Songs like Headin'for the River by Rosetta Howard
Based on a tempo of (+/- 10%) and a similar genre
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Bennie Moten
Rumba Negro
113 bpm • D min • 02:49 • -10db
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
95% Instrumentalness • 80% Positiveness
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Jay McShann
Hootie Blues
113 bpm • G# Maj • 04:32 • -10.21db
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
24% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Stuff Smith
Here Comes the Man with the Jive
113 bpm • A min • 03:04 • -12db
14% Popularity • 78% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Rosetta Howard
Headin'for the River
113 bpm • C Maj • 03:01 • -18.17db
0% Popularity • 65% Danceability • 18% Energy • 19% Liveness
44% Instrumentalness • 69% Positiveness
0% Popularity • 65% Danceability • 18% Energy • 19% Liveness
44% Instrumentalness • 69% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
13% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Professor Longhair
Gone So Long
112 bpm • C Maj • 02:14 • -11.97db
27% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
11% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
11% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Nellie Lutcher
Kinda Blue and Low
113 bpm • C# Maj • 02:33 • -10.52db
26% Popularity • 87% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 87% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Rosetta Howard
Headin' For The River
112 bpm • C Maj • 03:02 • -16.51db
0% Popularity • 66% Danceability • 22% Energy • 38% Liveness
64% Instrumentalness • 70% Positiveness
0% Popularity • 66% Danceability • 22% Energy • 38% Liveness
64% Instrumentalness • 70% Positiveness
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Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Camille Howard
Money Blues
115 bpm • F min • 02:28 • -10.87db
24% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Norbert Susemihl
Six Feet Down
111 bpm • F Maj • 03:08 • -13.33db
13% Popularity • 69% Danceability • 25% Energy • 13% Liveness
96% Instrumentalness • 80% Positiveness
13% Popularity • 69% Danceability • 25% Energy • 13% Liveness
96% Instrumentalness • 80% Positiveness
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Una Mae Carlisle
Beautiful Eyes
111 bpm • C min • 03:03 • -14.75db
11% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 71% Danceability • 6% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:04 • -11db
29% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Rosetta Howard
Too Many Drivers
111 bpm • A# Maj • 03:09 • -15.7db
0% Popularity • 70% Danceability • 23% Energy • 12% Liveness
16% Instrumentalness • 78% Positiveness
0% Popularity • 70% Danceability • 23% Energy • 12% Liveness
16% Instrumentalness • 78% Positiveness
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Ada Brown
Evil Mama Blues
111 bpm • D# Maj • 03:04 • -7.86db
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Golden Gate Quartet
Atom And Evil
115 bpm • C Maj • 03:22 • -10.49db
16% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Four Vagabonds
The Duke Of Dubuque
115 bpm • A min • 02:32 • -13.38db
10% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
10% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
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Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Stuff Smith
You'se a Viper
111 bpm • G# Maj • 03:10 • -10db
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
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Cripple Clarence Lofton
Strut That Thing
116 bpm • B Maj • 02:59 • -12.52db
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
9% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
9% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Charles
Yes Indeed!
116 bpm • A# Maj • 02:17 • -16.02db
24% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 63% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Amos Milburn
Thinking And Drinking
110 bpm • D Maj • 02:26 • -15db
10% Popularity • 76% Danceability • 26% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
10% Popularity • 76% Danceability • 26% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Rosetta Howard
Men Are Like Street Cars
109 bpm • G Maj • 02:25 • -12.93db
0% Popularity • 68% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 68% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Champion Jack Dupree
Strollin'
110 bpm • F# Maj • 03:01 • -27db
27% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Ruth Brown
So Long
117 bpm • D# min • 02:41 • -21.55db
13% Popularity • 45% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 45% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Ma Rainey
Oh Papa Blues
109 bpm • A# Maj • 02:52 • -12.23db
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Georgia White
The Stuff Is Here
117 bpm • A# Maj • 02:55 • -14.28db
9% Popularity • 73% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Modern Mountaineers
Everybody's Truckin'
109 bpm • D Maj • 02:31 • -10db
4% Popularity • 86% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 86% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Cynthia and the Swing Set
How Come You Do Me Like You Do?
109 bpm • C Maj • 03:41 • -7db
14% Popularity • 75% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 75% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Champion Jack Dupree
Walkin' The Blues
109 bpm • C Maj • 02:59 • -16.76db
17% Popularity • 76% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
17% Popularity • 76% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
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Pete Johnson
Mutiny In The Doghouse (01-26-46)
109 bpm • F min • 02:27 • -13db
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Spirits of Rhythm
We've Got The Blues
109 bpm • A# Maj • 03:16 • -19.45db
8% Popularity • 80% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 80% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Willie Mabon
I Don't Know
109 bpm • G# Maj • 03:10 • -11.59db
29% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Professor Longhair
Mardi Gras in New Orleans
109 bpm • A# Maj • 03:25 • -9.21db
33% Popularity • 50% Danceability • 47% Energy • 67% Liveness
7% Instrumentalness • 85% Positiveness
33% Popularity • 50% Danceability • 47% Energy • 67% Liveness
7% Instrumentalness • 85% Positiveness
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Muddy Waters
You're Gonna Miss Me
108 bpm • G Maj • 02:37 • -9.43db
14% Popularity • 81% Danceability • 46% Energy • 14% Liveness
44% Instrumentalness • 82% Positiveness
14% Popularity • 81% Danceability • 46% Energy • 14% Liveness
44% Instrumentalness • 82% Positiveness
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Smiley Lewis
Gumbo Blues
108 bpm • F Maj • 02:25 • -8db
13% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Chick Webb
I Got The Spring Fever Blues
118 bpm • B min • 02:58 • -8.26db
18% Popularity • 85% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 85% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Helen Humes
Be Baba Leba
108 bpm • A# min • 02:40 • -7db
10% Popularity • 60% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Milton Brown and his Brownies
Somebody's Been Using That Thing
118 bpm • G Maj • 02:50 • -6.81db
7% Popularity • 85% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 85% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Bobby Short
That's My Weakness Now
108 bpm • G# Maj • 02:05 • -11.53db
25% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Rosetta Howard
He's Mine All Mine
119 bpm • F min • 02:36 • -12.54db
0% Popularity • 68% Danceability • 30% Energy • 38% Liveness
1% Instrumentalness • 90% Positiveness
0% Popularity • 68% Danceability • 30% Energy • 38% Liveness
1% Instrumentalness • 90% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Lucille Bogan
Pot Hound Blues
119 bpm • F Maj • 03:22 • -12.02db
13% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Sammy Price And The Rock Band
Rib Joint
119 bpm • G# Maj • 02:39 • -5db
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Nellie Lutcher
He's A Real Gone Guy
120 bpm • C# Maj • 03:02 • -13.88db
20% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Big Joe Turner
Rocket Boogie "88" (Pt. 1)
107 bpm • D Maj • 02:50 • -8.44db
23% Popularity • 38% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 85% Positiveness
23% Popularity • 38% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 85% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Frankie Trumbauer
Riverboat Shuffle
106 bpm • G# Maj • 03:10 • -8.74db
3% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
3% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Victoria Spivey
Give It to Him
106 bpm • D# Maj • 02:52 • -8.22db
9% Popularity • 75% Danceability • 37% Energy • 15% Liveness
89% Instrumentalness • 87% Positiveness
9% Popularity • 75% Danceability • 37% Energy • 15% Liveness
89% Instrumentalness • 87% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Stokes
I Got Mine
106 bpm • C# Maj • 03:06 • -12db
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Ethel Waters
Do What You Did Last Night
106 bpm • G# Maj • 02:37 • -15.5db
10% Popularity • 65% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 65% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Joe Liggins
Whiskey, Gin & Wine
106 bpm • G# Maj • 02:33 • -13db
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie "Lockjaw" Davis
Ravin' At The Haven (c. 1947)
120 bpm • D# min • 02:26 • -8db
5% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
5% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Ruth Brown
R.B. Blues (Single Version)
106 bpm • D# Maj • 02:39 • -11.64db
8% Popularity • 47% Danceability • 35% Energy • 16% Liveness
26% Instrumentalness • 40% Positiveness
8% Popularity • 47% Danceability • 35% Energy • 16% Liveness
26% Instrumentalness • 40% Positiveness
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Ma Rainey
Prove It on Me Blues (Alternate Take)
106 bpm • G min • 02:41 • -9.63db
13% Popularity • 70% Danceability • 32% Energy • 16% Liveness
7% Instrumentalness • 63% Positiveness
13% Popularity • 70% Danceability • 32% Energy • 16% Liveness
7% Instrumentalness • 63% Positiveness
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Bobby Short
Don't Bring Lulu
106 bpm • F Maj • 02:55 • -7.6db
2% Popularity • 75% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 75% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Sign Posters
Twenty Four Hours a Day
106 bpm • C Maj • 03:04 • -16.03db
11% Popularity • 79% Danceability • 15% Energy • 9% Liveness
18% Instrumentalness • 74% Positiveness
11% Popularity • 79% Danceability • 15% Energy • 9% Liveness
18% Instrumentalness • 74% Positiveness
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Big Maybelle
One Monkey Don't Stop No Show
121 bpm • G# Maj • 02:50 • -4.53db
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Wendell Brunious
Mama Don't Allow It
106 bpm • G# Maj • 07:30 • -12.69db
8% Popularity • 64% Danceability • 60% Energy • 75% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 64% Danceability • 60% Energy • 75% Liveness
1% Instrumentalness • 90% Positiveness
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Johnny Mercer
It Ain't Necessarily So
121 bpm • A min • 02:48 • -9.99db
10% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Wee Bea Booze
See See Rider
121 bpm • E min • 02:36 • -12.83db
22% Popularity • 68% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 26% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Papa Charlie Jackson
Ash Tray Blues
121 bpm • G Maj • 02:58 • -11.61db
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Ethel Waters
My Handy Man - Remastered
106 bpm • G# Maj • 02:47 • -4.22db
13% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
13% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
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Lambert, Hendricks & Ross
Gimme That Wine
105 bpm • A# Maj • 02:58 • -7.06db
25% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Guy Lombardo
(There Ought To Be A) Moonlight Saving T...
121 bpm • G Maj • 03:27 • -17.98db
1% Popularity • 71% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 68% Positiveness
1% Popularity • 71% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 68% Positiveness
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Rosetta Howard
Rosetta blues
105 bpm • A# Maj • 02:56 • -12.59db
0% Popularity • 75% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
0% Popularity • 75% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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T-Bone Walker
Travelin' Blues
105 bpm • C Maj • 02:21 • -12.28db
23% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
9% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
9% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Rosa Henderson
He May Be Your Dog But He's Wearing My C...
121 bpm • A Maj • 03:06 • -14.45db
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
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John Kirby and His Orchestra
If I Had a Ribbon Bow
105 bpm • A Maj • 02:56 • -11.87db
14% Popularity • 73% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 73% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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Casey Bill Weldon
Go Ahead, Buddy
105 bpm • C Maj • 02:44 • -14db
19% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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The Cats & The Fiddle
That's On Jack That's On
105 bpm • F min • 02:32 • -10db
16% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
16% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
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Rosetta Howard
The Candy Man
105 bpm • F Maj • 02:55 • -13.82db
4% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 64% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Washboard Sam
Diggin' My Potatoes
105 bpm • G# Maj • 02:58 • -7db
12% Popularity • 79% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Professor Longhair
Longhair's Blues Rhumba (1949)
105 bpm • F Maj • 03:13 • -10.39db
1% Popularity • 52% Danceability • 59% Energy • 14% Liveness
87% Instrumentalness • 82% Positiveness
1% Popularity • 52% Danceability • 59% Energy • 14% Liveness
87% Instrumentalness • 82% Positiveness
