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Helix
Songs like
Helix
by
Kelly Moran
Based on a tempo of (+/- 10%) and a similar genre
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Kelly Moran
Helix - Piano Solo
113 bpm • F# Maj • 08:48 • -11.34db
2% Popularity • 44% Danceability • 86% Energy • 14% Liveness
97% Instrumentalness • 16% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Pauline Anna Strom
Tropical Convergence
113 bpm • G min • 02:41 • -14.03db
20% Popularity • 74% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
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Taylor Deupree
elm
113 bpm • D Maj • 01:22 • -24.2db
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Cucina Povera
Liikaa liimaa
114 bpm • C# Maj • 05:21 • -18.01db
18% Popularity • 21% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Machinefabriek
+ Joana Gama
114 bpm • A# min • 01:04 • -28.17db
25% Popularity • 35% Danceability • 5% Energy • 34% Liveness
98% Instrumentalness • 17% Positiveness
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Kelly Moran
Helix
113 bpm • D# min • 08:48 • -13.68db
21% Popularity • 34% Danceability • 54% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Mark Pritchard
Circle of Fear
112 bpm • A min • 03:06 • -24.5db
17% Popularity • 28% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Mary Lattimore
She Remembers Sitka
114 bpm • F# Maj • 03:44 • -18.78db
15% Popularity • 24% Danceability • 39% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
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Taylor Deupree
Something That Looks Like Stars
114 bpm • D Maj • 02:15 • -20.22db
34% Popularity • 23% Danceability • 14% Energy • 7% Liveness
77% Instrumentalness • 7% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Clark
Omni Vignette
112 bpm • C# Maj • 02:18 • -25db
38% Popularity • 27% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Sarah Davachi
Doubled Flutes
112 bpm • G# min • 02:17 • -33.24db
26% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Visible Cloaks
Anata
115 bpm • A min • 02:30 • -16.18db
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Perila
Fallin Into Space
115 bpm • C Maj • 04:58 • -17.57db
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Hélène Vogelsinger
Implantation
115 bpm • A# Maj • 07:10 • -15.97db
18% Popularity • 55% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Kelly Moran
Freesia
113 bpm • F min • 02:22 • -16.23db
7% Popularity • 29% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Mary Lattimore
Pine Trees
111 bpm • B min • 03:20 • -27.49db
36% Popularity • 52% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Pauline Anna Strom
Rain on Ancient Quays
115 bpm • C# min • 07:23 • -17.19db
9% Popularity • 48% Danceability • 34% Energy • 28% Liveness
83% Instrumentalness • 19% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Laurel Halo
Belleville
116 bpm • A Maj • 02:25 • -28.37db
46% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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LI YILEI
KOU / 口
116 bpm • G min • 03:15 • -17.88db
26% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Kelly Moran
Statice
112 bpm • D min • 03:21 • -13.15db
4% Popularity • 57% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ana Roxanne
Nocturne
110 bpm • C Maj • 05:36 • -17.97db
32% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Frederik Valentin
BROKEN SNOW
110 bpm • A min • 04:04 • -21.17db
30% Popularity • 63% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Sofie Birch
Ubiquitous
110 bpm • D# min • 03:49 • -28.43db
25% Popularity • 37% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Kelly Moran
Calla
112 bpm • A Maj • 01:21 • -13.63db
7% Popularity • 40% Danceability • 10% Energy • 25% Liveness
95% Instrumentalness • 39% Positiveness
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Hinako Omori
A Journey
110 bpm • G# Maj • 04:16 • -12.22db
29% Popularity • 31% Danceability • 49% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
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Rachika Nayar
Aurobindo
116 bpm • E min • 08:07 • -16.25db
18% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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LI YILEI
TAN / 潭
117 bpm • F Maj • 01:57 • -16.8db
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Sofie Birch
Humidity
110 bpm • D min • 03:13 • -22.56db
27% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
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Taylor Deupree
rem
110 bpm • A# min • 03:36 • -27db
31% Popularity • 23% Danceability • 8% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Kelly Moran
Dancer Polynomials
115 bpm • C# Maj • 04:22 • -19.46db
0% Popularity • 32% Danceability • 34% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
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HTRK
Unselving I and II
109 bpm • F min • 01:54 • -22.59db
22% Popularity • 32% Danceability • 18% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Vanessa Amara
Leopards, Pt. 8
109 bpm • A Maj • 02:08 • -21.1db
20% Popularity • 26% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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ASUNA
How A Spiral Works
108 bpm • G# min • 06:25 • -17db
18% Popularity • 21% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Kelly Moran
Sodalis
115 bpm • D# min • 03:39 • -8.52db
12% Popularity • 39% Danceability • 77% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Mary Lattimore
We Wave From Our Boats
108 bpm • D Maj • 03:50 • -19db
35% Popularity • 64% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Astrid Sonne
Fields of Grass
108 bpm • C# Maj • 04:25 • -13db
24% Popularity • 28% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Dylan Henner
I Was Reading the News but I Felt so Sad...
108 bpm • G# Maj • 05:28 • -19.54db
18% Popularity • 64% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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M. Sage
The Cat Forgotten in the Moon
119 bpm • F# min • 02:26 • -19.02db
39% Popularity • 22% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Lyra Pramuk
Cradle
119 bpm • E min • 09:02 • -10.59db
11% Popularity • 17% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Kelly Moran
It's Okay to Disappear
116 bpm • B Maj • 04:46 • -26.02db
0% Popularity • 31% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Visible Cloaks
You
120 bpm • C Maj • 04:58 • -17.96db
11% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Bochum Welt
Ghost
120 bpm • G Maj • 01:46 • -25.38db
42% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Midori Hirano
Mountains
120 bpm • F min • 02:59 • -22.54db
9% Popularity • 39% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Dylan Henner
The Lake Was Covered In Lilypads
120 bpm • C Maj • 05:24 • -15.09db
16% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Kelly Moran
Helix III
120 bpm • G# min • 05:22 • -11.11db
18% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Emily A. Sprague
Star Gazing
120 bpm • C Maj • 06:53 • -27.55db
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Meitei
Chōchin
120 bpm • G# min • 04:24 • -20.04db
35% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Kara-Lis Coverdale
Ad_renaline
120 bpm • F min • 04:29 • -14.5db
12% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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Hinako Omori
stalactites
120 bpm • G min • 01:23 • -8.98db
18% Popularity • 64% Danceability • 90% Energy • 30% Liveness
95% Instrumentalness • 19% Positiveness
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Eli Keszler
God Over Money
120 bpm • A Maj • 03:36 • -17.21db
18% Popularity • 42% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Emily A. Sprague
Moon View
120 bpm • C# Maj • 05:47 • -17.11db
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Loscil
Cyan
120 bpm • C# Maj • 06:13 • -21.51db
24% Popularity • 17% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Anenon
Panes
120 bpm • C Maj • 03:14 • -12.16db
17% Popularity • 36% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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K. Leimer
Uncertain Instruction
121 bpm • F min • 02:48 • -17.89db
24% Popularity • 39% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Mirror
121 bpm • C Maj • 09:35 • -20.71db
20% Popularity • 29% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Holly Herndon
Fear, Uncertainty, Doubt
122 bpm • D# min • 03:11 • -13.39db
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Hauschildt
Edgewater Prelude
104 bpm • D Maj • 01:22 • -13.36db
38% Popularity • 52% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Mary Lattimore
Arrivederci
123 bpm • A Maj • 05:11 • -13.08db
35% Popularity • 45% Danceability • 17% Energy • 19% Liveness
83% Instrumentalness • 8% Positiveness
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Kelly Moran
Moves in the Field
104 bpm • E min • 04:46 • -22.13db
0% Popularity • 38% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Space Afrika
Honest Labour
104 bpm • C min • 03:51 • -18db
27% Popularity • 20% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
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Emily A. Sprague
Dock
123 bpm • G# min • 03:15 • -20db
32% Popularity • 28% Danceability • 32% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Carmen Villain
Things That Are Solid
123 bpm • A Maj • 04:34 • -17db
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 46% Positiveness
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efdemin
At The Stranger's House
124 bpm • F# min • 03:13 • -20.15db
32% Popularity • 56% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mary Lattimore
Til A Mermaid Drags You Under
123 bpm • G# Maj • 10:26 • -17db
26% Popularity • 33% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Kelly Moran
In Parallel
104 bpm • D min • 06:20 • -15.83db
16% Popularity • 20% Danceability • 40% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Dark From Daybreak
124 bpm • A# min • 03:17 • -22db
20% Popularity • 17% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Carmen Villain
Future Memory
124 bpm • C# Maj • 05:02 • -24.41db
21% Popularity • 29% Danceability • 12% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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LI YILEI
HUO / 惑
103 bpm • A min • 04:15 • -16db
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
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Rachika Nayar
Losing Too Is Still Ours
125 bpm • A Maj • 06:58 • -12db
17% Popularity • 27% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Kelly Moran
Don't Trust Mirror
124 bpm • F# Maj • 06:29 • -20.92db
0% Popularity • 48% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Mary Lattimore
Don't Look
125 bpm • G Maj • 08:03 • -19.51db
21% Popularity • 38% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Martyna Basta
Diaries
102 bpm • D# min • 03:20 • -22.16db
24% Popularity • 28% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Salamanda
Melting Hazard
102 bpm • D# min • 05:06 • -14db
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Ian William Craig
Aphrodite
102 bpm • D Maj • 01:38 • -20.3db
18% Popularity • 24% Danceability • 32% Energy • 60% Liveness
97% Instrumentalness • 21% Positiveness
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Anenon
Contra
126 bpm • C min • 01:31 • -10.11db
13% Popularity • 41% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Kelly Moran
Iris
102 bpm • D Maj • 01:52 • -15.18db
9% Popularity • 58% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 97% Positiveness
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Masayoshi Fujita
Cumulonimbus Dream
126 bpm • F min • 04:10 • -28.4db
20% Popularity • 34% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
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Ulla Straus
Billow
126 bpm • C# min • 04:27 • -24.55db
26% Popularity • 17% Danceability • 22% Energy • 20% Liveness
94% Instrumentalness • 14% Positiveness
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Imaginary Softwoods
Mr. Big Volume
126 bpm • A# min • 03:31 • -19db
20% Popularity • 57% Danceability • 34% Energy • 9% Liveness
82% Instrumentalness • 33% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Elori Saxl
The Blue of Distance
101 bpm • C Maj • 07:05 • -21.14db
21% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Kelly Moran
Night Music
126 bpm • B min • 03:03 • -12db
10% Popularity • 38% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Lyra Pramuk
New Moon
101 bpm • D# Maj • 08:32 • -10.13db
21% Popularity • 19% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Ana Roxanne
Venus
127 bpm • F Maj • 07:57 • -19.63db
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Helix