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Christian French
Based on a tempo of (+/- 10%) and a similar genre
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
55% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
58% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
51% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
56% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
71% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Johnny 2 Phones
RESCUE
128 bpm • C# Maj • 02:37 • -9db
51% Popularity • 87% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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5 Seconds of Summer
Old Me
128 bpm • C Maj • 03:06 • -3.64db
62% Popularity • 72% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Christian French
head first - Young Bombs remix
127 bpm • F# min • 03:42 • -6.61db
43% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
64% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Peach Tree Rascals
Fumari
126 bpm • E Maj • 02:00 • -7.99db
52% Popularity • 91% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
55% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Zachary Knowles
dancing in the kitchen
126 bpm • D Maj • 02:57 • -8.47db
48% Popularity • 82% Danceability • 65% Energy • 53% Liveness
0% Instrumentalness • 97% Positiveness
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THE DRIVER ERA
Afterglow
128 bpm • F# Maj • 03:11 • -7.35db
58% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Emery
Mid July
126 bpm • A min • 03:05 • -9.45db
31% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ruel
Real Thing
126 bpm • E min • 03:12 • -6.55db
49% Popularity • 67% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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khai dreams
Come True
125 bpm • C# min • 03:23 • -6db
54% Popularity • 87% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
56% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Rose
Hotel Room
126 bpm • B min • 03:25 • -7db
39% Popularity • 44% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
54% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Christian French
head first - Pink Slip x inverness remix
125 bpm • F# min • 02:59 • -4.75db
16% Popularity • 78% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Ruel
Painkiller
129 bpm • F Maj • 03:33 • -6.51db
68% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Ant Saunders
Yellow Hearts
129 bpm • G Maj • 03:43 • -8.94db
64% Popularity • 87% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
52% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Lost Kings
When We Were Young
130 bpm • G# Maj • 03:13 • -5.62db
57% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mokita
More Than Friends
130 bpm • A# Maj • 02:39 • -9db
54% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
36% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Pink Sweat$
17
130 bpm • F Maj • 02:40 • -8.7db
59% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ant Saunders
Yellow Hearts
129 bpm • G Maj • 03:00 • -8.04db
50% Popularity • 82% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Bryce Vine
Bella
124 bpm • A min • 03:19 • -5db
52% Popularity • 76% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Maasho
Fresh Air
130 bpm • D# Maj • 03:30 • -4.41db
48% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Zachary Knowles
city
130 bpm • D Maj • 02:21 • -6db
38% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tai Verdes
i deserve 2 b alone
130 bpm • G Maj • 02:45 • -6db
50% Popularity • 84% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Pink Sweat$
Coke & Henny Pt. 1
130 bpm • A# min • 02:29 • -12.85db
45% Popularity • 86% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Christian French
By Myself
130 bpm • C# min • 03:04 • -6.97db
56% Popularity • 68% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 70% Positiveness
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Peach Tree Rascals
Things Won't Go My Way
130 bpm • E Maj • 02:50 • -7.01db
41% Popularity • 74% Danceability • 63% Energy • 79% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Manos
You Don't Know Me
124 bpm • C# Maj • 02:52 • -12db
41% Popularity • 74% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Zachary Knowles
for life
130 bpm • F# Maj • 03:31 • -11.08db
33% Popularity • 70% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Phil Good
Everything's Good
124 bpm • G# Maj • 03:03 • -4.24db
49% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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dempsey hope
commitment issues
130 bpm • F Maj • 02:50 • -11.64db
33% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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MAX
Worship
124 bpm • D# min • 03:07 • -2.66db
43% Popularity • 84% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
50% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
32% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Max Drazen
Blurry Pictures
131 bpm • B min • 01:42 • -5.52db
52% Popularity • 74% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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John K
happiness
123 bpm • B Maj • 03:16 • -4.04db
47% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Bellion
Blu
132 bpm • C Maj • 03:03 • -8.55db
56% Popularity • 38% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Peach Tree Rascals
Mango
123 bpm • F# Maj • 03:11 • -6.33db
53% Popularity • 87% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
63% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Maro
Carsick
132 bpm • G min • 02:49 • -8.49db
37% Popularity • 85% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Aries
CONVERSATIONS
132 bpm • G Maj • 02:44 • -6.49db
49% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
51% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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bülow
You & Jennifer
132 bpm • B Maj • 02:39 • -6.53db
58% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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sammy rash
summer&cigarettes
122 bpm • F min • 01:54 • -10.28db
62% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Christian French
head first - HALP remix
122 bpm • F# min • 02:26 • -5.01db
14% Popularity • 72% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Chris James
I Never Learned
122 bpm • F# Maj • 02:32 • -7db
44% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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mansionz
Rich White Girls
133 bpm • D Maj • 03:29 • -8.05db
49% Popularity • 62% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Arizona Zervas
Parted Ways
133 bpm • D Maj • 03:25 • -8db
49% Popularity • 85% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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lovelytheband
loneliness for love
133 bpm • E Maj • 03:55 • -5db
43% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Kid Travis
Sad!
134 bpm • F min • 02:30 • -11.9db
41% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Orlando
Adelaide
134 bpm • G min • 03:02 • -6.84db
50% Popularity • 77% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Christian French
heavy snow
120 bpm • A# min • 03:41 • -8.1db
30% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
59% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Arizona Zervas
FAST
121 bpm • A Maj • 03:14 • -2.12db
48% Popularity • 74% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Rence
Baby Blue
120 bpm • G Maj • 03:28 • -8.91db
53% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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JVKE
Upside Down
120 bpm • D Maj • 01:54 • -6.76db
63% Popularity • 88% Danceability • 50% Energy • 44% Liveness
7% Instrumentalness • 48% Positiveness
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Goody Grace
Nostalgia Is A Lie
120 bpm • G Maj • 02:28 • -7.45db
37% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joshua Golden
heaven come
120 bpm • F Maj • 02:56 • -7.54db
45% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Tai Verdes
Stuck In The Middle
120 bpm • D Maj • 03:16 • -6.57db
62% Popularity • 86% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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PRETTYMUCH
Gone 2 Long
120 bpm • C Maj • 03:15 • -9db
44% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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AJ Mitchell
Say It Again
120 bpm • C# Maj • 03:26 • -7.52db
39% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Good
Put It All On Me
120 bpm • G# Maj • 03:16 • -4.59db
30% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ruel
Not Thinkin' Bout You
120 bpm • A# min • 03:08 • -8.55db
54% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
60% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bruce Wiegner
Idk
135 bpm • G# Maj • 03:06 • -7.17db
36% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Anthony Russo
I Jusswon
135 bpm • G min • 02:54 • -5.45db
38% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Nic D
Icee Pop
135 bpm • C Maj • 02:27 • -6.61db
60% Popularity • 91% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Christian French
make or break up
136 bpm • G# Maj • 03:06 • -8.42db
25% Popularity • 63% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
56% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
61% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Alec King
Larry David
135 bpm • G Maj • 02:49 • -6.91db
38% Popularity • 80% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
68% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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AJ Mitchell
Spring Break
136 bpm • A Maj • 02:59 • -6.82db
33% Popularity • 88% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
45% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Bea Miller
feel something
136 bpm • C Maj • 03:00 • -8.91db
67% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Ruel
Younger
136 bpm • B min • 03:42 • -7.71db
58% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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dempsey hope
baby blue
118 bpm • F# min • 03:20 • -9.12db
38% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Zachary Knowles
stranger to me
118 bpm • C# Maj • 02:15 • -7.99db
45% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
55% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Rence
Sometimes Things Just Fall Apart
118 bpm • C Maj • 02:39 • -7.47db
27% Popularity • 70% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
58% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Post Malone
I'm Gonna Be
118 bpm • F Maj • 03:20 • -4.01db
66% Popularity • 75% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Alec Bailey
Callin'
137 bpm • F# Maj • 03:08 • -8.43db
36% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Aaron Carpenter
Chase
137 bpm • B Maj • 03:18 • -7.21db
30% Popularity • 82% Danceability • 57% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Barrios
Help
138 bpm • F Maj • 03:11 • -9.91db
23% Popularity • 59% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Anthony Russo
Nobody To Love
138 bpm • G Maj • 03:33 • -7.29db
43% Popularity • 68% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Bellion
Stupid Deep
138 bpm • D Maj • 02:58 • -9.71db
56% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Fiji Blue
I Should've Told You
117 bpm • G# Maj • 03:17 • -7db
49% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
44% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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chillpill
FUCK THE CLUB
138 bpm • B Maj • 02:34 • -2.41db
41% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lennon Stella
Bad
138 bpm • G# Maj • 02:57 • -5.34db
43% Popularity • 83% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Kuwada
Cherry Cola
138 bpm • F min • 03:04 • -6.32db
57% Popularity • 78% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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