Songs like Her Blue Ring - Adam Makowicz by Adam Makowicz
Based on a tempo of (+/- 10%) and a similar genre
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Theo Erskine
The Loneliest
143 bpm • G Maj • 05:52 • -13.02db
11% Popularity • 39% Danceability • 23% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
11% Popularity • 39% Danceability • 23% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
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Easy Camel Trio
埴生の宿
143 bpm • A# Maj • 03:54 • -15.49db
18% Popularity • 71% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
18% Popularity • 71% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
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Mathias Atkinsley
No more Smoke
143 bpm • B Maj • 01:35 • -21.09db
17% Popularity • 55% Danceability • 7% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
17% Popularity • 55% Danceability • 7% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
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James Morrison
Oleo - Live
143 bpm • F Maj • 07:54 • -14.71db
0% Popularity • 54% Danceability • 37% Energy • 69% Liveness
66% Instrumentalness • 58% Positiveness
0% Popularity • 54% Danceability • 37% Energy • 69% Liveness
66% Instrumentalness • 58% Positiveness
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Davide Logiri
Twirl in the Fog
144 bpm • G Maj • 01:15 • -14.48db
19% Popularity • 37% Danceability • 33% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
19% Popularity • 37% Danceability • 33% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
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Sacha Perry
Low Tide
143 bpm • C Maj • 05:01 • -20.19db
8% Popularity • 38% Danceability • 25% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
8% Popularity • 38% Danceability • 25% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
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Dan Alexandru
Signal Flags
142 bpm • F Maj • 04:11 • -28.35db
15% Popularity • 45% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 27% Positiveness
15% Popularity • 45% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 27% Positiveness
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Easy Camel Trio
7つのバガテル 作品33 第3番
143 bpm • C min • 02:16 • -16.63db
21% Popularity • 56% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
21% Popularity • 56% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
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Jazzy Boy
Jazzy Boy
144 bpm • C Maj • 02:20 • -12.65db
20% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
20% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
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Adam Makowicz
A-Flat Elegy (For Earl Hines)
145 bpm • G# Maj • 05:46 • -25.94db
0% Popularity • 48% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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John Lewis
Afternoon in Paris
145 bpm • C Maj • 01:45 • -22.13db
11% Popularity • 55% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
11% Popularity • 55% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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James Morrison
Blues For Judy - Live
145 bpm • F Maj • 12:46 • -13.38db
1% Popularity • 52% Danceability • 30% Energy • 70% Liveness
63% Instrumentalness • 58% Positiveness
1% Popularity • 52% Danceability • 30% Energy • 70% Liveness
63% Instrumentalness • 58% Positiveness
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Arne Torvik Trio
Longing For The Woods
141 bpm • A# min • 06:00 • -17.47db
16% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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モーニングジャズ
雰囲気(睡眠)
141 bpm • D# Maj • 02:09 • -18.89db
13% Popularity • 61% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
13% Popularity • 61% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Ramsey Lewis Trio
Spring Fever
140 bpm • D min • 02:37 • -16.57db
24% Popularity • 60% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
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Adam Makowicz
I Concentrate On You - Live At Maybeck R...
146 bpm • F min • 07:43 • -22.65db
0% Popularity • 28% Danceability • 26% Energy • 69% Liveness
89% Instrumentalness • 10% Positiveness
0% Popularity • 28% Danceability • 26% Energy • 69% Liveness
89% Instrumentalness • 10% Positiveness
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Eric Legnini
Think of One
140 bpm • C Maj • 03:45 • -21.93db
19% Popularity • 56% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
19% Popularity • 56% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
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ii-V-1
Ethereal Quartz Cadence
140 bpm • G Maj • 02:08 • -22.06db
24% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Cecilia Smith
Sketch 1- Truth Be Told for MLW
140 bpm • G min • 05:40 • -14.54db
10% Popularity • 37% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 22% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 22% Positiveness
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Jasper Somsen
Resonance from the Past
146 bpm • A Maj • 04:52 • -17.91db
9% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Ova Wunsch
KissWorm
146 bpm • A# min • 03:21 • -14.59db
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Adam Makowicz
Ab Elegy
146 bpm • G# Maj • 05:46 • -32.36db
1% Popularity • 46% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
1% Popularity • 46% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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Eugen Cicero Trio
Christiana's Song
140 bpm • A# Maj • 05:22 • -17.84db
13% Popularity • 55% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
13% Popularity • 55% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Melyssa Addams
Unlamented
140 bpm • C Maj • 02:04 • -17.76db
19% Popularity • 70% Danceability • 21% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
19% Popularity • 70% Danceability • 21% Energy • 27% Liveness
90% Instrumentalness • 56% Positiveness
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Jack Felder
Bouncing
140 bpm • G min • 02:18 • -11.79db
13% Popularity • 69% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 35% Positiveness
13% Popularity • 69% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 35% Positiveness
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Julio Remersaro
Principe En La Colina - Instrumental
140 bpm • F min • 01:46 • -15.74db
14% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
14% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
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Francesca Tandoi
Right On
140 bpm • F Maj • 04:08 • -14.04db
7% Popularity • 36% Danceability • 52% Energy • 20% Liveness
81% Instrumentalness • 44% Positiveness
7% Popularity • 36% Danceability • 52% Energy • 20% Liveness
81% Instrumentalness • 44% Positiveness
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Ichiro Masuda
セント・トーマス
140 bpm • G Maj • 04:40 • -21.86db
8% Popularity • 45% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
8% Popularity • 45% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Hampton Hawes Trio
Carioca
138 bpm • F Maj • 02:21 • -26.8db
15% Popularity • 47% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 80% Positiveness
15% Popularity • 47% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 80% Positiveness
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Henning Ullén
Molgan
138 bpm • F# Maj • 03:24 • -14.4db
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
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Easy Camel Trio
ゆかいな鍛冶屋
138 bpm • F Maj • 02:32 • -15.9db
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
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Victor Goines
Down the Alley
148 bpm • D# Maj • 05:44 • -8.62db
11% Popularity • 51% Danceability • 55% Energy • 31% Liveness
34% Instrumentalness • 77% Positiveness
11% Popularity • 51% Danceability • 55% Energy • 31% Liveness
34% Instrumentalness • 77% Positiveness
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Nial Djuliarso
Kopral Jono
149 bpm • G# Maj • 03:52 • -13.12db
9% Popularity • 44% Danceability • 36% Energy • 9% Liveness
79% Instrumentalness • 79% Positiveness
9% Popularity • 44% Danceability • 36% Energy • 9% Liveness
79% Instrumentalness • 79% Positiveness
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Alfonso de Vilallonga
Taxi to the Beach - Bonus
138 bpm • C min • 01:55 • -13.65db
21% Popularity • 58% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 84% Positiveness
21% Popularity • 58% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 84% Positiveness
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Marco Vezzoso
Cullato da Un Mare Di Sonno
137 bpm • D Maj • 06:53 • -16.95db
18% Popularity • 47% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Rachel Silver
Oh, What a Beautiful Mornin'
137 bpm • D# Maj • 03:01 • -14.51db
13% Popularity • 45% Danceability • 32% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
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Rachel Z
Black Swan in Memory in Portland
137 bpm • G# min • 02:16 • -21.44db
13% Popularity • 57% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 57% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Adam Makowicz
Mazurka A minor, op.17 no.4 - jazz impro...
150 bpm • D min • 05:09 • -18.67db
0% Popularity • 39% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
0% Popularity • 39% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
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Thilo Wolf Jazz Quartett
Fascinating Rhythm
136 bpm • F min • 02:12 • -16.78db
21% Popularity • 64% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
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Malo Mazurié
Candlelights
136 bpm • A min • 04:25 • -17.14db
12% Popularity • 46% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 46% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 19% Positiveness
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Chelsea's Swing
In The Rhythm
136 bpm • F Maj • 03:00 • -10.51db
12% Popularity • 67% Danceability • 40% Energy • 35% Liveness
94% Instrumentalness • 31% Positiveness
12% Popularity • 67% Danceability • 40% Energy • 35% Liveness
94% Instrumentalness • 31% Positiveness
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Empirical
Saha World
136 bpm • D# Maj • 06:06 • -15.11db
7% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
7% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Music For Cats
My Sofa Not Yours
136 bpm • G# Maj • 01:11 • -18.43db
23% Popularity • 72% Danceability • 10% Energy • 26% Liveness
5% Instrumentalness • 78% Positiveness
23% Popularity • 72% Danceability • 10% Energy • 26% Liveness
5% Instrumentalness • 78% Positiveness
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JazzCat
Nocturne Op.9-2_smooth Jazz (녹턴 작�...
136 bpm • D# Maj • 03:01 • -14.85db
16% Popularity • 65% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
16% Popularity • 65% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Karl Jansson
Längtan
136 bpm • G Maj • 03:12 • -22.58db
26% Popularity • 56% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
26% Popularity • 56% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
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Franck Amsallem
Tom's Tune
136 bpm • G# Maj • 06:05 • -18.5db
16% Popularity • 61% Danceability • 26% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
16% Popularity • 61% Danceability • 26% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
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Bruno D'Ambra
Top Geezer
152 bpm • A# Maj • 02:33 • -12.29db
11% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
11% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Easy Camel Trio
ユーモレスク
152 bpm • C Maj • 04:41 • -13.7db
13% Popularity • 50% Danceability • 45% Energy • 16% Liveness
58% Instrumentalness • 85% Positiveness
13% Popularity • 50% Danceability • 45% Energy • 16% Liveness
58% Instrumentalness • 85% Positiveness
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Don Vickery Trio
Never Enough
135 bpm • D min • 05:13 • -14.86db
15% Popularity • 69% Danceability • 32% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
15% Popularity • 69% Danceability • 32% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
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Gregg Kallor
There's a Rhythm
134 bpm • E Maj • 04:46 • -17.97db
11% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
11% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Lluis Capdevila
Changing
134 bpm • C# Maj • 04:24 • -15db
20% Popularity • 43% Danceability • 42% Energy • 15% Liveness
82% Instrumentalness • 54% Positiveness
20% Popularity • 43% Danceability • 42% Energy • 15% Liveness
82% Instrumentalness • 54% Positiveness
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Francesca Tandoi
Bop Web
153 bpm • F min • 04:07 • -13.98db
14% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 24% Liveness
91% Instrumentalness • 80% Positiveness
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Olivia Van Goor
Shadow Waltz
134 bpm • C Maj • 04:52 • -12.41db
11% Popularity • 56% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 56% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Makowicz
Passiflora
134 bpm • F min • 02:47 • -30.21db
1% Popularity • 36% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
1% Popularity • 36% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
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Matteo Sacilotto
The Sky in Corea
153 bpm • A min • 04:58 • -13.11db
9% Popularity • 54% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
9% Popularity • 54% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
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海野 雅威
C. T. B.
134 bpm • A Maj • 04:52 • -17.31db
11% Popularity • 58% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 42% Positiveness
11% Popularity • 58% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 42% Positiveness
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Sam Renoir
Chuckles and Chords
133 bpm • C# Maj • 01:35 • -19.56db
20% Popularity • 45% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 45% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 19% Positiveness
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Estelle Perrault
There's a Boat That's Leavin' Soon for N...
132 bpm • C# Maj • 03:43 • -10.57db
14% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Mick Foster
Five Contemporary Dances - For Astor
132 bpm • G min • 02:28 • -19.56db
15% Popularity • 36% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 41% Positiveness
15% Popularity • 36% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 41% Positiveness
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Adam Makowicz
You'd Be So Nice To Come Home To - Live ...
134 bpm • A min • 04:56 • -21.33db
0% Popularity • 40% Danceability • 29% Energy • 68% Liveness
86% Instrumentalness • 55% Positiveness
0% Popularity • 40% Danceability • 29% Energy • 68% Liveness
86% Instrumentalness • 55% Positiveness
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Paul Moer Trio
Short Politician
131 bpm • C Maj • 05:01 • -13.99db
12% Popularity • 65% Danceability • 27% Energy • 8% Liveness
71% Instrumentalness • 21% Positiveness
12% Popularity • 65% Danceability • 27% Energy • 8% Liveness
71% Instrumentalness • 21% Positiveness
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Mason Embry Trio
Boplicity
131 bpm • A min • 04:12 • -21.38db
13% Popularity • 40% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
13% Popularity • 40% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Antonio Iorio
Birdland
157 bpm • C Maj • 05:48 • -18.74db
8% Popularity • 48% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
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Enrico Rava
Shake the Cage
130 bpm • G# min • 01:50 • -20.26db
11% Popularity • 41% Danceability • 36% Energy • 33% Liveness
85% Instrumentalness • 16% Positiveness
11% Popularity • 41% Danceability • 36% Energy • 33% Liveness
85% Instrumentalness • 16% Positiveness
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Lluis Capdevila
Relative
130 bpm • D# Maj • 03:44 • -16.1db
22% Popularity • 50% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
22% Popularity • 50% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Adam Makowicz
Love For Sale - Live At Maybeck Recital ...
134 bpm • F min • 06:21 • -21.38db
0% Popularity • 38% Danceability • 30% Energy • 70% Liveness
85% Instrumentalness • 34% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 70% Liveness
85% Instrumentalness • 34% Positiveness
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Francesca Tandoi
Ninaom
130 bpm • F min • 04:57 • -14db
8% Popularity • 44% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
8% Popularity • 44% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Damian Boulere
Have You Met Miss Jones
130 bpm • D min • 02:06 • -22.32db
13% Popularity • 69% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
13% Popularity • 69% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Carlo Francesco Defranceschi
Métamorphose d'une feuille
129 bpm • B min • 01:59 • -28.65db
8% Popularity • 52% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 52% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Danilo Rea
Ancora ancora ancora
129 bpm • F min • 04:05 • -16.15db
15% Popularity • 47% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
15% Popularity • 47% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
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Teres
A Delightful Dine
129 bpm • F Maj • 02:07 • -26.38db
13% Popularity • 42% Danceability • 5% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
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Adam Makowicz
Pociecha
132 bpm • F Maj • 04:19 • -20.76db
1% Popularity • 46% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
1% Popularity • 46% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Bram de Looze
Leaps On Drift Ice
129 bpm • C# Maj • 06:06 • -14.74db
8% Popularity • 43% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Steve Nelson
Quartet Piece
129 bpm • G# Maj • 08:03 • -25.5db
11% Popularity • 37% Danceability • 8% Energy • 65% Liveness
82% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 8% Energy • 65% Liveness
82% Instrumentalness • 11% Positiveness
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Junior Mance
Swingmatism
129 bpm • C# Maj • 05:11 • -25.7db
10% Popularity • 62% Danceability • 13% Energy • 11% Liveness
11% Instrumentalness • 36% Positiveness
10% Popularity • 62% Danceability • 13% Energy • 11% Liveness
11% Instrumentalness • 36% Positiveness
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Pauline Frechette
The Glass Waltz
159 bpm • F min • 01:29 • -12.04db
13% Popularity • 46% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
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Saphena Trio
Judicious
128 bpm • C Maj • 02:14 • -17.51db
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Adam Makowicz
Opalizacja
131 bpm • C Maj • 04:03 • -27.19db
1% Popularity • 48% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 48% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Erlend Skomsvoll Trio
Her står jeg og der står du
128 bpm • F# Maj • 05:01 • -25.38db
13% Popularity • 41% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 41% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Peter Beets
Flight of the Bumblebee (Quick)
128 bpm • F# Maj • 01:42 • -15.45db
20% Popularity • 37% Danceability • 39% Energy • 31% Liveness
96% Instrumentalness • 81% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 31% Liveness
96% Instrumentalness • 81% Positiveness
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Scott Colley
Leisureman Blues
128 bpm • G min • 04:08 • -11.37db
13% Popularity • 71% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
13% Popularity • 71% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Marco Vezzoso
France Change
128 bpm • A# Maj • 05:17 • -13.84db
22% Popularity • 69% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
22% Popularity • 69% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Benny Golson
Blues March - Snapshot - piano solo
128 bpm • A# min • 01:39 • -15.19db
7% Popularity • 65% Danceability • 44% Energy • 17% Liveness
36% Instrumentalness • 52% Positiveness
7% Popularity • 65% Danceability • 44% Energy • 17% Liveness
36% Instrumentalness • 52% Positiveness
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Adam Makowicz
Żarzące się węgielki II
130 bpm • C# Maj • 02:31 • -27.09db
1% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
1% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Leszek Możdżer
Złudzenie
128 bpm • C# Maj • 01:57 • -21.28db
8% Popularity • 37% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
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Daniela Mastrandrea
Tough-minded
160 bpm • G min • 03:07 • -23.31db
20% Popularity • 67% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 67% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Ellis Marsalis
The Breeze and I
128 bpm • D# Maj • 04:26 • -13.5db
8% Popularity • 49% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Junior Mance
Jumpin' the Blues
127 bpm • A# Maj • 05:25 • -18.29db
8% Popularity • 53% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 62% Positiveness
8% Popularity • 53% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 62% Positiveness
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Double Bass Jazz
Pensativa Double Jazz
127 bpm • G# Maj • 02:12 • -26.75db
17% Popularity • 78% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
17% Popularity • 78% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Adam Makowicz
Artysta kabaretowy
160 bpm • C Maj • 04:55 • -23.03db
1% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
1% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53 (Excerpts Arr. for J...
161 bpm • B min • 01:47 • -21.35db
13% Popularity • 24% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 50% Positiveness
13% Popularity • 24% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 50% Positiveness
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Barry Velleman
Mr. Sandman
127 bpm • G Maj • 03:31 • -22.32db
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Francesca Tandoi
Lethargy
127 bpm • F# Maj • 05:00 • -13.65db
8% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
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Rob Van Bavel
The Left Side
126 bpm • C# Maj • 06:40 • -27db
12% Popularity • 46% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 46% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Pierre Christophe
Jaki In Mais Oui
126 bpm • G Maj • 02:18 • -12.38db
21% Popularity • 60% Danceability • 51% Energy • 23% Liveness
74% Instrumentalness • 66% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 23% Liveness
74% Instrumentalness • 66% Positiveness
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Adam Makowicz
Living High in Manhattan
127 bpm • G# Maj • 04:35 • -19.25db
0% Popularity • 42% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
0% Popularity • 42% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Bossa Curve
Everything We Wanted
125 bpm • F min • 03:16 • -19.88db
17% Popularity • 45% Danceability • 36% Energy • 39% Liveness
94% Instrumentalness • 38% Positiveness
17% Popularity • 45% Danceability • 36% Energy • 39% Liveness
94% Instrumentalness • 38% Positiveness
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Elsie Bianchi Trio
Little Blues
125 bpm • D min • 03:38 • -19.53db
17% Popularity • 66% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 44% Positiveness
17% Popularity • 66% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 44% Positiveness
