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Havana Nights
Songs like
Havana Nights
by
Randall Standridge
Based on a tempo of (+/- 10%) and a similar genre
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Arturo Márquez
Conga del Fuego Nuevo (Arr. O. Nickel fo...
119 bpm • A min • 05:02 • -14.64db
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
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John Smith
Africa: Ceremony, Song And Ritual
119 bpm • C Maj • 08:14 • -19.49db
11% Popularity • 32% Danceability • 32% Energy • 4% Liveness
53% Instrumentalness • 14% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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Randall Standridge
Havana Nights
119 bpm • C min • 06:24 • -8.62db
25% Popularity • 37% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 24% Positiveness
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Teresa Jennings
A Prehistoric Suite: IV. The Battle
119 bpm • D# Maj • 01:48 • -12.56db
11% Popularity • 53% Danceability • 52% Energy • 6% Liveness
95% Instrumentalness • 16% Positiveness
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Adam Gorb
A Little Tango Music
119 bpm • F Maj • 04:28 • -25.53db
5% Popularity • 34% Danceability • 5% Energy • 69% Liveness
81% Instrumentalness • 32% Positiveness
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Gordon Jacob
An Original Suite: I. March
120 bpm • G min • 03:40 • -11.55db
15% Popularity • 46% Danceability • 32% Energy • 38% Liveness
90% Instrumentalness • 57% Positiveness
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Orquesta Infantil Promúsica
Blue Rhythmico
118 bpm • G Maj • 02:25 • -8.2db
14% Popularity • 50% Danceability • 34% Energy • 14% Liveness
32% Instrumentalness • 66% Positiveness
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US Army Field Band
On the Mall
118 bpm • G# Maj • 03:17 • -12.99db
12% Popularity • 66% Danceability • 37% Energy • 29% Liveness
48% Instrumentalness • 91% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Pierre La Plante
American Riversongs
120 bpm • A# Maj • 06:26 • -18.54db
18% Popularity • 38% Danceability • 25% Energy • 85% Liveness
84% Instrumentalness • 32% Positiveness
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Randall Standridge
Blues for Judy
120 bpm • C Maj • 02:01 • -7.14db
1% Popularity • 48% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Sweeney
Celtic Air and Dance
118 bpm • D# Maj • 03:06 • -12.88db
28% Popularity • 36% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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John Mackey
Strange Humors
120 bpm • C min • 05:32 • -14.1db
21% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Andrew Boysen, Jr.
Kirkpatrick Fanfare
120 bpm • F Maj • 03:27 • -18db
16% Popularity • 47% Danceability • 34% Energy • 62% Liveness
76% Instrumentalness • 18% Positiveness
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Erika Svanoe
Steampunk Suite: I. Charlie and the Mech...
118 bpm • A# Maj • 03:54 • -14.42db
3% Popularity • 47% Danceability • 45% Energy • 29% Liveness
39% Instrumentalness • 30% Positiveness
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Robert Jager
Third Suite, I: March - Robert E. Jager
120 bpm • F Maj • 02:22 • -16.55db
12% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
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Jonathan Newman
Blow It Up, Start Again
117 bpm • A Maj • 04:12 • -12.07db
11% Popularity • 34% Danceability • 70% Energy • 72% Liveness
1% Instrumentalness • 31% Positiveness
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Frank Ticheli
Cajun Folk Songs: No. 1, La belle et le ...
117 bpm • A min • 03:09 • -23.23db
17% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
8% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
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Dennis Llinás
Un cafecito
117 bpm • A# min • 06:31 • -18.04db
25% Popularity • 35% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 26% Positiveness
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Randall D. Standridge
Darklands March
117 bpm • B min • 03:29 • -19.33db
20% Popularity • 50% Danceability • 18% Energy • 70% Liveness
88% Instrumentalness • 4% Positiveness
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Randall Standridge
Program Notes: II. Afternoon
117 bpm • C# Maj • 02:58 • -17.7db
0% Popularity • 68% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Dwayne S. Milburn
American Hymnsong Suite: IV. March on Wi...
117 bpm • D# Maj • 02:11 • -17.03db
15% Popularity • 51% Danceability • 39% Energy • 31% Liveness
66% Instrumentalness • 27% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: I. Cake Wa...
117 bpm • G# Maj • 04:04 • -17.05db
16% Popularity • 52% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
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The Band Of The Corps Of Royal Electrical & Mechanical Engineers
March of the Trolls
122 bpm • C Maj • 03:45 • -22.14db
8% Popularity • 50% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Eric Whitacre
Ghost Train Triptych: I. The Ride
122 bpm • A# min • 05:35 • -22db
11% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Randall Standridge
The Garden Suite: Frogs
116 bpm • A# Maj • 03:00 • -12.18db
9% Popularity • 51% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 40% Positiveness
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Alex Shapiro
Tight Squeeze
122 bpm • B Maj • 03:32 • -19.97db
7% Popularity • 56% Danceability • 35% Energy • 63% Liveness
34% Instrumentalness • 32% Positiveness
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Scott McAllister
Popcopy: I. More Cowbell
116 bpm • B Maj • 03:42 • -23db
8% Popularity • 47% Danceability • 27% Energy • 6% Liveness
96% Instrumentalness • 46% Positiveness
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Robert Sheldon
A Longford Legend
123 bpm • C min • 07:19 • -20db
16% Popularity • 26% Danceability • 9% Energy • 36% Liveness
77% Instrumentalness • 12% Positiveness
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William Latham
Brighton Beach
116 bpm • F Maj • 03:56 • -17.1db
8% Popularity • 44% Danceability • 31% Energy • 65% Liveness
90% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
Sea Songs
115 bpm • G# Maj • 04:01 • -19db
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: II. Schott...
123 bpm • D Maj • 02:58 • -23db
13% Popularity • 52% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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John Wasson
Curtain Call
124 bpm • A# Maj • 02:55 • -18db
12% Popularity • 45% Danceability • 45% Energy • 80% Liveness
79% Instrumentalness • 57% Positiveness
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Norman Dello Joio
Satiric Dances: I. Allegro pesante
115 bpm • A min • 02:03 • -14db
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
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Paul Creston
Saxophone Sonata, Op. 19: I. With vigor
124 bpm • B Maj • 04:48 • -17.1db
15% Popularity • 46% Danceability • 14% Energy • 28% Liveness
87% Instrumentalness • 37% Positiveness
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Gustav Holst
A Moorside Suite, H. 173: III. March
124 bpm • F min • 04:18 • -16.04db
14% Popularity • 38% Danceability • 17% Energy • 18% Liveness
89% Instrumentalness • 32% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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US Air Force Tactical Air Command Band
Aces Of The Air
124 bpm • D# Maj • 02:13 • -19db
12% Popularity • 74% Danceability • 47% Energy • 5% Liveness
97% Instrumentalness • 96% Positiveness
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Simon Dobson
Crystal
124 bpm • G min • 01:45 • -12.51db
16% Popularity • 42% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Soon Hee Newbold
Iditarod
124 bpm • G Maj • 05:27 • -17.71db
16% Popularity • 27% Danceability • 18% Energy • 72% Liveness
89% Instrumentalness • 18% Positiveness
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Brooklyn Wind Symphony
The Cave You Fear
124 bpm • F min • 04:13 • -16.16db
21% Popularity • 26% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 5% Positiveness
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Omar Thomas
Caribana (Live)
124 bpm • F min • 08:27 • -15.58db
10% Popularity • 33% Danceability • 60% Energy • 66% Liveness
92% Instrumentalness • 18% Positiveness
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Ricardo Mollá
I. On the top of Cape Finisterre
114 bpm • A# Maj • 05:12 • -19.19db
19% Popularity • 30% Danceability • 18% Energy • 34% Liveness
94% Instrumentalness • 39% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
19% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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The University of Illinois Symphonic Band
A Slavic Farewell
114 bpm • D# min • 03:05 • -12.78db
9% Popularity • 38% Danceability • 47% Energy • 91% Liveness
84% Instrumentalness • 47% Positiveness
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Julie Giroux
Bookmarks from Japan: IV. Kinryuzan Temp...
114 bpm • C# Maj • 03:09 • -16.64db
17% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
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Randall Standridge
Santa the Barbarian
114 bpm • C min • 03:02 • -17.81db
21% Popularity • 66% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: I. -
113 bpm • C min • 03:08 • -15db
15% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
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Percy Grainger
Handel in the Strand (Arr. for Wind Band...
113 bpm • F Maj • 04:11 • -15db
14% Popularity • 48% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 53% Positiveness
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Camille Saint-Saëns
Danse Bacchanale
125 bpm • D Maj • 07:22 • -16db
28% Popularity • 32% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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David Maslanka
On This Bright Morning
113 bpm • A# Maj • 08:40 • -22.2db
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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Jaime Texidor
Amparito Roca (Spanish March)
125 bpm • C Maj • 02:55 • -21.68db
21% Popularity • 41% Danceability • 15% Energy • 4% Liveness
87% Instrumentalness • 68% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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Matonizz
The King's Gambit
126 bpm • A# min • 06:22 • -23db
15% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Donald Grantham
J'ai ete au bal (I Went to the Dance)
126 bpm • A# min • 09:43 • -27.6db
10% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
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John Mackey
Strange Humors
113 bpm • D# Maj • 05:24 • -11db
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
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US Continental Army Band
Black Granite
113 bpm • C# Maj • 03:56 • -17.77db
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
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Erika Svanoe
Steampunk Suite (Version for Concert Ban...
112 bpm • A# Maj • 04:05 • -12.94db
8% Popularity • 38% Danceability • 43% Energy • 32% Liveness
29% Instrumentalness • 22% Positiveness
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Don Haddad
Tuba Suite: I. Allegro maestoso
126 bpm • G min • 03:21 • -26.63db
16% Popularity • 44% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Hugh Stuart
3 Ayres from Gloucester: No. 3. The Fief...
112 bpm • D min • 01:09 • -18.17db
18% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
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Michael Sweeney
Imperium
126 bpm • C min • 02:33 • -13.09db
17% Popularity • 58% Danceability • 26% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
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John Higgins
Celtic Ritual
112 bpm • A min • 04:26 • -13.92db
14% Popularity • 36% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Northwestern State University Bands
Overture for Winds
127 bpm • C min • 04:19 • -18.97db
14% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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Frank Ticheli
Fortress
127 bpm • D# Maj • 05:28 • -18db
11% Popularity • 41% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Candide: I. The Best of All Possible Wor...
127 bpm • D# Maj • 02:01 • -17db
23% Popularity • 67% Danceability • 23% Energy • 23% Liveness
92% Instrumentalness • 76% Positiveness
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Gustav Holst
First Suite in Eb for Military Band
127 bpm • D# Maj • 10:38 • -28.74db
13% Popularity • 31% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 18% Positiveness
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Teresa Jennings
A Prehistoric Suite: II. Brontosaurus
112 bpm • G min • 01:36 • -27.36db
11% Popularity • 19% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Percy Grainger
Themes from "Green Bushes" (Arr. L. Daeh...
111 bpm • G min • 03:39 • -18db
22% Popularity • 45% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Roger Cichy
Quartets
111 bpm • D# Maj • 09:08 • -14.43db
8% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Erika Svanoe
Steampunk Suite: III. Bertie Wells Atten...
128 bpm • F min • 03:57 • -22.82db
3% Popularity • 24% Danceability • 8% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Alfred Reed
Armenian Dances: Part II: I. Hov Arek
128 bpm • A min • 04:19 • -22db
20% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
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Guillaume Balay
Petite Piece Concertante
111 bpm • A# min • 03:37 • -16db
11% Popularity • 47% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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the Blue Devils
Wives and Lovers
111 bpm • A# min • 01:27 • -7db
21% Popularity • 30% Danceability • 65% Energy • 23% Liveness
28% Instrumentalness • 21% Positiveness
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Air Combat Command Heritage Of America Band
I. March; Allegro (Second Suite in F for...
128 bpm • F Maj • 04:25 • -22.16db
8% Popularity • 46% Danceability • 9% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Randall Standridge
One Love
128 bpm • C# Maj • 02:17 • -5.04db
1% Popularity • 40% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Gordon Jacob
An Original Suite: III. Finale
128 bpm • C min • 02:07 • -13.83db
20% Popularity • 51% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Ralph Vaughan Williams
Flourish for Wind Band
111 bpm • F Maj • 01:58 • -14db
22% Popularity • 29% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Frank Ticheli
Loch Lomond
128 bpm • A# Maj • 05:56 • -19db
23% Popularity • 17% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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John Mackey
Redline Tango
128 bpm • C# Maj • 09:27 • -18db
17% Popularity • 37% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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William Himes
Creed
128 bpm • F Maj • 04:19 • -13.92db
11% Popularity • 31% Danceability • 41% Energy • 70% Liveness
82% Instrumentalness • 15% Positiveness
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Randall Standridge
One Love (Karaoke Track)
128 bpm • C# Maj • 02:18 • -5.05db
0% Popularity • 44% Danceability • 91% Energy • 5% Liveness
24% Instrumentalness • 44% Positiveness
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Edward Gregson
Tuba Concerto: I. Allegro deciso
110 bpm • G Maj • 06:27 • -18db
16% Popularity • 36% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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USAF ACC Heritage of America Band
The Big Cage
110 bpm • F min • 01:28 • -16.97db
4% Popularity • 41% Danceability • 39% Energy • 26% Liveness
90% Instrumentalness • 69% Positiveness
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United States Coast Guard Band
Emblem of Unity
129 bpm • A# Maj • 03:39 • -14.01db
4% Popularity • 44% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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David Holsinger
A Childhood Hymn
129 bpm • D# Maj • 03:17 • -26.43db
9% Popularity • 17% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Robert Jager
Third Suite, III: Rondo - Robert E. Jage...
130 bpm • G min • 02:55 • -19db
15% Popularity • 48% Danceability • 36% Energy • 6% Liveness
75% Instrumentalness • 60% Positiveness
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Randall Standridge
Standridge: unBroken
129 bpm • C# Maj • 15:32 • -14.39db
15% Popularity • 20% Danceability • 18% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Erika Svanoe
Steampunk Suite (Version for Concert Ban...
129 bpm • C min • 04:50 • -23.33db
10% Popularity • 20% Danceability • 8% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: III. L...
130 bpm • F# Maj • 01:36 • -36db
22% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Frank Ticheli
Simple Gifts: Four Shaker Songs: No. 2. ...
109 bpm • D min • 01:37 • -17.53db
22% Popularity • 65% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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John Krance
Lola Flores (arr. J. Krance for wind ens...
109 bpm • F Maj • 04:25 • -16db
9% Popularity • 44% Danceability • 30% Energy • 71% Liveness
5% Instrumentalness • 68% Positiveness
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Robert Jager
Third Suite, II: Vals - Robert E. Jager
109 bpm • A# Maj • 02:27 • -25db
14% Popularity • 39% Danceability • 7% Energy • 50% Liveness
72% Instrumentalness • 12% Positiveness
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Oscar Navarro
Downey Overture
130 bpm • G Maj • 05:31 • -14.66db
15% Popularity • 39% Danceability • 30% Energy • 18% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Randall Standridge
Program Notes: I. Dawn
109 bpm • C# Maj • 02:54 • -17.03db
0% Popularity • 67% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Havana Nights