Songs like He Said She Said - Extended Mix by YINGYANG (UK)
Based on a tempo of (+/- 10%) and a similar genre
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Iglesias
Disco Music
128 bpm • A Maj • 03:17 • -7.26db
11% Popularity • 68% Danceability • 96% Energy • 6% Liveness
90% Instrumentalness • 84% Positiveness
11% Popularity • 68% Danceability • 96% Energy • 6% Liveness
90% Instrumentalness • 84% Positiveness
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Will Taylor (UK)
CALL ME! - Ren Phillips, YINGYANG (UK) R...
128 bpm • F# Maj • 05:37 • -6.87db
2% Popularity • 80% Danceability • 84% Energy • 4% Liveness
57% Instrumentalness • 46% Positiveness
2% Popularity • 80% Danceability • 84% Energy • 4% Liveness
57% Instrumentalness • 46% Positiveness
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Viot
GOOD FOR ME
128 bpm • F# min • 06:32 • -7.76db
16% Popularity • 80% Danceability • 84% Energy • 5% Liveness
76% Instrumentalness • 50% Positiveness
16% Popularity • 80% Danceability • 84% Energy • 5% Liveness
76% Instrumentalness • 50% Positiveness
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Darius Syrossian
Soul Fire - Dimmish Remix Edit
128 bpm • F min • 03:33 • -8.74db
18% Popularity • 79% Danceability • 99% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
18% Popularity • 79% Danceability • 99% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
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De La Swing
Voodoo Step
128 bpm • F min • 03:00 • -9.16db
31% Popularity • 80% Danceability • 86% Energy • 11% Liveness
71% Instrumentalness • 77% Positiveness
31% Popularity • 80% Danceability • 86% Energy • 11% Liveness
71% Instrumentalness • 77% Positiveness
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Late London
Gettin 2 The Money
128 bpm • F min • 05:52 • -6.92db
11% Popularity • 81% Danceability • 94% Energy • 1% Liveness
53% Instrumentalness • 69% Positiveness
11% Popularity • 81% Danceability • 94% Energy • 1% Liveness
53% Instrumentalness • 69% Positiveness
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YINGYANG (UK)
Chakra Drums
128 bpm • C# Maj • 03:31 • -5.64db
0% Popularity • 79% Danceability • 88% Energy • 6% Liveness
40% Instrumentalness • 81% Positiveness
0% Popularity • 79% Danceability • 88% Energy • 6% Liveness
40% Instrumentalness • 81% Positiveness
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Stefano Noferini
Permission
128 bpm • F# min • 03:30 • -7.7db
13% Popularity • 80% Danceability • 91% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
13% Popularity • 80% Danceability • 91% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Ben Sterling
Peeps In De Back
128 bpm • B min • 04:47 • -8.19db
7% Popularity • 80% Danceability • 78% Energy • 13% Liveness
81% Instrumentalness • 18% Positiveness
7% Popularity • 80% Danceability • 78% Energy • 13% Liveness
81% Instrumentalness • 18% Positiveness
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Arzenic
Hey Young People
128 bpm • A# min • 03:31 • -7.74db
11% Popularity • 80% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
11% Popularity • 80% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
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Nacho Scoppa
Ibiza Vibes
128 bpm • A# min • 06:03 • -6.28db
21% Popularity • 80% Danceability • 98% Energy • 3% Liveness
90% Instrumentalness • 60% Positiveness
21% Popularity • 80% Danceability • 98% Energy • 3% Liveness
90% Instrumentalness • 60% Positiveness
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Morpei
Help You Drop It
128 bpm • B min • 05:04 • -8db
13% Popularity • 80% Danceability • 99% Energy • 12% Liveness
90% Instrumentalness • 84% Positiveness
13% Popularity • 80% Danceability • 99% Energy • 12% Liveness
90% Instrumentalness • 84% Positiveness
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Latmun
In The Mood
128 bpm • G Maj • 05:17 • -6.04db
14% Popularity • 80% Danceability • 95% Energy • 4% Liveness
78% Instrumentalness • 47% Positiveness
14% Popularity • 80% Danceability • 95% Energy • 4% Liveness
78% Instrumentalness • 47% Positiveness
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Ferra Black
Sex - Original Mix
128 bpm • B min • 05:30 • -6.84db
11% Popularity • 81% Danceability • 95% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
11% Popularity • 81% Danceability • 95% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
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Josu Freire
The Dancefloor - Original Mix
128 bpm • G Maj • 05:43 • -10db
10% Popularity • 81% Danceability • 69% Energy • 9% Liveness
29% Instrumentalness • 35% Positiveness
10% Popularity • 81% Danceability • 69% Energy • 9% Liveness
29% Instrumentalness • 35% Positiveness
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Andruss
Jump Around
128 bpm • F# Maj • 05:18 • -6db
23% Popularity • 80% Danceability • 98% Energy • 4% Liveness
80% Instrumentalness • 25% Positiveness
23% Popularity • 80% Danceability • 98% Energy • 4% Liveness
80% Instrumentalness • 25% Positiveness
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Damelo
The Goods - Edit
128 bpm • B min • 03:53 • -8.28db
15% Popularity • 80% Danceability • 74% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
15% Popularity • 80% Danceability • 74% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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YINGYANG (UK)
Pain & Panic
128 bpm • G# Maj • 06:45 • -8.81db
0% Popularity • 81% Danceability • 93% Energy • 7% Liveness
89% Instrumentalness • 45% Positiveness
0% Popularity • 81% Danceability • 93% Energy • 7% Liveness
89% Instrumentalness • 45% Positiveness
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Manu Gonzalez
Yollow
128 bpm • B min • 03:53 • -6.85db
9% Popularity • 74% Danceability • 94% Energy • 12% Liveness
85% Instrumentalness • 72% Positiveness
9% Popularity • 74% Danceability • 94% Energy • 12% Liveness
85% Instrumentalness • 72% Positiveness
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James Poole
Miss Tony
128 bpm • D Maj • 03:30 • -8.17db
9% Popularity • 86% Danceability • 93% Energy • 3% Liveness
8% Instrumentalness • 81% Positiveness
9% Popularity • 86% Danceability • 93% Energy • 3% Liveness
8% Instrumentalness • 81% Positiveness
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Waitz
What Is Funk - Radio Edit
128 bpm • G Maj • 03:47 • -8.51db
17% Popularity • 79% Danceability • 95% Energy • 5% Liveness
26% Instrumentalness • 65% Positiveness
17% Popularity • 79% Danceability • 95% Energy • 5% Liveness
26% Instrumentalness • 65% Positiveness
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Alvaro Smart
Get Ready - Ren Phillips, YINGYANG (UK) ...
128 bpm • C# min • 06:02 • -6.87db
0% Popularity • 80% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
0% Popularity • 80% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
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Ren Phillips
BEN DOVA!
128 bpm • E min • 06:53 • -8.21db
5% Popularity • 81% Danceability • 90% Energy • 4% Liveness
91% Instrumentalness • 73% Positiveness
5% Popularity • 81% Danceability • 90% Energy • 4% Liveness
91% Instrumentalness • 73% Positiveness
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Iglesias
Been A Long Time
128 bpm • D Maj • 03:31 • -7.47db
21% Popularity • 73% Danceability • 99% Energy • 5% Liveness
94% Instrumentalness • 86% Positiveness
21% Popularity • 73% Danceability • 99% Energy • 5% Liveness
94% Instrumentalness • 86% Positiveness
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Damelo
Ngoma
128 bpm • C# Maj • 06:03 • -6.6db
13% Popularity • 80% Danceability • 84% Energy • 3% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 80% Danceability • 84% Energy • 3% Liveness
92% Instrumentalness • 20% Positiveness
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Nacho Scoppa
Girls Wanna Have Fun
128 bpm • C# Maj • 06:07 • -6db
13% Popularity • 80% Danceability • 100% Energy • 9% Liveness
92% Instrumentalness • 83% Positiveness
13% Popularity • 80% Danceability • 100% Energy • 9% Liveness
92% Instrumentalness • 83% Positiveness
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Supernova
A Good Day - Stefano Noferini & Alann M ...
128 bpm • F min • 03:29 • -10.48db
12% Popularity • 80% Danceability • 65% Energy • 9% Liveness
13% Instrumentalness • 59% Positiveness
12% Popularity • 80% Danceability • 65% Energy • 9% Liveness
13% Instrumentalness • 59% Positiveness
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Roger That (UK)
How Does It Feel
128 bpm • D Maj • 03:05 • -8.22db
30% Popularity • 73% Danceability • 77% Energy • 26% Liveness
1% Instrumentalness • 69% Positiveness
30% Popularity • 73% Danceability • 77% Energy • 26% Liveness
1% Instrumentalness • 69% Positiveness
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Neverdogs
What Are You Doing To Me
128 bpm • C# Maj • 03:56 • -8.28db
21% Popularity • 80% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 49% Positiveness
21% Popularity • 80% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 49% Positiveness
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VITO (UK)
Boujee
128 bpm • C# Maj • 07:01 • -7.81db
8% Popularity • 79% Danceability • 96% Energy • 6% Liveness
78% Instrumentalness • 70% Positiveness
8% Popularity • 79% Danceability • 96% Energy • 6% Liveness
78% Instrumentalness • 70% Positiveness
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M.A.F.F
Bollyhood - Ren Phillips, YING YANG (UK)...
128 bpm • D Maj • 07:16 • -7.57db
4% Popularity • 80% Danceability • 94% Energy • 5% Liveness
90% Instrumentalness • 63% Positiveness
4% Popularity • 80% Danceability • 94% Energy • 5% Liveness
90% Instrumentalness • 63% Positiveness
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Will Taylor (UK)
Ordinary Things
128 bpm • A min • 03:03 • -7.5db
28% Popularity • 80% Danceability • 78% Energy • 6% Liveness
47% Instrumentalness • 34% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 6% Liveness
47% Instrumentalness • 34% Positiveness
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Ren Phillips
Grandmaster Flash - Extended Version
128 bpm • B min • 06:46 • -5.94db
0% Popularity • 81% Danceability • 96% Energy • 4% Liveness
72% Instrumentalness • 64% Positiveness
0% Popularity • 81% Danceability • 96% Energy • 4% Liveness
72% Instrumentalness • 64% Positiveness
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Rich NxT
Mr Flamingo - Paradox City & Ryan Resso ...
128 bpm • C# Maj • 04:00 • -8.41db
20% Popularity • 81% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
20% Popularity • 81% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Copasetic
Moovin
128 bpm • G# min • 07:00 • -9.03db
11% Popularity • 80% Danceability • 94% Energy • 10% Liveness
92% Instrumentalness • 77% Positiveness
11% Popularity • 80% Danceability • 94% Energy • 10% Liveness
92% Instrumentalness • 77% Positiveness
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Cloonee
Sun Goes Down - Classmatic Remix
128 bpm • G Maj • 06:15 • -9.98db
17% Popularity • 80% Danceability • 82% Energy • 11% Liveness
83% Instrumentalness • 46% Positiveness
17% Popularity • 80% Danceability • 82% Energy • 11% Liveness
83% Instrumentalness • 46% Positiveness
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Mennie
Get to Run - Original Mix
128 bpm • G Maj • 03:45 • -6.26db
2% Popularity • 80% Danceability • 94% Energy • 11% Liveness
84% Instrumentalness • 45% Positiveness
2% Popularity • 80% Danceability • 94% Energy • 11% Liveness
84% Instrumentalness • 45% Positiveness
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Aaron Martin
Colocolocada - Radio Edit
128 bpm • F# Maj • 03:15 • -7.33db
8% Popularity • 81% Danceability • 84% Energy • 10% Liveness
47% Instrumentalness • 71% Positiveness
8% Popularity • 81% Danceability • 84% Energy • 10% Liveness
47% Instrumentalness • 71% Positiveness
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Luuk Van Dijk
In The District - Ben Sterling Remix Edi...
128 bpm • A Maj • 04:00 • -9.87db
23% Popularity • 80% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
23% Popularity • 80% Danceability • 69% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
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YINGYANG (UK)
House Party
128 bpm • F# min • 06:36 • -7.47db
0% Popularity • 81% Danceability • 93% Energy • 55% Liveness
83% Instrumentalness • 60% Positiveness
0% Popularity • 81% Danceability • 93% Energy • 55% Liveness
83% Instrumentalness • 60% Positiveness
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FRANCO BA
Backing
128 bpm • F Maj • 03:33 • -8.01db
9% Popularity • 80% Danceability • 97% Energy • 26% Liveness
94% Instrumentalness • 94% Positiveness
9% Popularity • 80% Danceability • 97% Energy • 26% Liveness
94% Instrumentalness • 94% Positiveness
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Marcellus (UK)
I Go
128 bpm • B min • 05:47 • -7.69db
10% Popularity • 81% Danceability • 98% Energy • 6% Liveness
87% Instrumentalness • 26% Positiveness
10% Popularity • 81% Danceability • 98% Energy • 6% Liveness
87% Instrumentalness • 26% Positiveness
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Andre Zimmer
The Funk
128 bpm • A# min • 02:50 • -7.78db
29% Popularity • 79% Danceability • 90% Energy • 31% Liveness
48% Instrumentalness • 77% Positiveness
29% Popularity • 79% Danceability • 90% Energy • 31% Liveness
48% Instrumentalness • 77% Positiveness
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Kai Rodriguez
Undaground
128 bpm • G Maj • 05:18 • -9.25db
14% Popularity • 80% Danceability • 84% Energy • 6% Liveness
93% Instrumentalness • 81% Positiveness
14% Popularity • 80% Danceability • 84% Energy • 6% Liveness
93% Instrumentalness • 81% Positiveness
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Will Taylor (UK)
CALL ME! - Ren Phillips, YINGYANG (UK) R...
128 bpm • F# Maj • 03:00 • -6.44db
0% Popularity • 82% Danceability • 87% Energy • 8% Liveness
35% Instrumentalness • 42% Positiveness
0% Popularity • 82% Danceability • 87% Energy • 8% Liveness
35% Instrumentalness • 42% Positiveness
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Rossi.
Applause
128 bpm • E min • 07:16 • -8.83db
24% Popularity • 80% Danceability • 94% Energy • 5% Liveness
91% Instrumentalness • 34% Positiveness
24% Popularity • 80% Danceability • 94% Energy • 5% Liveness
91% Instrumentalness • 34% Positiveness
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WEIRD.
Gravity
128 bpm • A# min • 05:48 • -11.91db
13% Popularity • 81% Danceability • 95% Energy • 5% Liveness
95% Instrumentalness • 67% Positiveness
13% Popularity • 81% Danceability • 95% Energy • 5% Liveness
95% Instrumentalness • 67% Positiveness
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Ben Sterling
Mind Control
128 bpm • C# Maj • 06:15 • -7.12db
16% Popularity • 81% Danceability • 91% Energy • 19% Liveness
94% Instrumentalness • 68% Positiveness
16% Popularity • 81% Danceability • 91% Energy • 19% Liveness
94% Instrumentalness • 68% Positiveness
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YINGYANG (UK)
AAA
128 bpm • G Maj • 06:45 • -8.15db
0% Popularity • 80% Danceability • 94% Energy • 8% Liveness
63% Instrumentalness • 52% Positiveness
0% Popularity • 80% Danceability • 94% Energy • 8% Liveness
63% Instrumentalness • 52% Positiveness
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Latmun
Disco B
128 bpm • A min • 03:31 • -5.71db
7% Popularity • 80% Danceability • 95% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
7% Popularity • 80% Danceability • 95% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
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Will Taylor (UK)
Saltshaker
128 bpm • B min • 03:15 • -6.66db
27% Popularity • 80% Danceability • 52% Energy • 13% Liveness
74% Instrumentalness • 58% Positiveness
27% Popularity • 80% Danceability • 52% Energy • 13% Liveness
74% Instrumentalness • 58% Positiveness
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Luuk Van Dijk
U Trippin
128 bpm • G min • 04:11 • -9.55db
25% Popularity • 84% Danceability • 53% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
25% Popularity • 84% Danceability • 53% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
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Classmatic
Faux Français
128 bpm • G Maj • 06:30 • -7.61db
17% Popularity • 80% Danceability • 76% Energy • 6% Liveness
61% Instrumentalness • 79% Positiveness
17% Popularity • 80% Danceability • 76% Energy • 6% Liveness
61% Instrumentalness • 79% Positiveness
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Matheo Velez
Break is Heart
128 bpm • F# Maj • 05:35 • -7.68db
13% Popularity • 80% Danceability • 93% Energy • 8% Liveness
48% Instrumentalness • 37% Positiveness
13% Popularity • 80% Danceability • 93% Energy • 8% Liveness
48% Instrumentalness • 37% Positiveness
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YINGYANG (UK)
Superstition
128 bpm • B min • 06:45 • -8.33db
0% Popularity • 80% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
0% Popularity • 80% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Sera De Villalta
Money Moves - Original Mix
128 bpm • A Maj • 06:07 • -7.28db
8% Popularity • 80% Danceability • 94% Energy • 7% Liveness
34% Instrumentalness • 82% Positiveness
8% Popularity • 80% Danceability • 94% Energy • 7% Liveness
34% Instrumentalness • 82% Positiveness
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FreedomB
Planetary Hallucination - Ben Sterling R...
128 bpm • B Maj • 04:00 • -11.42db
11% Popularity • 81% Danceability • 71% Energy • 11% Liveness
73% Instrumentalness • 76% Positiveness
11% Popularity • 81% Danceability • 71% Energy • 11% Liveness
73% Instrumentalness • 76% Positiveness
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Juanito
Atracando
128 bpm • G Maj • 06:07 • -10.46db
26% Popularity • 83% Danceability • 52% Energy • 3% Liveness
47% Instrumentalness • 60% Positiveness
26% Popularity • 83% Danceability • 52% Energy • 3% Liveness
47% Instrumentalness • 60% Positiveness
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George Marshman
Hubba Bubba - YINGYANG (UK) Remix
128 bpm • E Maj • 06:00 • -9.42db
0% Popularity • 80% Danceability • 94% Energy • 6% Liveness
94% Instrumentalness • 78% Positiveness
0% Popularity • 80% Danceability • 94% Energy • 6% Liveness
94% Instrumentalness • 78% Positiveness
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Kai Rodriguez
The Thrill
128 bpm • C# Maj • 03:16 • -9.63db
16% Popularity • 80% Danceability • 43% Energy • 9% Liveness
75% Instrumentalness • 40% Positiveness
16% Popularity • 80% Danceability • 43% Energy • 9% Liveness
75% Instrumentalness • 40% Positiveness
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YINGYANG (UK)
Devil Wears Prada
128 bpm • A# min • 07:01 • -7.16db
0% Popularity • 81% Danceability • 91% Energy • 10% Liveness
82% Instrumentalness • 63% Positiveness
0% Popularity • 81% Danceability • 91% Energy • 10% Liveness
82% Instrumentalness • 63% Positiveness
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Will Taylor (UK)
Paloma
128 bpm • F min • 03:31 • -7.97db
22% Popularity • 79% Danceability • 86% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
22% Popularity • 79% Danceability • 86% Energy • 8% Liveness
59% Instrumentalness • 36% Positiveness
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James Burton
Lets Fork
128 bpm • B min • 03:00 • -7.25db
13% Popularity • 80% Danceability • 84% Energy • 7% Liveness
41% Instrumentalness • 64% Positiveness
13% Popularity • 80% Danceability • 84% Energy • 7% Liveness
41% Instrumentalness • 64% Positiveness
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Alessio Bianchi
Attention
128 bpm • B Maj • 06:35 • -9.26db
13% Popularity • 81% Danceability • 92% Energy • 5% Liveness
90% Instrumentalness • 73% Positiveness
13% Popularity • 81% Danceability • 92% Energy • 5% Liveness
90% Instrumentalness • 73% Positiveness
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Sidney Charles
Raveheart - Edit
128 bpm • C# Maj • 03:46 • -5.66db
16% Popularity • 79% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 79% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Waitz
People All Around
128 bpm • F# min • 03:18 • -7.49db
16% Popularity • 79% Danceability • 92% Energy • 6% Liveness
88% Instrumentalness • 75% Positiveness
16% Popularity • 79% Danceability • 92% Energy • 6% Liveness
88% Instrumentalness • 75% Positiveness
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YINGYANG (UK)
Badderz
128 bpm • C# Maj • 06:19 • -9.5db
0% Popularity • 80% Danceability • 89% Energy • 3% Liveness
90% Instrumentalness • 61% Positiveness
0% Popularity • 80% Danceability • 89% Energy • 3% Liveness
90% Instrumentalness • 61% Positiveness
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Ren Phillips
Grandmaster Flash
128 bpm • B min • 03:12 • -5.99db
16% Popularity • 84% Danceability • 99% Energy • 6% Liveness
20% Instrumentalness • 50% Positiveness
16% Popularity • 84% Danceability • 99% Energy • 6% Liveness
20% Instrumentalness • 50% Positiveness
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Samuele Scelfo
Kipper
128 bpm • B min • 06:07 • -10.51db
9% Popularity • 80% Danceability • 74% Energy • 11% Liveness
77% Instrumentalness • 51% Positiveness
9% Popularity • 80% Danceability • 74% Energy • 11% Liveness
77% Instrumentalness • 51% Positiveness
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Dmitri Saidi
Quiere
128 bpm • A min • 06:00 • -9.72db
12% Popularity • 80% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
12% Popularity • 80% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
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Nicolas Caprile
Sabor Latino
128 bpm • C# Maj • 03:35 • -6.08db
13% Popularity • 72% Danceability • 95% Energy • 5% Liveness
91% Instrumentalness • 30% Positiveness
13% Popularity • 72% Danceability • 95% Energy • 5% Liveness
91% Instrumentalness • 30% Positiveness
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Chris Child
Guy - Nacho Scoppa Remix
128 bpm • D Maj • 06:00 • -7.11db
28% Popularity • 80% Danceability • 91% Energy • 6% Liveness
65% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 91% Energy • 6% Liveness
65% Instrumentalness • 87% Positiveness
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Bassel Darwish
Mood
128 bpm • F Maj • 06:32 • -7.84db
7% Popularity • 80% Danceability • 99% Energy • 6% Liveness
92% Instrumentalness • 59% Positiveness
7% Popularity • 80% Danceability • 99% Energy • 6% Liveness
92% Instrumentalness • 59% Positiveness
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Knober
Just Dance - Radio-Edit
128 bpm • C# Maj • 03:01 • -7db
10% Popularity • 80% Danceability • 92% Energy • 8% Liveness
75% Instrumentalness • 71% Positiveness
10% Popularity • 80% Danceability • 92% Energy • 8% Liveness
75% Instrumentalness • 71% Positiveness
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Stefano Noferini
Permission - Bassel Darwish Remix
128 bpm • A Maj • 03:30 • -9.93db
27% Popularity • 81% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
27% Popularity • 81% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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MANT
Sometimes - Edit
128 bpm • C# min • 03:18 • -7.59db
13% Popularity • 80% Danceability • 93% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
13% Popularity • 80% Danceability • 93% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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YINGYANG (UK)
Psychodelic
128 bpm • C Maj • 06:32 • -6.07db
0% Popularity • 80% Danceability • 99% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
0% Popularity • 80% Danceability • 99% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
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Jay Farina
Pumpin The Junk
128 bpm • B min • 03:05 • -8.07db
11% Popularity • 80% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
11% Popularity • 80% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Dave Turk
Let the Spirits Take Me
128 bpm • F min • 02:48 • -4.64db
9% Popularity • 89% Danceability • 98% Energy • 7% Liveness
58% Instrumentalness • 96% Positiveness
9% Popularity • 89% Danceability • 98% Energy • 7% Liveness
58% Instrumentalness • 96% Positiveness
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Riley (UK)
Punisher - Original Mix
128 bpm • C# Maj • 03:29 • -9.39db
15% Popularity • 81% Danceability • 78% Energy • 12% Liveness
82% Instrumentalness • 53% Positiveness
15% Popularity • 81% Danceability • 78% Energy • 12% Liveness
82% Instrumentalness • 53% Positiveness
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Will Taylor (UK)
Sacrifice
128 bpm • G# min • 03:45 • -8.7db
15% Popularity • 79% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
15% Popularity • 79% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Lost On Mars
Jungle Flute
128 bpm • G Maj • 03:56 • -4.89db
34% Popularity • 69% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
34% Popularity • 69% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Neverdogs
Pollock
128 bpm • G Maj • 03:18 • -9.21db
30% Popularity • 80% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 28% Positiveness
30% Popularity • 80% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 28% Positiveness
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MEEN
Reflect
128 bpm • D Maj • 04:00 • -5.99db
9% Popularity • 80% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 57% Positiveness
9% Popularity • 80% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 57% Positiveness
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Ron Costa
Like This
128 bpm • A Maj • 03:23 • -7.62db
24% Popularity • 80% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
24% Popularity • 80% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
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Wheats
Bizzi
128 bpm • G# min • 06:16 • -9.83db
18% Popularity • 80% Danceability • 75% Energy • 9% Liveness
74% Instrumentalness • 71% Positiveness
18% Popularity • 80% Danceability • 75% Energy • 9% Liveness
74% Instrumentalness • 71% Positiveness
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Will Taylor (UK)
Love Songs & Sex
128 bpm • F# min • 03:11 • -8.75db
28% Popularity • 80% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 51% Positiveness
28% Popularity • 80% Danceability • 55% Energy • 11% Liveness
16% Instrumentalness • 51% Positiveness
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Kreature
Dance Night
128 bpm • B min • 06:45 • -9.44db
11% Popularity • 79% Danceability • 88% Energy • 5% Liveness
90% Instrumentalness • 25% Positiveness
11% Popularity • 79% Danceability • 88% Energy • 5% Liveness
90% Instrumentalness • 25% Positiveness
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Slugg
Whats Going On
128 bpm • A Maj • 07:09 • -5.21db
9% Popularity • 81% Danceability • 80% Energy • 17% Liveness
36% Instrumentalness • 62% Positiveness
9% Popularity • 81% Danceability • 80% Energy • 17% Liveness
36% Instrumentalness • 62% Positiveness
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Stefano Noferini
You Can See
128 bpm • A min • 03:05 • -8.62db
26% Popularity • 80% Danceability • 91% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
26% Popularity • 80% Danceability • 91% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
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Paolo Martini
I Don't Wanna Lose Your Love
128 bpm • F# min • 04:01 • -6.18db
12% Popularity • 80% Danceability • 94% Energy • 6% Liveness
66% Instrumentalness • 35% Positiveness
12% Popularity • 80% Danceability • 94% Energy • 6% Liveness
66% Instrumentalness • 35% Positiveness
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Ren Phillips
Soundclash
128 bpm • C# Maj • 03:30 • -6.1db
0% Popularity • 80% Danceability • 99% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
0% Popularity • 80% Danceability • 99% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
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Will Taylor (UK)
Sweet Shop
128 bpm • D Maj • 03:52 • -7.2db
14% Popularity • 80% Danceability • 97% Energy • 8% Liveness
70% Instrumentalness • 83% Positiveness
14% Popularity • 80% Danceability • 97% Energy • 8% Liveness
70% Instrumentalness • 83% Positiveness
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Wheats
Play
128 bpm • E min • 04:01 • -9.98db
9% Popularity • 80% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 66% Positiveness
9% Popularity • 80% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 66% Positiveness
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Matt Egbert
The Place
128 bpm • A# min • 03:31 • -9.61db
16% Popularity • 80% Danceability • 92% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
16% Popularity • 80% Danceability • 92% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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YINGYANG (UK)
Vortex
128 bpm • A# min • 03:37 • -6.3db
3% Popularity • 80% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 90% Positiveness
3% Popularity • 80% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 90% Positiveness
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Mason Collective
Gold Mine
128 bpm • C# Maj • 03:01 • -8.18db
32% Popularity • 81% Danceability • 85% Energy • 5% Liveness
94% Instrumentalness • 82% Positiveness
32% Popularity • 81% Danceability • 85% Energy • 5% Liveness
94% Instrumentalness • 82% Positiveness
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Tomas Bisquierra
Funky Beatz
128 bpm • A min • 06:15 • -7.41db
21% Popularity • 81% Danceability • 98% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
21% Popularity • 81% Danceability • 98% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
