Songs like Help by John Farnham
Based on a tempo of (+/- 10%) and a similar genre
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
30% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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James Reyne
Motor's Too Fast
118 bpm • A min • 04:13 • -11.48db
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
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Suzi Quatro
Singing With Angels
118 bpm • C Maj • 03:54 • -9.49db
36% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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John Farnham
Age of Reason - The Acoustic Chapel Sess...
118 bpm • B min • 05:06 • -5.09db
12% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Richard Carpenter
Calling Your Name Again
118 bpm • B Maj • 04:18 • -17.9db
52% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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ICEHOUSE
My Obsession
118 bpm • F Maj • 04:08 • -4.58db
41% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Toni Childs
Stop Your Fussin'
118 bpm • F Maj • 04:40 • -13.73db
43% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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White Lion
You're All I Need
119 bpm • D Maj • 04:25 • -10.65db
59% Popularity • 51% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 51% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Vonda Shepard
Chances Are
117 bpm • G# Maj • 03:44 • -7.57db
36% Popularity • 52% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 52% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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John Farnham
Help
118 bpm • C Maj • 04:25 • -14.35db
32% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kenny Loggins
Meet Me Half Way
117 bpm • E Maj • 03:39 • -13.01db
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Starship
Don't Stop Believin'
119 bpm • E Maj • 04:17 • -4.87db
45% Popularity • 51% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 51% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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David Pomeranz
King & Queen of Hearts
117 bpm • A Maj • 03:38 • -10.6db
39% Popularity • 58% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 58% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Dr. Hook
Storms Never Last
119 bpm • C# Maj • 03:23 • -10.59db
46% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Southern Sons
Lead Me to Water
119 bpm • C# Maj • 04:32 • -8.74db
20% Popularity • 61% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 61% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Captain & Tennille
The Wind Beneath My Wings
117 bpm • A# Maj • 04:48 • -10.5db
23% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Rick Springfield
My Father's Chair
120 bpm • A# Maj • 03:28 • -20.51db
20% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Charlene
I've Never Been To Me - Re-Recorded
120 bpm • A# Maj • 04:08 • -14.68db
30% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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David Pomeranz
King and Queen of Hearts
120 bpm • E Maj • 04:20 • -7.14db
62% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Trine Rein
Stay with Me Baby
120 bpm • B Maj • 04:11 • -8db
21% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Margaret Urlich
Only My Heart Calling
116 bpm • G# Maj • 05:39 • -11.81db
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kathy Troccoli
If I'm Not In Love
116 bpm • G Maj • 03:46 • -12db
50% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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John Farnham
In Your Hands
116 bpm • B Maj • 04:19 • -9.9db
19% Popularity • 58% Danceability • 75% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 58% Danceability • 75% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Eric Carmen
The Way We Used To Be
120 bpm • A Maj • 03:18 • -12db
38% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Tiffany
It's The Lover (Not The Love)
120 bpm • F# min • 04:08 • -11.45db
46% Popularity • 52% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 52% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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James Reyne
Hammerhead
120 bpm • F min • 04:46 • -11.55db
39% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
39% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Brian Cadd
Ginger Man
116 bpm • E Maj • 04:06 • -12.34db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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John Farnham
That's Freedom
120 bpm • E Maj • 04:19 • -10db
47% Popularity • 60% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 60% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Swanee
Fooled Around and Fell in Love
116 bpm • A# Maj • 04:14 • -7.48db
13% Popularity • 60% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 60% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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David Foster
The Best of Me
115 bpm • F# Maj • 04:05 • -14db
57% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Dragon
Get That Jive
121 bpm • D Maj • 02:45 • -11db
29% Popularity • 84% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 84% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Noiseworks
River Of Tears
115 bpm • B Maj • 05:17 • -13.27db
21% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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Brian Cadd
Let Go
121 bpm • F Maj • 04:20 • -10.11db
30% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Sherbet
Silvery Moon
115 bpm • A Maj • 03:25 • -8.15db
27% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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John Farnham
One Perfect Day
120 bpm • G# Maj • 03:42 • -7.7db
8% Popularity • 64% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 44% Positiveness
8% Popularity • 64% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 44% Positiveness
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Jim Steinman
Surf's Up
121 bpm • G Maj • 05:22 • -15.85db
23% Popularity • 47% Danceability • 21% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 47% Danceability • 21% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Wendy Matthews
If Only I Could - 2007 Remastered
121 bpm • F Maj • 04:39 • -7db
18% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Charlene
I've Never Been To Me
121 bpm • A# Maj • 03:54 • -12.51db
59% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jenny Morris
Little Little
115 bpm • G Maj • 03:55 • -13.67db
18% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Cold Chisel
All For You
121 bpm • A Maj • 04:55 • -3.89db
33% Popularity • 59% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 59% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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John Farnham
Help! - Live
120 bpm • C Maj • 04:57 • -14.13db
28% Popularity • 36% Danceability • 44% Energy • 69% Liveness
1% Instrumentalness • 35% Positiveness
28% Popularity • 36% Danceability • 44% Energy • 69% Liveness
1% Instrumentalness • 35% Positiveness
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James Reyne
Heaven On A Stick
122 bpm • C# Maj • 03:24 • -13.3db
24% Popularity • 72% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Bruce Willis
Under The Boardwalk
114 bpm • D min • 03:03 • -14.32db
44% Popularity • 73% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 73% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Ted Mulry Gang
Falling in Love Again
114 bpm • G Maj • 03:48 • -6.01db
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
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Charlene D'Angelo
I've Been To Paradise, But I've Never Be...
122 bpm • A# Maj • 04:10 • -20db
34% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Martha Davis
Don't Tell Me The Time
122 bpm • A Maj • 03:31 • -5.41db
23% Popularity • 64% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 64% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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John Farnham
Romeo's Heart
115 bpm • A# Maj • 04:18 • -13.61db
20% Popularity • 69% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
20% Popularity • 69% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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White Lion
Til Death Do Us Part
122 bpm • A# Maj • 05:26 • -10db
55% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Eurogliders
Heaven (Must Be There)
122 bpm • D Maj • 03:42 • -15.24db
44% Popularity • 61% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 61% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Australian Crawl
Downhearted - Remastered
123 bpm • D min • 03:09 • -7db
51% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Field
You Weren't in Love With Me
123 bpm • F Maj • 03:23 • -10.25db
37% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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John Farnham
Hearts on Fire
114 bpm • F Maj • 04:18 • -9.59db
18% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Cross
Swept Away
123 bpm • F# Maj • 04:28 • -13db
59% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Firehouse
Love of a Lifetime (2024 Remaster)
123 bpm • C# Maj • 04:45 • -12db
61% Popularity • 47% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
61% Popularity • 47% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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"Jesus Christ Superstar" 1992 Australian Cast
Simon Zealotes / Poor Jerusalem
123 bpm • F min • 05:13 • -11.14db
17% Popularity • 43% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 43% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Damien Leith
Only The Lonely
124 bpm • F Maj • 02:24 • -8.71db
10% Popularity • 63% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 63% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Cold Chisel
Cheap Wine - 2011 Remastered
124 bpm • C Maj • 03:25 • -3.58db
57% Popularity • 68% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 68% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Christopher Cross
Is There Something
113 bpm • C Maj • 04:55 • -14.28db
25% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Cretu
Love Me
124 bpm • C Maj • 04:03 • -11.54db
38% Popularity • 37% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 37% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Field
True Love
112 bpm • D# Maj • 03:20 • -7.83db
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Darryl Cotton
Same Old Girl
124 bpm • A Maj • 04:51 • -13.26db
19% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Tiffany
Hearts Never Lie
124 bpm • G# min • 05:00 • -10.5db
40% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Black Sorrows
Never Let Me Go
124 bpm • C Maj • 04:04 • -13.86db
39% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Thompson
If You Remember Me
124 bpm • D Maj • 03:04 • -10db
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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John Farnham
In Days to Come
112 bpm • F Maj • 04:04 • -11.46db
26% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
26% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Wendy Matthews
O Happy Day
112 bpm • G# Maj • 04:48 • -9.33db
6% Popularity • 64% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 64% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Gino Padilla
But If You Leave Me
112 bpm • G# min • 04:01 • -10db
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Lamont
Victims of Love
124 bpm • G Maj • 03:47 • -8db
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Mary MacGregor
This Girl (Has Turned into a Woman)
124 bpm • A Maj • 03:26 • -9.38db
51% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
51% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
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John Farnham
Two Strong Hearts - The Acoustic Chapel ...
112 bpm • D Maj • 03:24 • -3.44db
15% Popularity • 72% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Ross Wilson
Bed of Nails
125 bpm • A Maj • 04:08 • -11db
26% Popularity • 65% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 65% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Albert Hammond
When I'm Gone
112 bpm • D Maj • 04:23 • -11.91db
50% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Noiseworks
Let It Be - Live
125 bpm • D Maj • 05:15 • -11.42db
22% Popularity • 37% Danceability • 48% Energy • 91% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 37% Danceability • 48% Energy • 91% Liveness
1% Instrumentalness • 24% Positiveness
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Fran Mena
Sister Golden Hair
125 bpm • D Maj • 03:16 • -10.14db
34% Popularity • 56% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 56% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 25% Positiveness
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John Farnham
Pressure Down
112 bpm • F# Maj • 03:47 • -11.08db
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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Gloria Loring
Friends & Lovers
111 bpm • D# Maj • 03:33 • -16.09db
35% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Boz Scaggs
We're All Alone (2023 Remaster)
125 bpm • G Maj • 04:12 • -11.61db
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Joshua Kadison
When A Woman Cries
111 bpm • A# Maj • 03:31 • -13.17db
27% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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James Reyne
House Of Cards
126 bpm • G# Maj • 04:17 • -9.83db
25% Popularity • 64% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 64% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Dami Im
Purple Rain
126 bpm • A Maj • 03:15 • -4.26db
27% Popularity • 40% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 40% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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John Farnham
That's Freedom - The Acoustic Chapel Ses...
125 bpm • E Maj • 04:15 • -4.89db
15% Popularity • 64% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Trademark
I'm Not Supposed to Love You Anymore - R...
126 bpm • G Maj • 03:34 • -6.9db
32% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Dragon
Celebration
126 bpm • D Maj • 03:55 • -11.17db
24% Popularity • 65% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 65% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Restless Heart
Mind Over Matters of the Heart
126 bpm • F# Maj • 03:10 • -13db
34% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Reno
Almost paradise
126 bpm • G# Maj • 03:46 • -9.81db
26% Popularity • 42% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 42% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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The Little Heroes
One Perfect Day
126 bpm • G Maj • 03:40 • -7.23db
39% Popularity • 58% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 58% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
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John Farnham
Man of the Hour
111 bpm • D min • 04:09 • -8.66db
16% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jack Wagner
Whenever Hearts Collide
126 bpm • D Maj • 03:36 • -12.41db
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Westlife
The Dance
126 bpm • A Maj • 03:58 • -6.28db
40% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Wet Wet Wet
If Only I Could Be With You
126 bpm • F Maj • 04:22 • -5.77db
15% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
