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heart pieces
Songs like
heart pieces
by
Moux
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Dicker
A Time For Conscience
130 bpm • A min • 04:03 • -26.99db
32% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Johannes Bornlöf
The Soul
130 bpm • C Maj • 03:06 • -27.51db
42% Popularity • 43% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Josh Kramer
Box of Memories
130 bpm • D Maj • 02:42 • -27.83db
51% Popularity • 30% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Hiroko Murakami
Everlasting Oath
130 bpm • F min • 02:50 • -29.63db
28% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Jacob David
Svaj - 2024 Remaster
130 bpm • C Maj • 02:28 • -27.62db
34% Popularity • 30% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Lama House
Secrets of the Earth
130 bpm • G min • 02:24 • -17db
40% Popularity • 38% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Moux
heart pieces
130 bpm • E Maj • 02:29 • -31.95db
54% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Peter Cavallo
Quietly Quietly
130 bpm • D# Maj • 03:22 • -35db
56% Popularity • 32% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Teodor Wolgers
lament
130 bpm • C# min • 03:03 • -27db
30% Popularity • 32% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Francesco Le Metre
Falling For
131 bpm • G min • 02:00 • -26db
42% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Luke Howard
A Faint Qualm for the Future
129 bpm • G# Maj • 02:41 • -34db
37% Popularity • 30% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Taichi Chishaki
Nocturnes op.3
131 bpm • C Maj • 02:34 • -25.81db
50% Popularity • 60% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Moux
come with me
129 bpm • G# min • 02:09 • -18db
38% Popularity • 28% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
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Emiliano Blangero
Memories
129 bpm • D# Maj • 04:27 • -21.08db
35% Popularity • 52% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Arelius
Winter
129 bpm • C min • 01:32 • -20.95db
38% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Xrisma
There Is a Hope
131 bpm • G# min • 01:50 • -24.08db
34% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Edvard Kravchuk
one way
131 bpm • D# Maj • 02:44 • -40.11db
37% Popularity • 39% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
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Anon Berg
In The Dark Hours
129 bpm • F min • 02:55 • -28.29db
35% Popularity • 41% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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S.A. Karl
Castor
129 bpm • A# Maj • 02:48 • -21db
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
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Johannes Bornlöf
As I Dream
129 bpm • B Maj • 03:04 • -27.96db
48% Popularity • 28% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Oskar Schuster
Theben
132 bpm • A min • 02:42 • -23db
36% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Adrien de la Salle
Prélude d'une nuit d'automne
128 bpm • A Maj • 02:40 • -24.52db
42% Popularity • 50% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Edvard Kravchuk
instant
129 bpm • G# Maj • 02:52 • -31.92db
37% Popularity • 33% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
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Dave Lewis
Sparrow
132 bpm • C# Maj • 02:47 • -26db
35% Popularity • 35% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Woodsman
a new home by the birch tree.
128 bpm • F# min • 02:04 • -27.72db
36% Popularity • 36% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Jacob LaVallee
In This Way
132 bpm • E min • 03:09 • -17.81db
40% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Patrik Berg Almkvisth
145 - Revisited
128 bpm • C Maj • 02:21 • -29.89db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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Luis Berra
Thin Spicy Rain
132 bpm • A min • 03:28 • -24.2db
22% Popularity • 46% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Lake Isabel
À Cheval
133 bpm • G min • 02:54 • -21.57db
41% Popularity • 41% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Holly Jones
Bloom
133 bpm • C Maj • 02:06 • -25.8db
47% Popularity • 37% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Ali Toygar
Roots
133 bpm • D Maj • 02:47 • -22.18db
26% Popularity • 34% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Lambert
Gdansk
133 bpm • F Maj • 02:27 • -28.79db
45% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Adrian Kuipers
Home
127 bpm • C Maj • 03:57 • -25.1db
49% Popularity • 50% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Yana Couto
Ottilia
127 bpm • C# min • 02:30 • -17.4db
47% Popularity • 47% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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Pêtr Aleksänder
Triptych 1 for Piano
133 bpm • F Maj • 02:39 • -24.41db
45% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Morunas
Exhale
127 bpm • G min • 02:17 • -28.11db
39% Popularity • 38% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Jacob LaVallee
The Mist That Surrounds
134 bpm • A Maj • 02:25 • -15.84db
29% Popularity • 46% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Reivaj Ebol
Luz
134 bpm • F min • 02:33 • -24.7db
45% Popularity • 43% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
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Annelie
Lost
134 bpm • A# min • 02:41 • -22.46db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Robin Bennich
Free Fall
126 bpm • B Maj • 01:41 • -19.22db
48% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Luiza Schmidt
A tale to tell
126 bpm • C# Maj • 02:10 • -28.66db
70% Popularity • 39% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Kyūka
Komorebi
126 bpm • C Maj • 02:06 • -26.78db
39% Popularity • 50% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Arelius
Training Wheels
134 bpm • C# Maj • 03:03 • -27.38db
44% Popularity • 44% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Christopher Dicker
Solitaire
134 bpm • D min • 01:54 • -22.99db
38% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Javi Lobe
Time Of Loneliness
134 bpm • D Maj • 02:50 • -27.42db
35% Popularity • 38% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 34% Positiveness
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Elias Braun
Daybreak
126 bpm • C min • 01:42 • -23.93db
44% Popularity • 50% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Becky Ainge
Learning to Dance in the Rain
135 bpm • A Maj • 02:11 • -22.02db
45% Popularity • 60% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
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Joep Beving
Last Dance
125 bpm • C min • 03:09 • -31.75db
48% Popularity • 50% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 26% Positiveness
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Arelius
Wonder
135 bpm • F# Maj • 02:42 • -18.91db
40% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Sayuri Hayashi Egnell
Gekka
135 bpm • F Maj • 03:12 • -25.52db
27% Popularity • 41% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
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Javi Lobe
Lost Time
125 bpm • D min • 02:20 • -24.46db
57% Popularity • 48% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Ana Olgica
The Remedy
125 bpm • G min • 02:54 • -25db
35% Popularity • 31% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Ben Laver
Her
135 bpm • C min • 02:34 • -25.92db
42% Popularity • 39% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Josh Kramer
Story of You
136 bpm • C# min • 02:19 • -19.77db
45% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Charles Weathersby
Longing For Yesterday
136 bpm • D min • 03:37 • -33.47db
36% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Clara Nishimoto
Pioggia Eterna
124 bpm • G Maj • 02:50 • -32.4db
22% Popularity • 45% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Olivia Belli
Valse
136 bpm • C# Maj • 02:22 • -29.44db
36% Popularity • 23% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Muriël Bostdorp
Whatever Begins, Also Ends
124 bpm • C min • 02:43 • -29.94db
30% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Moux
Chasing Stars
124 bpm • C Maj • 02:22 • -30.85db
45% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Michiel Borstlap
Parc / парк / å…¬å›
136 bpm • G# min • 01:52 • -31.19db
35% Popularity • 27% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Matt Stewart-Evans
Closer
124 bpm • C# Maj • 02:24 • -29db
40% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Elliot Ziegler
Guarda
136 bpm • A# min • 01:38 • -23.17db
38% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
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Ben Crosland
Memento
137 bpm • G# Maj • 01:59 • -24.78db
53% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Comet Blue
The Calm I Feel With You
137 bpm • E min • 02:24 • -28.24db
28% Popularity • 36% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Les Rêveries
Aviron
124 bpm • D Maj • 02:30 • -28.01db
49% Popularity • 36% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Niall Byrne
Sonder
137 bpm • F min • 02:17 • -36.49db
39% Popularity • 34% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Ole-Bjørn Talstad
Where Are You Now
137 bpm • E min • 02:38 • -26.67db
36% Popularity • 35% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Teodor Wolgers
nostalgia
137 bpm • A# min • 03:11 • -17.34db
41% Popularity • 35% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Jøsefine
Grey Skies Move Slowly
138 bpm • D# min • 02:04 • -29.59db
30% Popularity • 26% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
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Oscar Kowalski
Bleu Nuit
137 bpm • F min • 02:30 • -26.67db
50% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Ian Wong
Fragile
138 bpm • G min • 02:52 • -21db
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Jacob David
Stundom
123 bpm • F# Maj • 02:28 • -30.96db
48% Popularity • 39% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Treman
Lost In Thought
138 bpm • F# min • 01:30 • -31db
46% Popularity • 46% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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ildio
this too will pass
138 bpm • D# Maj • 03:05 • -30.26db
35% Popularity • 35% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Christopher Dicker
Something (Nothing)
138 bpm • D# Maj • 02:38 • -30db
40% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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M. Ljungström
Allena
138 bpm • F min • 01:39 • -30.77db
39% Popularity • 36% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Mirta da Silva
Oceá
139 bpm • A# Maj • 02:38 • -29.33db
39% Popularity • 35% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Jacob David
Dvale
122 bpm • A# Maj • 02:59 • -28.9db
32% Popularity • 30% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ever So Blue
Onthou
138 bpm • C Maj • 02:08 • -27.96db
46% Popularity • 31% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Joep Beving
For Mark
139 bpm • A Maj • 05:09 • -33.99db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Edvard Kravchuk
Moment of Silence
139 bpm • A Maj • 03:31 • -34.27db
41% Popularity • 36% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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Norman Dück
Reframe
139 bpm • A min • 02:07 • -29.23db
51% Popularity • 32% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Elias Braun
As You Close Your Eyes
139 bpm • G Maj • 02:06 • -25.97db
49% Popularity • 45% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Daniel Schrage
Last Night's Prayer
121 bpm • E Maj • 02:28 • -29.3db
41% Popularity • 37% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Lo Mimieux
Exile
139 bpm • C min • 02:35 • -20.42db
32% Popularity • 40% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Olivia Belli
As I Was
140 bpm • C# Maj • 03:27 • -24.5db
39% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Motovilov
A Little Journey
121 bpm • C min • 02:00 • -27.84db
51% Popularity • 45% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Franco Robert
Anáfora
121 bpm • C# min • 02:23 • -29.4db
34% Popularity • 46% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 41% Positiveness
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Chad Lawson
the color of the sky - sleep rework
140 bpm • A min • 02:56 • -33.55db
40% Popularity • 49% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Kyūka
Entropy
121 bpm • G min • 01:50 • -27db
32% Popularity • 46% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Luke Faulkner
One Afternoon In Summer
140 bpm • A min • 03:39 • -20.02db
46% Popularity • 39% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Peter Sandberg
Rise
140 bpm • D Maj • 03:10 • -30.21db
31% Popularity • 44% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Alexander Motovilov
Endless Summer
140 bpm • C min • 02:45 • -25db
48% Popularity • 41% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Lake Isabel
Crossing Paths
140 bpm • D Maj • 02:58 • -27.5db
46% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Luke Howard
Open
141 bpm • C min • 03:02 • -28.87db
48% Popularity • 26% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Moux
poetry in touch
120 bpm • F# min • 02:10 • -27.56db
36% Popularity • 55% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Luke Faulkner
Clocks
120 bpm • A# min • 02:49 • -25.64db
46% Popularity • 35% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Chad Lawson
fields of forever - sleep rework
120 bpm • A# Maj • 03:41 • -35.04db
40% Popularity • 66% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Daigo Hanada
Emi
141 bpm • A# min • 02:29 • -30.84db
25% Popularity • 38% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Christopher Dicker
Sun Burst
141 bpm • D# Maj • 02:23 • -22.27db
31% Popularity • 38% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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heart pieces