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Hate The World
Songs like
Hate The World
by
Gordi
Based on a tempo of (+/- 10%) and a similar genre
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Hayden Calnin
We Can Take Our Time
100 bpm • E Maj • 04:10 • -14db
41% Popularity • 56% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 28% Positiveness
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Alaska Reid
Warm
100 bpm • C Maj • 03:26 • -6.88db
21% Popularity • 62% Danceability • 78% Energy • 24% Liveness
4% Instrumentalness • 37% Positiveness
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Ngaiire
Shiver
100 bpm • C Maj • 04:10 • -7.43db
21% Popularity • 71% Danceability • 71% Energy • 8% Liveness
23% Instrumentalness • 82% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
31% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Alana Henderson
Museum
100 bpm • A Maj • 03:41 • -10.22db
15% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
39% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Gordi
Hate The World
100 bpm • G Maj • 03:44 • -13.84db
11% Popularity • 59% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Rosie Carney
7
100 bpm • C Maj • 03:33 • -16.01db
15% Popularity • 21% Danceability • 15% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Maple Glider
Be Mean, It's Kinder Than Crying
100 bpm • E Maj • 02:15 • -8.82db
26% Popularity • 81% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Greta Stanley
Burden for Certain
100 bpm • D Maj • 03:58 • -9.66db
15% Popularity • 54% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Alice Skye
For Every Year
100 bpm • G Maj • 04:49 • -16.97db
11% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Another Sky
I Don't Hate You
100 bpm • B Maj • 03:57 • -8.66db
17% Popularity • 47% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Kate Miller-Heidke
Deluded
100 bpm • F Maj • 03:26 • -6.6db
25% Popularity • 69% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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George Alice
Circles - Acoustic
100 bpm • C# min • 03:27 • -9.18db
29% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Louise
Into My Arms - triple j Like A Version
99 bpm • C Maj • 04:32 • -15.56db
30% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Hayden Calnin
Oh What a Mess I'm In
101 bpm • C Maj • 04:02 • -12db
40% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Georgia Maq
Like I Do
101 bpm • D Maj • 04:18 • -9.76db
9% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Odette
Foghorn
102 bpm • A min • 03:08 • -7.37db
12% Popularity • 41% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Gordi
Starting Over
98 bpm • E Maj • 03:09 • -11.9db
2% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
11% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Emma Louise
Just The Way I Am
98 bpm • F# Maj • 03:33 • -12.75db
15% Popularity • 30% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Nina June
World on Fire
98 bpm • E min • 04:03 • -8.74db
25% Popularity • 47% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Georgia Maq
Cold Summer
101 bpm • A# Maj • 04:28 • -7.17db
14% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander Biggs
Postal Address
98 bpm • E min • 03:42 • -9.99db
13% Popularity • 54% Danceability • 51% Energy • 9% Liveness
32% Instrumentalness • 24% Positiveness
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Gordi
Better Than Then, Closer To Now
102 bpm • D Maj • 04:23 • -8.2db
8% Popularity • 58% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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Ainslie Wills
Running Second - Single Version
98 bpm • G# Maj • 03:54 • -12db
23% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sorcha Richardson
Crush
98 bpm • B min • 03:05 • -8.45db
24% Popularity • 70% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Thomas Saunders
Holding On For Love
98 bpm • F# Maj • 05:20 • -9.65db
14% Popularity • 43% Danceability • 36% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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Troye Sivan
Postcard
98 bpm • C Maj • 03:36 • -8.91db
47% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Vagabon
Wits About You
97 bpm • F# Maj • 02:39 • -14.38db
17% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Gordi
Nothing's As It Seems
103 bpm • F Maj • 03:26 • -6.17db
18% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lisa Hannigan
Undertow
97 bpm • A min • 03:24 • -12.44db
44% Popularity • 64% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Ainslie Wills
Two Strong Hearts
97 bpm • D Maj • 03:06 • -11.2db
49% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Little May
Back Seat Driver
97 bpm • B min • 03:04 • -13.11db
16% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sharon Van Etten
Staring at a Mountain
104 bpm • A# Maj • 04:02 • -9.87db
19% Popularity • 42% Danceability • 29% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
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flowerkid
miss andry
104 bpm • F# min • 04:23 • -4.14db
29% Popularity • 52% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Gordi
Myriad
96 bpm • D Maj • 03:21 • -10.76db
9% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Thelma Plum
Homecoming Queen Strings
96 bpm • B Maj • 04:22 • -9.57db
27% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Georgia Maq
Like a Shadow
96 bpm • A# Maj • 03:10 • -11.01db
11% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Asha Jefferies
Bad Kisser
96 bpm • G Maj • 03:14 • -8.96db
17% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
55% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hayden Calnin
What It Means to Be Human
105 bpm • C# Maj • 04:35 • -12db
36% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Gordi
Free Association
105 bpm • A# Maj • 04:00 • -10.33db
12% Popularity • 58% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Alana Henderson
Let This Remain - EP Version
95 bpm • A min • 03:30 • -11.68db
12% Popularity • 52% Danceability • 31% Energy • 32% Liveness
4% Instrumentalness • 19% Positiveness
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Georgia Maq
Big Embarrassing Heart
96 bpm • F Maj • 04:04 • -7db
12% Popularity • 59% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Lanterns on the Lake
A Fitting End
105 bpm • G Maj • 05:04 • -14.13db
11% Popularity • 45% Danceability • 20% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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#1 Dads
Twice a Fool
95 bpm • C Maj • 04:43 • -8.66db
31% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Eliza Shaddad
Pure Shores
95 bpm • G Maj • 03:52 • -6.16db
33% Popularity • 44% Danceability • 75% Energy • 20% Liveness
3% Instrumentalness • 30% Positiveness
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annie hamilton
Fade
95 bpm • F Maj • 03:10 • -5.6db
16% Popularity • 32% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Molly Payton
1972
95 bpm • C# min • 03:13 • -6.24db
24% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ainslie Wills
This Is What Our Love Looks Like Now
95 bpm • E Maj • 04:03 • -12.02db
19% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sorcha Richardson
Ruin Your Night - Home Recording
106 bpm • A Maj • 03:19 • -13.2db
13% Popularity • 62% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Billie Marten
Creature of Mine
106 bpm • A min • 03:23 • -8.24db
31% Popularity • 68% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Rosie Carney
High And Dry
106 bpm • E Maj • 03:52 • -14.4db
52% Popularity • 46% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Flock of Dimes
One More Hour
106 bpm • A# Maj • 03:43 • -8.16db
20% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Little May
Girl
106 bpm • D# Maj • 03:44 • -10.91db
15% Popularity • 64% Danceability • 58% Energy • 12% Liveness
51% Instrumentalness • 46% Positiveness
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Maybe Babs
Simple Life
94 bpm • C Maj • 04:12 • -14.27db
15% Popularity • 30% Danceability • 32% Energy • 13% Liveness
7% Instrumentalness • 34% Positiveness
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Banjo Lucia
That's Not Loving
94 bpm • D Maj • 03:34 • -9.92db
20% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Ailbhe Reddy
Personal History
94 bpm • F Maj • 04:59 • -8.72db
11% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Gordi
All The Light We Cannot See
106 bpm • E Maj • 04:17 • -9db
16% Popularity • 32% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Church
Shiloh
94 bpm • C# min • 03:17 • -15.86db
29% Popularity • 29% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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George Ogilvie
IIWII
94 bpm • C# Maj • 04:48 • -15.84db
30% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
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Rosie Carney
Bare
107 bpm • B Maj • 03:54 • -15db
39% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
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SOAK
Crying Your Eyes Out
107 bpm • C Maj • 03:59 • -6.31db
11% Popularity • 32% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
41% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Gordi
Taken Blame
94 bpm • D Maj • 03:42 • -8.93db
10% Popularity • 47% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Lanterns on the Lake
Before They Excavate
93 bpm • C Maj • 04:52 • -14.89db
13% Popularity • 28% Danceability • 34% Energy • 12% Liveness
49% Instrumentalness • 6% Positiveness
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JFDR
Drifter - Dream On Version
108 bpm • G Maj • 04:33 • -15.47db
13% Popularity • 47% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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annie hamilton
Californian Carpark Concrete
108 bpm • D Maj • 04:46 • -6.14db
9% Popularity • 42% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
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Lizzie Reid
Company Car
108 bpm • G Maj • 03:02 • -9.93db
27% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Margaret Glaspy
Killing What Keeps Us Alive
108 bpm • B Maj • 03:18 • -8.76db
10% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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CARM
Song of Trouble
92 bpm • D Maj • 02:59 • -13db
24% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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St. South
I'm Still Me
108 bpm • D Maj • 04:02 • -12.5db
16% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Eliza Shaddad
Same as You
92 bpm • A Maj • 02:30 • -10db
19% Popularity • 50% Danceability • 62% Energy • 27% Liveness
36% Instrumentalness • 57% Positiveness
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Thelma Plum
Love and War
92 bpm • A Maj • 03:28 • -10db
31% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sam Lynch
Not My Body
92 bpm • C Maj • 04:43 • -12db
11% Popularity • 48% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Asha Jefferies
Break
109 bpm • A Maj • 04:14 • -10.31db
8% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
66% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Jade Bird
Does Anybody Know
109 bpm • A# min • 03:27 • -11.12db
49% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Gordi
On My Side
109 bpm • E Maj • 04:30 • -8.44db
18% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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annie hamilton
Whirlwind
110 bpm • F# min • 03:01 • -9.4db
12% Popularity • 31% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
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#1 Dads
Run
91 bpm • G Maj • 03:04 • -13.92db
19% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Hayden Calnin
Lightning
91 bpm • C# Maj • 03:48 • -9db
34% Popularity • 41% Danceability • 37% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Alice Skye
Poetry By Text
110 bpm • E Maj • 04:31 • -16db
18% Popularity • 61% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Odette
Why Can’t I Let The Sun Set?
110 bpm • G min • 02:30 • -6.56db
22% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Gordi
Unready
110 bpm • F Maj • 03:42 • -7db
20% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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E^ST
I'M DOING IT
91 bpm • A Maj • 03:03 • -11.57db
12% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Middle Kids
Stacking Chairs
110 bpm • G# Maj • 03:08 • -5db
46% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
30% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Rosie Carney
i dreamed i was the night
110 bpm • F Maj • 02:57 • -10.29db
11% Popularity • 36% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Azure Ryder
Stir The Dust
110 bpm • C Maj • 03:15 • -7.71db
30% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Gordi
Unready - aO2Sk
110 bpm • F Maj • 04:12 • -6.26db
11% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jade Bird
17
90 bpm • A min • 02:44 • -10db
32% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
52% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Pretty Preachers Club
Just Tell People How You Feel
111 bpm • A Maj • 02:18 • -20db
35% Popularity • 62% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Carney
when i look at you.
110 bpm • A Maj • 03:52 • -11.65db
43% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Josh Pyke
The Hummingbird
112 bpm • D min • 03:30 • -8.02db
16% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Gordi
Wrecking Ball - triple j Like A Version
111 bpm • D min • 04:50 • -11db
30% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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#1 Dads
Orion
90 bpm • F# Maj • 05:33 • -7.18db
20% Popularity • 55% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Lynch
Mess You Made
112 bpm • G Maj • 03:08 • -7.21db
19% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Hate The World