Songs like Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff for Piano) by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
37% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
37% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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George Frideric Handel
Handel: Music for the Royal Fireworks, H...
135 bpm • C# Maj • 05:14 • -10.71db
31% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
33% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Péter Nagy
5 Lieder, Op. 49: No. 4. Wiegenlied (arr...
134 bpm • D# Maj • 02:15 • -33db
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Jean-Philippe Rameau
Cinquième concert: II. La Cupis
136 bpm • D min • 04:11 • -29.38db
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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George Frideric Handel
Harpsichord Suite No. 1 in B-Flat Major ...
136 bpm • G min • 03:25 • -23.79db
12% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
12% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Sarabande
137 bpm • D min • 02:36 • -36.59db
15% Popularity • 40% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
15% Popularity • 40% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
II. Andante
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Claude Debussy
Children's Corner, L. 113: IV. The Snow ...
131 bpm • D min • 02:24 • -28.25db
9% Popularity • 27% Danceability • 13% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 27% Danceability • 13% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
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George Frideric Handel
Messiah, HVW 56, Part 2, Scene 1: He was...
137 bpm • D# Maj • 09:19 • -30.46db
0% Popularity • 23% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I: Overture
134 bpm • E Maj • 05:30 • -27db
30% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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Antonio Soler
Sonata No. 84 in D
130 bpm • D Maj • 02:45 • -27db
15% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
15% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
40% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
40% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto grosso No. 2 in B-Flat Major, O...
133 bpm • A Maj • 01:37 • -15.74db
11% Popularity • 32% Danceability • 25% Energy • 12% Liveness
36% Instrumentalness • 43% Positiveness
11% Popularity • 32% Danceability • 25% Energy • 12% Liveness
36% Instrumentalness • 43% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Wolfgang Amadeus Mozart
Rondo in F Major, K. 494
146 bpm • F Maj • 06:04 • -27.89db
32% Popularity • 35% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
32% Popularity • 35% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
33% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
33% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Domenico Scarlatti
Sonata in D Major, Kk. 119: Allegro
126 bpm • D Maj • 05:14 • -26db
27% Popularity • 47% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
27% Popularity • 47% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
21% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
21% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Overture in D Minor, TWV 55:2: Menuet II...
126 bpm • F Maj • 01:17 • -23db
42% Popularity • 64% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 69% Positiveness
42% Popularity • 64% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 69% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
126 bpm • G min • 01:00 • -23.47db
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act I: Hush, ...
125 bpm • E Maj • 06:11 • -26.98db
7% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel, F: String Quartet in...
151 bpm • C min • 03:37 • -13db
18% Popularity • 41% Danceability • 28% Energy • 15% Liveness
23% Instrumentalness • 54% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 15% Liveness
23% Instrumentalness • 54% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
122 bpm • G Maj • 03:59 • -33.32db
32% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
32% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
152 bpm • E min • 02:03 • -31.38db
29% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Jean-Philippe Rameau
La villageoise
152 bpm • E min • 01:19 • -24.19db
33% Popularity • 34% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 93% Positiveness
33% Popularity • 34% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 93% Positiveness
► Preview
George Frideric Handel
Messiah, HVW 56, Part 2, Scene 6: Why do...
142 bpm • G Maj • 02:45 • -19.92db
0% Popularity • 37% Danceability • 32% Energy • 49% Liveness
5% Instrumentalness • 56% Positiveness
0% Popularity • 37% Danceability • 32% Energy • 49% Liveness
5% Instrumentalness • 56% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
121 bpm • C min • 04:10 • -32.4db
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
► Preview
Jean-Philippe Rameau
Suite en ré: Les niais de Sologne
121 bpm • D Maj • 01:44 • -29db
34% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
34% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
► Preview
George Frideric Handel
Messiah, HVW 56, Part 2, Scene 1: Behold...
120 bpm • G min • 02:49 • -24.68db
0% Popularity • 21% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
0% Popularity • 21% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
► Preview
Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
► Preview
Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
24% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
24% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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George Frideric Handel
Keyboard Suite No. 3 (Set I) in D Minor,...
130 bpm • D min • 04:07 • -19.66db
25% Popularity • 37% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 70% Positiveness
25% Popularity • 37% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 70% Positiveness
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Edvard Grieg
Lyric Pieces Book X, Op. 71: No. 7 Remem...
157 bpm • G min • 01:57 • -37.26db
33% Popularity • 37% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
33% Popularity • 37% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Four Seasons Winter Variation (After Vio...
117 bpm • F min • 01:43 • -27.84db
46% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
46% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
116 bpm • A Maj • 02:20 • -29.23db
29% Popularity • 52% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Eugen d'Albert
Chaconne in G Major, HWV 435 (arr. E. d'...
117 bpm • G Maj • 11:01 • -26.02db
11% Popularity • 27% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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George Frideric Handel
Concerto Grosso in G Minor, Op. 6, No. 6...
130 bpm • A Maj • 02:51 • -27.7db
3% Popularity • 58% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 31% Positiveness
3% Popularity • 58% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 31% Positiveness
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Jean-Philippe Rameau
Zoroastre, RCT 62, Acte III, Scène VII:...
116 bpm • G# min • 02:13 • -22.16db
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Tomaso Albinoni
Oboe Concerto in F Major, Op. 7, No. 9: ...
164 bpm • F Maj • 02:33 • -22db
39% Popularity • 9% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
31% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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George Frideric Handel
Trio Sonata in F Major, HWV 392: IV. All...
144 bpm • E Maj • 02:53 • -15.59db
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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John Field
Nocturne No. 10 in E Major “Nocturne P...
169 bpm • E Maj • 06:24 • -21.34db
21% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Ignaz Friedman
Suite in E Minor, RCT 2: Pièces de clav...
172 bpm • E min • 03:04 • -28db
32% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
32% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 1. Introduzione (Lar...
172 bpm • C min • 02:26 • -19db
26% Popularity • 18% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 17% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: Must ...
170 bpm • E Maj • 04:18 • -22.2db
6% Popularity • 17% Danceability • 9% Energy • 13% Liveness
11% Instrumentalness • 15% Positiveness
6% Popularity • 17% Danceability • 9% Energy • 13% Liveness
11% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
175 bpm • C# Maj • 04:08 • -27.96db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness