Songs like Hate My Life by Theory of a Deadman
Based on a tempo of (+/- 10%) and a similar genre
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Stone Sour
Hesitate
126 bpm • A# Maj • 04:16 • -4.19db
51% Popularity • 45% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 45% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Puddle Of Mudd
Psycho
126 bpm • C# Maj • 03:30 • -3.55db
67% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Rev Theory
Light It Up
126 bpm • F Maj • 04:13 • -3db
45% Popularity • 44% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 44% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Buckcherry
Say Fuck It
126 bpm • F# Maj • 02:55 • -4.26db
51% Popularity • 55% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
51% Popularity • 55% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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The Offspring
You're Gonna Go Far, Kid
126 bpm • C Maj • 02:57 • -3.16db
82% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
82% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Staind
Something to Remind You
126 bpm • A# min • 04:07 • -9.27db
48% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Black Veil Brides
Wake Up
127 bpm • C min • 02:42 • -3.61db
60% Popularity • 56% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 56% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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Shinedown
I'll Follow You
125 bpm • A# Maj • 03:58 • -4.16db
61% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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I Prevail
Breaking Down
127 bpm • E min • 03:26 • -7.18db
60% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
60% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Showdown
Carry on My Wayward Son
127 bpm • F Maj • 04:21 • -4.76db
38% Popularity • 57% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 57% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Rob Zombie
Dragula
125 bpm • C min • 03:42 • -6.49db
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Thousand Foot Krutch
Untraveled Road
125 bpm • B Maj • 03:55 • -6.34db
62% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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New Medicine
Sun Goes Down
127 bpm • A min • 03:12 • -2.1db
31% Popularity • 48% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 48% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Halestorm
Do Not Disturb
127 bpm • D min • 03:23 • -3db
51% Popularity • 70% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 70% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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The Glorious Sons
Heavy
125 bpm • A Maj • 02:50 • -4db
52% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Seether
Remedy
128 bpm • G# Maj • 03:27 • -4.66db
71% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
71% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Highly Suspect
Lydia
128 bpm • F# min • 04:02 • -4.65db
63% Popularity • 42% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 42% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Avenged Sevenfold
Shepherd of Fire
128 bpm • D Maj • 05:23 • -7.68db
70% Popularity • 58% Danceability • 91% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
70% Popularity • 58% Danceability • 91% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Rev Theory
Favorite Disease
128 bpm • C# min • 03:41 • -3.14db
29% Popularity • 49% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 49% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Halestorm
Love Bites (So Do I)
125 bpm • D min • 03:11 • -1.99db
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Theory of a Deadman
Love Is Hell
124 bpm • C# Maj • 03:31 • -4db
33% Popularity • 47% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 47% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Deadset Society
Automatic
128 bpm • C# min • 03:26 • -5.56db
37% Popularity • 56% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 56% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Thousand Foot Krutch
Fire It Up
128 bpm • C Maj • 03:07 • -5db
48% Popularity • 56% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Seether
Broken
124 bpm • D# min • 04:18 • -2.7db
72% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Buckcherry
Lit Up
129 bpm • F min • 03:35 • -3.14db
61% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
61% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Bad Wolves
Lifeline
123 bpm • A# min • 03:13 • -5.36db
57% Popularity • 44% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 44% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Theory of a Deadman
Lowlife
129 bpm • C# Maj • 03:25 • -3.11db
52% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Halestorm
It's Not You
123 bpm • G# min • 02:54 • -3.24db
47% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Fozzy
Lights Go Out
123 bpm • E min • 03:12 • -3.7db
34% Popularity • 59% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 59% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 51% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
74% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
74% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Saint Asonia
Waste My Time
130 bpm • F# Maj • 03:14 • -7db
38% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Bad Wolves
Better Off This Way
123 bpm • G min • 03:22 • -7db
52% Popularity • 49% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 49% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Theory of a Deadman
Bitch Came Back
130 bpm • C# min • 03:39 • -4.19db
62% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Avenged Sevenfold
Nightmare
130 bpm • D Maj • 06:14 • -4.93db
73% Popularity • 55% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
73% Popularity • 55% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Halestorm
Freak Like Me
130 bpm • D Maj • 03:38 • -3.48db
45% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Arson City
Not Coming Home
130 bpm • A# Maj • 04:07 • -7.33db
30% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Pop Evil
Torn to Pieces
122 bpm • C Maj • 03:16 • -5.66db
58% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bad Wolves
Learn To Walk Again
130 bpm • G# Maj • 02:47 • -4.79db
63% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Puddle Of Mudd
Famous
130 bpm • F# min • 03:16 • -3.39db
55% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Fozzy
Drinkin with Jesus
130 bpm • F min • 03:56 • -3db
33% Popularity • 53% Danceability • 97% Energy • 19% Liveness
17% Instrumentalness • 54% Positiveness
33% Popularity • 53% Danceability • 97% Energy • 19% Liveness
17% Instrumentalness • 54% Positiveness
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Halestorm
I Like It Heavy
122 bpm • A Maj • 04:54 • -4.11db
50% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Theory of a Deadman
Villain - 1
131 bpm • A# Maj • 03:04 • -5.67db
32% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Drowning Pool
Bodies
131 bpm • E min • 03:21 • -3.41db
77% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Thousand Foot Krutch
We Are
121 bpm • B min • 03:18 • -4db
53% Popularity • 57% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 57% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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10 Years
Beautiful
132 bpm • F# Maj • 03:15 • -4.68db
55% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Framing Hanley
Hear Me Now
132 bpm • A Maj • 03:53 • -4db
42% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
42% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sixx:A.M.
Pray For Me
132 bpm • D Maj • 04:13 • -3.7db
40% Popularity • 47% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Theory of a Deadman
Heavy
132 bpm • E Maj • 03:02 • -2.87db
32% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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In This Moment
Adrenalize
132 bpm • F# Maj • 04:15 • -3.89db
58% Popularity • 46% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 46% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Nickelback
Burn It to the Ground
132 bpm • B Maj • 03:32 • -3.47db
77% Popularity • 62% Danceability • 92% Energy • 36% Liveness
39% Instrumentalness • 60% Positiveness
77% Popularity • 62% Danceability • 92% Energy • 36% Liveness
39% Instrumentalness • 60% Positiveness
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10 Years
The Unknown
120 bpm • B Maj • 03:00 • -5db
52% Popularity • 48% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 48% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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New Medicine
One Too Many
132 bpm • G# Maj • 03:23 • -4.33db
47% Popularity • 68% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 68% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Seether
Fake It
132 bpm • G# Maj • 03:13 • -3.51db
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Theory of a Deadman
Gentleman
132 bpm • G Maj • 03:28 • -3.35db
35% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Five Hundredth Year
Talking Body
120 bpm • C min • 03:44 • -6.16db
40% Popularity • 53% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 53% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 40% Positiveness
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Thousand Foot Krutch
Let the Sparks Fly
120 bpm • D Maj • 04:06 • -5db
63% Popularity • 64% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 64% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Crossfade
Prove You Wrong
120 bpm • F min • 03:18 • -5.61db
49% Popularity • 48% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 48% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Redlight King
Comeback
120 bpm • G min • 03:40 • -4.09db
38% Popularity • 54% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 54% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Fozzy
Burn Me Out
120 bpm • G# Maj • 04:03 • -4.37db
40% Popularity • 62% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 62% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Theory of a Deadman
Hurricane
132 bpm • F Maj • 04:17 • -4.64db
43% Popularity • 40% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 40% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Shinedown
DEVIL
120 bpm • G Maj • 03:27 • -3.25db
64% Popularity • 35% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 35% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Thousand Foot Krutch
Fly On the Wall
120 bpm • E min • 04:02 • -5.87db
56% Popularity • 61% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 61% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
57% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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I Prevail
Alone
119 bpm • F# min • 03:41 • -5db
57% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Smith & Myers
NOT MAD ENOUGH
120 bpm • D min • 03:39 • -6.54db
46% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Theory of a Deadman
Rx (Medicate)
120 bpm • C# Maj • 03:53 • -7.45db
66% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rev Theory
Broken Bones
134 bpm • D# min • 04:26 • -3.93db
38% Popularity • 43% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 43% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Buckcherry
All Night Long
134 bpm • A Maj • 03:51 • -3.17db
43% Popularity • 50% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 50% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Fall Out Boy
I Don't Care
134 bpm • B min • 03:34 • -3.56db
63% Popularity • 55% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 55% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
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Bullet For My Valentine
Your Betrayal
134 bpm • D min • 04:51 • -4.41db
69% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Volbeat
Heaven Nor Hell
134 bpm • D# Maj • 05:22 • -4.21db
59% Popularity • 41% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 41% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Theory of a Deadman
World War Me
134 bpm • E Maj • 03:14 • -3db
47% Popularity • 53% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 53% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Avenged Sevenfold
Hail to the King
118 bpm • D# min • 05:05 • -4.36db
77% Popularity • 58% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 68% Positiveness
77% Popularity • 58% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 68% Positiveness
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Staind
Zoe Jane
118 bpm • D# min • 04:36 • -5.17db
51% Popularity • 50% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 5% Positiveness
51% Popularity • 50% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 5% Positiveness
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Red Sun Rising
Deathwish
135 bpm • G# min • 04:47 • -5.52db
46% Popularity • 50% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 50% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Silent Theory
Fragile Minds
135 bpm • E min • 05:14 • -5.09db
52% Popularity • 59% Danceability • 93% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 93% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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HELLYEAH
Human
135 bpm • C min • 03:33 • -3.52db
52% Popularity • 51% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 51% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Theory of a Deadman
Panic Room
134 bpm • F min • 03:14 • -4db
39% Popularity • 55% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 55% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Thousand Foot Krutch
Lifeline
136 bpm • F Maj • 03:38 • -5db
53% Popularity • 53% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 53% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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New Medicine
World Class Fuck Up
117 bpm • E Maj • 02:52 • -2.36db
39% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sixx:A.M.
This Is Gonna Hurt
136 bpm • A min • 03:56 • -4.15db
58% Popularity • 56% Danceability • 98% Energy • 2% Liveness
14% Instrumentalness • 20% Positiveness
58% Popularity • 56% Danceability • 98% Energy • 2% Liveness
14% Instrumentalness • 20% Positiveness
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Hinder
Without You
136 bpm • D# Maj • 03:52 • -4db
58% Popularity • 42% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 42% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Shinedown
Enemies
136 bpm • C# Maj • 03:08 • -2.64db
65% Popularity • 51% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 51% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Any Given Sin
Dynamite
116 bpm • D min • 03:48 • -3.11db
50% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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In This Moment
Black Wedding
137 bpm • C# min • 04:07 • -4db
60% Popularity • 54% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 54% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 29% Positiveness
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New Medicine
Race You to the Bottom
116 bpm • B min • 02:58 • -3db
38% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Finger Eleven
Good Times
137 bpm • A# min • 03:55 • -4db
46% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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NOTHING MORE
Go To War
137 bpm • F# min • 04:05 • -4.81db
62% Popularity • 46% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 46% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Theory of a Deadman
Wicked Game
115 bpm • A Maj • 03:40 • -9.01db
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Three Days Grace
Break
115 bpm • C Maj • 03:13 • -3.91db
69% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Halestorm
Mz. Hyde
138 bpm • D Maj • 03:22 • -4db
48% Popularity • 56% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 56% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Bad Wolves
Killing Me Slowly
138 bpm • C# min • 03:57 • -4.18db
68% Popularity • 33% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 33% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Gone for Days
Guilty Pleasure
115 bpm • F Maj • 03:23 • -4.69db
27% Popularity • 53% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 53% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Finger Eleven
Whatever Doesn't Kill Me
138 bpm • C Maj • 03:37 • -2.71db
39% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Saving Abel
Addicted
138 bpm • G Maj • 03:42 • -4.15db
72% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
72% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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I Prevail
Scars
138 bpm • G Maj • 03:49 • -3.67db
66% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Theory of a Deadman
In Ruins
138 bpm • G# Maj • 03:19 • -4.35db
31% Popularity • 53% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 53% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Gemini Syndrome
Stardust
114 bpm • G Maj • 03:48 • -3.48db
50% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
