Songs like Harmonies des bois, Op. 76: II. Les larmes de Jacqueline by Jacques Offenbach
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Offenbach
Les larmes de Jacqueline
84 bpm • C Maj • 07:05 • -26.4db
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Mikhail Glinka
The Lark - Live
84 bpm • A min • 03:57 • -27.27db
25% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
25% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: II. Al...
84 bpm • G Maj • 02:13 • -19.11db
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
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Franz Schubert
Gretchen am Spinnrade, D. 118 (Adapt. fo...
84 bpm • D min • 03:05 • -15.55db
9% Popularity • 22% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
49% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
84 bpm • D Maj • 03:36 • -24.06db
22% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
22% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Eleni Karaindrou
Je ne me consolerai jamais
84 bpm • E min • 01:21 • -22.66db
41% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16b, ...
84 bpm • D Maj • 03:20 • -24.31db
4% Popularity • 31% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
4% Popularity • 31% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 32% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Robert Schumann
Adagio and Allegro in A Flat Major, Op. ...
84 bpm • G# Maj • 04:17 • -29.59db
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Jacqueli...
85 bpm • C Maj • 07:09 • -23.16db
21% Popularity • 16% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Auguste Franchomme
3 Nocturnes, Op. 14: No. 1, Andante
85 bpm • E min • 04:36 • -20.63db
16% Popularity • 15% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Robert Schumann
F-A-E Sonata, WoO 22: II. Intermezzo (Ar...
85 bpm • F Maj • 02:27 • -25db
17% Popularity • 23% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Franz Schubert
Rosamunde, D. 797: 3b. Romanze. Der Voll...
85 bpm • E Maj • 02:31 • -33.29db
19% Popularity • 19% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
19% Popularity • 19% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act II...
85 bpm • D min • 03:15 • -24db
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Piano and Orchestra No. 23 ...
85 bpm • F# min • 06:57 • -28.63db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
22% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Hommage à Rossini, Fantaisie pour violo...
86 bpm • E Maj • 12:59 • -21.43db
11% Popularity • 26% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
31% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Lera Auerbach
24 Preludes for Violin and Piano, Op. 46...
82 bpm • D Maj • 03:13 • -38.03db
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schubert
Erlkönig, D. 328 (Adapt. for Cello and ...
82 bpm • G min • 03:52 • -16.3db
26% Popularity • 19% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
26% Popularity • 19% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Salut d' Amour, Op. 12
86 bpm • E Maj • 03:21 • -25.05db
32% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
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Alexander Glazunov
Chant du Ménestrel, Op. 71
82 bpm • B min • 04:12 • -29db
20% Popularity • 12% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 57: 5. Venetianisches Gond...
86 bpm • B min • 01:56 • -21.42db
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: V. Träume (A...
82 bpm • G# Maj • 04:52 • -21.26db
13% Popularity • 15% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Christopher Palmer
From Jewish Life (arr. C. Palmer): I. Pr...
87 bpm • F min • 05:24 • -26db
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
► Preview
Astor Piazzolla
Piazzolla: Oblivion
81 bpm • D min • 03:46 • -25.42db
23% Popularity • 11% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 11% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
41% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Romance Op. 23
87 bpm • A Maj • 06:34 • -18db
18% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Nocturne in B Minor, Op. post., Lento co...
87 bpm • B min • 04:46 • -20.09db
12% Popularity • 13% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 2 in G Maj...
81 bpm • C min • 03:04 • -38.04db
38% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
► Preview
Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann - Highlights (1989...
82 bpm • B Maj • 02:56 • -17.73db
0% Popularity • 19% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 19% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Jules Massenet
Werther / Act III: "Pourquoi me réveill...
87 bpm • F# min • 02:58 • -18.06db
12% Popularity • 10% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
► Preview
Amy Beach
3 Compositions, Op. 40: No. 2, Berceuse
87 bpm • D Maj • 03:47 • -29db
42% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
42% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
► Preview
Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
► Preview
Misha Quint
Valse Sentimentale, Op. 51, No. 6
81 bpm • A min • 02:36 • -29.28db
28% Popularity • 15% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
28% Popularity • 15% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Jacques Offenbach
La vie parisienne: Galop
81 bpm • B Maj • 01:11 • -24.97db
3% Popularity • 48% Danceability • 21% Energy • 34% Liveness
41% Instrumentalness • 97% Positiveness
3% Popularity • 48% Danceability • 21% Energy • 34% Liveness
41% Instrumentalness • 97% Positiveness
► Preview
Edward Elgar
Elgar / Transc. Walter: Salut d'amour, O...
81 bpm • E Maj • 02:44 • -20db
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
33% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
19% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
87 bpm • G Maj • 06:39 • -20.24db
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Franz Schubert
An die Musik, D. 547 (Transc. for Cello ...
81 bpm • D Maj • 02:25 • -21db
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: VI. Te...
88 bpm • G Maj • 02:09 • -22.48db
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act I: "Dalla sua...
80 bpm • G Maj • 03:28 • -21.95db
1% Popularity • 12% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
1% Popularity • 12% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Max Bruch
"Kol Nidrei" Adagio for Cello and Orches...
88 bpm • D min • 05:26 • -22.4db
4% Popularity • 17% Danceability • 8% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
4% Popularity • 17% Danceability • 8% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Offenbach & Rosenthal: Gaîté parisienn...
80 bpm • D Maj • 05:18 • -17.01db
1% Popularity • 17% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
1% Popularity • 17% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Ernest Bloch
From Jewish Life, B 54: I. Prayer - Live...
88 bpm • F min • 04:41 • -23db
7% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 20 in C Minor ...
88 bpm • G# Maj • 01:38 • -21.71db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Traditional
Vagiorko mai / Don't You Love Me?
89 bpm • C min • 02:36 • -19.65db
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Duos for Two Cellos, Op. 49 No. 1 in C M...
80 bpm • G Maj • 01:47 • -27.58db
24% Popularity • 25% Danceability • 1% Energy • 18% Liveness
84% Instrumentalness • 11% Positiveness
24% Popularity • 25% Danceability • 1% Energy • 18% Liveness
84% Instrumentalness • 11% Positiveness
► Preview
Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Victor Herbert
Ghazel for Cello & Strings (Transc. Sam ...
80 bpm • D# Maj • 03:25 • -37.19db
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
39% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
