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Heavy
Songs like
Heavy
by
Orla Gartland
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
38% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Fenne Lily
Car Park
140 bpm • B Maj • 02:53 • -10.47db
35% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gordi
Volcanic
140 bpm • C Maj • 03:13 • -11.94db
16% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Dawdler
Lava Lamps
139 bpm • G Maj • 02:53 • -14.45db
34% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
38% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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San Fermin
Saints - Acoustic Version
138 bpm • G Maj • 03:35 • -12.14db
8% Popularity • 58% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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mxmtoon
almost home
138 bpm • F Maj • 03:28 • -6db
45% Popularity • 55% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Brittain Ashford
Good for Goodness
142 bpm • C Maj • 05:02 • -8.53db
19% Popularity • 48% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Orla Gartland
Overthinking (Demo)
138 bpm • D# Maj • 03:21 • -10db
24% Popularity • 82% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
45% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ciaran Lavery
Selene
137 bpm • C Maj • 04:38 • -13.14db
17% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
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Lonas
Quiver
143 bpm • E Maj • 04:11 • -11db
35% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matilda Mann
The Loch Ness Monster
144 bpm • E Maj • 03:19 • -11.5db
36% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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SYML
Flags
136 bpm • G Maj • 03:29 • -12db
42% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
44% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Overcoats
New Shoes
136 bpm • G Maj • 03:18 • -11db
28% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Sody
Whole - demo
136 bpm • A# Maj • 03:08 • -13db
27% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Katie Pruitt
Normal
136 bpm • A Maj • 05:11 • -12.56db
33% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gordi
Radiator
136 bpm • G Maj • 02:55 • -14.22db
10% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Annika Bennett
Boy Who Has Everything
136 bpm • C# Maj • 03:06 • -13db
36% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Keaton Henson
Limb
136 bpm • B Maj • 03:26 • -12.91db
19% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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FIZZ
Lights Out
136 bpm • G Maj • 03:46 • -15.25db
34% Popularity • 33% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Orla Gartland
You're Not Special, Babe - live at Middl...
145 bpm • C Maj • 03:39 • -5.34db
15% Popularity • 68% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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King Princess
If You Think It's Love
135 bpm • F Maj • 03:23 • -7.98db
36% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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dodie
Guiltless (Bonus)
145 bpm • G Maj • 03:29 • -14.25db
35% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ella Hunt
Magpie
135 bpm • A# Maj • 03:35 • -11.55db
25% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Orla Gartland
You're Not Special, Babe
145 bpm • C Maj • 03:23 • -7.29db
42% Popularity • 73% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Cooza
I Can See New Zealand From Here
135 bpm • F Maj • 02:03 • -16.03db
34% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sobi
Pearl
135 bpm • D Maj • 03:51 • -8.95db
26% Popularity • 45% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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King Princess
All Dressed In White
146 bpm • C# Maj • 02:00 • -4.9db
32% Popularity • 58% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kitt Philippa
Moth
134 bpm • C Maj • 04:04 • -14.07db
11% Popularity • 34% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
39% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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dodie
Human
134 bpm • G# Maj • 03:22 • -14.92db
47% Popularity • 66% Danceability • 29% Energy • 10% Liveness
15% Instrumentalness • 39% Positiveness
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Lowen
Morning, Mourning
134 bpm • D# Maj • 04:18 • -9.93db
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Orla Gartland
Left Behind
134 bpm • F Maj • 04:15 • -12.79db
28% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Donna Missal
Hurt By You
134 bpm • B min • 03:50 • -4db
32% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
54% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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ella jane
Thief
147 bpm • D Maj • 03:26 • -9.97db
24% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Hollie Col
Please Don't Love Someone
133 bpm • D# Maj • 03:27 • -11.46db
20% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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MUNA
I Know A Place - Acoustic
133 bpm • D# Maj • 04:51 • -4.1db
38% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Isabel Pless
More to Give
148 bpm • G# Maj • 02:26 • -10.25db
36% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Cj Pandit
New York Time
132 bpm • A Maj • 04:12 • -12.55db
15% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Joy Oladokun
Who Do I Turn To?
132 bpm • A min • 03:09 • -9.17db
16% Popularity • 67% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ewan J Phillips
Strangers in the Night
131 bpm • A min • 03:03 • -10.1db
7% Popularity • 29% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hozier
In A Week
131 bpm • C Maj • 05:18 • -12db
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Jessie Reid
Stay With Me
131 bpm • F# min • 03:01 • -18.28db
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rusty Clanton
Novels
131 bpm • A Maj • 05:52 • -11db
38% Popularity • 52% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
43% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Holly Humberstone
Fake Plastic Trees
150 bpm • C Maj • 04:20 • -9.91db
40% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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mxmtoon
bon iver
150 bpm • A# Maj • 03:16 • -6.81db
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Baby Queen
Colours Of You
150 bpm • F min • 04:15 • -7.88db
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Great Good Fine Ok
Shapeshifting
150 bpm • D Maj • 03:55 • -6.06db
24% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Taylor Swift
peace
150 bpm • F Maj • 03:54 • -12.91db
69% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Maria Kelly
the sum of the in-between
150 bpm • C# Maj • 04:16 • -16db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
45% Instrumentalness • 39% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Ben Abraham
Nobody Wants To Hear Songs Anymore
150 bpm • F Maj • 03:30 • -14.92db
26% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Birdtalker
Better in the Morning
130 bpm • A# Maj • 02:44 • -13.87db
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
27% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Lowen
Just Fucking Let Me Love You
130 bpm • C Maj • 03:38 • -7.22db
40% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ryn Weaver
Reasons Not To Die - Demo
130 bpm • E Maj • 03:40 • -10db
41% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Chappell Roan
School Nights
130 bpm • F# min • 04:09 • -10db
51% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alix Page
Stripes
130 bpm • C Maj • 03:56 • -9.66db
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Beulahbelle
Raleigh
151 bpm • C Maj • 03:50 • -12db
21% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sammy Copley
To The Bone
129 bpm • F# Maj • 04:01 • -16db
43% Popularity • 48% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Maggie Rogers
Resonant Body
129 bpm • D Maj • 03:21 • -7db
42% Popularity • 52% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jeremiah Lloyd Harmon
Almost Heaven
129 bpm • F# Maj • 03:49 • -6.96db
32% Popularity • 39% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Sophie Odira
Little Love
129 bpm • G Maj • 02:53 • -13.64db
32% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
30% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Joy Oladokun
too high
129 bpm • F# Maj • 03:16 • -12.44db
27% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Chezka
Fire Near a Toddler
128 bpm • B Maj • 04:09 • -9.91db
28% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Matilda Mann
The Fucking Best
153 bpm • F min • 03:06 • -14.25db
24% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Heavy