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Hayes Loves Oman, Wailord, and Paraguay
Songs like
Hayes Loves Oman, Wailord, and Paraguay
by
Jones
Based on a tempo of (+/- 10%) and a similar genre
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Shemy
Circles
120 bpm • G Maj • 03:44 • -5.79db
33% Popularity • 79% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Ferdinand Charles
Broken Wing
115 bpm • C min • 03:17 • -5.4db
21% Popularity • 73% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Famoe
Attitude
120 bpm • C Maj • 03:22 • -8.62db
11% Popularity • 84% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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MNIB
74 Cromwell Avenue (The Way We Were)
120 bpm • C# min • 04:01 • -7.77db
18% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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D.O.P.
I Believe
120 bpm • D min • 02:28 • -6.2db
14% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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3RDegree
Faded Nature
120 bpm • C min • 03:28 • -10.38db
11% Popularity • 96% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Brxd Sabbath
Intro To Death
120 bpm • A min • 02:35 • -14.27db
13% Popularity • 57% Danceability • 42% Energy • 30% Liveness
16% Instrumentalness • 4% Positiveness
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Bad Habitat
Bad Habitat
120 bpm • A# min • 03:37 • -4.73db
17% Popularity • 79% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Annakin Slayd
No Scruples
122 bpm • A min • 03:47 • -4.22db
24% Popularity • 75% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dope Prose
1993
123 bpm • C Maj • 02:27 • -11.69db
21% Popularity • 80% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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The Gypsy G
MIDNIGHT IN MIAMI
111 bpm • G# Maj • 02:21 • -6.44db
16% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Klee Magor
Hebrew Slang (Intro)
122 bpm • C min • 01:04 • -6.93db
11% Popularity • 23% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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GoldyKay
Overhoe Ain't Got Nothin' on Me
111 bpm • C# Maj • 02:21 • -15.04db
9% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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King Skam
Face Off
124 bpm • E min • 02:19 • -4.35db
12% Popularity • 73% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Annakin Slayd
Bizarro
111 bpm • F# min • 03:57 • -3.19db
22% Popularity • 52% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Devosion
Thoro
110 bpm • B min • 03:01 • -6db
15% Popularity • 53% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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K Cay
Good Putter Anthem
110 bpm • G min • 00:58 • -7.67db
10% Popularity • 70% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Deborah Bee Music
66 Shootah
110 bpm • A# Maj • 03:09 • -7.04db
21% Popularity • 93% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Famoe
Hands Up To The Sky
110 bpm • D Maj • 02:52 • -5.99db
14% Popularity • 83% Danceability • 90% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Notes Maloney
All This Hype Defines What I Do This Fo'
110 bpm • A min • 03:15 • -16.85db
17% Popularity • 84% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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ShocMane
Need You Babe - Supreme Edition
125 bpm • F# Maj • 03:22 • -9.52db
8% Popularity • 75% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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DeepFrees
Keepin' It 100
109 bpm • B min • 01:57 • -10.88db
8% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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AL MAL aka AdotWAKE
Swaggicide
109 bpm • C# Maj • 04:19 • -7.3db
14% Popularity • 58% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Devosion
Crossed Out
126 bpm • C# Maj • 03:05 • -10.42db
12% Popularity • 93% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Emilio Fernandez
Closer to Me - Club Mix
126 bpm • G# Maj • 08:18 • -6.02db
0% Popularity • 86% Danceability • 74% Energy • 7% Liveness
54% Instrumentalness • 30% Positiveness
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Brice Reilly
Straight And Narrow
126 bpm • F# min • 02:22 • -12.38db
23% Popularity • 66% Danceability • 54% Energy • 10% Liveness
10% Instrumentalness • 31% Positiveness
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Faith over Fear Productions
Changing Families, Changing Generations
108 bpm • C# Maj • 02:46 • -10.31db
9% Popularity • 87% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Roksaro
Building
108 bpm • F# min • 02:31 • -5.12db
16% Popularity • 50% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Slimm Kutta
Dump First
128 bpm • A Maj • 03:44 • -6.06db
26% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lucio Chafetz
Good New
107 bpm • E min • 04:00 • -6.46db
26% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Emilio Fernandez
Closer to Me
126 bpm • G# Maj • 06:40 • -6.3db
0% Popularity • 78% Danceability • 89% Energy • 4% Liveness
81% Instrumentalness • 75% Positiveness
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GraveCripter
IceColdLoadin
106 bpm • C Maj • 01:59 • -15.25db
9% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Guerilla B
Rolley Dreams
106 bpm • F# min • 02:02 • -8.13db
12% Popularity • 76% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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iRoc Omega
I Just Wanna Count Money (Remix)
130 bpm • C Maj • 04:28 • -6.76db
17% Popularity • 79% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Silent Angel
Gospel Souljah
130 bpm • G Maj • 03:14 • -1.53db
9% Popularity • 44% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Faee Rush
Bloody Marry
130 bpm • A min • 02:57 • -8.8db
20% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Emilio Fernandez
Closer to Me - Radio Edit
126 bpm • G Maj • 03:48 • -4.8db
0% Popularity • 66% Danceability • 93% Energy • 6% Liveness
34% Instrumentalness • 87% Positiveness
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Young Manager
Liian Lit
130 bpm • B min • 03:26 • -7.18db
1% Popularity • 82% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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MNIB
Philip Banks
130 bpm • C# min • 03:02 • -3.81db
18% Popularity • 83% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Next Door Strangers
Which Hunt?
130 bpm • A Maj • 03:30 • -11.91db
11% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jones
Know Better
130 bpm • A# min • 03:30 • -8.6db
0% Popularity • 75% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Jae Prophecy
Head of the Table
130 bpm • B min • 04:13 • -8.5db
25% Popularity • 62% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Emilio Fernandez
Closer to Me - Oliver Rosa Remix
126 bpm • C min • 05:37 • -4.9db
0% Popularity • 73% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Seventeen
Backstabbers
105 bpm • A min • 02:37 • -9.5db
8% Popularity • 74% Danceability • 72% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Famoe
Most Wanted
131 bpm • A min • 03:56 • -8.82db
12% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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MNIB
Mrs Nicotine
132 bpm • G min • 03:26 • -7.54db
18% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Young West
Space Invaders
104 bpm • A# min • 03:33 • -6db
12% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Augus Pritt
Thunderbolts - Remixed
104 bpm • D Maj • 02:46 • -8.31db
12% Popularity • 70% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Emilio Fernandez
Closer to Me - Toby Traxx Remix
128 bpm • A# min • 06:45 • -5.04db
0% Popularity • 59% Danceability • 91% Energy • 56% Liveness
80% Instrumentalness • 6% Positiveness
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J.R
Paper Chaser
132 bpm • F# min • 04:04 • -5.56db
9% Popularity • 83% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Famoe
A Dream Comes True
104 bpm • G Maj • 03:49 • -7.76db
11% Popularity • 79% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Master Wiz
Let It Be
103 bpm • C Maj • 03:38 • -5.35db
17% Popularity • 57% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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BJ Suter
Generational Curse
133 bpm • B Maj • 03:08 • -7.08db
29% Popularity • 85% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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iRoc Omega
Hey Now
103 bpm • C Maj • 03:45 • -2.59db
17% Popularity • 78% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Emilio Fernandez
Closer to Me - Marc MacRowland Remix
128 bpm • C min • 05:22 • -3.74db
0% Popularity • 77% Danceability • 93% Energy • 5% Liveness
16% Instrumentalness • 21% Positiveness
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SoulPeaze
Still In Hate
102 bpm • G# Maj • 04:18 • -9.74db
15% Popularity • 32% Danceability • 70% Energy • 5% Liveness
4% Instrumentalness • 45% Positiveness
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Famoe
Real Fans
103 bpm • A min • 02:44 • -8.95db
11% Popularity • 80% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Mike Nehemiah
Super Samba
102 bpm • F# Maj • 03:01 • -9.68db
17% Popularity • 93% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jones
Instrumental
134 bpm • C# min • 03:38 • -7.23db
0% Popularity • 57% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 53% Positiveness
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Tony Lazo
Mic Check
102 bpm • D min • 02:08 • -9.44db
10% Popularity • 90% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Emilio Fernandez
Closer to Me [Bonus Track} - JQA & Manuf...
128 bpm • C# Maj • 05:45 • -7.16db
0% Popularity • 89% Danceability • 97% Energy • 5% Liveness
90% Instrumentalness • 20% Positiveness
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Twiztid
Let's Get High (As A Kite Remix)
135 bpm • F# Maj • 03:56 • -7.19db
20% Popularity • 67% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Famoe
Interlude
102 bpm • F Maj • 01:24 • -9.44db
11% Popularity • 77% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Devosion
Come And Save Me
101 bpm • D Maj • 03:29 • -7.07db
12% Popularity • 83% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Big Spiff
Times Up
100 bpm • D Maj • 03:50 • -1.17db
9% Popularity • 82% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Lu Blanco
Time Tickin
101 bpm • A# Maj • 02:32 • -9.87db
10% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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iRoc Omega
Middle Finga
100 bpm • A# min • 04:04 • -2.22db
18% Popularity • 77% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Steve Mak
THAT MAFUCKAZ ON FIRE.
100 bpm • G# Maj • 03:31 • -5.54db
19% Popularity • 87% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Famoe
The World Is Yours
100 bpm • A min • 03:45 • -10.08db
11% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Unda Dwella
Friends
100 bpm • C# min • 03:13 • -6.52db
9% Popularity • 76% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Faee Rush
Sk8ter
100 bpm • C Maj • 02:59 • -11.87db
21% Popularity • 80% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Tony Lazo
Spit How I Spit
100 bpm • F# Maj • 04:12 • -10.31db
7% Popularity • 80% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Decay
Get That
100 bpm • G Maj • 02:20 • -4.86db
29% Popularity • 82% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Kyle Wills
Mind Full o' Chaos
100 bpm • C# min • 02:32 • -6.3db
18% Popularity • 78% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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AMiR
Rock Da Mic
100 bpm • A# min • 02:14 • -7.7db
11% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Shaw Langley
Phone Trap Music
100 bpm • G Maj • 03:21 • -7.96db
13% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Raz The Sycho
Bukkshit Cypher
100 bpm • G Maj • 02:42 • -10.15db
16% Popularity • 70% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Jones
Rushin'
99 bpm • C# Maj • 02:29 • -1.88db
0% Popularity • 69% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Master Wiz
Ivy
100 bpm • A# min • 03:52 • -5.42db
16% Popularity • 36% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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FutureX
In My Dreams
138 bpm • F min • 03:35 • -9.96db
10% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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MNIB
Real Talk
138 bpm • B min • 03:44 • -7.7db
18% Popularity • 75% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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HF bEaTs
Determination
139 bpm • F Maj • 01:02 • -8.74db
18% Popularity • 60% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Raz The Sycho
Poo!
99 bpm • C# Maj • 03:21 • -9db
0% Popularity • 82% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Devosion
Everything Is His
139 bpm • A# min • 04:17 • -5.06db
12% Popularity • 85% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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ROACH
This One
140 bpm • D# min • 02:49 • -6.64db
31% Popularity • 69% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jake Palumbo
I Shouldn't, But I Can (So I Do)
140 bpm • G# Maj • 02:31 • -4.32db
10% Popularity • 63% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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MNIB
If We Were Dogs
140 bpm • G min • 02:20 • -7db
18% Popularity • 70% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Moje
Not Sorry
140 bpm • B min • 01:48 • -10.78db
9% Popularity • 67% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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S 1 X
Trust Nobody
140 bpm • G Maj • 03:13 • -7.3db
4% Popularity • 70% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Devosion
Sion 50
140 bpm • C Maj • 04:39 • -4.71db
15% Popularity • 64% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Silent Angel
On Fire for Jesus
140 bpm • E min • 03:13 • -3.24db
7% Popularity • 53% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Famoe
International
142 bpm • G# Maj • 02:46 • -4.24db
14% Popularity • 63% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Annakin Slayd
Luckiest Man Alive
142 bpm • D min • 03:46 • -6.28db
34% Popularity • 54% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Phantom Legacy
Broken Winning
145 bpm • C# Maj • 01:49 • -9.13db
16% Popularity • 76% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Amirah Love
Little Brown Girl
144 bpm • A# Maj • 03:03 • -9.12db
0% Popularity • 74% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Devosion
Transform
140 bpm • D Maj • 03:46 • -5.25db
15% Popularity • 57% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Silent Angel
They Know Who We Are
142 bpm • F# Maj • 01:53 • -3.27db
7% Popularity • 78% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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JuCity
L.O.V.E.
145 bpm • D Maj • 02:52 • -5.3db
31% Popularity • 45% Danceability • 71% Energy • 48% Liveness
6% Instrumentalness • 18% Positiveness
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Soul-on cash
Right Now, Pt. 1
146 bpm • C# Maj • 03:32 • -4.52db
0% Popularity • 77% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Jae Messiah
Zion
148 bpm • F# Maj • 02:22 • -8.91db
18% Popularity • 59% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Hayes Loves Oman, Wailord, and Paraguay