Songs like Hello Trouble by Buck Owens
Based on a tempo of (+/- 10%) and a similar genre
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Moore
Truck Driver's Queen
94 bpm • E Maj • 02:05 • -6.97db
24% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Red Sovine
Truck Drivin' Son Of A Gun
94 bpm • F# Maj • 01:56 • -8.38db
32% Popularity • 53% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 53% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Sons of the Pioneers
I'll Sail My Ship Alone
94 bpm • D Maj • 02:13 • -10db
31% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Buck Owens
Open Up Your Heart - Single Version
94 bpm • G# Maj • 02:31 • -6.79db
24% Popularity • 78% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 78% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Jessi Colter
That's the Chance I'll Have to Take
94 bpm • A# Maj • 02:01 • -14db
31% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Gene Watson
Pick The Wildwood Flower
94 bpm • G Maj • 02:21 • -8.66db
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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David Allan Coe
D-R-U-N-K
93 bpm • A Maj • 02:34 • -9.5db
57% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
52% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Buck Owens
Open Up Your Heart - 2006 Remastered Ver...
94 bpm • G# Maj • 02:28 • -9.77db
18% Popularity • 77% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 77% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
24% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Leroy Van Dyke
The Hobo's Last Ride
92 bpm • A Maj • 02:42 • -13.17db
33% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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David Allan Coe
Longhaired Redneck
92 bpm • G Maj • 03:20 • -7.85db
54% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Lefty Frizzell
Mom and Dad's Waltz
96 bpm • C Maj • 03:05 • -11db
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Oak Ridge Boys
Leaving Louisiana In The Broad Daylight
96 bpm • F Maj • 02:59 • -14.41db
57% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Buck Owens
Hello Trouble
94 bpm • C# Maj • 01:51 • -9.41db
45% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Merle Haggard
Fightin' Side of Me
96 bpm • E Maj • 02:50 • -8.08db
58% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Buck Owens & The Buckaroos
Love's Gonna Live Here - Mono Single Ver...
92 bpm • G# Maj • 02:01 • -6.17db
47% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
47% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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Billy Walker
Cross the Brazos at Waco
92 bpm • C# Maj • 02:50 • -14.05db
24% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Red Sovine
Lay Down Sally
96 bpm • D Maj • 02:45 • -11.9db
29% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Buck Owens
Open Up Your Heart
94 bpm • G# Maj • 02:30 • -8.67db
15% Popularity • 75% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 75% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Lefty Frizzell
Forever (And Always)
97 bpm • G Maj • 02:30 • -15.17db
29% Popularity • 62% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 62% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Rodriguez
I Just Can't Get Her Out Of My Mind
97 bpm • F Maj • 02:36 • -10.18db
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Ferlin Husky
Draggin' The River
91 bpm • F Maj • 02:08 • -10.75db
51% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Walker
Matamoros
97 bpm • D Maj • 03:38 • -14.18db
24% Popularity • 61% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 61% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Buck Owens
Where Does The Good Times Go
92 bpm • B Maj • 02:21 • -12.83db
16% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Don Gibson
Sea of Heartbreak
91 bpm • G Maj • 02:35 • -9.16db
51% Popularity • 59% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 59% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Rich
I Can't Even Drink It Away
97 bpm • C Maj • 03:14 • -13.88db
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Patsy Cline
San Antonio Rose
97 bpm • B Maj • 02:21 • -20.38db
44% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Rusty & Doug Kershaw
Diggy Liggy Lo
91 bpm • A Maj • 02:06 • -10db
20% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Buck Owens
Act Naturally
93 bpm • G Maj • 02:23 • -11.01db
62% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Lefty Frizzell
She's Gone, Gone, Gone
97 bpm • G Maj • 02:21 • -12db
35% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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David Allan Coe
Need a Little Time off for Bad Behavior
91 bpm • A# Maj • 03:00 • -7.37db
53% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Don Gibson
Just One Time - Re-Recorded In Stereo
97 bpm • D# Maj • 02:22 • -15.22db
20% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Buck Owens
Act Naturally
92 bpm • G Maj • 02:18 • -3.99db
27% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Hawkshaw Hawkins
Twenty Miles From Shore
91 bpm • E Maj • 01:56 • -13.98db
26% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
40% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Lefty Frizzell
Just Can't Live That Fast (Any More)
91 bpm • C# min • 02:05 • -10.64db
20% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Dick Curless
Hard, Hard Traveling Man
98 bpm • G Maj • 02:33 • -8db
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
29% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
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Jimmy C. Newman
Alligator Man
91 bpm • A Maj • 02:11 • -9db
30% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Buck Owens
It Takes People Like You
91 bpm • C Maj • 02:04 • -11.63db
15% Popularity • 77% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 77% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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David Allan Coe
Cocaine Carolina
90 bpm • G Maj • 02:46 • -10.47db
48% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Moe Bandy
Bandy the Rodeo Clown
98 bpm • F Maj • 02:52 • -11.05db
42% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Buck Owens
I've Got A Tiger By The Tail
97 bpm • E Maj • 02:14 • -10.77db
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Mickey Gilley
Don't the Girls All Get Prettier at Clos...
90 bpm • C Maj • 02:57 • -7.85db
31% Popularity • 65% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 65% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
35% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Buck Owens
Gonna Have Love
97 bpm • F Maj • 01:54 • -11.83db
22% Popularity • 69% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 69% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Junior Brown
Ain't Gonna Work Today
89 bpm • C# min • 02:43 • -7.73db
22% Popularity • 69% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 69% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Del Reeves
This Must The The Bottom
89 bpm • A Maj • 01:53 • -14db
35% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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Gene Autry
Back In the Saddle Again
99 bpm • C Maj • 02:44 • -14db
34% Popularity • 53% Danceability • 17% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 53% Danceability • 17% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
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Roy Acuff
Wabash Cannonball
99 bpm • A Maj • 02:36 • -10db
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Buck Owens
Sam's Place
91 bpm • A Maj • 02:02 • -8.68db
31% Popularity • 64% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Mickey Gilley
Don't The Girls All Get Prettier At Clos...
89 bpm • C Maj • 02:58 • -13.92db
35% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Don Gibson
Blue, Blue Day
100 bpm • E Maj • 01:53 • -12db
40% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Drusky
Long Long Texas Road
100 bpm • E Maj • 02:23 • -11.65db
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Keith Whitley
I'm No Stranger to the Rain
88 bpm • E Maj • 03:36 • -16db
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
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Tammy Wynette
D-I-V-O-R-C-E
100 bpm • A Maj • 02:55 • -9db
50% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Buck Owens
Sam's Place - 2006 Remastered Version
90 bpm • A Maj • 02:00 • -7.94db
16% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Tennessee Ernie Ford
No One Will Ever Know
88 bpm • D Maj • 02:56 • -15.7db
29% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Junior Brown
Gotta Get Up Every Morning
100 bpm • D Maj • 01:59 • -10.45db
31% Popularity • 80% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 80% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Eddy Arnold
The Wayward Wind
101 bpm • C# Maj • 03:06 • -15.86db
33% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Joe Shaver
I'm Just an Old Chunk of Coal (But I'm G...
101 bpm • A Maj • 02:01 • -11db
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Don Gibson
Lonesome Number One
88 bpm • C Maj • 02:22 • -10.61db
21% Popularity • 52% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
21% Popularity • 52% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
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Buck Owens
The Kansas City Song
98 bpm • G# Maj • 02:20 • -7.18db
20% Popularity • 65% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 65% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Hank Thompson And His Brazos Valley Boys
Squaws Along The Yukon
101 bpm • C Maj • 02:31 • -7.05db
29% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Bare
Abilene
101 bpm • F Maj • 02:13 • -13db
40% Popularity • 66% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 66% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Oak Ridge Boys
Trying To Love Two Women
87 bpm • F Maj • 02:27 • -16db
49% Popularity • 60% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 60% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Frankie Miller
Black Land Farmer
101 bpm • A Maj • 02:31 • -10.29db
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Buck Owens
Big in Vegas
90 bpm • D Maj • 03:07 • -10.38db
12% Popularity • 49% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 49% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Junior Brown
Venom Wearin' Denim
101 bpm • A Maj • 02:37 • -9.33db
30% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
55% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Russell
Red Necks, White Socks, And Blue Ribbon ...
87 bpm • E Maj • 02:32 • -8.53db
38% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Red Sovine
Freightliner Fever
87 bpm • D Maj • 02:44 • -9.74db
38% Popularity • 60% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 60% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
22% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Buck Owens
Wham Bam
100 bpm • G# Maj • 02:02 • -9.03db
19% Popularity • 75% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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George Hamilton IV
Steel Rail Blues
87 bpm • C Maj • 02:40 • -11.9db
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Del Reeves
Right Back Loving You Again
102 bpm • A Maj • 02:08 • -8.63db
33% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Eddy Arnold
Leanin' on the Old Top Rail
102 bpm • A# Maj • 02:05 • -14db
34% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Mel McDaniel
If I Keep On Going Crazy
86 bpm • F Maj • 02:38 • -7.35db
49% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Buck Owens
Truck Drivin' Man
101 bpm • G# Maj • 02:34 • -8.35db
40% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Russell
She Burnt the Little Roadside Tavern Dow...
103 bpm • E Maj • 02:37 • -8db
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Kitty Wells
Making Believe - 1955 Single Version
103 bpm • A# Maj • 02:55 • -11db
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
