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Songs like
Here in Chicago
by
Donovan Woods
Based on a tempo of (+/- 10%) and a similar genre
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Tenille Townes
Where You Are - Acoustic
161 bpm • D Maj • 04:03 • -14.77db
50% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Donovan Woods
I Ain't Ever Loved No One - Acoustic
160 bpm • A# min • 03:19 • -14.92db
48% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Andrea von Kampen
Wedding Song
160 bpm • G# min • 03:04 • -14.4db
33% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Craig Cardiff
Dirty Old Town
160 bpm • C Maj • 04:06 • -13db
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Bryant
Headphones
160 bpm • F Maj • 03:24 • -9db
47% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Roo Panes
I Just Love You
165 bpm • D Maj • 03:12 • -10.15db
55% Popularity • 54% Danceability • 62% Energy • 8% Liveness
67% Instrumentalness • 48% Positiveness
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Noah Kahan
Sink
165 bpm • D# Maj • 03:45 • -9.05db
65% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Donovan Woods
I Ain't Ever Loved No One
160 bpm • D# Maj • 03:14 • -21db
27% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jordyn Shellhart
Search My Name
158 bpm • B Maj • 02:55 • -7.46db
39% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Phillip LaRue
Marigold
166 bpm • F# Maj • 02:52 • -12.62db
43% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Madi Diaz
Resentment
166 bpm • B Maj • 02:53 • -12.69db
49% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Donovan Woods
Our Friend Bobby - Acoustic
160 bpm • F# Maj • 04:05 • -11.94db
14% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Noah Reid
Road Again
157 bpm • G Maj • 04:10 • -11db
33% Popularity • 42% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Avi Kaplan
All Is Well [Joy Williams]
168 bpm • C# min • 02:57 • -14db
48% Popularity • 38% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 24% Positiveness
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Andrew Duhon
Comin' around
156 bpm • F Maj • 03:32 • -8db
40% Popularity • 58% Danceability • 67% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Austin Basham
All Is Well
156 bpm • B Maj • 04:16 • -12db
55% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Donovan Woods
The Worst Way
158 bpm • F# Maj • 03:19 • -16.84db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
30% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Mumford & Sons
October Skies
155 bpm • C Maj • 03:43 • -15.56db
48% Popularity • 47% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Ocie Elliott
Hold My Name
170 bpm • C Maj • 03:34 • -14.24db
48% Popularity • 32% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Ken Yates
Huntsville
170 bpm • G Maj • 03:14 • -11.21db
21% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Donovan Woods
Burn That Bridge - Acoustic
166 bpm • G# Maj • 03:28 • -11.08db
21% Popularity • 51% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Beta Radio
Tongue Tied - Acoustic
154 bpm • G Maj • 03:05 • -15db
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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Henry Jamison
Real Peach - Recorded at Spotify Studios...
170 bpm • A Maj • 03:15 • -12.64db
35% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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LULLANAS
Memphis
154 bpm • A# Maj • 03:35 • -7.62db
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tall Heights
Two Blue Eyes
170 bpm • G# Maj • 03:29 • -7db
27% Popularity • 49% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Ken Yates
Two Wrongs
154 bpm • G Maj • 04:00 • -15.09db
30% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Hollow Coves
Beauty in the Light - Acoustic
172 bpm • C Maj • 04:05 • -10.27db
27% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Donovan Woods
Leaving Nashville
158 bpm • D# Maj • 03:25 • -15.26db
25% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Davis John Patton
Stay
153 bpm • F# Maj • 03:30 • -11db
38% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Ziggy Alberts
THE SUN & THE SEA
172 bpm • D Maj • 03:00 • -13.75db
44% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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The Ballroom Thieves
Anybody Else
172 bpm • C Maj • 04:03 • -8db
49% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Lone Bellow
Count On Me
152 bpm • D Maj • 02:40 • -5db
47% Popularity • 37% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Donovan Woods
Last Time I Saw You
167 bpm • F Maj • 02:28 • -16.21db
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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LULLANAS
Pennsylvania Skies
152 bpm • B Maj • 03:39 • -8.16db
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Nathanson
German Cars
152 bpm • F# Maj • 03:21 • -10db
38% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
70% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Donovan Woods
Man Made Lake
168 bpm • D Maj • 03:08 • -15.17db
26% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Brother Brothers
Red And Gold
174 bpm • A# Maj • 02:19 • -17db
40% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Patrick
Shoulder
151 bpm • G# Maj • 03:01 • -12.37db
51% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Woodlock
Collateral - Acoustic
150 bpm • F Maj • 03:13 • -12db
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Brett Dennen
Jenny and Jill
150 bpm • E Maj • 04:45 • -7.28db
35% Popularity • 55% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Donovan Woods
While All The While
156 bpm • G Maj • 02:49 • -11.94db
22% Popularity • 56% Danceability • 41% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Hollow Coves
When We Were Young
150 bpm • C# Maj • 04:18 • -11db
29% Popularity • 40% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Montbleau
Helplessly Hoping
150 bpm • G Maj • 03:03 • -9.58db
27% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Axel Flóvent
How Can I
150 bpm • G# Maj • 04:16 • -14db
36% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Andrea von Kampen
Wildwood Flower
150 bpm • F Maj • 02:31 • -15.48db
27% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Donovan Woods
On The Nights You Stay Home
155 bpm • D Maj • 03:49 • -10db
26% Popularity • 68% Danceability • 60% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
40% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Sons Of The East
It Must Be Luck
176 bpm • D# Maj • 03:43 • -11.88db
53% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Bryant
Back to Love
148 bpm • B Maj • 03:51 • -10db
34% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Lumineers
Gale Song
177 bpm • C Maj • 03:13 • -8.44db
60% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Donovan Woods
High Season
152 bpm • C# min • 03:18 • -10.57db
12% Popularity • 50% Danceability • 44% Energy • 9% Liveness
12% Instrumentalness • 34% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
29% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Wild Rivers
Long Time
148 bpm • A# Maj • 03:16 • -11db
52% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Mipso
My Burden with Me
148 bpm • A# Maj • 02:41 • -12.01db
41% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
35% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Belle Mt.
Hollow - Acoustic
178 bpm • B Maj • 03:56 • -9.67db
51% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Donovan Woods
Your Daughter, John
149 bpm • A Maj • 04:12 • -11.86db
22% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Reid
Hold On
179 bpm • D# Maj • 05:05 • -8.67db
40% Popularity • 29% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
44% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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John Vincent III
The Days That Are to Come
147 bpm • G# Maj • 05:52 • -14.7db
41% Popularity • 39% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 9% Positiveness
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Corey Kilgannon
Whale Song
179 bpm • F Maj • 02:38 • -11.5db
38% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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LULLANAS
Highway Honey
146 bpm • C# Maj • 03:13 • -8db
33% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Natalie Taylor
Hang On To Me
145 bpm • G Maj • 03:22 • -9.13db
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lori McKenna
The Time I've Wasted
145 bpm • F Maj • 03:33 • -11.26db
52% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Woodlock
Start Again
145 bpm • C Maj • 03:14 • -15db
43% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Wild Rivers
Call It a Night
144 bpm • A Maj • 04:07 • -7.4db
45% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Csorba
Murmur of Yearning
144 bpm • F# Maj • 03:50 • -10.23db
31% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Donovan Woods
Whatever Keeps You Going
144 bpm • F# Maj • 03:26 • -8.09db
20% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The National Parks
As We Ran
144 bpm • A Maj • 03:20 • -7db
52% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Wilderado
Sorrow - Acoustic
144 bpm • C Maj • 03:00 • -10.56db
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ivan & Alyosha
Don't Lose Your Love
183 bpm • A# Maj • 03:25 • -11.54db
37% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Donovan Woods
May 21, 2012
144 bpm • D Maj • 03:29 • -11.01db
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 44% Positiveness
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Joy Williams
No Place Like You
143 bpm • G Maj • 02:55 • -12db
37% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Caroline Spence
True North
142 bpm • C# Maj • 02:17 • -12.32db
48% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cujo Moon
Water from the Mountain
142 bpm • C# Maj • 03:43 • -16.42db
24% Popularity • 55% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 13% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Watchhouse
Amsterdam (Recorded at Spotify Studios N...
141 bpm • C Maj • 03:13 • -11db
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Axel Flóvent
Driving Hours
140 bpm • A# min • 03:47 • -10.94db
42% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Mipso
Coming Down the Mountain
140 bpm • E Maj • 04:33 • -8.4db
46% Popularity • 58% Danceability • 36% Energy • 15% Liveness
9% Instrumentalness • 37% Positiveness
► Preview
Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
62% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Here in Chicago