Songs like Here Comes Santa Claus by Dinah Shore
Based on a tempo of (+/- 10%) and a similar genre
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Dinah Shore
Love Is Here To Stay
94 bpm • F Maj • 03:07 • -12.75db
2% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Frank Sinatra
Tea For Two
94 bpm • D Maj • 03:14 • -18.18db
18% Popularity • 31% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 31% Danceability • 9% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Al Bowlly
The Very Thought of You
95 bpm • F min • 03:33 • -22db
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Teddy Wilson
Foolin' Myself (06-01-37)
94 bpm • A# Maj • 03:02 • -14.55db
22% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
32% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Dinah Shore
Doin' What Comes Natur'lly - 78rpm Versi...
94 bpm • G Maj • 03:08 • -17.75db
3% Popularity • 88% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
3% Popularity • 88% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Rita Hayworth
My Funny Valentine
95 bpm • G# Maj • 03:21 • -9.94db
11% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Gloria Lynne
April in Paris
95 bpm • G# Maj • 03:06 • -12.02db
29% Popularity • 62% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 62% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Dick Haymes
It Might as Well Be Spring
96 bpm • D# Maj • 03:08 • -17.44db
26% Popularity • 30% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
26% Popularity • 30% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jo Stafford
Give Me Something To Dream About
96 bpm • E min • 02:57 • -10db
29% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Dinah Shore
April In Paris
93 bpm • F min • 02:56 • -15.7db
10% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
10% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
10% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
22% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
22% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Joni James
Is It Any Wonder
92 bpm • A# Maj • 02:35 • -13.24db
16% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Nancy Wilson
This Time The Dream's On Me - Remastered
96 bpm • A# min • 02:19 • -8.85db
36% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Ruth Etting
Love Me or Leave Me
96 bpm • D Maj • 03:20 • -10.76db
23% Popularity • 53% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 53% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
19% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
35% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
26% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Dinah Shore
Buttons and Bows
91 bpm • C Maj • 02:01 • -9.8db
26% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Durante
September Song
98 bpm • G Maj • 03:09 • -10db
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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The McGuire Sisters
Picnic
90 bpm • G# Maj • 02:46 • -10.08db
23% Popularity • 35% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 35% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Teddy Wilson
I Can't Give You Anything But Love (11-1...
98 bpm • D# min • 03:27 • -15.21db
24% Popularity • 71% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
24% Popularity • 71% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
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Dinah Shore
Candy
91 bpm • D# Maj • 03:01 • -14db
26% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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L. Morey
Lavender Blue (Dilly Dilly)
90 bpm • G# Maj • 03:05 • -18db
8% Popularity • 37% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 37% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Ruth Etting
Shine On, Harvest Moon
98 bpm • F min • 02:49 • -11db
31% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
31% Popularity • 49% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Danny Kaye
Comedy Vocal
99 bpm • D Maj • 03:25 • -16.25db
6% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Williams
A Woman - Remastered
89 bpm • F# Maj • 02:45 • -22.18db
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Dinah Shore
I Can't Stop Loving You
99 bpm • F# Maj • 02:19 • -10.07db
0% Popularity • 45% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 45% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Dorsey
Blue Champagne
99 bpm • D# Maj • 03:04 • -12db
28% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Kay Kyser
How Long Did I Dream
89 bpm • F min • 03:21 • -10.71db
8% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Dinah Shore
Dear Hearts and Gentle People - 78rpm Ve...
99 bpm • C Maj • 02:39 • -19.73db
13% Popularity • 81% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 81% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dorothy Dandridge
The Nearness Of You
88 bpm • G Maj • 03:20 • -18.34db
26% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Judy Garland
Embraceable You - 1940 Single Version
100 bpm • C# Maj • 02:48 • -11.56db
47% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Durante
In the Other Fellow's Yard
100 bpm • E Maj • 02:28 • -12.5db
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Dinah Shore
Dear Hearts And Gentle People
99 bpm • C Maj • 02:40 • -16.11db
14% Popularity • 84% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 84% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Andrews Sisters
I Can Dream, Can't I? - 1949 Single Vers...
88 bpm • A min • 02:38 • -10db
31% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Bob Hope
Thanks for the Memory - Remastered
100 bpm • D Maj • 03:07 • -11.79db
19% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Durante
My Wish
100 bpm • C Maj • 02:27 • -11.98db
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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Dinah Shore
The Night Is Young and You're so Beautif...
89 bpm • A Maj • 02:10 • -19.16db
11% Popularity • 28% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 28% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Vaughn Monroe
There I Go
100 bpm • G# Maj • 02:53 • -7db
13% Popularity • 55% Danceability • 28% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 28% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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Frankie Carle
Rumors Are Flying (Alternate Take)
88 bpm • F# Maj • 02:52 • -11.99db
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
41% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
41% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Dorothy Dandridge
Somebody
88 bpm • C# Maj • 02:50 • -13.04db
16% Popularity • 26% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 26% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Al Bowlly
Guilty
101 bpm • D# min • 03:15 • -10.34db
37% Popularity • 37% Danceability • 31% Energy • 7% Liveness
15% Instrumentalness • 44% Positiveness
37% Popularity • 37% Danceability • 31% Energy • 7% Liveness
15% Instrumentalness • 44% Positiveness
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Dinah Shore
Georgia On My Mind - 78rpm Version
100 bpm • A# Maj • 03:21 • -23.83db
17% Popularity • 33% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
17% Popularity • 33% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The McGuire Sisters
Moonglow
87 bpm • G# Maj • 02:48 • -12.77db
11% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sue Raney
Wrap Your Troubles In Dreams
101 bpm • A min • 02:38 • -12.55db
11% Popularity • 52% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 52% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Dorothy Dandridge
That Old Feeling
88 bpm • C min • 03:08 • -16db
29% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Al Bowlly
Moonstruck
88 bpm • C Maj • 02:56 • -16.24db
22% Popularity • 48% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 48% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Dinah Shore
I'm Old Fashioned
101 bpm • G# Maj • 02:52 • -11.26db
4% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Morgana King
Frankie And Johnny
87 bpm • D# Maj • 02:40 • -12.92db
27% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ray Noble & His Orchestra
Linda
101 bpm • F Maj • 03:15 • -19db
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Fats Waller
Two Sleepy People
87 bpm • F Maj • 03:03 • -18.88db
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
31% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Dinah Shore
Buttons And Bows
88 bpm • G Maj • 02:44 • -12.85db
2% Popularity • 63% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 63% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Joni James
How Important Can It Be - Remastered
87 bpm • C# Maj • 02:35 • -9db
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
23% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Maxine Sullivan
When Your Lover Has Gone
103 bpm • G Maj • 02:45 • -14.9db
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
2% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Joni James
How Important Can It Be?
87 bpm • C# Maj • 02:33 • -15db
18% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Dinah Shore
The One I Love (Belongs To Somebody Else...
103 bpm • G# Maj • 03:00 • -11.38db
2% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ruth Etting
Guilty
103 bpm • F Maj • 03:20 • -12.05db
16% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Durante
Don't Lose Your Sense of Humor
86 bpm • C Maj • 02:56 • -9db
26% Popularity • 37% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 37% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Vaughn Monroe
My Devotion
86 bpm • A# min • 03:08 • -10.18db
13% Popularity • 42% Danceability • 26% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
13% Popularity • 42% Danceability • 26% Energy • 10% Liveness
28% Instrumentalness • 27% Positiveness
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Joni James
Your Cheatin' Heart
86 bpm • G# Maj • 02:51 • -10db
23% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Al Bowlly
You're as Pretty as a Picture
103 bpm • F min • 02:56 • -18.27db
47% Popularity • 48% Danceability • 18% Energy • 12% Liveness
9% Instrumentalness • 55% Positiveness
47% Popularity • 48% Danceability • 18% Energy • 12% Liveness
9% Instrumentalness • 55% Positiveness
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Ethel Waters
Stormy Weather (Keeps Rainin' All The Ti...
85 bpm • C Maj • 03:05 • -12.81db
13% Popularity • 35% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 35% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Susannah McCorkle
Why Don't We Try Staying Home?
104 bpm • F# Maj • 04:26 • -21db
19% Popularity • 57% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 57% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Dinah Shore
Two Silhouettes - 78rpm Version
85 bpm • A Maj • 03:09 • -19.67db
8% Popularity • 31% Danceability • 11% Energy • 46% Liveness
6% Instrumentalness • 19% Positiveness
8% Popularity • 31% Danceability • 11% Energy • 46% Liveness
6% Instrumentalness • 19% Positiveness
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Vaughn Monroe
When the Lights Go on Again
86 bpm • C# Maj • 02:56 • -11db
17% Popularity • 31% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 24% Positiveness
17% Popularity • 31% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 24% Positiveness
