Songs like Have I Told You Lately That I Love You? by Anita Bryant
Based on a tempo of (+/- 10%) and a similar genre
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
37% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Mel Carter
Love Is All We Need
81 bpm • E Maj • 01:49 • -8.37db
30% Popularity • 38% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 38% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Eddie Fisher
I'm Walking Behind You
81 bpm • D Maj • 03:06 • -6.61db
20% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Vic Dana
A Million And One
81 bpm • C Maj • 02:29 • -11.76db
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Anita Bryant
Have I Told You Lately That I Love You?
81 bpm • G# Maj • 03:08 • -20.85db
18% Popularity • 28% Danceability • 8% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 28% Danceability • 8% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
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Troy Shondell
This Time
81 bpm • D Maj • 02:36 • -14db
21% Popularity • 45% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 45% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Malcolm Vaughan
Only You (And You Alone)
80 bpm • D# Maj • 02:30 • -10.47db
8% Popularity • 15% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 15% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sue Thompson
Tennessee Waltz
80 bpm • F# Maj • 02:11 • -11.91db
21% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Don Cornell
Hold My Hand
82 bpm • D# Maj • 02:49 • -11db
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Vic Dana
Love Is All We Need
81 bpm • A# Maj • 02:24 • -10.98db
28% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Anita Bryant
America
82 bpm • F Maj • 02:50 • -11.09db
2% Popularity • 18% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 18% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
42% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael McLeavy
Twelve Of Never
82 bpm • F Maj • 02:33 • -13.65db
20% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Donnie Brooks
Mission Bell
80 bpm • A Maj • 02:26 • -5.46db
13% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Malcolm Vaughan
Wait for Me (Ti Diro)
80 bpm • A# min • 02:33 • -10db
15% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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The Duprees
Al Di LÃ
82 bpm • C Maj • 03:13 • -7.24db
10% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Ames Brothers
A Very Precious Love
82 bpm • D# Maj • 02:44 • -11db
16% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Nelson Riddle
You Will Never Grow Old
80 bpm • C Maj • 02:52 • -11.57db
29% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Craig Douglas
A Teenager in Love - Remastered
80 bpm • A# min • 02:15 • -6.89db
27% Popularity • 39% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 39% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Anita Bryant
Mixed Emotions - Remastered
82 bpm • D# Maj • 02:44 • -6.23db
2% Popularity • 28% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 28% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Malcolm Vaughan
Chapel of the Roses
82 bpm • G Maj • 02:39 • -11db
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Four Lads
Love Is A Many-Splendored
83 bpm • G# Maj • 03:32 • -10.54db
16% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Eddie Fisher
Thinking of You
82 bpm • D Maj • 02:40 • -11.77db
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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Vince Hill
Edelweiss - 2017 Remaster
79 bpm • A# Maj • 03:05 • -10.84db
21% Popularity • 26% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 26% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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The Four Preps
Lazy Summer Night
83 bpm • G Maj • 02:16 • -16db
18% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Anita Bryant
Stranger on the Shore
79 bpm • F# Maj • 02:56 • -6.86db
3% Popularity • 16% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 16% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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The Ames Brothers
Tammy
83 bpm • C# Maj • 02:24 • -11.29db
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Eileen Rodgers
Miracle of Love
79 bpm • C# Maj • 02:26 • -7.68db
36% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Frankie Vaughan
Unchained Melody
79 bpm • C Maj • 03:39 • -14db
11% Popularity • 15% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 15% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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Sue Thompson
Two Of A Kind
79 bpm • A# Maj • 02:52 • -12.78db
17% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Craig Douglas
Our Favourite Melodies
83 bpm • G# Maj • 02:14 • -9.24db
36% Popularity • 34% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 34% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
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Percy Faith & His Orchestra & Chorus
Tell Her (Every Girl Likes to Be Told)
79 bpm • C Maj • 03:04 • -14.98db
22% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Anita Bryant
Moonlight Melody
79 bpm • F Maj • 02:33 • -12.24db
2% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Gale Storm
Ivory Tower
79 bpm • A Maj • 02:47 • -5.7db
6% Popularity • 46% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 46% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Teddy Randazzo
I'm on a Merry Go-Round
79 bpm • A# Maj • 01:54 • -5.65db
11% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmy Clanton
My Own True Love
83 bpm • D# Maj • 02:37 • -5.04db
28% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Debbie Reynolds
Am I That Easy To Forget?
79 bpm • D# Maj • 02:21 • -14.41db
41% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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The Four Preps
The Things We Did Last Summer
79 bpm • B min • 02:28 • -14.53db
19% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ed Ames
Try To Remember
83 bpm • F Maj • 03:59 • -9.72db
22% Popularity • 25% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 25% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cathy Carr
Ivory Tower
83 bpm • E Maj • 02:37 • -14.76db
15% Popularity • 53% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Anita Bryant
You'll Never Walk Alone
83 bpm • F Maj • 02:04 • -11.41db
4% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Des O'Connor
Danny Boy
79 bpm • C Maj • 02:54 • -8.03db
17% Popularity • 36% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
17% Popularity • 36% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Gene McDaniels
It's All In The Game
84 bpm • D# Maj • 02:42 • -12.56db
10% Popularity • 33% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 33% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ray Peterson
We're Old Enough to Cry
84 bpm • C Maj • 02:31 • -9.74db
20% Popularity • 47% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 47% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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The Four Lads
Moments To Remember
84 bpm • G Maj • 03:15 • -12.81db
30% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Jones
One Day Soon
84 bpm • F Maj • 02:38 • -12.06db
47% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Anita Bryant
Yesterday
83 bpm • A Maj • 03:33 • -14.52db
3% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Chamberlain
Hi-Lili, Hi-Lo
84 bpm • C Maj • 02:41 • -19.21db
13% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sue Thompson
Mama, don't cry at my wedding
84 bpm • D Maj • 02:17 • -12.03db
26% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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The Ames Brothers
Melodie d'Amour
84 bpm • G Maj • 02:39 • -19db
22% Popularity • 58% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
22% Popularity • 58% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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Jim Nabors
Try To Remember
77 bpm • G Maj • 02:56 • -15.36db
12% Popularity • 15% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 15% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 10% Positiveness
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Jack Scott
What in the World's Come over You
77 bpm • E Maj • 02:43 • -15.54db
35% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Anita Bryant
Yellow Days
84 bpm • D min • 02:28 • -13.93db
4% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Bing Crosby
True Love
85 bpm • D# Maj • 02:27 • -22.08db
22% Popularity • 30% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 19% Positiveness
22% Popularity • 30% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 19% Positiveness
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Des O'Connor
Careless Hands
85 bpm • F# Maj • 02:42 • -9db
21% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Bobby Goldsboro
If You Go Away
85 bpm • A min • 03:24 • -9db
37% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Vince Hill
Look Around (And You'll Find Me There)
85 bpm • C# Maj • 03:26 • -8.74db
26% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Ames Brothers
It Only Hurts for a Little While
85 bpm • A Maj • 02:42 • -11.53db
18% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
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Anita Bryant
Hawaiian Wedding Song
84 bpm • D Maj • 02:12 • -10.99db
3% Popularity • 38% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 38% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Ned Miller
Dark Moon
85 bpm • D# Maj • 01:48 • -13.41db
30% Popularity • 50% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 50% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Ronnie Hilton
Who Are We
85 bpm • F Maj • 02:59 • -10.72db
10% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Helen Shapiro
Are You Lonesome Tonight
85 bpm • D# Maj • 02:48 • -10.36db
15% Popularity • 43% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 43% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
23% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sue Thompson
My Hero (That's What You Are)
86 bpm • B Maj • 02:16 • -11db
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Rodgers
Secretly
76 bpm • A# min • 02:37 • -9.44db
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Ronnie Hilton
I Still Believe
85 bpm • D# min • 02:33 • -12.11db
13% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Eddie Fisher
I'm Yours
76 bpm • D Maj • 02:48 • -4.99db
34% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Rogers
Hawaiian Wedding Song
86 bpm • G# Maj • 02:28 • -4.24db
22% Popularity • 23% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 23% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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The Four Preps
All I Have To Do Is Dream
86 bpm • C# min • 02:44 • -20db
7% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Des O'Connor
For the Good Times
86 bpm • D# Maj • 03:34 • -15db
16% Popularity • 38% Danceability • 15% Energy • 22% Liveness
8% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 15% Energy • 22% Liveness
8% Instrumentalness • 33% Positiveness
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Anita Bryant
Medley: Now I Belong to Jesus, Oh How I ...
76 bpm • C# Maj • 03:33 • -15.6db
3% Popularity • 32% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 32% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sue Thompson
I Can't Help It (If I'm Still In Love Wi...
87 bpm • C Maj • 02:35 • -11.16db
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Vic Dana
Bring A Little Sunshine - To My Heart
87 bpm • A Maj • 02:38 • -11.32db
28% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Rogers
Walk Away
87 bpm • G# Maj • 04:16 • -8.24db
15% Popularity • 42% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 42% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Hilltoppers
P.S. I Love You
75 bpm • G min • 02:43 • -14db
24% Popularity • 59% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Des O'Connor
My Thanks to You
75 bpm • G Maj • 02:59 • -11.5db
13% Popularity • 22% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 17% Positiveness
13% Popularity • 22% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 17% Positiveness
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Anita Bryant
This Is Worth Fighting For
87 bpm • G Maj • 02:59 • -10.51db
3% Popularity • 22% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 22% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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The Ames Brothers
Sentimental Me
75 bpm • G# Maj • 03:25 • -13db
20% Popularity • 16% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
20% Popularity • 16% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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Della Reese
Till the End of Time
75 bpm • F Maj • 03:18 • -7.83db
12% Popularity • 32% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 32% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Sue Thompson
Too Much In Love
88 bpm • A Maj • 02:38 • -11db
25% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Hilltoppers
Till Then
75 bpm • D min • 02:51 • -11db
14% Popularity • 53% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 53% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Goldsboro
Yesterday
88 bpm • C Maj • 02:40 • -11.35db
32% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Ed Ames
If Ever I Would Leave You
88 bpm • A# Maj • 03:14 • -12db
13% Popularity • 18% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 18% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Pat Boone and His Orchestra
Love Letters In The Sand
88 bpm • D# Maj • 02:19 • -18.75db
33% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Kathy Kirby
My Way
88 bpm • A Maj • 04:23 • -9db
12% Popularity • 26% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 26% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ray Peterson
Till Then
74 bpm • F Maj • 02:09 • -8db
35% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
39% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Tony Martin
Walk Hand In Hand With Me
89 bpm • G# Maj • 02:48 • -10.12db
13% Popularity • 23% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 23% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
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Sue Thompson
Never Love Again
74 bpm • F Maj • 02:09 • -11.01db
27% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Hilltoppers
Only You (And You Alone)
74 bpm • B Maj • 02:45 • -15db
26% Popularity • 47% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 47% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmie Rodgers
Better Loved You'll Never Be
74 bpm • C Maj • 02:08 • -5.3db
10% Popularity • 22% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 22% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ed Ames
Time, Time (Tu As Beau Sourire)
89 bpm • G# Maj • 02:51 • -10.44db
13% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Ray Peterson
The Wonder of You
73 bpm • F Maj • 02:37 • -8db
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Don Cornell
Hold My Hand
90 bpm • F Maj • 02:35 • -17db
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Vince Hill
And I Love You So - 2017 Remaster
90 bpm • A# Maj • 03:47 • -9db
16% Popularity • 28% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
16% Popularity • 28% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
