Songs like Here, There and Everywhere by Emmylou Harris
Based on a tempo of (+/- 10%) and a similar genre
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Emmylou Harris
The Road
148 bpm • E Maj • 05:28 • -6.19db
29% Popularity • 55% Danceability • 68% Energy • 23% Liveness
8% Instrumentalness • 60% Positiveness
29% Popularity • 55% Danceability • 68% Energy • 23% Liveness
8% Instrumentalness • 60% Positiveness
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Yusuf / Cat Stevens
If I Laugh - Remastered 2021
148 bpm • E Maj • 03:20 • -12.91db
40% Popularity • 57% Danceability • 49% Energy • 7% Liveness
8% Instrumentalness • 62% Positiveness
40% Popularity • 57% Danceability • 49% Energy • 7% Liveness
8% Instrumentalness • 62% Positiveness
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Dion
Abraham, Martin And John
147 bpm • E Maj • 03:20 • -14.75db
43% Popularity • 34% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 34% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Brothers Four
Come to My Bedside, My Darlin'
147 bpm • D Maj • 03:00 • -23.37db
32% Popularity • 41% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
32% Popularity • 41% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
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The War And Treaty
Here is Where the Loving is at
149 bpm • A Maj • 04:20 • -6.98db
26% Popularity • 41% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 41% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Gilbert O'Sullivan
Happiness Is Me And You
147 bpm • G# Maj • 03:05 • -6db
36% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Emmylou Harris
Here, There and Everywhere
148 bpm • A# Maj • 03:41 • -13db
39% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Joan Armatrading
Down To Zero
149 bpm • A# Maj • 03:51 • -14.29db
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Shelby Lynne
Pretend
146 bpm • B min • 03:06 • -16.86db
42% Popularity • 59% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 59% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Don Williams
If I Needed You
146 bpm • C Maj • 03:35 • -18.63db
43% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Mark Knopfler
Rollin' On
145 bpm • G# min • 04:12 • -8.05db
36% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Emmylou Harris
The Ballad of Sally Rose
150 bpm • A# Maj • 02:45 • -18.35db
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Hurricane Smith
Oh, Babe What Would You Say
152 bpm • C Maj • 03:29 • -7.11db
36% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Bee Gees
Run To Me
146 bpm • A Maj • 03:11 • -14.02db
56% Popularity • 40% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 40% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Yvonne Elliman
I Don't Know How To Love Him
144 bpm • D Maj • 03:57 • -15.42db
46% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Elkie Brooks
Lilac Wine
144 bpm • A Maj • 03:55 • -16.81db
29% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Loggins & Messina
A Love Song
144 bpm • E Maj • 03:10 • -13db
40% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Ane Brun
From Me To You
152 bpm • F Maj • 01:57 • -11db
37% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sinéad Lohan
You're in My Love
144 bpm • F Maj • 03:52 • -17.8db
37% Popularity • 69% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 69% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Rosanne Cash
The Sunken Lands
144 bpm • B min • 02:56 • -8db
38% Popularity • 69% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
38% Popularity • 69% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Chris Rea
Gone Fishing
144 bpm • C Maj • 04:42 • -13db
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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David Perry
Since the Last John Died
144 bpm • D Maj • 03:47 • -12.16db
13% Popularity • 47% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 47% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Ricky Nelson
Garden Party
144 bpm • D Maj • 03:49 • -22db
53% Popularity • 77% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
53% Popularity • 77% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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Rodney Crowell
God I'm Missing You
144 bpm • B Maj • 03:54 • -15.22db
38% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Hardin
Simple Song of Freedom
152 bpm • C Maj • 03:50 • -8.38db
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Archers
He Ain't Heavy, He's My Brother
144 bpm • E Maj • 05:19 • -4db
32% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Seekers
Georgy Girl
154 bpm • E Maj • 02:20 • -7.45db
54% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Emmylou Harris
Everytime You Leave - 2003 Remaster
142 bpm • F Maj • 02:58 • -11.19db
19% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Shelby Lynne
Breakfast In Bed
142 bpm • G Maj • 03:21 • -13db
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Crosby, Stills & Nash
Wasted on the Way - 2005 Remaster
154 bpm • D Maj • 02:51 • -13db
49% Popularity • 53% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 53% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Liam Clancy
Catch the Wind
142 bpm • D Maj • 04:12 • -9db
27% Popularity • 30% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 30% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
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Crosby, Stills, Nash & Young
Teach Your Children
155 bpm • D Maj • 02:53 • -14.54db
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Poco
Rose of Cimmaron
155 bpm • F# Maj • 05:34 • -7db
29% Popularity • 20% Danceability • 74% Energy • 93% Liveness
61% Instrumentalness • 41% Positiveness
29% Popularity • 20% Danceability • 74% Energy • 93% Liveness
61% Instrumentalness • 41% Positiveness
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Magna Carta
Airport Song
155 bpm • E Maj • 03:42 • -17.65db
28% Popularity • 46% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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The Sandpipers
Come Saturday Morning
155 bpm • D Maj • 03:05 • -10.78db
32% Popularity • 17% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 17% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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The Band
The Last Waltz Suite: Evangeline
141 bpm • A Maj • 03:10 • -7.29db
30% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Joan Baez
Deportee (Plane Wreck At Los Gatos)
141 bpm • A# Maj • 04:54 • -11.91db
20% Popularity • 35% Danceability • 38% Energy • 74% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 35% Danceability • 38% Energy • 74% Liveness
0% Instrumentalness • 32% Positiveness
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Crosby, Stills, Nash & Young
Our House - 2021 Remaster
141 bpm • A Maj • 03:00 • -15db
39% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tammy Wynette
Help Me Make It Through the Night
141 bpm • G# Maj • 02:42 • -14db
40% Popularity • 41% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
40% Popularity • 41% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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John Hiatt
Feels Like Rain
140 bpm • G Maj • 04:51 • -18.29db
43% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Emmylou Harris
Evangeline - 2008 Remaster
140 bpm • A Maj • 03:11 • -13db
35% Popularity • 57% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Shelby Lynne
I Don't Want To Hear It Anymore
140 bpm • C# Maj • 04:36 • -15db
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Brothers Four
Make Me a Pallet
140 bpm • E Maj • 03:24 • -17.09db
14% Popularity • 62% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 62% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Dolly Parton
Those Memories of You - 2015 Remaster
140 bpm • E Maj • 04:00 • -14.61db
46% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Mark Knopfler
All The Roadrunning
157 bpm • C Maj • 04:49 • -7.44db
45% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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John Hiatt
Have A Little Faith In Me
157 bpm • C Maj • 04:01 • -14.11db
57% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Emmylou Harris
The Light
140 bpm • G# Maj • 02:29 • -13db
22% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Poco
Rose Of Cimarron
157 bpm • F# Maj • 06:42 • -11.75db
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Mary McCaslin
Things We Said Today
157 bpm • A Maj • 03:02 • -11.24db
29% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Fogelberg
There's a Place in the World for a Gambl...
139 bpm • C Maj • 05:44 • -17db
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Melanie
Nickel Song
139 bpm • G Maj • 03:45 • -12db
26% Popularity • 52% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 52% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
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Rosanne Cash
Long Black Veil
139 bpm • A# Maj • 03:10 • -10db
35% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Patty Larkin
Good Thing - Angels Running
158 bpm • F Maj • 04:36 • -14.28db
20% Popularity • 61% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
20% Popularity • 61% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Emmylou Harris
Red Red Rose
138 bpm • B Maj • 03:56 • -17.42db
12% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Sinéad Lohan
To Ramona
158 bpm • G Maj • 03:43 • -11db
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dan Fogelberg
Longer
158 bpm • G Maj • 03:15 • -24.71db
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Knopfler
I Dug Up A Diamond
138 bpm • B min • 03:35 • -9.12db
39% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Emmylou Harris
Easy from Now On - 2003 Remaster
138 bpm • D# Maj • 03:09 • -11db
25% Popularity • 48% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 48% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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John Gorka
Love Is Our Cross To Bear
137 bpm • C min • 04:16 • -18db
33% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gram Parsons
Love Hurts - 2007 Remaster
137 bpm • G Maj • 03:42 • -11db
45% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Scott Walker and the Walker Brothers
Joanna
137 bpm • C# Maj • 03:51 • -9.85db
12% Popularity • 24% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 24% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Prine
I Just Called to Say I Love You - Record...
137 bpm • D# Maj • 04:07 • -13.96db
40% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Joel
To Make You Feel My Love
137 bpm • G Maj • 03:51 • -8.34db
46% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Shelby Lynne
Not Dark Yet
137 bpm • C Maj • 04:19 • -11.13db
33% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Admiral Freebee
Coming Of The Knight
136 bpm • D Maj • 03:44 • -11.18db
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Knopfler
Belle Starr
137 bpm • C Maj • 03:04 • -4.9db
33% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Gary Shearston
The Ballad of Blasted Creek
136 bpm • B min • 03:41 • -14.03db
20% Popularity • 47% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 47% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Alison Moyet
Windmills of Your Mind
136 bpm • A# min • 03:51 • -10db
35% Popularity • 37% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 37% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Karen Carpenter
Karen/Ella Medley
136 bpm • F min • 05:56 • -12db
33% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lisa Bassenge
Keep Me in Your Heart for a While
136 bpm • A# Maj • 03:00 • -11db
46% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Fairground Attraction
Ay Fond Kiss
136 bpm • A Maj • 03:19 • -22.65db
20% Popularity • 35% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 35% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Noel Paul Stookey
Wedding Song (There Is Love)
135 bpm • D# Maj • 03:46 • -11.82db
40% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Gary Shearston
I Get a Kick out of You
136 bpm • D Maj • 03:40 • -13.99db
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Ray Charles
Do I Ever Cross Your Mind
135 bpm • D Maj • 04:34 • -9db
46% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Notting Hillbillies
Feel Like Going Home
134 bpm • D Maj • 04:52 • -18.67db
39% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Anne Sofie von Otter
For No One
163 bpm • G min • 01:58 • -15.97db
30% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Al Martino
Mary In The Morning
134 bpm • C Maj • 02:56 • -11.12db
37% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Graham Nash
Myself at Last
134 bpm • G Maj • 05:17 • -18.53db
31% Popularity • 61% Danceability • 11% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
31% Popularity • 61% Danceability • 11% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Nina Simone
I Think It's Going to Rain Today
134 bpm • G# Maj • 03:20 • -16.81db
44% Popularity • 50% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 50% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ralph McTell
Naomi
134 bpm • C Maj • 03:12 • -11.89db
28% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Linda Ronstadt
Sisters of Mercy
133 bpm • C# Maj • 03:58 • -12.55db
19% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sandy Denny
Tomorrow Is A Long Time
133 bpm • E Maj • 03:54 • -12.29db
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Beatles
The Long And Winding Road - Remastered 2...
132 bpm • D# Maj • 03:38 • -10.1db
65% Popularity • 30% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
65% Popularity • 30% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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George Michael
The First Time Ever I Saw Your Face
132 bpm • C# Maj • 05:19 • -19.29db
47% Popularity • 33% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 12% Positiveness
47% Popularity • 33% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 12% Positiveness
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Kiki Dee
Amoureuse
131 bpm • A# Maj • 04:08 • -5.07db
37% Popularity • 41% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Kingston Trio
Where Have All The Flowers Gone? - Remas...
131 bpm • A# Maj • 03:04 • -21db
44% Popularity • 60% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 60% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
