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Here's Looking At You
Songs like
Here's Looking At You
by
Mike Melvoin
Based on a tempo of (+/- 10%) and a similar genre
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Martin Sasse
Bennetts Blues
93 bpm • D min • 05:53 • -13.9db
14% Popularity • 46% Danceability • 38% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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J.Peterson Trio
Strings of My Heart
93 bpm • F Maj • 03:41 • -17.83db
9% Popularity • 46% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 11% Positiveness
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Mike Melvoin
Here's Looking At You
93 bpm • F min • 05:12 • -22.94db
1% Popularity • 47% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Filip Jers
Sultry Serenade
92 bpm • G Maj • 03:22 • -10.91db
18% Popularity • 77% Danceability • 15% Energy • 9% Liveness
64% Instrumentalness • 34% Positiveness
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Natasha Otero
The Wedding
92 bpm • G Maj • 05:02 • -19.92db
9% Popularity • 19% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 8% Positiveness
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Haroldo Mauro Jr
Depois Do Natal
92 bpm • D Maj • 05:16 • -17.48db
8% Popularity • 50% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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布施音人トリオ
Isolated
92 bpm • C min • 05:28 • -18.32db
21% Popularity • 41% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Loi Getiz
On Your Lips
94 bpm • G Maj • 04:12 • -17.74db
10% Popularity • 48% Danceability • 13% Energy • 13% Liveness
26% Instrumentalness • 13% Positiveness
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Thomas Hardin Trio
きらきら星変奏曲より
92 bpm • F Maj • 03:24 • -16.64db
9% Popularity • 40% Danceability • 25% Energy • 8% Liveness
74% Instrumentalness • 21% Positiveness
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Geweldig Pianomuziek
Fantastisch Fijn Dineren - Sfeer
94 bpm • C Maj • 01:52 • -21.92db
13% Popularity • 79% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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UNRJ
The Light Afternoon (Smooth Jazz)
94 bpm • D min • 03:30 • -24.77db
22% Popularity • 59% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Ben Allison
That Moanin' Blues
95 bpm • F min • 02:45 • -17.53db
18% Popularity • 59% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
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Freddy Cole
You Could Hear a Pin Drop
95 bpm • A# min • 03:30 • -18.41db
8% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Trio Del Norte
Lullaby to a Kitten
95 bpm • F Maj • 07:01 • -17.82db
10% Popularity • 60% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Lunaria
There Was a Girl
91 bpm • A# min • 03:50 • -9.65db
14% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Yes! Trio
How Deep Is the Ocean
91 bpm • G# Maj • 05:15 • -17.34db
17% Popularity • 58% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 63% Positiveness
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Martin Sasse
How Little We Know
95 bpm • G# Maj • 06:55 • -14.61db
13% Popularity • 44% Danceability • 41% Energy • 13% Liveness
82% Instrumentalness • 47% Positiveness
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Slow Snow
輝ける砂
95 bpm • G min • 02:07 • -18.61db
9% Popularity • 73% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 78% Positiveness
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Rufus Reid
It's the Nights I Like
95 bpm • F Maj • 02:57 • -16.39db
20% Popularity • 52% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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Mandy
O Man, Bewail Thy Sins So Great
95 bpm • C min • 02:53 • -20.65db
14% Popularity • 38% Danceability • 10% Energy • 14% Liveness
83% Instrumentalness • 14% Positiveness
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Mike Melvoin
Blues For Leroy
91 bpm • F Maj • 09:14 • -26.96db
0% Popularity • 43% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Denis Burell Trio
Mets "Si" ça va l'faire
91 bpm • C Maj • 05:59 • -17.74db
18% Popularity • 64% Danceability • 23% Energy • 12% Liveness
57% Instrumentalness • 60% Positiveness
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Black Door Band
Dedicated to You
91 bpm • A# Maj • 05:39 • -17.31db
9% Popularity • 37% Danceability • 20% Energy • 23% Liveness
88% Instrumentalness • 13% Positiveness
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Giuffre Zone
Scootin' Around
91 bpm • G# Maj • 03:28 • -11.82db
12% Popularity • 55% Danceability • 28% Energy • 71% Liveness
79% Instrumentalness • 31% Positiveness
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JAZZ SUP
Rock Me
96 bpm • F min • 02:48 • -11.56db
25% Popularity • 65% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 80% Positiveness
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Reinhardt Winkler
When It´s Sleep Time Down South
90 bpm • C min • 04:53 • -27.74db
7% Popularity • 61% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Music For Cats
Prey'n and Disobey'n
90 bpm • G min • 01:27 • -20.62db
27% Popularity • 75% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Salmieri Bastarduna Sextet
The Balinese Dancer (Reprise)
90 bpm • A# min • 03:24 • -14.62db
13% Popularity • 73% Danceability • 11% Energy • 8% Liveness
44% Instrumentalness • 22% Positiveness
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Giusva Branca
He Said He Can Do This
90 bpm • A# min • 01:41 • -22.7db
16% Popularity • 51% Danceability • 16% Energy • 11% Liveness
20% Instrumentalness • 49% Positiveness
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Stefan Veit
Spring Tides
90 bpm • C# Maj • 03:58 • -18.66db
12% Popularity • 55% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Thomas Hardin Trio
BAN BAN BAN
90 bpm • F Maj • 04:43 • -11.21db
11% Popularity • 38% Danceability • 41% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Yes! Trio
Omeration
97 bpm • C# Maj • 06:04 • -14.29db
19% Popularity • 53% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Stefano Luigi Mangia
Martiona
97 bpm • E min • 05:00 • -17.71db
9% Popularity • 36% Danceability • 20% Energy • 7% Liveness
12% Instrumentalness • 9% Positiveness
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Mal Waldron
All of My Life
89 bpm • D min • 03:06 • -23.65db
11% Popularity • 49% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Nicolás Gámez
Sarita
97 bpm • A# min • 08:08 • -20.47db
8% Popularity • 48% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
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Xylo Vortex
Smooth jazz twilight
89 bpm • A# min • 01:37 • -21.79db
9% Popularity • 56% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
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Eric Legnini
The Jive
89 bpm • B Maj • 03:06 • -19.34db
20% Popularity • 62% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Easy Camel Trio
メヌエット ト長調 BWV.Anh.114
98 bpm • G min • 04:07 • -15.28db
13% Popularity • 66% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 66% Positiveness
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Milt Jackson Quartet
Anything I Do
89 bpm • C Maj • 03:00 • -24.74db
18% Popularity • 39% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 52% Positiveness
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Joe Locascio
Let's Cool One
98 bpm • D# Maj • 04:06 • -20.41db
11% Popularity • 40% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Serge Delaite
Stonpin’ at the Savoy
98 bpm • C# Maj • 02:46 • -14.28db
12% Popularity • 63% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 68% Positiveness
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John Hicks
Something Happens
98 bpm • G# Maj • 07:06 • -19.43db
9% Popularity • 39% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 57% Positiveness
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Thomas Hardin Trio
アヴェ・ヴェルム・コルプス
98 bpm • C Maj • 03:57 • -18.49db
8% Popularity • 41% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
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Pasilians
Beatrice
98 bpm • F min • 05:28 • -11.88db
6% Popularity • 54% Danceability • 41% Energy • 18% Liveness
9% Instrumentalness • 44% Positiveness
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Piero Gaddi quartet
Tijuana Jump
88 bpm • G min • 04:43 • -13.86db
19% Popularity • 49% Danceability • 32% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
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Sam Renoir
Naughty Jokes
88 bpm • G# Maj • 01:24 • -19.72db
28% Popularity • 35% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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Homei Matsumoto
'Tis Autumn
98 bpm • D# Maj • 03:44 • -18.22db
15% Popularity • 44% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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OtwinGroup
Small Step
98 bpm • B Maj • 03:41 • -15.85db
14% Popularity • 43% Danceability • 35% Energy • 15% Liveness
83% Instrumentalness • 54% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53 (Excerpts Arr. for J...
88 bpm • B Maj • 03:26 • -34.3db
7% Popularity • 30% Danceability • 1% Energy • 7% Liveness
24% Instrumentalness • 6% Positiveness
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Rainer Schnelle
Delightful Things
98 bpm • F min • 02:23 • -20.84db
19% Popularity • 52% Danceability • 29% Energy • 14% Liveness
94% Instrumentalness • 75% Positiveness
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Francesca Tandoi
Overjoyed
99 bpm • A min • 04:39 • -15.08db
16% Popularity • 40% Danceability • 44% Energy • 13% Liveness
4% Instrumentalness • 28% Positiveness
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Denis Burell Trio
La valse de l'aulnaie
98 bpm • C Maj • 04:19 • -20.35db
13% Popularity • 43% Danceability • 24% Energy • 15% Liveness
68% Instrumentalness • 14% Positiveness
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Lunaria
Morning Bliss
88 bpm • F Maj • 03:09 • -11.89db
14% Popularity • 36% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Owen Broder
I'm Beginning to See the Light
99 bpm • F min • 03:30 • -11.44db
20% Popularity • 59% Danceability • 31% Energy • 7% Liveness
69% Instrumentalness • 56% Positiveness
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Simon Bächinger
Chameleon
99 bpm • G# Maj • 04:50 • -10.8db
32% Popularity • 64% Danceability • 45% Energy • 10% Liveness
69% Instrumentalness • 61% Positiveness
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Kevin Sargent
Paradise Club Theme
99 bpm • G Maj • 02:34 • -10.57db
13% Popularity • 53% Danceability • 41% Energy • 15% Liveness
68% Instrumentalness • 80% Positiveness
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Skip Peck
The Adversary
87 bpm • C# Maj • 03:43 • -22.87db
11% Popularity • 71% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 62% Positiveness
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Mathias Algotsson
Changes
99 bpm • G min • 03:08 • -22.54db
12% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Mike Melvoin
Haunted Heart
87 bpm • D# Maj • 07:11 • -25.54db
0% Popularity • 45% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Gabriel Latchin Trio
Just the Ticket
99 bpm • G min • 04:38 • -11.93db
9% Popularity • 62% Danceability • 42% Energy • 7% Liveness
91% Instrumentalness • 63% Positiveness
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Jeremy Davenport
Let's Leave
100 bpm • A Maj • 05:38 • -23.48db
7% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Rainer Schnelle
Thomas And His Piano
100 bpm • C min • 01:58 • -20.7db
22% Popularity • 63% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 71% Positiveness
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Easy Camel Trio
春の歌
87 bpm • C Maj • 03:48 • -16.26db
16% Popularity • 40% Danceability • 36% Energy • 9% Liveness
67% Instrumentalness • 62% Positiveness
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Sodermalm Strand
What Is This Thing Called Love
100 bpm • C Maj • 02:45 • -17.54db
10% Popularity • 52% Danceability • 31% Energy • 20% Liveness
25% Instrumentalness • 53% Positiveness
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David Fitzpatrick Trio
In the Shadows
100 bpm • C Maj • 04:43 • -17.77db
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
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Art Monroe
Clouds
101 bpm • D Maj • 06:25 • -22.03db
7% Popularity • 46% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 9% Positiveness
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The North Sea Trio
Taking A Chance On Love
86 bpm • C Maj • 03:12 • -19.35db
22% Popularity • 72% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Sam Renoir
My Picture of You
86 bpm • F min • 01:46 • -19.03db
20% Popularity • 45% Danceability • 12% Energy • 16% Liveness
82% Instrumentalness • 35% Positiveness
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François Théberge
Adnimals
101 bpm • E min • 05:27 • -15.7db
9% Popularity • 42% Danceability • 26% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
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Eric Legnini
Woody'n You
101 bpm • F# Maj • 03:19 • -19.85db
22% Popularity • 65% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Francesco Scaramuzzino
Le mie parole preferite
101 bpm • C Maj • 05:27 • -15db
7% Popularity • 41% Danceability • 43% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
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Eric Alexander
Not While I'm Around
85 bpm • D Maj • 02:12 • -15.53db
22% Popularity • 54% Danceability • 6% Energy • 12% Liveness
73% Instrumentalness • 41% Positiveness
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Thomas Hardin Trio
バラード1番
101 bpm • D Maj • 03:56 • -18.86db
7% Popularity • 58% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 41% Positiveness
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Sam Renoir
Playful Pursuit
86 bpm • F# Maj • 01:23 • -20.48db
25% Popularity • 52% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 31% Positiveness
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Rodrigo Recabarren
Minho
102 bpm • E Maj • 03:11 • -26.2db
14% Popularity • 40% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Salvatore Bonafede
More Coverage - To Jelly Roll Morton and...
85 bpm • G# Maj • 04:06 • -15.56db
13% Popularity • 52% Danceability • 41% Energy • 9% Liveness
77% Instrumentalness • 62% Positiveness
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Rasmus Sørensen
Everything I Love
102 bpm • D min • 05:39 • -16.86db
20% Popularity • 46% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Lunaria
Star-Rained Reverie (Interlude)
102 bpm • C Maj • 02:19 • -21.98db
15% Popularity • 52% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
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Oli Rosen Trio
Trafalgar Square
102 bpm • D# Maj • 05:17 • -20.35db
18% Popularity • 38% Danceability • 8% Energy • 26% Liveness
40% Instrumentalness • 4% Positiveness
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Coffee Shop Jazz
Night Jazz Groove
102 bpm • C# Maj • 02:09 • -19.63db
20% Popularity • 37% Danceability • 7% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
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Sam Renoir
Winking Keys Secrets
84 bpm • B Maj • 01:24 • -18.45db
20% Popularity • 49% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 77% Positiveness
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Douglas Brown
Swatin
84 bpm • B Maj • 05:51 • -14.05db
11% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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海野 雅威
Over The Moon
84 bpm • B min • 04:25 • -15.95db
14% Popularity • 73% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 61% Positiveness
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Andrés Bedó
Los Nadadores
103 bpm • C Maj • 04:01 • -23.89db
10% Popularity • 45% Danceability • 4% Energy • 27% Liveness
86% Instrumentalness • 12% Positiveness
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Rosello Blue
Walk the Walk
84 bpm • F# Maj • 02:24 • -21.69db
11% Popularity • 55% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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The Collective
Where Does The Love Go After
84 bpm • G min • 03:14 • -16.31db
18% Popularity • 50% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Mark Colemann
London Bridge
103 bpm • C min • 03:49 • -15.71db
9% Popularity • 40% Danceability • 15% Energy • 15% Liveness
27% Instrumentalness • 20% Positiveness
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Rufus Reid
Sweet Loraine
103 bpm • G min • 07:12 • -18.33db
9% Popularity • 56% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Frank Jakobsen
The Peacocks
84 bpm • C min • 09:42 • -27.1db
14% Popularity • 37% Danceability • 3% Energy • 13% Liveness
54% Instrumentalness • 15% Positiveness
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海野 雅威
One Way Flight
103 bpm • B min • 04:25 • -19.43db
11% Popularity • 63% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Homei Matsumoto
Tokyo Blues
84 bpm • F Maj • 02:49 • -20.23db
15% Popularity • 48% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
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Xylo Vortex
Jazz velvet
104 bpm • C min • 01:13 • -17.6db
25% Popularity • 81% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
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西条孝之介
レディ・イズ・ア・トランプ
104 bpm • A min • 03:30 • -19.86db
13% Popularity • 70% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 66% Positiveness
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Stefano Bollani
Den Allersidste Dans
104 bpm • A# min • 06:18 • -25.05db
7% Popularity • 53% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
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Lunaria
Dewdrop Lullaby (Interlude)
83 bpm • G# Maj • 01:28 • -22.24db
25% Popularity • 48% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Soesja Citroen
Tell Me No Fortunes
104 bpm • F# Maj • 04:11 • -9.79db
11% Popularity • 57% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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David Hazeltine
The Look Of Love
83 bpm • G# Maj • 05:38 • -19.19db
14% Popularity • 48% Danceability • 23% Energy • 7% Liveness
10% Instrumentalness • 23% Positiveness
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Dave Young Quartet
Jordu
83 bpm • G# Maj • 05:00 • -17.03db
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 59% Positiveness
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Martin Sasse
Lover Man
104 bpm • F Maj • 05:02 • -19.2db
13% Popularity • 42% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ralph Reichert
Nik's Got the Knack - Alternate Take
104 bpm • A# Maj • 06:21 • -12.02db
10% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Here's Looking At You