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Here and Gone: Because I Liked You Better
Songs like
Here and Gone: Because I Liked You Better
by
Jake Heggie
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Canto d'anime, SC 75 (Arr. for Voice & O...
81 bpm • A# Maj • 01:29 • -13.62db
12% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Traditional
Little David Play on Your Harp
81 bpm • G# Maj • 01:24 • -17.45db
9% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
81 bpm • D Maj • 04:26 • -13.91db
9% Popularity • 37% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Heggie
Natural Selection: I. Creation
81 bpm • A min • 03:02 • -20.73db
1% Popularity • 36% Danceability • 9% Energy • 5% Liveness
27% Instrumentalness • 4% Positiveness
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Aaron Copland
Twelve Poems of Emily Dickinson: 3. Why ...
81 bpm • G# Maj • 02:04 • -22db
9% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
12% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 2: "...
81 bpm • A Maj • 06:11 • -21.45db
13% Popularity • 30% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, J. II: Der Zigeunerbaron, Act 1...
81 bpm • D Maj • 01:12 • -15.56db
9% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "È morto! Or gli...
80 bpm • D Maj • 03:54 • -20.65db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
26% Instrumentalness • 4% Positiveness
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Jake Heggie
Heggie: Dead Man Walking, Act 1: "It is ...
81 bpm • C# Maj • 01:30 • -17.06db
0% Popularity • 38% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
21% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 5e Parole - "Si...
82 bpm • G min • 05:28 • -21db
13% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
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Fanny Mendelssohn
Dein ist mein Herz
82 bpm • C# min • 02:37 • -16.23db
17% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Taubchen, das ent...
82 bpm • C Maj • 03:35 • -26.03db
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Diecimila ann...
80 bpm • F# Maj • 01:43 • -17.12db
11% Popularity • 13% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Jake Heggie
Here and Gone: Because I Liked You Bette...
81 bpm • F# Maj • 03:05 • -32.83db
0% Popularity • 26% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 3: Nun se...
82 bpm • A Maj • 09:30 • -26db
11% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: No. 4, Morgen...
82 bpm • G Maj • 03:50 • -32.88db
15% Popularity • 15% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 3, Sabbath Mor...
80 bpm • C Maj • 05:50 • -21.62db
10% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Mieczysław Weinberg
Jewish Songs, Op. 13: No. 3, Viglid
80 bpm • D Maj • 02:01 • -24.7db
13% Popularity • 22% Danceability • 3% Energy • 13% Liveness
8% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Le Villi: Act I - Se come voi piccina io...
80 bpm • G Maj • 06:18 • -19.85db
9% Popularity • 20% Danceability • 9% Energy • 21% Liveness
4% Instrumentalness • 8% Positiveness
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Jake Heggie
Heggie: Dead Man Walking, Act 1: "You do...
80 bpm • E min • 05:10 • -19.2db
0% Popularity • 31% Danceability • 18% Energy • 63% Liveness
0% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Poeme d'un jour, Op. 21: No. 3. Adieu
82 bpm • F Maj • 02:23 • -23.5db
10% Popularity • 34% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Lee Hoiby
The Shepherd
80 bpm • F Maj • 01:59 • -27.39db
11% Popularity • 29% Danceability • 3% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 4, Chan...
82 bpm • F# Maj • 01:54 • -18.27db
12% Popularity • 25% Danceability • 11% Energy • 18% Liveness
22% Instrumentalness • 4% Positiveness
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Richard Wagner
The flying Dutchman, Scene 2: Whirr and ...
82 bpm • A Maj • 08:55 • -21.18db
9% Popularity • 32% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Se tu della mia morte
80 bpm • G min • 03:47 • -21db
9% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Heggie
Heggie: Dead Man Walking, Act 1: "Five m...
81 bpm • B min • 02:46 • -10.75db
0% Popularity • 40% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
82 bpm • G# min • 05:18 • -22.95db
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Suite d'orchestre No. 7 "Scèn...
82 bpm • A# Maj • 04:50 • -34.76db
0% Popularity • 11% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Einsam...
82 bpm • G# Maj • 05:15 • -24.53db
13% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: VId....
80 bpm • D# Maj • 01:19 • -28.35db
8% Popularity • 8% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Jake Heggie
Heggie: Dead Man Walking, Act 1: "The de...
80 bpm • C Maj • 09:20 • -21.92db
0% Popularity • 24% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 6e Parole - "Pa...
83 bpm • G# Maj • 04:49 • -29.2db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: II. Te ergo quaesumus
83 bpm • F min • 02:42 • -31.5db
15% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dmitrij Szostakowicz
Z ludowej poezji żydowskiej op. 79 – ...
79 bpm • C Maj • 03:48 • -19.91db
9% Popularity • 25% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner / Arr. Mottl for Voice and Orches...
79 bpm • G min • 06:05 • -27.91db
8% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No.2 in C Minor "Resurrection":...
79 bpm • C# Maj • 05:33 • -31.65db
8% Popularity • 12% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Jake Heggie
Heggie: Great Scott, Act 2: "Buona sera,...
82 bpm • D Maj • 01:48 • -22.58db
0% Popularity • 30% Danceability • 17% Energy • 56% Liveness
0% Instrumentalness • 9% Positiveness
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Macarena Castro-sopran
Summertime - Macarena Castro.sopran
83 bpm • D min • 02:27 • -8.78db
18% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Rebecca Clarke
Down by the Salley Gardens
79 bpm • E min • 01:41 • -27db
11% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 1 "Sc...
83 bpm • C Maj • 07:37 • -26.55db
9% Popularity • 24% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Schumann
A Poet’s Love, Op. 48: No. 1, In May, ...
83 bpm • A min • 01:30 • -19.37db
20% Popularity • 29% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Guido Alberto Fano
Ad Annie
79 bpm • C Maj • 02:40 • -22.87db
11% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Heggie
Here and Gone: Stars
80 bpm • E Maj • 01:53 • -24.1db
0% Popularity • 39% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Théodore Dubois
Seven Last Words - Introduction - Theodo...
79 bpm • G min • 05:58 • -28.96db
8% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Op. 12, Act II, Scene 3:...
79 bpm • C# Maj • 04:33 • -21.01db
8% Popularity • 18% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 6% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
10% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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高 曼华
我爱你中国
83 bpm • G Maj • 04:54 • -24.34db
1% Popularity • 33% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Heggie
Natural Selection: Animal Passion
82 bpm • A min • 03:19 • -14.46db
2% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
20% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Shéhérazade: No. 1. Asie
79 bpm • C# min • 09:58 • -23.44db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Shamus O'Brien, Op. 61 (Arr. for Voice &...
79 bpm • F min • 03:45 • -15.73db
11% Popularity • 30% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jake Heggie
Here and Gone: The Farms of Home
82 bpm • D min • 04:31 • -24.17db
0% Popularity • 14% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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George Gershwin
Bess, you is my woman now
84 bpm • C# Maj • 05:44 • -17.42db
9% Popularity • 18% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Tobias Picker
Emmeline: Act One: The Lord Has spared t...
78 bpm • A# min • 05:58 • -22.88db
14% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Cilea
Adriana Lecouvreur, Act I : Ecco, respir...
84 bpm • A# min • 03:40 • -15.46db
9% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ernest Chausson
Chausson: Les papillons, Op. 2, No. 3
78 bpm • G Maj • 01:25 • -22db
9% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jake Heggie
Heggie: Dead Man Walking, Act 1: "What h...
80 bpm • G Maj • 01:29 • -10.5db
1% Popularity • 40% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
84 bpm • D Maj • 05:08 • -24.39db
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Caldara
Come raggio di sol
84 bpm • C Maj • 02:44 • -21db
10% Popularity • 32% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Sogno
78 bpm • G# Maj • 03:42 • -20.52db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Kyrie
84 bpm • C min • 02:38 • -17.5db
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
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James Whitbourn
Annelies (chamber version): V. Life in h...
78 bpm • A min • 10:44 • -20.73db
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Jake Heggie
Here and Gone: In Praise of Songs That D...
82 bpm • G# min • 02:58 • -21.03db
0% Popularity • 27% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Vier Lieder, Op. 2: II. Schenk Mir Deine...
78 bpm • C# Maj • 03:32 • -21.03db
12% Popularity • 24% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
78 bpm • E Maj • 01:50 • -23.64db
12% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: III. Beim Schl...
78 bpm • C# Maj • 05:29 • -20.78db
15% Popularity • 11% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Perché tarda...
78 bpm • F# min • 03:43 • -22.8db
15% Popularity • 7% Danceability • 3% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: V. Sérénade ita...
78 bpm • B Maj • 01:49 • -18db
10% Popularity • 34% Danceability • 15% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Jake Heggie
Eve-Song: Even
82 bpm • D# Maj • 02:58 • -25.87db
6% Popularity • 24% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
12% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 35, Zerfl...
84 bpm • E min • 07:36 • -23.16db
9% Popularity • 14% Danceability • 10% Energy • 23% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Trio: So muss all...
85 bpm • C Maj • 04:07 • -15.82db
9% Popularity • 36% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
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Lili Boulanger
Reflets
85 bpm • D Maj • 02:44 • -24db
13% Popularity • 22% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
77 bpm • F Maj • 04:09 • -19.07db
12% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Jake Heggie
Songs for Murdered Sisters (Version for ...
80 bpm • F# min • 03:55 • -19.38db
1% Popularity • 24% Danceability • 16% Energy • 10% Liveness
17% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen (Les Contes d'Hof...
77 bpm • E Maj • 01:17 • -21db
14% Popularity • 21% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
11% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
9% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Alma Mahler
5 Lieder: No. 2. In meines Vaters Garten
77 bpm • A Maj • 06:37 • -30.04db
9% Popularity • 27% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
9% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jake Heggie
Eve-Song: II. Even
83 bpm • D# Maj • 03:14 • -18.67db
1% Popularity • 21% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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David Hertzberg
Dithyramb. “Behind beginning”
85 bpm • G# min • 03:04 • -22.01db
11% Popularity • 22% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Carmen Bustamante
Cançó del Lladre
77 bpm • E Maj • 02:00 • -18.27db
15% Popularity • 44% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Oh! Is There No...
77 bpm • C# Maj • 04:04 • -27.54db
9% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 3, La Tarde - Tri...
85 bpm • A min • 03:05 • -25.41db
10% Popularity • 17% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Jake Heggie
Paper Wings: Paper Wings
83 bpm • F Maj • 01:47 • -18.38db
2% Popularity • 32% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Blackford
Songs of Nadia Anjuman: No. 4, Fly Freel...
85 bpm • A min • 02:21 • -17.75db
21% Popularity • 30% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Kyrylo Stetsenko
Blooms and Tears
85 bpm • D Maj • 02:18 • -12.1db
14% Popularity • 32% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
85 bpm • D# Maj • 08:52 • -22.42db
14% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
10% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Heggie
Songs and Sonnets to Ophelia: Ophelia's ...
79 bpm • B Maj • 02:38 • -26.35db
2% Popularity • 26% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Here and Gone: Because I Liked You Better