Songs like Heavens Touch by Jack Kessell
Based on a tempo of (+/- 10%) and a similar genre
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Jack Kessell
Heavens Touch
155 bpm • B Maj • 04:03 • -14.67db
6% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Warren Weitner
Ohio
156 bpm • E Maj • 03:52 • -9.08db
11% Popularity • 51% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 51% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Twins of June
Stay
155 bpm • E Maj • 02:57 • -20.03db
18% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Prison Beach Club
Only One Love
156 bpm • D Maj • 04:58 • -9.66db
8% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Kelly
Fences
156 bpm • D Maj • 04:04 • -8.9db
12% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cammy Black
No Mean City
154 bpm • C# Maj • 02:47 • -12.46db
13% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Burns-Peake
Down
154 bpm • G Maj • 04:15 • -9.31db
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Sorensen
Hungry Wolf
156 bpm • F# Maj • 03:44 • -15.81db
12% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Charlie Brennan
Garden
156 bpm • G Maj • 02:29 • -10.1db
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Ian MacGinnis
Movin' On
153 bpm • F Maj • 04:11 • -8.51db
16% Popularity • 62% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 62% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Mills
The Marais
157 bpm • A# Maj • 03:21 • -14.9db
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Delta Constellations
Physics - Version 2
153 bpm • A# Maj • 03:57 • -9.09db
8% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jo Laureys
As Long as You're Walking with Me
158 bpm • D Maj • 02:26 • -14.69db
16% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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JT Hillier
Wavves
158 bpm • E Maj • 03:06 • -10.76db
16% Popularity • 60% Danceability • 44% Energy • 9% Liveness
8% Instrumentalness • 69% Positiveness
16% Popularity • 60% Danceability • 44% Energy • 9% Liveness
8% Instrumentalness • 69% Positiveness
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Jamie Scott
This Time Lucky
152 bpm • C Maj • 04:05 • -8.17db
8% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ciarán Moran
It's OK
152 bpm • C# Maj • 03:00 • -7.54db
11% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Emil Lydhagen
Happy Heart
160 bpm • C# Maj • 03:10 • -8.95db
12% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Diamond Collective
Beautiful Disaster
160 bpm • G Maj • 02:40 • -9db
17% Popularity • 66% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 66% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
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Highbeams
I Do!
160 bpm • C Maj • 03:21 • -9.24db
20% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sheffield
Angel Eyes
160 bpm • B Maj • 02:47 • -9.7db
20% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Zander Hawley
Shame
150 bpm • E Maj • 03:57 • -6.46db
7% Popularity • 46% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 46% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Lauv
Love Like That
160 bpm • B Maj • 02:57 • -9.11db
15% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Twins of June
Can't Tell
150 bpm • E Maj • 03:53 • -13.19db
10% Popularity • 57% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 27% Positiveness
10% Popularity • 57% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 27% Positiveness
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Together We Are
Older Days
150 bpm • G Maj • 02:09 • -15.07db
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gabriel Zanetti
View
149 bpm • G Maj • 02:20 • -7.91db
17% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Copeland
Will You Remember?
162 bpm • C# min • 04:03 • -13.57db
18% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mountain Laurel
Old Songs
149 bpm • G Maj • 04:36 • -5.91db
8% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Sean Otis
Paper Maps
162 bpm • D# min • 03:20 • -8.74db
1% Popularity • 62% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 62% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Neighbour Andy
Pay It No Mind
162 bpm • C Maj • 02:39 • -9.01db
22% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Wanderer
Running
148 bpm • D Maj • 04:07 • -12.69db
14% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dallas Arbor and The Alien Tea Party
Care Free
148 bpm • E Maj • 03:33 • -17.24db
9% Popularity • 45% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 45% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Caleb Liebengood
Close
147 bpm • C Maj • 03:56 • -8.75db
9% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Cooper Lower
The Bar
148 bpm • G min • 03:36 • -9.1db
19% Popularity • 56% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Richter
Can't Lose
147 bpm • D Maj • 03:25 • -11.45db
9% Popularity • 38% Danceability • 48% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 38% Danceability • 48% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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Jordan Moyes
Hangin' around
164 bpm • F# Maj • 03:49 • -12.53db
26% Popularity • 69% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
26% Popularity • 69% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Brother Elsey
Matador
146 bpm • B Maj • 04:12 • -7.98db
8% Popularity • 34% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 34% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Levi X
In The Stars
146 bpm • A Maj • 04:17 • -8.26db
9% Popularity • 50% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 50% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Mike Hanisch
What if We Run Away?
165 bpm • A Maj • 03:41 • -5.5db
16% Popularity • 54% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 54% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Brian Bulger
Hot Metal
146 bpm • E Maj • 03:53 • -10.6db
9% Popularity • 54% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 54% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Mac
California on My Mind
146 bpm • F# Maj • 04:07 • -10db
19% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cameron Matthew Ray
Old Leaf
165 bpm • C Maj • 03:42 • -9.46db
17% Popularity • 56% Danceability • 59% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
17% Popularity • 56% Danceability • 59% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
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SideWork
Your Lullaby
165 bpm • G Maj • 04:05 • -7.87db
9% Popularity • 48% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 48% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jack Kessell
The Journey
145 bpm • D Maj • 03:43 • -9.06db
0% Popularity • 61% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 61% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Davidson
Forever
145 bpm • F# Maj • 03:59 • -8.54db
16% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Tobias
High Tide
167 bpm • E Maj • 02:35 • -16.98db
9% Popularity • 61% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
9% Popularity • 61% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Jaywoozy
we'll both be okay
144 bpm • E Maj • 03:40 • -12.02db
9% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Elia Lessmann
Silly love
145 bpm • C Maj • 04:01 • -9.61db
12% Popularity • 46% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 46% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rich Liverance
This Side of Eternity
144 bpm • F# Maj • 04:38 • -9.44db
18% Popularity • 55% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
18% Popularity • 55% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
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Neighbour Andy
Finding My Way to You
144 bpm • B Maj • 02:19 • -9.49db
22% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Walwyn
Littered Sense of You
144 bpm • G# Maj • 04:03 • -10.27db
9% Popularity • 59% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 59% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Memphis to Montana
Try to Find
144 bpm • C Maj • 04:24 • -8.12db
30% Popularity • 50% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 50% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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AndyBurun
Finding Excuses
167 bpm • F# Maj • 02:07 • -11.67db
8% Popularity • 35% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 35% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Holland
Will You Ever Know Me?
143 bpm • B Maj • 03:22 • -5.94db
10% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lilypads
Ode To You
168 bpm • G Maj • 03:18 • -7.75db
18% Popularity • 59% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 59% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel McGuinness
Right Next to Me - Radio Edit
143 bpm • F# Maj • 03:34 • -11.52db
13% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Jeff Toth
Lightweight
143 bpm • E min • 02:57 • -8.9db
11% Popularity • 64% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 64% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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HarveyBoddy
Somebody Else’s Arms
143 bpm • B Maj • 03:52 • -8.86db
8% Popularity • 54% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 54% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Gee Sonnit
Night Of Broken Dreams
169 bpm • D Maj • 04:36 • -7.88db
7% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Micah Lother
Happy
169 bpm • E Maj • 03:58 • -9.14db
11% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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John Mason
All Bottled Up
142 bpm • D Maj • 03:28 • -10db
9% Popularity • 65% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 65% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Phantom36
The One
142 bpm • C Maj • 03:41 • -8.14db
11% Popularity • 32% Danceability • 35% Energy • 19% Liveness
6% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 35% Energy • 19% Liveness
6% Instrumentalness • 11% Positiveness
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Nick Moorcroft
Rock in the Rain
142 bpm • E Maj • 04:03 • -10.61db
9% Popularity • 51% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 51% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Frank Moyo
West End
142 bpm • B min • 04:22 • -8.69db
11% Popularity • 65% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 65% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Dante Kidd
dear self
142 bpm • D Maj • 01:38 • -14.26db
20% Popularity • 46% Danceability • 25% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 46% Danceability • 25% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
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The Talbott Brothers
Shelter - Stripped
170 bpm • G# min • 03:08 • -10.38db
15% Popularity • 59% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Okay Mann
Sous
170 bpm • E Maj • 03:10 • -8.97db
7% Popularity • 34% Danceability • 60% Energy • 12% Liveness
7% Instrumentalness • 30% Positiveness
7% Popularity • 34% Danceability • 60% Energy • 12% Liveness
7% Instrumentalness • 30% Positiveness
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Xander Corbett
sunshine.
170 bpm • E Maj • 02:35 • -16.4db
11% Popularity • 48% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 48% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Kessell
Where Did My Baby Go
170 bpm • D Maj • 03:49 • -10.61db
0% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Songs for the Church
Pull Me Through - Acoustic
141 bpm • A# Maj • 03:53 • -14.17db
12% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Josepha Klein
Simple Thing
141 bpm • B Maj • 02:59 • -10db
15% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Simon Vay
Burn the Boats
141 bpm • C Maj • 03:01 • -10.55db
25% Popularity • 57% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 57% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Garrett Thorn
Melody
141 bpm • F# Maj • 03:52 • -8.8db
22% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Claude Munson
Sweet Love
170 bpm • A# Maj • 04:19 • -12.02db
8% Popularity • 32% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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OKTOBER
Love's The Hardest Part
171 bpm • C Maj • 03:08 • -11.1db
8% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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David Lazarus
Nothing Else To Do
170 bpm • D Maj • 02:44 • -10.92db
29% Popularity • 48% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Twins of June
Love You So
140 bpm • F# Maj • 02:25 • -17.53db
12% Popularity • 65% Danceability • 42% Energy • 7% Liveness
14% Instrumentalness • 85% Positiveness
12% Popularity • 65% Danceability • 42% Energy • 7% Liveness
14% Instrumentalness • 85% Positiveness
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Israel Cannan
Hands
140 bpm • D Maj • 04:25 • -12.19db
21% Popularity • 52% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 52% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Maddox Shafer
Miles
140 bpm • C Maj • 03:32 • -15.35db
10% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Chewie
All I See
140 bpm • D Maj • 03:15 • -9.12db
18% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Scavone
I Wanna Be Sedated
140 bpm • B Maj • 03:13 • -8.78db
15% Popularity • 46% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 46% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Brandon Jackson
Anymore
172 bpm • D Maj • 03:37 • -8.75db
27% Popularity • 40% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 40% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Westrin & Mowry
Talk to Me Again
172 bpm • G# Maj • 04:20 • -6.77db
8% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jonny Morgan
Fight For Your Love
172 bpm • G# Maj • 03:11 • -14db
7% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Martin Kerr
Always Come Back - Acoustic
139 bpm • A# Maj • 03:34 • -9.46db
18% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Oscar Blue
Bloodstone
173 bpm • F min • 03:15 • -7.06db
30% Popularity • 30% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Satellite Station
Always Gonna Sing Along
173 bpm • C# Maj • 02:44 • -13.3db
23% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Kyle
Letter to a Bruin
139 bpm • A min • 03:06 • -16.62db
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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John Newhall
Song Nobody Knows
173 bpm • E Maj • 03:22 • -7.72db
16% Popularity • 50% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 50% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Gittins
Waited A Lifetime
138 bpm • C Maj • 03:52 • -7.98db
14% Popularity • 77% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 77% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Flo Chase
Seasons
174 bpm • B Maj • 02:47 • -5.71db
3% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Dallas Arbor and The Alien Tea Party
Turning Away
138 bpm • B Maj • 03:19 • -15.74db
25% Popularity • 56% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Brogan Gaskill
Magnolia Trees
138 bpm • E Maj • 02:51 • -11.79db
17% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jordan Tyler Poole
Leaning On Everlasting Arms - Sanctuary ...
137 bpm • F min • 04:24 • -12.7db
8% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jackson Harshbarger
Don't Quit on Me
138 bpm • A# min • 03:23 • -7.84db
8% Popularity • 49% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 49% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Sheffield
Never Had To Wonder
175 bpm • G Maj • 03:11 • -14.52db
21% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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John Dhali
Horses
175 bpm • A# Maj • 05:31 • -10.49db
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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AEMS
If You Let Me
137 bpm • B Maj • 04:00 • -7.96db
24% Popularity • 61% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 61% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Luke Metzler
Tell Me True
175 bpm • F Maj • 02:53 • -9.06db
15% Popularity • 46% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 46% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
