Songs like Have Blues, Will Travel by Smokin' Joe Kubek & Bnois King
Based on a tempo of (+/- 10%) and a similar genre
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Smokin' Joe Kubek & Bnois King
Have Blues, Will Travel
166 bpm • E min • 04:07 • -3db
40% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Buddy Whittington
Can't Be Good for Me
166 bpm • F# min • 03:02 • -3.93db
41% Popularity • 66% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 66% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Smokin' Joe Kubek
Stop Drinking
166 bpm • D Maj • 08:12 • -5.57db
16% Popularity • 38% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
16% Popularity • 38% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
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Lance Lopez
Mr Lucky
166 bpm • G# min • 04:09 • -5.16db
18% Popularity • 26% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 26% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
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Dave Hole
Three Days Out
165 bpm • D Maj • 05:38 • -7.52db
19% Popularity • 27% Danceability • 67% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
19% Popularity • 27% Danceability • 67% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
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Jimmy Thackery And The Drivers
That's How I Feel
165 bpm • G Maj • 05:06 • -8.62db
14% Popularity • 35% Danceability • 58% Energy • 40% Liveness
12% Instrumentalness • 35% Positiveness
14% Popularity • 35% Danceability • 58% Energy • 40% Liveness
12% Instrumentalness • 35% Positiveness
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Smokin' Joe Kubek & Bnois King
Can't Keep Her Hands Off
165 bpm • C# Maj • 02:28 • -3.46db
4% Popularity • 40% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 40% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Rides
I Need Your Lovin'
165 bpm • D Maj • 04:56 • -2.98db
13% Popularity • 33% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 33% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Eddy Clearwater
They Call Me The Chief
168 bpm • A Maj • 04:22 • -3.12db
19% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Lil Ed & The Blues Imperials
World Of Love
168 bpm • C Maj • 04:00 • -6.11db
19% Popularity • 49% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
19% Popularity • 49% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Hadden Sayers
Take Me Back to Texas
164 bpm • E Maj • 03:09 • -6.88db
14% Popularity • 54% Danceability • 82% Energy • 17% Liveness
8% Instrumentalness • 91% Positiveness
14% Popularity • 54% Danceability • 82% Energy • 17% Liveness
8% Instrumentalness • 91% Positiveness
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Kim Simmonds
Cobra
169 bpm • G min • 04:25 • -5.52db
20% Popularity • 35% Danceability • 86% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
20% Popularity • 35% Danceability • 86% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
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Wes Jeans
Drownin' On Dry Land
169 bpm • D Maj • 05:49 • -5.72db
11% Popularity • 27% Danceability • 58% Energy • 37% Liveness
26% Instrumentalness • 40% Positiveness
11% Popularity • 27% Danceability • 58% Energy • 37% Liveness
26% Instrumentalness • 40% Positiveness
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Matty T Wall
Boom Boom
163 bpm • B Maj • 03:24 • -5.29db
15% Popularity • 41% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
15% Popularity • 41% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Albert Castiglia
I Been up All Night
163 bpm • A Maj • 05:27 • -7.77db
15% Popularity • 37% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 82% Positiveness
15% Popularity • 37% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 82% Positiveness
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Buddy Whittington
Six String Romance
162 bpm • D Maj • 02:47 • -3.98db
25% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Spinner
Sweet Thang
170 bpm • F# Maj • 04:51 • -5.9db
17% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Supersonic Blues Machine
Miracle Man
170 bpm • A Maj • 04:24 • -4.31db
21% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Damon Fowler
Up the Line
162 bpm • A min • 05:08 • -7db
21% Popularity • 42% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 42% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Jimmy Thackery
Jimmy's Detroit Boogie
162 bpm • G Maj • 06:09 • -7.73db
9% Popularity • 27% Danceability • 89% Energy • 98% Liveness
94% Instrumentalness • 66% Positiveness
9% Popularity • 27% Danceability • 89% Energy • 98% Liveness
94% Instrumentalness • 66% Positiveness
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Lil Ed & The Blues Imperials
Mean Old Frisco
172 bpm • A min • 04:17 • -11.05db
16% Popularity • 38% Danceability • 76% Energy • 86% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 38% Danceability • 76% Energy • 86% Liveness
0% Instrumentalness • 69% Positiveness
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Buddy Whittington
Back When the Beano Was Boss
170 bpm • G Maj • 03:48 • -5db
30% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Hole
Measure Of A Man
160 bpm • F# min • 05:06 • -7.72db
10% Popularity • 71% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Kenny Neal
Any Fool Will Do
173 bpm • D min • 03:57 • -14.88db
30% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
30% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Damon Fowler
28 Degrees
171 bpm • C Maj • 03:29 • -7.3db
15% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Blues Delight
Foolish Thing
174 bpm • D Maj • 02:49 • -4db
27% Popularity • 39% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
27% Popularity • 39% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Doyle Bramhall
I'd Rather Be Blind, Crippled and Crazy
158 bpm • E Maj • 03:54 • -5.69db
22% Popularity • 57% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 57% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Buddy Whittington
The Put On Song
170 bpm • D Maj • 03:44 • -4.73db
25% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Jimmy Thackery And The Drivers
Rub On Up
158 bpm • C# Maj • 04:11 • -8.21db
9% Popularity • 41% Danceability • 84% Energy • 27% Liveness
1% Instrumentalness • 69% Positiveness
9% Popularity • 41% Danceability • 84% Energy • 27% Liveness
1% Instrumentalness • 69% Positiveness
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Jimmy Hall
That's The Truth
175 bpm • D Maj • 03:00 • -7db
10% Popularity • 43% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 43% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Lil Ed & The Blues Imperials
Hold That Train
157 bpm • D Maj • 03:59 • -1.81db
14% Popularity • 30% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 30% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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The Vaughan Brothers
Brothers
175 bpm • G Maj • 05:05 • -14db
42% Popularity • 36% Danceability • 41% Energy • 33% Liveness
83% Instrumentalness • 56% Positiveness
42% Popularity • 36% Danceability • 41% Energy • 33% Liveness
83% Instrumentalness • 56% Positiveness
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Buddy Whittington
Deadwood and Wire
172 bpm • A Maj • 04:17 • -4.12db
19% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Jesse Dayton
Whole Lotta Rosie
175 bpm • G Maj • 03:31 • -7.8db
23% Popularity • 33% Danceability • 76% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
23% Popularity • 33% Danceability • 76% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
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Tony Spinner
It's a Living
157 bpm • F min • 03:03 • -6.04db
15% Popularity • 53% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
15% Popularity • 53% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Phantom Blues Band
Boogah Man
157 bpm • G Maj • 03:27 • -6.92db
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
11% Popularity • 50% Danceability • 79% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
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Lonnie Mack
Strike Like Lightning
177 bpm • G Maj • 03:43 • -9db
31% Popularity • 38% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
31% Popularity • 38% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Danny Bryant's Redeyeband
Losing Game
156 bpm • F Maj • 04:26 • -3.73db
19% Popularity • 29% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 29% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Buddy Whittington
Romance Classified
172 bpm • D min • 03:44 • -4.63db
22% Popularity • 60% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 60% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Smokin' Joe Kubek & Bnois King
No Good Could Come of This
156 bpm • E min • 03:29 • -11.87db
3% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Thackery
Mercury Blues
155 bpm • D Maj • 04:08 • -6db
14% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Guitar Shorty
We The People
178 bpm • C Maj • 04:20 • -3db
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
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Gnola Blues Band
Gnola Shuffle
154 bpm • F Maj • 02:19 • -5.23db
33% Popularity • 44% Danceability • 83% Energy • 38% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 44% Danceability • 83% Energy • 38% Liveness
94% Instrumentalness • 88% Positiveness
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Blindside Blues Band
Blues in My Soul
154 bpm • F min • 04:45 • -7.58db
14% Popularity • 38% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Buddy Whittington
Second Banana
178 bpm • A Maj • 03:19 • -5.08db
21% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Lance Lopez
Never Came Easy To Me
154 bpm • D Maj • 04:16 • -6db
19% Popularity • 49% Danceability • 86% Energy • 35% Liveness
7% Instrumentalness • 43% Positiveness
19% Popularity • 49% Danceability • 86% Energy • 35% Liveness
7% Instrumentalness • 43% Positiveness
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Dave Hole
Short Fuse Blues
180 bpm • A Maj • 05:17 • -10db
25% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Buddaheads
Big Time Baby
154 bpm • D Maj • 03:04 • -6.69db
17% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Thackery And The Drivers
Long, Lean & Lanky
153 bpm • G Maj • 03:32 • -8db
9% Popularity • 59% Danceability • 88% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
9% Popularity • 59% Danceability • 88% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
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Buddy Whittington
Stevie Rave On
154 bpm • D Maj • 03:43 • -4.29db
29% Popularity • 67% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 67% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Smokin' Joe Kubek & Bnois King
My Guitar
153 bpm • C Maj • 04:22 • -2.89db
25% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Bernard Allison
Leave Your Ego
153 bpm • G min • 05:14 • -5.09db
28% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Anthony Gomes
Blues in the First Degree
180 bpm • F min • 03:45 • -7db
24% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Albert Castiglia
Drowning at the Bottom
180 bpm • D min • 04:32 • -5db
22% Popularity • 26% Danceability • 67% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 26% Danceability • 67% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
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Chris Cain
You Won't Have A Problem When I'm Gone
180 bpm • A min • 03:06 • -2.28db
33% Popularity • 27% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 27% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Roomful Of Blues
In A Roomful of Blues
180 bpm • C Maj • 03:31 • -4db
29% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 61% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Smokin' Joe Kubek & Bnois King
My Heart's In Texas
153 bpm • A Maj • 02:04 • -4db
23% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 48% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Doyle Bramhall
Other Side of Love
181 bpm • F Maj • 04:23 • -7.71db
7% Popularity • 30% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 30% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Eddy Clearwater
Too Old To Get Married
153 bpm • C Maj • 03:55 • -3db
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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Albert Castiglia
Quit Your Bitching
180 bpm • A Maj • 04:58 • -9db
14% Popularity • 42% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
14% Popularity • 42% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
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Chris Cain
Late Night City Blues
181 bpm • F min • 06:20 • -8.04db
23% Popularity • 28% Danceability • 54% Energy • 32% Liveness
43% Instrumentalness • 34% Positiveness
23% Popularity • 28% Danceability • 54% Energy • 32% Liveness
43% Instrumentalness • 34% Positiveness
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Dave Hole
Bobby's Rock
152 bpm • D Maj • 02:57 • -7.81db
16% Popularity • 39% Danceability • 80% Energy • 25% Liveness
54% Instrumentalness • 83% Positiveness
16% Popularity • 39% Danceability • 80% Energy • 25% Liveness
54% Instrumentalness • 83% Positiveness
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Smokin' Joe Kubek & Bnois King
Runnin' Blind
180 bpm • C Maj • 05:45 • -7.25db
6% Popularity • 33% Danceability • 50% Energy • 6% Liveness
2% Instrumentalness • 42% Positiveness
6% Popularity • 33% Danceability • 50% Energy • 6% Liveness
2% Instrumentalness • 42% Positiveness
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Sean Chambers
Choo Choo Mama
152 bpm • G# Maj • 04:35 • -4.45db
9% Popularity • 41% Danceability • 96% Energy • 56% Liveness
15% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 96% Energy • 56% Liveness
15% Instrumentalness • 29% Positiveness
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Jimmy Thackery And The Drivers
You Got Work To Do
152 bpm • E min • 04:17 • -9db
18% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Copeland
Don't Stop By The Creek, Son
181 bpm • A Maj • 04:06 • -11.62db
28% Popularity • 55% Danceability • 56% Energy • 27% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 56% Energy • 27% Liveness
1% Instrumentalness • 84% Positiveness
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Bryce Janey
Another Fine Day
152 bpm • G Maj • 05:13 • -5.25db
13% Popularity • 35% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
13% Popularity • 35% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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Lance Lopez
Black Cat Moan
182 bpm • B min • 04:00 • -8db
22% Popularity • 41% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 92% Positiveness
22% Popularity • 41% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 92% Positiveness
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Smokin' Joe Kubek & Bnois King
Let's Stop Pretending
151 bpm • G Maj • 03:24 • -4.99db
4% Popularity • 48% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 48% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Blindside Blues Band
Ramblin' On My Mind
183 bpm • E Maj • 06:45 • -6db
10% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
10% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
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Corey Stevens
It's Over
185 bpm • F# Maj • 05:23 • -9db
22% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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David Gogo
Coulda Shoulda Woulda
150 bpm • A Maj • 02:37 • -6.97db
14% Popularity • 45% Danceability • 80% Energy • 26% Liveness
5% Instrumentalness • 84% Positiveness
14% Popularity • 45% Danceability • 80% Energy • 26% Liveness
5% Instrumentalness • 84% Positiveness
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Sean Chambers
In the Winter Time
149 bpm • G Maj • 06:06 • -14.68db
12% Popularity • 26% Danceability • 44% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
12% Popularity • 26% Danceability • 44% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
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Anthony Gomes
One Last Time
185 bpm • G min • 04:55 • -4.76db
18% Popularity • 31% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
18% Popularity • 31% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Smokin' Joe Kubek & Bnois King
Drowing in Red Ink
185 bpm • D Maj • 05:37 • -8.88db
2% Popularity • 52% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
2% Popularity • 52% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Tony Spinner
World Full of Women
148 bpm • C# Maj • 03:35 • -6.22db
30% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Bluesbones
A Better Life
148 bpm • G Maj • 03:30 • -9.82db
14% Popularity • 52% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 52% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Rob Tognoni
Someone to love me
187 bpm • B min • 05:24 • -3db
18% Popularity • 37% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 56% Positiveness
18% Popularity • 37% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 56% Positiveness
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Mark Selby
Satisfied
147 bpm • G Maj • 05:00 • -7.92db
12% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Thackery
It's My Own Fault
188 bpm • C Maj • 06:33 • -6.08db
10% Popularity • 36% Danceability • 62% Energy • 23% Liveness
11% Instrumentalness • 39% Positiveness
10% Popularity • 36% Danceability • 62% Energy • 23% Liveness
11% Instrumentalness • 39% Positiveness
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Smokin' Joe Kubek & Bnois King
Standing In My Door
186 bpm • C min • 07:13 • -5db
9% Popularity • 31% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 31% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Roomful Of Blues
Lower On Your List Of Priorities
146 bpm • C Maj • 03:20 • -4.02db
35% Popularity • 56% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 56% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Jonny Lang
Changes
146 bpm • A Maj • 03:17 • -8.16db
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Rob Tognoni
2.00 A.M.
147 bpm • D# min • 02:52 • -4db
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
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Ronnie Baker Brooks
Show Me
146 bpm • B Maj • 03:59 • -6.21db
26% Popularity • 62% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
26% Popularity • 62% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
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Mark Selby
More Storms Comin'
148 bpm • G Maj • 03:30 • -12.21db
25% Popularity • 53% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
25% Popularity • 53% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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The Nimmo Brothers
The Shape I'm In
146 bpm • A Maj • 03:42 • -10.76db
14% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Billy F Gibbons
Standing Around Crying
146 bpm • A Maj • 04:24 • -6.89db
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Altered Five Blues Band
Holler If You Hear Me
190 bpm • F Maj • 03:33 • -4.56db
16% Popularity • 35% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 35% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
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Bernard Allison
Rocket 88 - Live
145 bpm • G Maj • 07:26 • -9.54db
18% Popularity • 18% Danceability • 72% Energy • 96% Liveness
7% Instrumentalness • 66% Positiveness
18% Popularity • 18% Danceability • 72% Energy • 96% Liveness
7% Instrumentalness • 66% Positiveness
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The Rides
Riva Diva
145 bpm • F Maj • 03:21 • -2.77db
25% Popularity • 49% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 49% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Louis Walker
Too Drunk To Drive Drunk
145 bpm • E Maj • 03:56 • -3db
36% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
36% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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Buddy Whittington
Fender Champ
144 bpm • E Maj • 02:59 • -4.29db
34% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Jonny Lang
Lovin My Baby
145 bpm • C Maj • 03:10 • -7.74db
44% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
44% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
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Kim Simmonds
I've Been Drinking
144 bpm • D Maj • 03:49 • -6.82db
13% Popularity • 40% Danceability • 91% Energy • 30% Liveness
21% Instrumentalness • 68% Positiveness
13% Popularity • 40% Danceability • 91% Energy • 30% Liveness
21% Instrumentalness • 68% Positiveness
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Smokin' Joe Kubek
Freezer Burn
144 bpm • G Maj • 04:31 • -3.97db
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness