Songs like Harry and Milt Meet Hal B by Phil Spector
Based on a tempo of (+/- 10%) and a similar genre
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Kenny Lynch
You Can Never Stop Me Loving You
117 bpm • E Maj • 02:46 • -10.24db
17% Popularity • 55% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 55% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmy Clanton
Venus in Blue Jeans
117 bpm • D Maj • 02:14 • -12.08db
30% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Craig Douglas
Pretty Blue Eyes
117 bpm • D# Maj • 02:14 • -17.65db
33% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Crystals
He's a Rebel
117 bpm • F# Maj • 02:30 • -6.45db
45% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
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Little Eva
Breaking up Is Hard to Do
116 bpm • C Maj • 02:19 • -10.47db
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Paul & Paula
Come Softly to Me
117 bpm • B Maj • 01:54 • -13.26db
35% Popularity • 65% Danceability • 25% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
35% Popularity • 65% Danceability • 25% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
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Joe Meek & the Blue Men
Angela Jones
118 bpm • E min • 02:38 • -15.04db
19% Popularity • 49% Danceability • 27% Energy • 10% Liveness
62% Instrumentalness • 57% Positiveness
19% Popularity • 49% Danceability • 27% Energy • 10% Liveness
62% Instrumentalness • 57% Positiveness
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Frankie Avalon
Bobby Sox To Stockings
118 bpm • G min • 02:38 • -11.21db
24% Popularity • 61% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Perry Como
Catch a Falling Star
118 bpm • C# Maj • 02:29 • -17.7db
47% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Dick & Dee Dee
The Mountain's High
118 bpm • C# Maj • 02:17 • -7.05db
20% Popularity • 68% Danceability • 80% Energy • 23% Liveness
35% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 80% Energy • 23% Liveness
35% Instrumentalness • 93% Positiveness
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Little Eva
Keep Your Hands off My Baby
118 bpm • C Maj • 02:32 • -6.66db
21% Popularity • 58% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 58% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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The Four Preps
Down By the Station
119 bpm • D# Maj • 02:52 • -15.18db
22% Popularity • 75% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 75% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Peggy March
Hello Heartache, Goodbye Love
119 bpm • G# Maj • 02:25 • -9.69db
16% Popularity • 45% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 45% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Spector
Long Ago and Far Away
115 bpm • B min • 02:08 • -18.78db
4% Popularity • 56% Danceability • 9% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
4% Popularity • 56% Danceability • 9% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Dodie Stevens
Too Young
115 bpm • F Maj • 02:02 • -10.1db
18% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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The Swinging Blue Jeans
You're No Good
115 bpm • C Maj • 02:17 • -12db
46% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 62% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Eden Kane
Well I Ask You
119 bpm • C Maj • 02:21 • -11db
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bobbie Gentry
I'll Never Fall In Love Again
115 bpm • D Maj • 02:55 • -13.37db
33% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Craig Douglas
Only Sixteen
115 bpm • D Maj • 02:20 • -18.17db
32% Popularity • 67% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Frankie Avalon
Venus
115 bpm • A# Maj • 02:24 • -18.85db
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
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Gary Puckett & The Union Gap
Young Girl
119 bpm • D# Maj • 03:11 • -8.23db
54% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Little Eva
Up on the Roof
120 bpm • C# Maj • 02:56 • -9.87db
18% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Sandy Posey
Born A Woman
115 bpm • C Maj • 02:00 • -12.21db
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Eden Kane
Well I Ask You
120 bpm • C Maj • 02:15 • -8.74db
31% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Tommy Edwards
Please Mr. Sun
120 bpm • D# Maj • 02:20 • -9.78db
38% Popularity • 40% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 40% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Ifield
Confessin' (That I Love You)
120 bpm • A Maj • 02:03 • -9.62db
23% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
39% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Maestro
16 Candles
114 bpm • A# Maj • 02:54 • -10.08db
46% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Dee Clark
Raindrops
114 bpm • G Maj • 02:59 • -7.61db
28% Popularity • 38% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 38% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
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The Velvets
Tonight Could Be the Night
120 bpm • E Maj • 02:07 • -6db
34% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Dion & The Belmonts
No One Knows
114 bpm • D Maj • 02:38 • -8.6db
30% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Spector's Three
I Really Do
120 bpm • F Maj • 02:15 • -14.07db
13% Popularity • 62% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Emile Ford & The Checkmates
What Do You Want to Make Those Eyes at M...
114 bpm • G# Maj • 02:04 • -5.05db
39% Popularity • 45% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 45% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Sam Cooke
Cupid
120 bpm • G Maj • 02:38 • -10.5db
59% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Peter And Gordon
True Love Ways - 2002 Remaster
114 bpm • A Maj • 02:40 • -8.01db
33% Popularity • 32% Danceability • 47% Energy • 38% Liveness
1% Instrumentalness • 39% Positiveness
33% Popularity • 32% Danceability • 47% Energy • 38% Liveness
1% Instrumentalness • 39% Positiveness
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Duane Eddy
Because They're Young
121 bpm • E Maj • 02:00 • -10.98db
23% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
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michael holliday
Starry Eyed - Single Version
121 bpm • D Maj • 02:23 • -10db
23% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Wayne Fontana & The Mindbenders
Um Um Um Um Um Um
121 bpm • A Maj • 02:29 • -6.39db
33% Popularity • 79% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 79% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Linda Scott
Never in a Million Years
121 bpm • C# Maj • 02:24 • -9.55db
13% Popularity • 73% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 73% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Phil Spector
My Foolish Heart
113 bpm • G Maj • 02:27 • -15.77db
5% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Joni James
Little Things Mean a Lot
113 bpm • B Maj • 02:32 • -7.47db
29% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Chiffons
Will You Still Love Me Tomorrow
121 bpm • C Maj • 02:24 • -5.79db
39% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Danny Williams
White on White
113 bpm • C Maj • 02:19 • -8.84db
24% Popularity • 58% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 58% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Dee Clark
Raindrops
121 bpm • G# Maj • 02:52 • -6.63db
18% Popularity • 34% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 34% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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The Four Preps
26 Miles (Santa Catalina)
121 bpm • A Maj • 02:26 • -12.73db
34% Popularity • 64% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 64% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Phil Spector
If I Give My Heart to You
113 bpm • A Maj • 02:00 • -17.66db
8% Popularity • 51% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 51% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Shangri-Las
Leader of the Pack
121 bpm • C# Maj • 02:53 • -8.8db
31% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
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Little Eva
Sharing You
113 bpm • C Maj • 01:57 • -9.79db
14% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Joey Powers
Midnight Mary
122 bpm • E Maj • 02:21 • -8db
19% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Helms
My Special Angel
122 bpm • C Maj • 02:53 • -7.81db
17% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sam Cooke
Only Sixteen
112 bpm • G# Maj • 02:01 • -9.58db
41% Popularity • 73% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 73% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Phil Spector
Willy Boy
121 bpm • A Maj • 01:57 • -10.42db
2% Popularity • 31% Danceability • 70% Energy • 32% Liveness
91% Instrumentalness • 96% Positiveness
2% Popularity • 31% Danceability • 70% Energy • 32% Liveness
91% Instrumentalness • 96% Positiveness
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Spanky & Our Gang
Sunday Will Never Be The Same
121 bpm • D Maj • 03:00 • -6.46db
42% Popularity • 47% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 47% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Eddie Fisher
Cindy Oh Cindy
122 bpm • G Maj • 03:00 • -9db
33% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Tremeloes
Silence Is Golden
112 bpm • E Maj • 03:10 • -7.27db
53% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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John Leyton
Son This Is She
112 bpm • F Maj • 02:25 • -9.6db
20% Popularity • 42% Danceability • 56% Energy • 28% Liveness
41% Instrumentalness • 69% Positiveness
20% Popularity • 42% Danceability • 56% Energy • 28% Liveness
41% Instrumentalness • 69% Positiveness
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Clarence "Frogman" Henry
You Always Hurt the One You Love
112 bpm • A# Maj • 02:30 • -1.33db
18% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Peter And Gordon
I Go to Pieces - Mono; 2002 Remaster
112 bpm • E Maj • 02:26 • -7db
39% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 58% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Paul & Paula
First Day Back at School
122 bpm • D Maj • 02:26 • -9.78db
24% Popularity • 81% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Curtola
Fortune Teller
112 bpm • C Maj • 02:44 • -5.3db
19% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Orlons
Don't Hang Up - Remastered
112 bpm • G Maj • 02:16 • -9.09db
23% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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New Vaudeville Band
Winchester Cathedral
123 bpm • G Maj • 02:16 • -14db
34% Popularity • 85% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Neil Sedaka
Calendar Girl
123 bpm • G# min • 02:39 • -7.73db
57% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Clanton
Venus in Blue Jeans
112 bpm • C# Maj • 02:23 • -4db
56% Popularity • 50% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 50% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Anthony Newley
Do You Mind?
122 bpm • C Maj • 02:19 • -12db
19% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 76% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Springfields
Island of Dreams
123 bpm • G# Maj • 02:38 • -4.4db
29% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 42% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Sue Thompson
If The Boy Only Knew
123 bpm • E Maj • 02:46 • -11.71db
24% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Gary Puckett & The Union Gap
Lady Willpower
123 bpm • C min • 02:45 • -8.26db
48% Popularity • 53% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 53% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Des O'Connor
One, Two, Three O'Leary
111 bpm • G Maj • 02:29 • -12db
18% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Brian Hyland
Itsy Bitsy Teenie Weenie Yellow Polka Do...
123 bpm • D Maj • 02:23 • -11.54db
56% Popularity • 81% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 81% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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John Leyton
Lonely City
123 bpm • B Maj • 02:11 • -9.04db
14% Popularity • 50% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 50% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Billy J. Kramer
Trains and Boats and Planes
111 bpm • F Maj • 02:49 • -7db
37% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 65% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Phil Spector
Seven Lonely Days
111 bpm • D Maj • 02:01 • -13.85db
4% Popularity • 65% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
4% Popularity • 65% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Paul & Paula
Hey Paula - Alternate Take
111 bpm • G Maj • 02:29 • -9db
24% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
24% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Hollies
Sorry Suzanne - 1998 Remaster
124 bpm • C Maj • 03:02 • -7db
41% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Brian Hyland
Four Little Heels (The Clickety Clack So...
123 bpm • B min • 02:01 • -10.77db
34% Popularity • 78% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 78% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Cookies
Don't Say Nothin' Bad (About My Baby)
124 bpm • D Maj • 02:45 • -6db
21% Popularity • 62% Danceability • 64% Energy • 57% Liveness
1% Instrumentalness • 92% Positiveness
21% Popularity • 62% Danceability • 64% Energy • 57% Liveness
1% Instrumentalness • 92% Positiveness
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Neil Sedaka
Next Door to an Angel
124 bpm • F# min • 02:26 • -4.16db
38% Popularity • 76% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 76% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Gene McDaniels
Spanish Lace
111 bpm • G# Maj • 02:27 • -12.01db
23% Popularity • 62% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 62% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Toni Fisher
The Big Hurt (Alternate Take)
124 bpm • C Maj • 02:19 • -6.07db
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
46% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Vic Dana
Red Roses For A Blue Lady
110 bpm • B Maj • 02:50 • -12db
43% Popularity • 36% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 36% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Murmaids
Popsicles And Icicles
124 bpm • D# Maj • 02:31 • -8.08db
32% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Corsairs
Smoky Places
124 bpm • D# Maj • 03:03 • -14.18db
17% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Paul & Paula
Hey Paula
110 bpm • G Maj • 02:30 • -11.85db
50% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 54% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Jan & Dean
Heart and Soul
124 bpm • E Maj • 02:09 • -8.96db
26% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Peter And Gordon
Baby, I'm Yours - Mono; 2003 Remaster
110 bpm • B Maj • 02:47 • -7.79db
12% Popularity • 43% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 43% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Tony Orlando
Bless You
125 bpm • C# Maj • 02:10 • -8db
23% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Little Eva
Uptown
110 bpm • C Maj • 02:26 • -9.63db
17% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Caravelles
You Don't Have to Be a Baby to Cry
125 bpm • C# Maj • 02:04 • -11.86db
14% Popularity • 62% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Connie Stevens
Sixteen Reasons
110 bpm • A# Maj • 01:58 • -9db
42% Popularity • 34% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 34% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Roe
The Folk Singer
110 bpm • G# Maj • 02:57 • -11db
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Phil Spector
Spanish Harlem (Arr. by Willy Hautvast)
125 bpm • D# Maj • 02:41 • -27.42db
2% Popularity • 47% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
2% Popularity • 47% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Twinkle
Terry
125 bpm • A Maj • 03:10 • -8.32db
21% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Al Martino
Spanish Eyes
109 bpm • D Maj • 02:46 • -9.8db
54% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Caravelles
You Don't Have to Be a Baby to Cry
125 bpm • C# Maj • 02:02 • -14db
27% Popularity • 51% Danceability • 34% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
27% Popularity • 51% Danceability • 34% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness