Songs like Havre-Aux-Maisons by Denis Turbide
Based on a tempo of (+/- 10%) and a similar genre
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Denis Turbide
Lullaby
134 bpm • G Maj • 01:35 • -14.57db
17% Popularity • 48% Danceability • 43% Energy • 12% Liveness
97% Instrumentalness • 66% Positiveness
17% Popularity • 48% Danceability • 43% Energy • 12% Liveness
97% Instrumentalness • 66% Positiveness
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Dennis Korn
Schaublum
134 bpm • G# Maj • 02:20 • -27db
35% Popularity • 32% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Los Gilets
Bellavista Blues
133 bpm • F# min • 02:29 • -11.31db
28% Popularity • 61% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
28% Popularity • 61% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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Vin Downes
Morning Red
134 bpm • D Maj • 04:05 • -21.64db
19% Popularity • 27% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
19% Popularity • 27% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Andor Holst
Vemod
133 bpm • C min • 01:40 • -16.45db
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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The Bare Bones
Compass
133 bpm • A Maj • 02:58 • -13.84db
31% Popularity • 73% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
31% Popularity • 73% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Denis Turbide
Sundays
133 bpm • D Maj • 02:10 • -14.23db
26% Popularity • 49% Danceability • 40% Energy • 13% Liveness
90% Instrumentalness • 74% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 13% Liveness
90% Instrumentalness • 74% Positiveness
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Nik Davies
Swan Song
135 bpm • G Maj • 01:44 • -13db
24% Popularity • 42% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Pacific Strings
Riofrio
132 bpm • G Maj • 02:13 • -11.31db
31% Popularity • 75% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
31% Popularity • 75% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Lennie Rhoads
Springbird
136 bpm • G Maj • 02:29 • -14.12db
35% Popularity • 62% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 62% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Luna Grove
Gentle Nights
136 bpm • C Maj • 02:27 • -14.07db
40% Popularity • 65% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
40% Popularity • 65% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Between the Dots
Misty Mind
132 bpm • G Maj • 01:10 • -17.28db
25% Popularity • 62% Danceability • 28% Energy • 21% Liveness
90% Instrumentalness • 18% Positiveness
25% Popularity • 62% Danceability • 28% Energy • 21% Liveness
90% Instrumentalness • 18% Positiveness
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Denis Turbide
Back to Nature
135 bpm • A Maj • 02:02 • -12.81db
25% Popularity • 50% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 20% Positiveness
25% Popularity • 50% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 20% Positiveness
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Nik Davies
Unfurl
136 bpm • C# min • 03:17 • -14db
21% Popularity • 28% Danceability • 32% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 32% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
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Tommy Berre
Times Change
136 bpm • D Maj • 02:09 • -14.94db
29% Popularity • 62% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
29% Popularity • 62% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
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Lennie Rhoads
Sunflowers
132 bpm • G Maj • 02:26 • -13.93db
39% Popularity • 56% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Shambhu
Lazy Afternoon
132 bpm • B min • 02:56 • -17.76db
28% Popularity • 62% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
28% Popularity • 62% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Nylon & Cedar
Late September
136 bpm • A# Maj • 02:29 • -23.09db
40% Popularity • 51% Danceability • 13% Energy • 11% Liveness
46% Instrumentalness • 19% Positiveness
40% Popularity • 51% Danceability • 13% Energy • 11% Liveness
46% Instrumentalness • 19% Positiveness
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Dave Lewis
Sparrow
132 bpm • C# Maj • 02:47 • -26db
35% Popularity • 35% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
35% Popularity • 35% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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The Bare Bones
Lavender
136 bpm • A Maj • 02:12 • -14.52db
39% Popularity • 57% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
39% Popularity • 57% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Paul Turner
Kelp
136 bpm • D Maj • 01:18 • -24.25db
29% Popularity • 58% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
29% Popularity • 58% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
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Lennie Rhoads
Longing
136 bpm • F Maj • 02:30 • -16.35db
33% Popularity • 52% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
33% Popularity • 52% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
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Depauville
Soil
136 bpm • D min • 01:50 • -23.72db
30% Popularity • 57% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
30% Popularity • 57% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
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Elias Braun
Floating Back To Earth
137 bpm • E Maj • 02:36 • -27.41db
40% Popularity • 40% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
40% Popularity • 40% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Denis Turbide
Autumn Sun
131 bpm • C Maj • 02:38 • -14.56db
20% Popularity • 48% Danceability • 23% Energy • 12% Liveness
31% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 23% Energy • 12% Liveness
31% Instrumentalness • 17% Positiveness
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Peder Falk
Soon Enough
137 bpm • C Maj • 02:05 • -24.15db
45% Popularity • 50% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
45% Popularity • 50% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Juan Martínez Pérez
Levelling Blues
137 bpm • E Maj • 02:34 • -23.67db
25% Popularity • 44% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Harry Waters
That First Taste
137 bpm • E Maj • 02:33 • -14.22db
24% Popularity • 38% Danceability • 32% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
24% Popularity • 38% Danceability • 32% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
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ædeltræ
Lac Bonin
131 bpm • G Maj • 02:13 • -27.46db
34% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
34% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Elias Braun
Vulnerability
131 bpm • D Maj • 01:42 • -26.6db
39% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
39% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Silver Cabins
Woodland
130 bpm • G Maj • 02:01 • -14.8db
40% Popularity • 75% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
40% Popularity • 75% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
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Luna Grove
Try
138 bpm • G Maj • 02:01 • -16.35db
31% Popularity • 59% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
31% Popularity • 59% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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A.B. Chediski
Lonely Oak
130 bpm • C Maj • 02:42 • -16.58db
28% Popularity • 54% Danceability • 16% Energy • 27% Liveness
92% Instrumentalness • 13% Positiveness
28% Popularity • 54% Danceability • 16% Energy • 27% Liveness
92% Instrumentalness • 13% Positiveness
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Lennie Rhoads
Crest Of The Hill
138 bpm • C Maj • 02:16 • -15.76db
35% Popularity • 50% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
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Agustín Amigó
Photographs
130 bpm • D# min • 02:42 • -13.18db
26% Popularity • 51% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
26% Popularity • 51% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Ken Smith
No Words for Leaving
130 bpm • D Maj • 02:54 • -14.78db
13% Popularity • 46% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
13% Popularity • 46% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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A.J. Meadow
Green Grove
130 bpm • F# Maj • 02:17 • -12.68db
43% Popularity • 91% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
43% Popularity • 91% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Ricardo Octavio
En mis Sueños
130 bpm • G# Maj • 02:20 • -19.42db
37% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
37% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Smon Alvey
in the forest
130 bpm • D min • 02:19 • -17.63db
12% Popularity • 72% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
12% Popularity • 72% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Denis Turbide
Mist
130 bpm • C Maj • 02:09 • -15.53db
31% Popularity • 62% Danceability • 25% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
31% Popularity • 62% Danceability • 25% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Murray Soehn
In a Man's Dream
130 bpm • A Maj • 02:52 • -6.93db
0% Popularity • 52% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
0% Popularity • 52% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Jürgen Saalmann
Day 1 - Kjelst
138 bpm • D Maj • 01:52 • -16.51db
26% Popularity • 51% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
26% Popularity • 51% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Alan Shoesmith
Idle Sea
139 bpm • A Maj • 02:00 • -19.04db
36% Popularity • 52% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
36% Popularity • 52% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Todd Mosby
August Light
139 bpm • D Maj • 04:04 • -18.8db
30% Popularity • 42% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
30% Popularity • 42% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
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Elias Braun
As You Close Your Eyes
139 bpm • G Maj • 02:06 • -25.97db
49% Popularity • 45% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
49% Popularity • 45% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Denis Turbide
Warm and Tender
138 bpm • C Maj • 02:16 • -22.48db
10% Popularity • 53% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 78% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 78% Positiveness
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Pacific Strings
Lo que Tenemos
139 bpm • D Maj • 02:02 • -14db
31% Popularity • 61% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
31% Popularity • 61% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Muniesa
Albarracín
140 bpm • G# min • 02:28 • -17.06db
36% Popularity • 60% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
36% Popularity • 60% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Juri van Saal
Awakening
140 bpm • D Maj • 02:26 • -16db
26% Popularity • 77% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
26% Popularity • 77% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Alan Shoesmith
Meet You Halfway
140 bpm • B min • 02:37 • -16db
37% Popularity • 65% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
37% Popularity • 65% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Between the Dots
Lost in Your Eyes
140 bpm • C Maj • 02:21 • -21.96db
37% Popularity • 64% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
37% Popularity • 64% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Denis Turbide
Home Cooking
139 bpm • D Maj • 02:10 • -21.91db
30% Popularity • 35% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 49% Positiveness
30% Popularity • 35% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 49% Positiveness
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Pacific Strings
Sun & Trees
140 bpm • G Maj • 02:27 • -13.89db
37% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
37% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
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Tommy Berre
Versailles
140 bpm • F Maj • 02:17 • -16.66db
28% Popularity • 67% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
28% Popularity • 67% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Mike Howe
all the beautiful colours
128 bpm • G# Maj • 03:14 • -15.68db
25% Popularity • 52% Danceability • 26% Energy • 11% Liveness
76% Instrumentalness • 20% Positiveness
25% Popularity • 52% Danceability • 26% Energy • 11% Liveness
76% Instrumentalness • 20% Positiveness
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Juri van Saal
Winterday
128 bpm • A Maj • 02:49 • -13.89db
19% Popularity • 70% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
19% Popularity • 70% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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ædeltræ
Fields
128 bpm • C Maj • 02:04 • -30.28db
37% Popularity • 44% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 30% Positiveness
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Denis Turbide
Swift Creek
140 bpm • D Maj • 02:13 • -19.28db
26% Popularity • 50% Danceability • 18% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
26% Popularity • 50% Danceability • 18% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
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Alan Shoesmith
Pastel Phase
128 bpm • E Maj • 02:27 • -14.54db
35% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
35% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
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Jürgen Saalmann
Melody To Dream
140 bpm • A Maj • 03:38 • -19.22db
21% Popularity • 59% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
21% Popularity • 59% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
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Czarina Frost
Airborne
128 bpm • F# Maj • 01:44 • -15.47db
39% Popularity • 67% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
39% Popularity • 67% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Nik Davies
Tanglewood Rhyme
141 bpm • E Maj • 01:49 • -11db
37% Popularity • 32% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
37% Popularity • 32% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Levon Forever
Time Passing By
141 bpm • C Maj • 01:54 • -26.71db
23% Popularity • 55% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
23% Popularity • 55% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Denis Turbide
Dimples in E
128 bpm • E Maj • 02:37 • -19.02db
24% Popularity • 57% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
24% Popularity • 57% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
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Nylon & Cedar
hear the rain
127 bpm • G Maj • 02:35 • -18.82db
31% Popularity • 71% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 61% Positiveness
31% Popularity • 71% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 61% Positiveness
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Lester Paredes
Pequeño Jean
127 bpm • E Maj • 03:19 • -20.76db
20% Popularity • 41% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
20% Popularity • 41% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Realizer
Lucid
127 bpm • A Maj • 02:54 • -15.68db
25% Popularity • 56% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
25% Popularity • 56% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Kim Rodgers
Confirmation
141 bpm • D# Maj • 02:39 • -20.32db
56% Popularity • 71% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
56% Popularity • 71% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Stories from The Avenue
Park Kasprowicza
141 bpm • G# Maj • 02:21 • -19db
14% Popularity • 35% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
14% Popularity • 35% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Denis Turbide
Aube
128 bpm • E Maj • 02:17 • -13.25db
27% Popularity • 53% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 7% Positiveness
27% Popularity • 53% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 7% Positiveness
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Lance Allen
Serenidad
127 bpm • D Maj • 02:25 • -14.29db
27% Popularity • 65% Danceability • 15% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
27% Popularity • 65% Danceability • 15% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Pacific Strings
Unconditionally Soft
127 bpm • E Maj • 02:12 • -13.71db
35% Popularity • 73% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
35% Popularity • 73% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Winston Church
Smiles
142 bpm • D Maj • 02:02 • -21.99db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 70% Positiveness
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 70% Positiveness
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Realizer
Wading
127 bpm • A Maj • 02:07 • -15.83db
22% Popularity • 46% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
22% Popularity • 46% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Leandra Costa
The Time Traveler
126 bpm • G Maj • 02:54 • -19.4db
57% Popularity • 74% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
57% Popularity • 74% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Wolfgang Vrecun
Winter Solstice
126 bpm • D Maj • 02:49 • -12.69db
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Mark Grundhoefer
The Carpenter
142 bpm • G# min • 03:10 • -19.31db
20% Popularity • 39% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 39% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Simeon Road
Daybreak
126 bpm • D# Maj • 03:16 • -29.09db
32% Popularity • 24% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Robert Dahlström
Reliance
126 bpm • E Maj • 02:07 • -15db
27% Popularity • 61% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
27% Popularity • 61% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Chris Embers
Invitation
126 bpm • D min • 02:38 • -19.1db
32% Popularity • 39% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
32% Popularity • 39% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
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Derek Brookshire
Prayer for Oliver
125 bpm • G Maj • 04:53 • -14.11db
12% Popularity • 43% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
12% Popularity • 43% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Juri van Saal
The Sublime
126 bpm • C Maj • 03:41 • -12.68db
12% Popularity • 64% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
12% Popularity • 64% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Ciara Lowry
The Scarlet Letter
143 bpm • D# Maj • 02:41 • -17.31db
16% Popularity • 60% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
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Lance Allen
Summer's Lament
125 bpm • D Maj • 02:19 • -12.37db
23% Popularity • 68% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
23% Popularity • 68% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Matt Tondut
Flutter
143 bpm • D Maj • 01:56 • -12.81db
6% Popularity • 57% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
6% Popularity • 57% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Denis Turbide
Pining
125 bpm • G Maj • 01:30 • -14.42db
22% Popularity • 50% Danceability • 38% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
22% Popularity • 50% Danceability • 38% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
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Between the Dots
Daily Routine
125 bpm • D Maj • 01:04 • -14db
27% Popularity • 43% Danceability • 19% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
27% Popularity • 43% Danceability • 19% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
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Nylon & Cedar
Lupin
144 bpm • F# Maj • 02:49 • -17.79db
32% Popularity • 46% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
32% Popularity • 46% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Roberto Diana
Si Sveglia il Sole
125 bpm • F min • 02:11 • -13db
26% Popularity • 55% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
26% Popularity • 55% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Elsa Pelling
Portrait
125 bpm • D Maj • 02:30 • -14.82db
48% Popularity • 71% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
48% Popularity • 71% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Chris Embers
Onio
144 bpm • E min • 02:12 • -13.45db
37% Popularity • 30% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
37% Popularity • 30% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Elgafar
Coffee
125 bpm • F# Maj • 01:49 • -13.57db
34% Popularity • 68% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 29% Positiveness
34% Popularity • 68% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 29% Positiveness
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Winston Church
As Summer Sets
144 bpm • A# Maj • 01:50 • -24.67db
33% Popularity • 48% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
33% Popularity • 48% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Denis Turbide
August
144 bpm • B Maj • 02:52 • -19db
32% Popularity • 57% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 46% Positiveness
32% Popularity • 57% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 46% Positiveness
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Constance Timon
Ciudad nueva
144 bpm • G Maj • 02:36 • -25.08db
42% Popularity • 34% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
42% Popularity • 34% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Collin Hill
Lupin
144 bpm • F# Maj • 03:02 • -19.89db
35% Popularity • 39% Danceability • 16% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
35% Popularity • 39% Danceability • 16% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
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Juan Martínez Pérez
Crystal Orb
124 bpm • C min • 02:37 • -15.36db
25% Popularity • 47% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 20% Positiveness
25% Popularity • 47% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 20% Positiveness
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Ken Smith
The Twilight Breeze
124 bpm • B Maj • 02:58 • -12.78db
12% Popularity • 63% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 63% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
