Songs like Heart of Gold by Charles Bradley
Based on a tempo of (+/- 10%) and a similar genre
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Charles Bradley
Slip Away
91 bpm • E Maj • 03:32 • -5.7db
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Ike & Tina Turner
Game Of Love - Remastered
91 bpm • G# Maj • 02:48 • -11.8db
36% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Labi Siffre
I Got The...
91 bpm • C Maj • 06:24 • -7.59db
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Menahan Street Band
Make the Road By Walking
91 bpm • A# min • 03:03 • -8.39db
50% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
50% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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David McCallum
The Edge
91 bpm • A# Maj • 02:53 • -8db
51% Popularity • 59% Danceability • 51% Energy • 33% Liveness
27% Instrumentalness • 41% Positiveness
51% Popularity • 59% Danceability • 51% Energy • 33% Liveness
27% Instrumentalness • 41% Positiveness
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B.B. King
The Thrill Is Gone
91 bpm • B min • 05:24 • -8.76db
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Gary Clark Jr.
Cold Blooded
91 bpm • E min • 03:43 • -8.55db
43% Popularity • 65% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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The Outlaw Blues Band
Deep Gully
91 bpm • A min • 05:47 • -10.44db
32% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
32% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
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Mayer Hawthorne
Just Ain't Gonna Work Out
91 bpm • E Maj • 02:30 • -5db
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Withers
Better off Dead
91 bpm • F Maj • 02:14 • -10db
53% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Bradley
Where Do We Go From Here
90 bpm • C Maj • 03:11 • -8.94db
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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Saun & Starr
Look Closer (Can't You See the Signs?)
92 bpm • A# Maj • 03:45 • -7db
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Dr. John
I Walk on Guilded Splinters
90 bpm • A min • 07:46 • -19db
39% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Solomon Burke
Can't Nobody Love You
92 bpm • F Maj • 02:33 • -9.66db
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Monophonics
Say You Love Me
90 bpm • A min • 04:22 • -8db
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Betty Wright
Old Songs
90 bpm • G# Maj • 05:34 • -7.6db
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Nostalgia 77
Seven Nation Army
90 bpm • G Maj • 04:22 • -8.95db
43% Popularity • 79% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
43% Popularity • 79% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Orgone
Who Knows Who
90 bpm • A# Maj • 03:36 • -9db
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Temptations
Shakey Ground
92 bpm • D Maj • 04:01 • -13.45db
39% Popularity • 75% Danceability • 49% Energy • 4% Liveness
45% Instrumentalness • 94% Positiveness
39% Popularity • 75% Danceability • 49% Energy • 4% Liveness
45% Instrumentalness • 94% Positiveness
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Allen Toussaint
Night People
92 bpm • F# Maj • 04:16 • -15.65db
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 86% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Irma Thomas
Anyone Who Knows What Love Is (Will Unde...
92 bpm • D Maj • 02:56 • -12.79db
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Dry Bread
Words to My Song
93 bpm • C# min • 03:06 • -8.44db
38% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
38% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Charles Bradley
Love Bug Blues
89 bpm • D min • 03:00 • -7db
39% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Amanaz
Easy Street
89 bpm • C# min • 03:33 • -10db
38% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Menahan Street Band
Going the Distance
93 bpm • G# min • 02:34 • -8.14db
36% Popularity • 53% Danceability • 69% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
36% Popularity • 53% Danceability • 69% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Bobby "Blue" Bland
I'll Take Care Of You
93 bpm • F min • 02:16 • -16db
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Lee Dorsey
A Lover Was Born
93 bpm • A# min • 02:54 • -8.47db
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Bradley
Stay Away
89 bpm • A min • 03:11 • -5db
49% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
49% Popularity • 77% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 64% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
42% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
42% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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The Olympians
Sirens of Jupiter
93 bpm • F min • 03:42 • -8.38db
48% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
48% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Bill Withers
Kissing My Love
94 bpm • C# Maj • 03:51 • -13.08db
51% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Charles
What'd I Say, Pt. 1 & 2
88 bpm • E Maj • 05:07 • -5.44db
59% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Janko Nilovic
Drug Song
88 bpm • D Maj • 03:11 • -7.49db
41% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
41% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler)
94 bpm • C# Maj • 05:27 • -13.67db
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Monophonics
La La La Love Me
88 bpm • F# min • 03:20 • -6db
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Candi Staton
He Called Me Baby
94 bpm • D# Maj • 03:33 • -13db
45% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Allen Toussaint
Last Train - Remastered Version
88 bpm • C# Maj • 03:01 • -9db
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Myron & E
If I Gave You My Love
94 bpm • A# Maj • 03:23 • -5.89db
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Charles Bradley
Dusty Blue
87 bpm • D Maj • 03:21 • -8db
50% Popularity • 57% Danceability • 67% Energy • 28% Liveness
75% Instrumentalness • 64% Positiveness
50% Popularity • 57% Danceability • 67% Energy • 28% Liveness
75% Instrumentalness • 64% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
36% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Willie West
I'm Still a Man (Lord Have Mercy)
87 bpm • C Maj • 04:11 • -9.16db
35% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Greyboy
Got to Be a Love - Paul Nice Remix
95 bpm • A# min • 04:35 • -5.81db
46% Popularity • 81% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 70% Positiveness
46% Popularity • 81% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 70% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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Willie & West
Fairchild
95 bpm • F min • 03:16 • -8.94db
35% Popularity • 82% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Darondo
Legs
95 bpm • D Maj • 03:44 • -9db
34% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
34% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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Bill Withers
Lonely Town, Lonely Street
87 bpm • F# min • 03:45 • -12.1db
47% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Little Beaver
Do Right Man
95 bpm • C Maj • 02:54 • -4db
40% Popularity • 66% Danceability • 66% Energy • 8% Liveness
16% Instrumentalness • 68% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 8% Liveness
16% Instrumentalness • 68% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Saun & Starr
Sunshine (You're Blowin' My Cool)
96 bpm • F min • 04:02 • -5.76db
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Sly & The Family Stone
In Time
96 bpm • A# min • 05:47 • -13db
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Bill Withers
Sweet Wanomi
96 bpm • A Maj • 02:32 • -11.71db
52% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
52% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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R.L. Burnside
Let My Baby Ride
96 bpm • G Maj • 03:00 • -9.73db
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
13% Instrumentalness • 51% Positiveness
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
13% Instrumentalness • 51% Positiveness
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Charles Bradley
Strictly Reserved For You - Stripped-Dow...
87 bpm • F Maj • 03:57 • -5db
21% Popularity • 71% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 71% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Saun & Starr
Hot Shot
96 bpm • F min • 03:31 • -5.25db
46% Popularity • 74% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 74% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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The James Hunter Six
(Baby) Hold On
86 bpm • F min • 02:45 • -5db
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Durand Jones & The Indications
Don't You Know
96 bpm • E min • 03:20 • -4.19db
51% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Mighty Hannibal
The Right to Love You
96 bpm • E min • 02:39 • -8.84db
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Little Beaver
I Love the Way You Love
97 bpm • E min • 03:10 • -4db
40% Popularity • 56% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 56% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Ike Turner & The Kings Of Rhythm
Getting Nasty
97 bpm • F Maj • 03:07 • -8db
35% Popularity • 64% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
35% Popularity • 64% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
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Frederick Knight
I've Been Lonely For So Long
97 bpm • G Maj • 03:18 • -14db
37% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
37% Popularity • 79% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Menahan Street Band
Home Again
97 bpm • F Maj • 03:22 • -8.1db
55% Popularity • 59% Danceability • 73% Energy • 25% Liveness
93% Instrumentalness • 75% Positiveness
55% Popularity • 59% Danceability • 73% Energy • 25% Liveness
93% Instrumentalness • 75% Positiveness
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Charles Bradley
Good to Be Back Home
96 bpm • G# min • 03:01 • -8db
54% Popularity • 72% Danceability • 55% Energy • 7% Liveness
17% Instrumentalness • 55% Positiveness
54% Popularity • 72% Danceability • 55% Energy • 7% Liveness
17% Instrumentalness • 55% Positiveness
