
119 bpm • D Maj • 01:14 • -19db
37% Popularity • 46% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 20% Positiveness
37% Popularity • 46% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 20% Positiveness
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Haley Heynderickx
Sane
119 bpm • D Maj • 03:13 • -6.05db
31% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Julien Baker
Distant Solar Systems
119 bpm • A Maj • 04:59 • -8.08db
35% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Leith Ross
Prayer
119 bpm • D Maj • 04:51 • -13.97db
32% Popularity • 41% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 41% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Katy Kirby
Portals
126 bpm • C# Maj • 03:03 • -18.02db
29% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
35% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
35% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Snail Mail
Automate
126 bpm • G# Maj • 03:09 • -6.24db
32% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
45% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Lee Hutson
You're Still The One
126 bpm • D# Maj • 03:34 • -10.57db
30% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sufjan Stevens
The Pillar Of Souls
118 bpm • C min • 03:10 • -13.2db
34% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Charlie Hickey
Missing Years
126 bpm • D# Maj • 03:29 • -10.32db
11% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Typhoon
Motion and Thought
118 bpm • G# Maj • 03:08 • -8.26db
37% Popularity • 56% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 37% Positiveness
37% Popularity • 56% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 37% Positiveness
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Snail Mail
Glory
118 bpm • B min • 02:20 • -4.97db
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Chappell Roan
Bitter
118 bpm • A min • 04:02 • -9.93db
56% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Miya Folick
Ordinary
118 bpm • B min • 02:52 • -9.79db
30% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
30% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Searows
Roadkill
126 bpm • C Maj • 04:40 • -14db
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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boygenius
Ketchum, ID
118 bpm • C Maj • 03:35 • -12.15db
56% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Ratboys
Peter the Wild Boy
126 bpm • F# Maj • 03:45 • -12.93db
24% Popularity • 51% Danceability • 16% Energy • 10% Liveness
33% Instrumentalness • 9% Positiveness
24% Popularity • 51% Danceability • 16% Energy • 10% Liveness
33% Instrumentalness • 9% Positiveness
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Snail Mail
Stick
118 bpm • D# Maj • 05:13 • -5.85db
36% Popularity • 53% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 53% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Leith Ross
I Just Don't Think That You Like Me That...
127 bpm • C Maj • 03:26 • -16.29db
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
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MUNA
Navy Blue
127 bpm • G min • 03:58 • -7.02db
40% Popularity • 56% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
40% Popularity • 56% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
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Haley Heynderickx
Show You a Body
127 bpm • A# min • 03:28 • -12db
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Mary Lambert
Bless This Hell
117 bpm • G Maj • 07:18 • -15.53db
19% Popularity • 38% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Kississippi
Indigo
117 bpm • E min • 02:31 • -10.5db
36% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Snail Mail
Golden Dream
118 bpm • C# min • 03:27 • -6.91db
38% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Searows
North Star
117 bpm • C# Maj • 05:07 • -16.16db
42% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Hana Bryanne
Holy Ground
117 bpm • D Maj • 03:59 • -11.88db
26% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Typhoon
And So What If You Were Right
128 bpm • E Maj • 03:58 • -14.7db
19% Popularity • 51% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 51% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 9% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Snail Mail
Full Control
117 bpm • B Maj • 02:55 • -4.69db
43% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
43% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
87% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
87% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Hickey
Month of September
128 bpm • D Maj • 03:50 • -7.2db
14% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sun June
Seasons
128 bpm • G# Maj • 03:54 • -9.75db
18% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Adrianne Lenker
Money
128 bpm • F Maj • 03:57 • -14db
46% Popularity • 47% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 47% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
55% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Wild Pink
Hold My Hand
128 bpm • E Maj • 05:01 • -12.62db
28% Popularity • 68% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 65% Positiveness
28% Popularity • 68% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 65% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Sufjan Stevens
(This Is) The Thing
116 bpm • F# Maj • 02:48 • -14.99db
34% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kississippi
Googly Eyes
116 bpm • C Maj • 03:59 • -10.08db
24% Popularity • 51% Danceability • 50% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Bess Atwell
Nobody
129 bpm • A min • 02:28 • -13.41db
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Julien Baker
Repeat
116 bpm • E Maj • 02:55 • -8.02db
40% Popularity • 48% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
40% Popularity • 48% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Field Medic
better way
116 bpm • E Maj • 02:35 • -11.33db
16% Popularity • 49% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 49% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Sloppy Jane
Wilt
116 bpm • E Maj • 03:10 • -10.66db
28% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Japanese Breakfast
Posing For Cars
116 bpm • G Maj • 06:38 • -9.11db
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Adrianne Lenker
Steamboat
129 bpm • C# Maj • 02:41 • -12db
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sadurn
special power
115 bpm • D Maj • 03:36 • -12.83db
27% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Christian Lee Hutson
Talk
129 bpm • E Maj • 02:57 • -8.22db
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Snail Mail
Headlock
115 bpm • A Maj • 03:12 • -7.38db
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bess Atwell
Love Is Not Enough
129 bpm • F min • 03:23 • -12.49db
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
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Haley Blais
Soft spot for monarchs
115 bpm • D Maj • 02:39 • -11.12db
32% Popularity • 50% Danceability • 37% Energy • 15% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 50% Danceability • 37% Energy • 15% Liveness
6% Instrumentalness • 6% Positiveness
